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6
6.0 (2 Ratings)
Book Rating
I think this is the first life-guard story I've ever read. It was an insightful look into training and procedures they have to go through when rescuing people as well as covering some more serious issues such as accidents, whirl-pooling and other things you don't always realise happen at water parks.

I have to say I loved how they went mini-golfing. First time I've read that in a book (I think, anyway). The extra game Knight added into it made it more fun, though it didn't last too long...

Both characters, Rain and Knight, have both lost people they cared about in the past and are wary of new relationships but they find themselves unable to stay away from each other. We see flashbacks of both their previous relationships and how they both ended terribly sadly and how badly it affected them; Rain saying she will never love again and wanting to protective everyone, whether that puts her own life in danger or not, and Knight being extremely over-protective of her.

I cant entirely blame Knight though because Rain seems to get herself into really stupid situations all the time and he always come to her rescue. Like a real life Knight in shining armour :P

Another scene I liked was the kissing under water. It sounds very romantic and I like the graphic used in another review of the book on GoodReads.

Knight was cool, though his over-protectiveness was a little annoying in places, though totally warranted. Rain on the other hand, to me, came across as being a pain in the butt, always pulling the plug on their fledgling relationship.

Overall it was an okay read. Short but sweet dark, because something bad was always happening to someone or other.
  
Re-Animator (1985)
Re-Animator (1985)
1985 | Comedy, Horror, Sci-Fi
Straight up, Re-Animator is one of my favourite horror movies of all time - there is just so much to love about this bonafide classic.

Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.

This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!

Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
  
Buster's Mal Heart (2016)
Buster's Mal Heart (2016)
2016 | Mystery
Someone tell me what I just watched?!?
On the recommendation from a friend, I checked this film out on Netflix (I think it is available on Netflix UK also).

Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?

The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.

The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.

It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.

The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.

I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.

Please someone else watch this so we can discuss. I would love to hear your opinion!

  
Judy (2019)
Judy (2019)
2019 | Biography, Drama, Musical
Brilliant performance by Zellwegger - and not much else
Renee Zellwegger is absolutely brilliant in her channeling of Judy Garland in the film JUDY. She deserves to - and WILL WIN - the Oscar for Best Actress. Her performance is amazing and I forgot that I was watching an actress playing Judy Garland and fell into a trance thinking I was actually watching the real Judy Garland.

Too bad the rest of the film is not this good.

Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.

And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.

The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.

And that does not a compelling movie make.

Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.

Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.

Letter Grade B (solely on the performance)

7 stars (out of 10) and you can take that to the Bank (OfMarquis)
  
Rosemary's Baby (1968)
Rosemary's Baby (1968)
1968 | Classics, Horror, Mystery

"“What have you done to its eyes?” How does a movie become a classic? Is it timing? Was it the dream-team collaboration of Paramount, Polanski, and Robert Evans? Was it producer William Castle, the mastermind who purchased the Ira Levin novel with plans to make it himself? Was it Mia Farrow, who had been painted with the brush of scandal after marrying Frank Sinatra? Did the devil himself have a hand in it? Whatever the reasons, my fascination with this film has never waned. There’s an enjoyment in watching Rosemary’s Baby that is similar to another gothic horror film, The Shining. It’s like listening to an album you love. Seeing the repetition of familiar scenes and faces. Shaking your head at Rosemary’s innocence as she tries to convince people that her neighbors might just be in a cult with Satan! Another highlight is the production design and cinematography. Not a frame is out of place, and it’s beautiful to look at. It captures a kind of sixties avant-garde vibe. I get the feeling Warhol would have liked this film. There are all sorts of great exterior location shots of New York, and the Dakota building on Seventy-Second Street adds the right spookiness. Does anyone remember or talk about what an amazing actress Mia Farrow is? Watch Broadway Danny Rose, and then watch Rosemary’s Baby. There’s some range there! Farrow as Rosemary has a beautiful, waifish glamour, enhanced by short dresses that make her seem more fragile and doll-like. John Cassavetes playing the “actor.” I love that he’s an “actor.” I love that his name is Guy! He makes a great prince of darkness. With his dark eyes and leering smile, well, you know he’s guilty of something the minute you see him. Then we have Ruth Gordon, who almost steals the film. Her caftan-wearing, mousse-making devil worshipper is the perfect amount of comic relief. I also love Charles Grodin as the fink doctor who squeals on Rosemary. Ralph Bellamy: terrifying! Every woman’s nightmare! Maybe that’s why I love it: Rosemary’s Baby plays on every woman’s fears. The man I married is different. Oh wait—maybe he’s sold his soul to the devil!"

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Chocolate Cream Pie Murder
Chocolate Cream Pie Murder
Joanne Fluke | 2019 | Mystery, Thriller
10
8.3 (3 Ratings)
Book Rating
Captivating Cozy Mystery!
“Chocolate Cream Pie Murder” is the twenty-fourth book in the Hannah Swensen Series by the author, Joanne Fluke. Why did I want to read this novel? Well, I love to curl up on the sofa on a dark winter’s night, or any time, really, with a mug of hot chocolate and a good cozy mystery and if it’s about food, as this one is, then so much the better!

I haven’t read any of the other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.

When Hannah’s Bakery, The Cookie Jar, becomes the setting of a TV special about movies filmed in Minnesota, Hannah hopes the spotlight will be shining on her bakery, and not the unsavoury scandal about her personal life. But that’s impossible with a disturbing visit from someone she once believed was her one and only love, a group of bodyguards following her every move, and a murder victim in her bedroom. Now, moving to her mother Delores’ penthouse, Hannah and an old flame team up to solve a case and as suspects emerge and secrets hit close to home, Hannah must find the killer prowling around Lake Eden before someone takes a slice out of her…

I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place there was still a lot going on. I found many of the characters very funny and easy to relate to, particularly Hannah herself and many of the other characters in the book were extremely amusing and unusual. I even liked the bad guy, the one everyone loves to hate.

The book had a natural, steady pace, and even though the murder occurred towards the end, I was kept guessing until the surprising reveal. Delightful and entertaining “Chocolate Cream Pie Murder” is a quick, light read for all cozy mystery fans.

{Thank you to NetGalley and Kensington Publishing for the free copy of this novel and for giving me the opportunity to provide an honest review.}
  
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Frank Black recommended The Last Post by Carbon/Silicon in Music (curated)

 
The Last Post by Carbon/Silicon
The Last Post by Carbon/Silicon
2007 | Pop
(0 Ratings)
Album Favorite

"It would be easy to say I’m massively into Big Audio Dynamite - which I am - but it’s like, here’s Mick Jones, holed up in his little London studio, quietly making these records for digital download. He makes these really long songs sometimes. They’re really minimalist records. They have that kind of hi-fi, sampled guitar riff kind of aesthetic that Mick Jones is so well known for. They’re really solid records. 'The News', the opening song on this record is really great and it doesn’t really have any end. It’s like: “You know what, I’m alive and I’m really going to kick it. I got me a little song I’m going to sing.” It’s not trying to be heavy or anything: the sun is shining and everything’s groovy. He gets away with it. He gets plenty heavy in other songs. He has 11 minute songs and retells sci-fi novels! I just love those Carbon/Silicon records. He’s not shoving it down my throat or trying to have a career. He just knows how to play the guitar really fucking good and his vocals are so great. It’s not about having a great voice, it’s all what the fuck you do with it. His vocals are casual but he chooses to do that. Mick Jones is so fucking casual man. With Mick Jones there’s nuance, you either get it or you don’t."

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