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LeftSideCut (3778 KP) rated The Matrix Resurrections (2021) in Movies

Dec 25, 2021 (Updated Dec 30, 2021)  
The Matrix Resurrections (2021)
The Matrix Resurrections (2021)
2021 | Action, Sci-Fi
Before watching The Matrix Resurrections, I was pretty much in the mindset that it didn't need to exist. The finished product did nothing to change my mind, however, it was entertaining enough that I genuinely enjoyed being back in this universe for another spin.
The whole narrative kind of felt inconsequential. Whereas in the original trilogy, Neo was woken up to save humanity. This time round, he's woken up for reasons that aren't made clear whatsoever, or at least, if they were then I completely missed them. By the time the story concludes, I found myself thinking "that was cool, but did anything actually happen?"
Like so many franchises these days, Resurrections leans heavily into nostalgia territory. I'm indifferent to this in all honesty. I see why some take issue with it, but I don't hate it. It doesn't feel too over the top, but the movie tries to get away with it by including a lot of meta dialogue about sequels and reboots. Some if it lands, some of it is horrifically on the nose. All of this combined really gives the impression that Resurrections purely exists to make money. The original sequels are riddled with issues, but at least it felt like a story was being told.

All of this being said, I still had a damn good time. It's a pleasure to see Keanu Reeves and Carrie-Anne Moss back together, and it successfully hammers home that The Matrix was always centered around the love between Neo and Trinity. The supporting cast ain't too shabby either. Jessica Henwick is great, as is Yahya Abdul-Mateen and Neil Patrick Harris. The action scenes don't quite reach iconic status, but are still a blast to watch unfold, and the whole thing is visually pleasing, as is expected.

Resurrections is ultimately a mixed bag. There's plenty of material to enjoy, but there's equally a whole bunch of ideas that aren't executed particularly well. Unfortunately for any films that followed, the original movie is pretty much untouchable, but to its credit, Resurrections doesn't flinch in its commitment to remain part of a layered sci-fi saga, despite its blockbuster status, and for that, I can respect what Lana Wachowski has cooked up, even if it feels a little shallow at times.
  
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Alex Proyas recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Well, you know, it’s interesting because my favorite films are ones that I keep watching. I just don’t think there have been many great science fiction films made. I mean, 2001 is genius, there’s no question it’s a masterpiece, but I’ve already picked a Kubrick film. I find Dr. Strangelove a more user-friendly and enjoyable film to look at and watch repeatedly. I can watch it endlessly. Blade Runner is a masterpiece, but I don’t know that I would put it in my top 5 at this stage. Maybe at some other point in my life, I would’ve. I picked a Hitchcock film. Kubrick, Hitchcock, and Tarkovsky are my absolute Holy Trinity, you know? I’ve picked one from each person now. Oh! Okay, here’s a curveball. Um, no, I don’t want to say that one… I was going to say The Wizard of Oz, which I really like, but I don’t know that I’d put it in my top five, but in my top twenty. [Long pause] Godfather, I’d say. Just a flawless film, something that’s so beautifully crafted and so perfectly structured and designed, that I can watch it endlessly and enjoy it every single time."

Source
  
Memento (2000)
Memento (2000)
2000 | Mystery, Thriller
Heady Trip
Christopher Nolan first burst onto the scene (for me) with MEMENTO, a 2000 film about a man with a rare condition - he cannot store any short term memories - and is looking for the man that murdered his wife and hit him on the head, thus causing this condition. The twist of the film - and the "trick" that makes this film work -is that it is told backwards (the last scene is first, the 2nd to last scene is 2nd...the first scene is last) so we, the audience, have no memory of what happened just before this scene and, thus, are suffering from the same inability to access what has happened just before as the main character.

This "trick" works very well and holds the film together, we are peeling apart the onion (or, more appropriately, we are putting the peels back on the onion) as the film progresses, gaining greater knowledge as we go along and, with each new piece of "old" information, we gain a new - and in most cases different - view of the scene that we just saw, keeping the audience off-balance for the entire film.

Nolan shows a sure-handedness in his direction of this film. It is clear he had a vision that he wanted to put on the screen and with the screenplay written by Nolan and his long-time collaborator, his brother Jonathan Nolan, Christopher Nolan has a canvas to paint his off-kilter picture and play with the themes of time and memory - themes he would come back to over again.

As the man with the memory loss, Leonard, Guy Pearce solidified himself for me (at the time) as a fine actor that is worth watching (this, afterall, was just a few years after LA CONFIDENTIAL). His Leonard is earnest and straightforward and while he does have a "tick" to show that his memory is erasing (to clue us, the audience in), he marches (backward) through this film strongly.

Aiding Pearce is veteran character actor Joe Pantoliano as Teddy - a cop who is helping Leonard find his wife's killer (or is he?). "Joey Pants" (as he is known) is perfect for this type of ambiguous character, never really trusting him, but trusting him "just enough". Also jumping in is Trinity, herself, Carrie-Ann Moss - an actress that I thought was going to build on this (and the Matrix) and become quite the star. It didn't quite work out.

I enjoyed this mystery and was thinking about how well it works if you ran the scenes in chronological order - upon reflection, I realized that if you did that, holes get punched into things pretty quickly. So, don't do that, but do rent or stream or pull the old DVD of MEMENTO off your bookshelves, it is worth your time.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
The Clovehitch Killer (2018)
The Clovehitch Killer (2018)
2018 | Drama, Horror, Mystery
Story: The Clovehitch Killer starts as we head to a small town that has been living in the shadow of a serial killer branded Clovehitch because of his style of knot. We meet the picture-perfect family with Don (McDermott), Tyler (Plummer), Susie (Sherman) and Cindy (Mathis) who go to church every week.

When Tyler discovers a photo in his father’s car, he starts to think the killer could be closer to home than he first thought, he turns to the local Kassi (Beaty) who has been studying the killer for years to see if his father could be the town’s serial killer.

 

Thoughts on The Clovehitch Killer

 

Characters – Don is the father of the family, he has always helped his son with his boy scout assignments including knot tying, he helps around the neighbourhood too with his time in the church. He is hiding a secret that his son starts to figure out and does what he can to keep this from the rest of the world, Don is created in the same light as what we saw The Trinity Killer in Dexter. Tyler is the son that starts to think his father is the serial killer that scared the town, he tries to investigate which only makes things more difficult to one believe the truth and two keep a secret from his father. Cindy is the wife of Don, she is involved in the church believing they are living a happy life. Kassi is the estranged teenager in the town, she is considered an outsider because if her search for the Clovehitch killer, she is the one that Tyler turns to for help.

Performances – Dylan McDermott does give us a very disturbing performance which shows us just how easily a serial killer could operate in this world. Charlie Plummer gives us a strong performance as 2018 year was a fantastic year for him. Samantha Mathis is here and doesn’t get that much to do in the film, while Madisen Beaty brings the investigation figure to life well through the film.

Story – The story here follows a teenager that starts to believe his father is the town’s serial killer and starts investigating whether this is true or not. This is an interesting spin on the serial killer film, we do go down the line that Dexter had with the character which is all good because we see how one operates and manages to keep things secret from their family. The idea that the son is trying to learn the truth keeps us on edge, but seeing the action unfolding we get an intense story that manages to keep nearly everything calm through the events of the film.

Horror/Mystery – The horror follows the idea of a serial killer being in the family, it gets to show us how they can seem like they are everyday people which only makes the serial killer coming off worse. The mystery of the film follows whether he is the killer or not, well it is meant to, only for it to give away everything way to early.

Settings – The film uses the small town settings to make us believe just how the town has been in fear since the serial killer, it shows how one could operate without being looked at differently.

Special Effects – The effects in the film are very simple, we get to see just how he does the kills, only we don’t need to see anything graphic.


Scene of the Movie – The newest victim.

That Moment That Annoyed Me – It could have been slightly more mysterious or just given us that he is a killer early on, it just doesn’t commit either side.

Final Thoughts – This is a horror film that does take things in new direction which keeps us on edge even if it does miss a chance to commit to one side of the film.

 

Overall: Serial killer film with a twist.
  
Hope's Deceit (The Fated #2)
Hope's Deceit (The Fated #2)
Angela McPherson | 2015 | Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
The dude is back! Morpheus reigns supreme with his sarcasm and cocky attitude, although you do also see a softer side to him occasionally. As for the rest of the characters, they continue to change and grow with each situation, divulging their secrets and showing strength where none was expected.

Trinity still has her hands full as she tries to learn about her powers and prepares for her eighteenth birthday which is rapidly approaching. Things are not all sunshine and roses with her and Blain - some of which is caused by miscommunication, some by age (she is only 17 after all) and some by circumstances. Every time they were together, my heart was in my mouth! I really want them to be together, but can also understand how the others say that Blain makes her weak. I really hope that she will start to show her true strength now, she has reason enough - and that is all I will say so that I don't give out any spoilers.

The one character I didn't get on with as much in this book is Trinity's dad. He seemed to have whiplash with his emotions and I just couldn't keep up. Still, this is a small thing and also understandable as a father realises he has to let his daughter grow up, even if these circumstances are slightly unusual! 😉
 
Well-written, fast-paced and chock full of emotion, you will be held prisoner by this book, turning the pages as you immerse yourself within the storyline. With no spelling or grammatical errors that I found, this was an amazing second book and I am now on tenterhooks whilst I wait for the third. If you like Urban Fantasy with a bit of Greek Mythology thrown in, then I can highly recommend this book and the first one in the series. Absolutely fantastic.
 
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
 
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 13, 2015