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Neon's Nerd Nexus (360 KP) rated Alita: Battle Angel (2019) in Movies
May 13, 2019
Fighting fit
#alitabattleangel may just be the most #intense & visually splendid mature cgi fest I've seen in a long long time. Having not seen #anime that inspired this #movie i had no idea what i was walking into with this one. Upon leaving it i not only felt extremely satisfied but also like i had experienced something #breathtaking & full to the brim with #passion. To start I can't stress enough just how god damn #beautiful this #film is, cgi is staggering as well as jaw dropping. From the intricate inner machinery wires, dust particles & realistic lighting to the tiny blemishes on skin Alita simply knocks it out the park. Its locations are vast, immersive, claustrophobic, lived in, #depressing & full to the brim with story telling/world building so much so that they could each tell a story themselves. #Animation is slick, fluid & #natural with #human & cgi interaction weighty & almost flawlessly done. Story wise its extremely empowering as we watch #Alita grow from & innocent child like #girl into a tuff driven #woman. Seeing Alita emit such wonderful human emotions such as #love, excitement & #happiness is not only #heartwarming but also #magical. Starting so warm & ending so bleak we see Alitas innocence almost ripped away from her as she is forced to #mature fast letting her primal instincts & bad human traits (such as jealousy/#anger) take control tarnishing her other wise loving/careing inner self. Its tense, adrenaline inducing stuff & this mixed with well constructed action & your token damn right nasty at times #robertrodriguez death scenes its not always the happiest of films either. #Deep themes are explored but theres alot of them too so only surfaces are scratched. My favourite being how #society/entertainment glorifies/condones violence & uses it as a tool to control us all. Negatives - if anything #Battleangel is far to short, i feel i needed another hour of content in there somewhere especially the final act which felt rushed. If we dont get a sequel or 3 i will be very disappointed as this is a fantastic world i simply must know more about it. A must see for sure. #edskrein is an absolute joy to watch too. #odeon #odeonlimitless #robot #thursdaythoughts
Kevin Wilson (179 KP) rated Overwatch in Video Games
Jul 22, 2018
So many different and interesting characters (4 more)
Different ways to play
Incredible lore
All new maps and characters are free
Amazing graphic style
My favourite game of the generation
This is by far my favourite game of the generation and that's saying a lot because there are some amazing games I've played.
It may not be for everyone. There is no single player story campaign. The story and lore are things you kinda have to work out for yourself through voice lines, online comics, animated shorts etc
There will always be a character for someone whether your a medic or a tank protecting everyone or someone who goes running in guns blazing. You have a character who uses a jump jet and shoots rockets but then you have a robot who can turn itself into a turret.
You can play this game for hours and hours and it's an easy game to get into for all newcomers. You used to call of duty? There's a character there with an assault rifle, you got snipers and shotgun users. There are 27 heroes to choose from right now.
And the beauty of this is, no paid dlc. All maps and characters in the future are 100% free. There is no leveling up characters so everyone is on an even playing field. Only reason you level up is to win loot boxes. I know theres a huge controversy surrounding them but you only get comsrtics and they are fun to collect.
The game itself is 6v6 with different modes. Control, escort payload, capture. The usual stuff, then some extra stuff in arcade like mystery heroes where you become a random hero everytime you die, 3v3 elimination, death match. You have the usually quick play games but once you become level 25 you can start playing competitive if that's your thing.
It's a game you are constantly getting better at. Blizzard are constantly tweaking it with patches to keep it fresh. Plus there's a new character coming soon which is a hamster in a mech!!! What's not to love about that????
I do recommend playing it. Its fun to play on your own AND in a group.
It may not be for everyone. There is no single player story campaign. The story and lore are things you kinda have to work out for yourself through voice lines, online comics, animated shorts etc
There will always be a character for someone whether your a medic or a tank protecting everyone or someone who goes running in guns blazing. You have a character who uses a jump jet and shoots rockets but then you have a robot who can turn itself into a turret.
You can play this game for hours and hours and it's an easy game to get into for all newcomers. You used to call of duty? There's a character there with an assault rifle, you got snipers and shotgun users. There are 27 heroes to choose from right now.
And the beauty of this is, no paid dlc. All maps and characters in the future are 100% free. There is no leveling up characters so everyone is on an even playing field. Only reason you level up is to win loot boxes. I know theres a huge controversy surrounding them but you only get comsrtics and they are fun to collect.
The game itself is 6v6 with different modes. Control, escort payload, capture. The usual stuff, then some extra stuff in arcade like mystery heroes where you become a random hero everytime you die, 3v3 elimination, death match. You have the usually quick play games but once you become level 25 you can start playing competitive if that's your thing.
It's a game you are constantly getting better at. Blizzard are constantly tweaking it with patches to keep it fresh. Plus there's a new character coming soon which is a hamster in a mech!!! What's not to love about that????
I do recommend playing it. Its fun to play on your own AND in a group.
Movie Metropolis (309 KP) rated Transformers: Age of Extinction (2014) in Movies
Jun 10, 2019
Terrible film making at it's best
Michael Bay’s Transformers series has received a huge amount of criticism since the first film was released back in 2007, some of it fair, and some of it not. Now, 7 years on and three films later, Bay returns to the helm of one of the biggest movie franchises of all time with Transformers: Age of Extinction, but can it silence his critics?
The answer here is no, but not because Extinction is poor, it’s simply because there seems to be a chip on the shoulders of reviewers who expect Oscar quality film-making, when all the target audience for these films really want is to see Optimus Prime kick some Decepticon ass.
Extinction is a whole new start for the series with new characters and a five year jump to allow people to put Dark of the Moon at the back of their minds.
Mark Wahlberg heads an entirely new cast as Cade, an inventor who has run out of luck after a string of failed concepts which haven’t taken off. Thankfully he comes across an old truck that promises to change his fortunes – I bet you can guess just who that might be.
Much of the criticism of the previous films was directed squarely at Bay’s choice of female leads, from Megan Fox’s pout to Rosie Huntington-Whitely’s laughable acting performance, it’s safe to say the series hasn’t been the pinnacle of the fairer sex’s characterisations. Mercifully, the introduction of Nicola Peltz as Cade’s daughter Tessa goes some way to dissolve that problem.
Yes, she’s not going to be troubling the Academy Awards any time soon, but she is a damn sight better than those that preceded her, though the poor script stops her from being anything but a whining teen.
A brilliant Stanley Tucci and an ingenious bit of casting in Kelsey Grammer complete the film’s human characters and the two act as the main antagonists.
Of the robot kind, Michael Bay has gone into overdrive, introducing characters left, right and centre and leaving no stone unturned. John Goodman and Ken Watanabe are both excellent as Hound and Drift – two new Autobots joining the resistance. Of course all the Transformers are outshone by the wonderful Peter Cullen who again returns to the series as Optimus, his voice work is absolutely superb, though with his previous experience, you wouldn’t expect any less.
Extinction’s premise is simple, there is a bounty on the heads of Optimus Prime and the rest of the Autobots, with the humans wanting to get there planet back after the events in Dark of the Moon.
The story is fun if a little incomprehensible at times; it occasionally feels like each plot point is merely there to act as a bridge until the next big set piece, though this never affects your enjoyment of the film itself.
Thankfully the special effects are absolutely stunning and some of the best seen on the big screen. The Transformers are beautifully rendered in seamless CGI and the CGI environments all look great as well.
Bay has also done well to make the battles look more realistic this time around. Previously, it was difficult to know who was fightingTransformers-Age-of-Extinction-Poster-Optimus-and-Grimlock-Crop who, with close ups of mashed metal stopping the audience from seeing exactly what was happening. Here things are much better, but still not perfect.
Unfortunately it isn’t all good news. The heavily marketed Dinobots are only in the film for about 20 minutes towards the finale which is a real shame, as it makes you feel a little cheated. Also, the running time is a real headache; this is the biggest Transformers film yet at just over three hours long and it feels it with numerous plot fillers that can occasionally detract from the rest of the film.
Overall, Bay has probably created the best Transformers film yet with some cracking special effects and dare I say it; decent acting. However, it is far too long with unnecessary sub-plots, especially at the start, which detract from what is pure entertainment.
The Transformers movies aren’t going to win any awards, and Michael Bay knows that, but they are a fine example of terrible film-making at its very best.
https://moviemetropolis.net/2014/07/06/terrible-film-making-at-its-best-transformers-4-review/
The answer here is no, but not because Extinction is poor, it’s simply because there seems to be a chip on the shoulders of reviewers who expect Oscar quality film-making, when all the target audience for these films really want is to see Optimus Prime kick some Decepticon ass.
Extinction is a whole new start for the series with new characters and a five year jump to allow people to put Dark of the Moon at the back of their minds.
Mark Wahlberg heads an entirely new cast as Cade, an inventor who has run out of luck after a string of failed concepts which haven’t taken off. Thankfully he comes across an old truck that promises to change his fortunes – I bet you can guess just who that might be.
Much of the criticism of the previous films was directed squarely at Bay’s choice of female leads, from Megan Fox’s pout to Rosie Huntington-Whitely’s laughable acting performance, it’s safe to say the series hasn’t been the pinnacle of the fairer sex’s characterisations. Mercifully, the introduction of Nicola Peltz as Cade’s daughter Tessa goes some way to dissolve that problem.
Yes, she’s not going to be troubling the Academy Awards any time soon, but she is a damn sight better than those that preceded her, though the poor script stops her from being anything but a whining teen.
A brilliant Stanley Tucci and an ingenious bit of casting in Kelsey Grammer complete the film’s human characters and the two act as the main antagonists.
Of the robot kind, Michael Bay has gone into overdrive, introducing characters left, right and centre and leaving no stone unturned. John Goodman and Ken Watanabe are both excellent as Hound and Drift – two new Autobots joining the resistance. Of course all the Transformers are outshone by the wonderful Peter Cullen who again returns to the series as Optimus, his voice work is absolutely superb, though with his previous experience, you wouldn’t expect any less.
Extinction’s premise is simple, there is a bounty on the heads of Optimus Prime and the rest of the Autobots, with the humans wanting to get there planet back after the events in Dark of the Moon.
The story is fun if a little incomprehensible at times; it occasionally feels like each plot point is merely there to act as a bridge until the next big set piece, though this never affects your enjoyment of the film itself.
Thankfully the special effects are absolutely stunning and some of the best seen on the big screen. The Transformers are beautifully rendered in seamless CGI and the CGI environments all look great as well.
Bay has also done well to make the battles look more realistic this time around. Previously, it was difficult to know who was fightingTransformers-Age-of-Extinction-Poster-Optimus-and-Grimlock-Crop who, with close ups of mashed metal stopping the audience from seeing exactly what was happening. Here things are much better, but still not perfect.
Unfortunately it isn’t all good news. The heavily marketed Dinobots are only in the film for about 20 minutes towards the finale which is a real shame, as it makes you feel a little cheated. Also, the running time is a real headache; this is the biggest Transformers film yet at just over three hours long and it feels it with numerous plot fillers that can occasionally detract from the rest of the film.
Overall, Bay has probably created the best Transformers film yet with some cracking special effects and dare I say it; decent acting. However, it is far too long with unnecessary sub-plots, especially at the start, which detract from what is pure entertainment.
The Transformers movies aren’t going to win any awards, and Michael Bay knows that, but they are a fine example of terrible film-making at its very best.
https://moviemetropolis.net/2014/07/06/terrible-film-making-at-its-best-transformers-4-review/
Emma @ The Movies (1786 KP) rated Upgrade (2018) in Movies
Sep 25, 2019
I'd go classifying Upgrade as sci-fi action... for some reason it also has a genre of horror on IMDb. Sure it's a bit gory, but with everything that happens in it I wouldn't have lumped it in there as well. It briefly gave me pause to ponder where the lines of classification are... but that way madness lies!
This one isn't for the faint hearted. There's quite a lot of violence in it. There was only one bit that I thought "that was a bit much", but even then it was more that I reacted to it with an intake of breath and a slight wince before laughing... because it was a tad ridiculous. The guy in the row behind me did the same, but his girlfriend wasn't overly impressed.
I actually found Grey's reactions to his body doing violent things to be very well done, and a nice touch because you do forget that it's not actually him. Acting so that your face is doing something completely different to how your body is performing must be very challenging, but Marshall-Green did it really well. He had humour, and really brought out the conflict between his head and his body... wow, well there are just some things that you don't expect to say when reviewing films.
The main reason it's missing that last half star is purely personal preference. I like sci-fi, and I like mindless violence. What I don't like are the motion and camera quirks. But like I say, it's personal preference. Those tracking shots that put Grey centre of the frame and follow him round like it's a third person shooter game (third person?) did nothing for me, and made everything seem kind of jumpy. This was so you could get the contrast between him being in control and STEM being in control, and I understand that but it's a shame they couldn't find another way to do it. My only other bug was that when Grey is laying on the floor and STEM gets him up to standing he goes from horizontal to vertical like he's on a hinge. How is that even possible? STEM is still constrained by what the human body can do, right? And last time I checked I can't pivot from laying down to standing just on my heels.
What should you do?
Great lead, interesting story line... if you don't mind mindless violence then you should definitely go and see this.
Movie thing you wish you could take home
I'd quite like to take home STEM and have my body be that coordinated all the time... but that does have the whole killer robot issue. So perhaps I'll just go with the self driving car this time.
This one isn't for the faint hearted. There's quite a lot of violence in it. There was only one bit that I thought "that was a bit much", but even then it was more that I reacted to it with an intake of breath and a slight wince before laughing... because it was a tad ridiculous. The guy in the row behind me did the same, but his girlfriend wasn't overly impressed.
I actually found Grey's reactions to his body doing violent things to be very well done, and a nice touch because you do forget that it's not actually him. Acting so that your face is doing something completely different to how your body is performing must be very challenging, but Marshall-Green did it really well. He had humour, and really brought out the conflict between his head and his body... wow, well there are just some things that you don't expect to say when reviewing films.
The main reason it's missing that last half star is purely personal preference. I like sci-fi, and I like mindless violence. What I don't like are the motion and camera quirks. But like I say, it's personal preference. Those tracking shots that put Grey centre of the frame and follow him round like it's a third person shooter game (third person?) did nothing for me, and made everything seem kind of jumpy. This was so you could get the contrast between him being in control and STEM being in control, and I understand that but it's a shame they couldn't find another way to do it. My only other bug was that when Grey is laying on the floor and STEM gets him up to standing he goes from horizontal to vertical like he's on a hinge. How is that even possible? STEM is still constrained by what the human body can do, right? And last time I checked I can't pivot from laying down to standing just on my heels.
What should you do?
Great lead, interesting story line... if you don't mind mindless violence then you should definitely go and see this.
Movie thing you wish you could take home
I'd quite like to take home STEM and have my body be that coordinated all the time... but that does have the whole killer robot issue. So perhaps I'll just go with the self driving car this time.
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Zuky the BookBum (15 KP) rated A Missing, Presumed in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/missing-presumed-by-susie-steiner
AVAILABLE NOW IN THE UK!
There aren’t really any more avenues for detective novel writers to go down, each story follows a very similar storyline to the last but still we pick them up. Why? Because some are shite and others are amazing but it’s so hard to tell by just reading the synopsis. This one? Well it’s certainly similar to other novels <i>but</i> it’s refreshingly lighthearted, still managing to tackle dark subjects but in an easy-to-read way.
My one problem with the book that I noticed straight away was <b>too many narrators.</b> Luckily, as the novel went on, it got easier to remember who was who so it wasn’t as annoying as in the beginning but it was a little confusing at the start.
Other than my hatred for having to focus so much on whose chapter it was, I actually liked all of the characters in this book! It was so nice to have a police based book where none of them were arseholes and they all managed to get along, like most colleagues do in the real world! Even the SIO was normal! Though, I will admit, I found reading about Miriam a bit dull, I could have done without most of her stuff.
Manon was such a realistic person, she really reminds me of an actual human being rather than that fuddy duddy police machine type robot you find in so many of the these types of books. I loved that she had a life outside of work that we got to see, that wasn’t only depressing. Granted it was a little sad that she was so lonely but her internet dates were so funny and that made everything a lot nicer to read. Also, her whole spiel on hobbies was hilarious!
<b><i>”I’ve decided to get hobbied up.”
“And how is that going?” asks Davy, with hopefulness that would imply he’d never met Manon.
“Awful. I hate it. I mean, what’s the point of doing something just for the sake of it, when it isn’t your job?”</b></i>
Davy was by far my favourite character in the book. It was so refreshing to find an officer who thoroughly enjoyed their job and time with their colleagues. He was a total sweetheart, I loved him! I also loved the mystery that was Kim, she was a funny ol’ character to have as an extra, just brightening up a scene every now and then with her strangeness.
I felt the plot for this novel was more of a character building plot, rather than a fast paced mystery thriller, but that was something I didn’t mind when it came to this book because all of the characters were worth getting to know.
The resolution of the novel kind of disappointed me. It wasn’t how I would have pictured the missing person's case to have ended up, but I was happy with how the ending chapters gave us an insight into how everyone on the force was doing and how their personal lives ended up.
I’m glad to hear that Manon will be featured in other novels by the author because she was a great character and I will definitely be reading more novels with her in!
Thank you to Netgalley and HarperCollins UK, HarperFiction for giving me the opportunity to read this in exchange for an honest review.
AVAILABLE NOW IN THE UK!
There aren’t really any more avenues for detective novel writers to go down, each story follows a very similar storyline to the last but still we pick them up. Why? Because some are shite and others are amazing but it’s so hard to tell by just reading the synopsis. This one? Well it’s certainly similar to other novels <i>but</i> it’s refreshingly lighthearted, still managing to tackle dark subjects but in an easy-to-read way.
My one problem with the book that I noticed straight away was <b>too many narrators.</b> Luckily, as the novel went on, it got easier to remember who was who so it wasn’t as annoying as in the beginning but it was a little confusing at the start.
Other than my hatred for having to focus so much on whose chapter it was, I actually liked all of the characters in this book! It was so nice to have a police based book where none of them were arseholes and they all managed to get along, like most colleagues do in the real world! Even the SIO was normal! Though, I will admit, I found reading about Miriam a bit dull, I could have done without most of her stuff.
Manon was such a realistic person, she really reminds me of an actual human being rather than that fuddy duddy police machine type robot you find in so many of the these types of books. I loved that she had a life outside of work that we got to see, that wasn’t only depressing. Granted it was a little sad that she was so lonely but her internet dates were so funny and that made everything a lot nicer to read. Also, her whole spiel on hobbies was hilarious!
<b><i>”I’ve decided to get hobbied up.”
“And how is that going?” asks Davy, with hopefulness that would imply he’d never met Manon.
“Awful. I hate it. I mean, what’s the point of doing something just for the sake of it, when it isn’t your job?”</b></i>
Davy was by far my favourite character in the book. It was so refreshing to find an officer who thoroughly enjoyed their job and time with their colleagues. He was a total sweetheart, I loved him! I also loved the mystery that was Kim, she was a funny ol’ character to have as an extra, just brightening up a scene every now and then with her strangeness.
I felt the plot for this novel was more of a character building plot, rather than a fast paced mystery thriller, but that was something I didn’t mind when it came to this book because all of the characters were worth getting to know.
The resolution of the novel kind of disappointed me. It wasn’t how I would have pictured the missing person's case to have ended up, but I was happy with how the ending chapters gave us an insight into how everyone on the force was doing and how their personal lives ended up.
I’m glad to hear that Manon will be featured in other novels by the author because she was a great character and I will definitely be reading more novels with her in!
Thank you to Netgalley and HarperCollins UK, HarperFiction for giving me the opportunity to read this in exchange for an honest review.
Gareth von Kallenbach (971 KP) rated Bohemian Rhapsody (2018) in Movies
Jul 2, 2019
How many of these reviews are going to start with “Is this the real life? Is this just fantasy?” A lot I am willing to bet. The thing is, it’s a good way to start. Bohemian Rhapsody has been a highly anticipated film for many years. I remember back when they were considering Johnny Depp for Freddie Mercury. Then it was Sasha Baren Cohen. And then they announced Rami Malek, and a majority of the country went, “Who?” Rami Malek is mostly known for his work as the lead in the USA Network series Mr. Robot. He got his start in the Night at the Museum series, and has scene big screen time in Need for Speed and, most recently, Papillion alongside Charlie Hunnam. I think it’s safe to say that after November 2, 2018, people will definitely know who he is.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Daniel Boyd (1066 KP) rated Sharp Objects in TV
Oct 4, 2018 (Updated Oct 4, 2018)
Boring and drawn out (1 more)
Terrible ending
Overrated and Slow
Contains spoilers, click to show
I was looking forward to Sharp Objects when it premiered earlier this year. I love a whodunit thriller and am a fan of Gone Girl, Gillian Flynn's other adapted novel. I also read a bunch of glowing reviews before I dove into this series that promised an engaging, gripping story, which just made me more excited to get through the show.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
Gareth von Kallenbach (971 KP) rated The Space Between Us (2017) in Movies
Jul 12, 2019
Gardner Elliot (Asa Butterfield) is a 16 year old boy who has never set foot on Earth. His mother found out she was pregnant on while on a mission to live on Mars for four years. Just after arriving on the red planet his mother gave birth and then sadly passed away. Since his birth was an unplanned surprise to his mother, NASA and Genesis, the private company that made the trip to Mars possible, they all decide to keep his existence a classified secret. So for the next 16 years he was raised on Mars by a revolving crew of a dozen or so scientist who stayed on the space station called East Texas. Gardner relishes the chance to be known and to travel to Earth. On Mars all he has is his self-proclaimed best friend is an artificial intelligent robot named Centaur (voiced by Peter Chelsom) and a couple of people who he can call friends. One is Kendra (Carla Gugino), a mother figure who watches over and tries to protect him. The other is Tulsa (Britt Robertson), a teenage school girl from Earth, who he chats online with every chance he gets and desperately wants to meet.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.