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The Witch (2015)
6.3
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A devout Puritan family in 17th century New England is slowly torn apart by evil supernatural...
The VVitch A New-England Folktale
BobbiesDustyPages (1259 KP) rated The Witch (2015) in Movies
Aug 23, 2017
The plot (2 more)
Anya Taylor-Joy
The brief horror moments
The pacing is so damn slow (1 more)
Really didn't care for any of the other characters. Except Thomasin
While the idea was amazing the execution was really lacking.
The VVitch was one of those movies that everyone talked about just how amazing it was but for it it didn't live up to hype at all. You get very few and far between horror monets the rest of the movie is just nothing happening and by nothing I mean NOTHING.
Honestly when it comes down to it the fan theories about all the hidden meanings of the movie are much more interesting then the actual movie.
Honestly when it comes down to it the fan theories about all the hidden meanings of the movie are much more interesting then the actual movie.
James Morrison (7 KP) rated The Isle (2018) in Movies
May 12, 2019
Should have left it on the isle
So i went to see this one at everyman cinema stratford upon avon where they also had a Q+A session with the two directors, alex and the woman who plays the part or the murdered victim was all their.
Now for me and the wife we feel that the film dragged on to long to the point I was falling asleep as it became that boring, i would say that if you liked the VVITCH then you may like this one but if not then its one to avoid as its the same kinda film.
As for fizz and ginger themself well lets just say they had a question possed at them during the Q+A "why did the people leave the island? Was it bacause of the highland clearances, fammine or the weather conditions?" Trying to get themself out of it they said "it was a combination of every thing" well at the end of the Q+A with me and the wife being scottish we had to give them a history lesson, the highland clearances happened in the 1600s after the battle of culloden, now if you know scotland this is the top end of the country and their "island" is not far from glasgow the bottom end of Scotland, added to this the clue highland clearances the island is in the lowlands, and adding even further after the battle of culloden the english pushed north slaughtering anyone wearing a kilt and banded the bagpipes and bonny prince charlie escaped the the closed island before going to france which was the isle of sky where people still live they would have seen that this does not match up.
On top of this the people left the island in the late 1800s, the highland clearances was 1600 so they were 200 years out of date the reason we know this is because the wifes great grand mother lived on the island.
For a film was written over a 2 year period and made on a small budget and film with in 4 weeks with trained actors this film would have been better being dumped in the loch never to be seen by the public but i guess we all need to start some where even if we open our gobs to make ourself look intelligent rather than be honest with the public and say we really dont know why they left
Now for me and the wife we feel that the film dragged on to long to the point I was falling asleep as it became that boring, i would say that if you liked the VVITCH then you may like this one but if not then its one to avoid as its the same kinda film.
As for fizz and ginger themself well lets just say they had a question possed at them during the Q+A "why did the people leave the island? Was it bacause of the highland clearances, fammine or the weather conditions?" Trying to get themself out of it they said "it was a combination of every thing" well at the end of the Q+A with me and the wife being scottish we had to give them a history lesson, the highland clearances happened in the 1600s after the battle of culloden, now if you know scotland this is the top end of the country and their "island" is not far from glasgow the bottom end of Scotland, added to this the clue highland clearances the island is in the lowlands, and adding even further after the battle of culloden the english pushed north slaughtering anyone wearing a kilt and banded the bagpipes and bonny prince charlie escaped the the closed island before going to france which was the isle of sky where people still live they would have seen that this does not match up.
On top of this the people left the island in the late 1800s, the highland clearances was 1600 so they were 200 years out of date the reason we know this is because the wifes great grand mother lived on the island.
For a film was written over a 2 year period and made on a small budget and film with in 4 weeks with trained actors this film would have been better being dumped in the loch never to be seen by the public but i guess we all need to start some where even if we open our gobs to make ourself look intelligent rather than be honest with the public and say we really dont know why they left
Sean Freese (4 KP) rated The Witch (2015) in Movies
Jun 25, 2020
THE VVITCH
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
