"Experimental Tape 2 (Vol. 1) is the purest, most potent of bedroom [production] madness and beauty, but basically no one heard it when it came out. It's like a combo of Bowie, Al Green, late-period Scott Walker, and R&B, but done on GarageBand in a small room with mass amounts of painkillers and Adderall. It’s so fucked and heartfelt and rhythmic and playful. "Emma Baby" is one of the most cosmic melodic climaxes I’ve heard in a very long time."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."