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Those Conspiracy Guys
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Those Conspiracy Guys is a weekly podcast where we discuss all types and genres of conspiracy...
JT (287 KP) rated Shutter Island (2010) in Movies
Mar 10, 2020
It’s all very film noir from Scorsese, more at home among gangsters and moles, here he turns his attention to a period mystery thriller.
The film has touches of Hitchcockian flair throughout it as we watch DiCaprio and Ruffalo embark through mist and fog in order to reach a desolate island, over run with guards and orderlies whose job it seems is to keep a watchful eye over the criminally insane.
And so begins a puzzling quest for the truth as DiCaprio attempts to leave no stone unturned in the search for the missing patient while at the same time battling his own demons.
The death of his wife in an apartment fire seems to be the catalyst for a lot of dream-scape and it only proves to be a distraction from the impending outcome, as an array of colourful characters try and put him and his partner off the scent. That and its also revealed that Teddy, an ex-GI has been tormented by memories of liberating Dachau nine years earlier.
It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
DiCaprio is nothing short of sublime and the transformation from seemingly sane individual to… well, anything else would be seen as a massive plot spoiler. The supporting cast are as equally good, with strong performances from Ben Kingsley, Michelle Williams and Jackie Earle Haley as a disfigured inmate who pops up to reveal to Teddy more clues about the mysterious secrets the island hides.
The cinematography is also exceptional with some really harrowing shots, one of which places us in the sights of a firing squad that cuts to pieces a group of death camp Nazis. Not to mention the dream sequence involving Teddy’s wife, covered in blood and disappearing into ash as a desperate DiCaprio grasps at one last embrace.
The film drops hints and clues all through it. There are some purposely shot continuity errors that film viewers should be watchful of that will lead them to the jaw dropping and well thought out if not predictable conclusion. It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
The film has touches of Hitchcockian flair throughout it as we watch DiCaprio and Ruffalo embark through mist and fog in order to reach a desolate island, over run with guards and orderlies whose job it seems is to keep a watchful eye over the criminally insane.
And so begins a puzzling quest for the truth as DiCaprio attempts to leave no stone unturned in the search for the missing patient while at the same time battling his own demons.
The death of his wife in an apartment fire seems to be the catalyst for a lot of dream-scape and it only proves to be a distraction from the impending outcome, as an array of colourful characters try and put him and his partner off the scent. That and its also revealed that Teddy, an ex-GI has been tormented by memories of liberating Dachau nine years earlier.
It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
DiCaprio is nothing short of sublime and the transformation from seemingly sane individual to… well, anything else would be seen as a massive plot spoiler. The supporting cast are as equally good, with strong performances from Ben Kingsley, Michelle Williams and Jackie Earle Haley as a disfigured inmate who pops up to reveal to Teddy more clues about the mysterious secrets the island hides.
The cinematography is also exceptional with some really harrowing shots, one of which places us in the sights of a firing squad that cuts to pieces a group of death camp Nazis. Not to mention the dream sequence involving Teddy’s wife, covered in blood and disappearing into ash as a desperate DiCaprio grasps at one last embrace.
The film drops hints and clues all through it. There are some purposely shot continuity errors that film viewers should be watchful of that will lead them to the jaw dropping and well thought out if not predictable conclusion. It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
Darren (1599 KP) rated The Confines (2015) in Movies
Sep 13, 2019
Characters – Streak is a disturbed young woman, she must prove she can keep a job to get her child back which leads her to the night watchwoman role. She doesn’t have experience in this role which leads her to explore and using her gift to learn the truth about the building. Cooper is the experienced night watchman, he needs this job and with his disability, it seems like a comfortable gig for him, this night turns into a nightmare as he must deal with Streak never being sure if she is unstable herself or there is something going on in the building. To round out our small cast we have a homeless man and the guy that hires Streak, neither do much else in the film.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Darren (1599 KP) rated Marauders (2016) in Movies
Jul 25, 2019
Story: Marauders starts when a bank robbery which leaves the bank manager executed, the president of the bank Hubert (Willis) has an excellent reputation and with the FBI investigating the robbery, Montgomery (Meloni) and his team Stockwell (Bautista) and newbie Wells (Grenier) try to put the clues together.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
Ryan Hill (152 KP) rated Shazam! (2019) in Movies
Jun 22, 2019
"i'd like to purchase some of your finest beer please"
Shout "Shazam!" into the sky and you're struck by a bolt of lightning from the heavens; blessed with the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury. Instantly elevated from whatever you were into your peak self; reborn with a crack of thunder, a flash of light and a cloud of smoke. It's a wonderfully novel and simple idea for a comic book character. Something that allows for a spectacular hero moment right before each conflict or feat; an epic bit of imagery to light up the night sky and electrify the frame. This transformation also perfectly captures the spirit of both this film and it's hero; a belief in the idea that even the most forgotten, marginalized and seemingly powerless person can change the world.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Movie Metropolis (309 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
It’s always surprising when a truly awful film performs well at the box-office, but that’s exactly what happened with 2017’s London Has Fallen. Despite overwhelmingly poor reviews, the sequel to 2013’s marginally better Olympus Has Fallen made over four times its production budget in ticket sales.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point?
Authorities take Secret Service agent Mike Banning (Gerard Butler) into custody for the failed assassination attempt of U.S. President Allan Trumbull (Morgan Freeman). After escaping from his captors, Banning must evade the FBI and his own agency to find the real threat to the president. Desperate to uncover the truth, he soon turns to unlikely allies to help clear his name and save the country from imminent danger.
First thing’s first. This is better than London Has Fallen in every conceivable area. Where that film was packed full of grainy stock footage, poor CGI and laughable dialogue, Angel Has Fallen at least attempts to create a reasonably coherent film, even if the end result is completely forgettable.
The script for one attempts to focus on the mental and physical strain Gerard Butler’s job has taken on both aspects of his health. We join the film with Butler working his way through an assault course of sorts, so far so Gerard. However, as the film progresses the audience realises that Agent Banning is suffering from a lot of demons, impacting his clarity and causing him to lose focus.
To be fair, Butler does his best with the material he’s given, but three films in, even he is starting to look a little bored. The rest of the cast don’t fare any better. Morgan Freeman dons his tried and tested President persona, but the 82-year-old legend struggles with the physical demands of the role – and the all too obvious body doubles are a jarring mismatch with a film that is occasionally nicely choreographed and edited.
Only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success
The highlight comes about half way through the film as we are introduced to a dishevelled Nick Nolte playing Clay Banning, Mike’s foul-mouthed father, living off grid in rural Virginia. The casting is a little odd at first but the pair share good on-screen chemistry with each other and are much better than any relationship we saw in the film’s two predecessors. One of the action sequences the two of them have together is absurd but genuinely funny.
While the script has improved somewhat (there’s no unnecessary racism to be had), there are still huge flaws here. A third-act twist is one of the most ridiculously predictable twists in movie history, made all the more insulting by the fact that there are no red herrings in the story whatsoever. Come on guys, at least give us something else to think about! Instead of an “oooo” when the twist is revealed, the collective response from the audience was practically an eye-roll.
Elsewhere, the film’s finale, which feels like it goes on for far too long, is pure cinematic nonsense of the highest degree but does utilise this instalment’s bigger budget reasonably well. There are instances of poor CGI and very very obvious green screen dotted throughout, but nothing as bad as the laughably rubbish explosions and CG helicopters that riddled London Has Fallen.
Angel Has Fallen (2019 Movie) Official Trailer - Gerard Butler, Morgan Freeman - YouTube
Overall, only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success but the increased focus on the human elements of the lead characters rather than the outright racism featured in the previous films is a welcome change, and while the action scenes are filmed with a little too much shaky cam for my liking, they’re decently watchable if lacking in any real originality.
The problem we have is that this film will undoubtedly be yet another success if the sold-out screening I attended is anything to go by. Inevitably, this will then pave the way for more similarly themed movies. However, these films aren’t created for those of us who love cinema or to show off the craft of film-making, they’re made for people who want to check their phones every now and then or have a chat to the person next to them. And to be frank, that’s a cinematic world I’d rather not be a part of.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point?
Authorities take Secret Service agent Mike Banning (Gerard Butler) into custody for the failed assassination attempt of U.S. President Allan Trumbull (Morgan Freeman). After escaping from his captors, Banning must evade the FBI and his own agency to find the real threat to the president. Desperate to uncover the truth, he soon turns to unlikely allies to help clear his name and save the country from imminent danger.
First thing’s first. This is better than London Has Fallen in every conceivable area. Where that film was packed full of grainy stock footage, poor CGI and laughable dialogue, Angel Has Fallen at least attempts to create a reasonably coherent film, even if the end result is completely forgettable.
The script for one attempts to focus on the mental and physical strain Gerard Butler’s job has taken on both aspects of his health. We join the film with Butler working his way through an assault course of sorts, so far so Gerard. However, as the film progresses the audience realises that Agent Banning is suffering from a lot of demons, impacting his clarity and causing him to lose focus.
To be fair, Butler does his best with the material he’s given, but three films in, even he is starting to look a little bored. The rest of the cast don’t fare any better. Morgan Freeman dons his tried and tested President persona, but the 82-year-old legend struggles with the physical demands of the role – and the all too obvious body doubles are a jarring mismatch with a film that is occasionally nicely choreographed and edited.
Only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success
The highlight comes about half way through the film as we are introduced to a dishevelled Nick Nolte playing Clay Banning, Mike’s foul-mouthed father, living off grid in rural Virginia. The casting is a little odd at first but the pair share good on-screen chemistry with each other and are much better than any relationship we saw in the film’s two predecessors. One of the action sequences the two of them have together is absurd but genuinely funny.
While the script has improved somewhat (there’s no unnecessary racism to be had), there are still huge flaws here. A third-act twist is one of the most ridiculously predictable twists in movie history, made all the more insulting by the fact that there are no red herrings in the story whatsoever. Come on guys, at least give us something else to think about! Instead of an “oooo” when the twist is revealed, the collective response from the audience was practically an eye-roll.
Elsewhere, the film’s finale, which feels like it goes on for far too long, is pure cinematic nonsense of the highest degree but does utilise this instalment’s bigger budget reasonably well. There are instances of poor CGI and very very obvious green screen dotted throughout, but nothing as bad as the laughably rubbish explosions and CG helicopters that riddled London Has Fallen.
Angel Has Fallen (2019 Movie) Official Trailer - Gerard Butler, Morgan Freeman - YouTube
Overall, only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success but the increased focus on the human elements of the lead characters rather than the outright racism featured in the previous films is a welcome change, and while the action scenes are filmed with a little too much shaky cam for my liking, they’re decently watchable if lacking in any real originality.
The problem we have is that this film will undoubtedly be yet another success if the sold-out screening I attended is anything to go by. Inevitably, this will then pave the way for more similarly themed movies. However, these films aren’t created for those of us who love cinema or to show off the craft of film-making, they’re made for people who want to check their phones every now and then or have a chat to the person next to them. And to be frank, that’s a cinematic world I’d rather not be a part of.
Gareth von Kallenbach (980 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
The Boy Who Drew Monsters
7.0
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From the New York Times bestselling author of The Stolen Child comes a hypnotic literary horror...
Debbiereadsbook (1202 KP) rated Beneath This Mask (Enhanced #3) in Books
Oct 26, 2018
Russo's narration broke me!
Independent reviewer for Divine Magazine, I was gifted my AUDIO copy of this book.
This is book three in the Enhanced Series. I wouldn't say it was necessary for you to have read books one and two, but it might give you a better reading experience. It would also give you a a better experience of these men, and just what being Enhanced means.
Gael doesn't want a regular human partner, especially not one from the task force they have all come to hate. But Jake is different, he's not got that inbuilt hatred the others seem to have. When Jake and Gael come across a non-verbal Enhanced child, who later becomes a murder suspect, Gael has to put his feelings aside, even if they threaten to be his very undoing.
Oh Gael, Gael, Gael! My heart bled for this man, it really did! He's in a whole lotta pain, and he hides it from the others in his team, who are his family too. But Jake?? Jake sees, really SEES Gael, and Gael isn't entirely sure he wants to be seen.
While there is the murders of the Enhanced as the back story, what I particularly loved about this one, was the emotions involved between Gael and Jake. With the emotions involved with turning, and the aftemath of that. Gael's history wasn't the best before that point, but it became a whole lot worse after. Jake has his own demons, and when Gael finds out what that is, he lashes out, quite LITERALLY. But he does come around, once the awful truth becomes clear.
It's not as explicit as books one and two, but it doesn't need to be. I did find it a little more graphic, though, but I think that really IS needed.
When Gael is caught by the one doing the murders ( I knew! I knew when that person first showed up, I KNEW they were no good, that something bad would happen!) his feeling for Jake, his own abilities are used against him, and Gael has to trust the guys find him in time. And after that, when Gael pulls away from Jake?? That boy pulls out all the stops to make Gael SEE Jake, he really does. That Jake wants a family with Gael, and all who come along too. And I cried then, great heart wrecking sobs, because it's such a beautiful scene!
We are introduced to Sam, AKA Angel, who pushes ALL of Vance's buttons and then some! Can't wait for their story, really can't. But I'll wait for the audio, don't wanna flip between reading and listening.
Again, Nick J Russo narrates. This above mentioned scene? When Jake makes Gael SEE Jake?? I have no doubts, none at all, that it's the way that scene was deliver by Russo, his NARRATION, that wrecked me! Reading would not have had the same impact, not for me, anyway. Russo KILLS it, he absolutely does.
His voices are clear and consistent across all three books, he has a way of getting so much emotions across, that really is beyond compare. I love his narration, so please keep them coming!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
This is book three in the Enhanced Series. I wouldn't say it was necessary for you to have read books one and two, but it might give you a better reading experience. It would also give you a a better experience of these men, and just what being Enhanced means.
Gael doesn't want a regular human partner, especially not one from the task force they have all come to hate. But Jake is different, he's not got that inbuilt hatred the others seem to have. When Jake and Gael come across a non-verbal Enhanced child, who later becomes a murder suspect, Gael has to put his feelings aside, even if they threaten to be his very undoing.
Oh Gael, Gael, Gael! My heart bled for this man, it really did! He's in a whole lotta pain, and he hides it from the others in his team, who are his family too. But Jake?? Jake sees, really SEES Gael, and Gael isn't entirely sure he wants to be seen.
While there is the murders of the Enhanced as the back story, what I particularly loved about this one, was the emotions involved between Gael and Jake. With the emotions involved with turning, and the aftemath of that. Gael's history wasn't the best before that point, but it became a whole lot worse after. Jake has his own demons, and when Gael finds out what that is, he lashes out, quite LITERALLY. But he does come around, once the awful truth becomes clear.
It's not as explicit as books one and two, but it doesn't need to be. I did find it a little more graphic, though, but I think that really IS needed.
When Gael is caught by the one doing the murders ( I knew! I knew when that person first showed up, I KNEW they were no good, that something bad would happen!) his feeling for Jake, his own abilities are used against him, and Gael has to trust the guys find him in time. And after that, when Gael pulls away from Jake?? That boy pulls out all the stops to make Gael SEE Jake, he really does. That Jake wants a family with Gael, and all who come along too. And I cried then, great heart wrecking sobs, because it's such a beautiful scene!
We are introduced to Sam, AKA Angel, who pushes ALL of Vance's buttons and then some! Can't wait for their story, really can't. But I'll wait for the audio, don't wanna flip between reading and listening.
Again, Nick J Russo narrates. This above mentioned scene? When Jake makes Gael SEE Jake?? I have no doubts, none at all, that it's the way that scene was deliver by Russo, his NARRATION, that wrecked me! Reading would not have had the same impact, not for me, anyway. Russo KILLS it, he absolutely does.
His voices are clear and consistent across all three books, he has a way of getting so much emotions across, that really is beyond compare. I love his narration, so please keep them coming!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Neon's Nerd Nexus (360 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Feb 2, 2020 (Updated Feb 2, 2020)
Hello Neighbor
A Beautiful Day In The Neighborhood is an inspiring and delightful film about a man that was oh so smart and oh so pleasant. I just want to say from the start what an absolute joy this film was to watch, there was something so warm and wonderful there constantly that kept my full attention the entire time and when it ended I almost felt sad there wasnt more of it. Tom Hanks plays Fred Rogers aka Mr Rogers as hes known by most. An intriguing man who is almost investigated/interrogated by writer Lloyd Voge who has many troubles of his own. Hanks transforms seamlessly into Rogers with all his mannerisms replicated flawlessly even down to whats going on behined his eyes. Rogers may seem like theres something more sinister behined him at times but truth is he had a troubled past too and while maybe not a war veteran its almost as if you can see signs of depression or ptsd behined those eyes from the way he was treated in his youth of from the general weight of his job. But its the way the way hes learnt to deal with his anger, frustrations and demons thats so fascinating and how he manages to keep stong/humble so he can teach other children to overcome the harshness of life and the dark times they may face ahead of them thats trully inspiring and commendable. Llyods transformation during the film is also depicted amazingly too, hes so troubled hes almost beyond help, struggling with such emotions as grief, hatred and stress hes seemingly stuck on an ever declining path of sadness. That is until he meets rogers and the on screen interactions between these two are the absolute bread and butter to watch here as rogers uses his philosophy and good nature to help him find happiness in himself once again. See the thing is adults tend to dismiss anything they consider 'childish' but more often than not these so called childish things they dismiss contain more answers, escapism and advise for our problems than anything else be it by nostalgia, wisdom or philosophy or simple innocence. I loved how the tv show scenes felt so nostalgic that you could swear they were filmed way back in the past and the choice to use a different aspect ratio for them was smart. Its odd to say but theres definitely a subbtle element of horror and creepiness I found here too especially with some of the almost fever dream type scenes which worked extreamly well and broke up the film nicely. Lastly I would say if you are planning to see this be prepared to cry as its not only incredibly heartfelt it also constantly deals with very depressing subject matter too. So many times I found It depicted problems, situations, feelings and nostalgia to things that I have faced in my own life leading to me to tear up like it was speaking specifically to only me as I questioned my own life, feelings, relationships and decisions in my head. A splendid film that teaches us how life is to short to waste time on anger/hate and that we should instead spend and cherish the time we have here with the ones we love before its to late.