Search

Search only in certain items:

Edge of Darkness (2010)
Edge of Darkness (2010)
2010 | Drama, Mystery, Thriller
Mel Gibson is back on the screen in the winter thriller “Edge of Darkness”. Boston cop Thomas Craven (Gibson) is excited about his daughter Emma’s (Bojana Novakovic) visit home from her first post college employment position. Yet from the very start something seems wrong. Before dinner is even served a masked assailant kills Emma in cold blood on the porch of her father’s house leaving Officer Craven determined to figure out who killed his daughter and why which requires Craven to do this with or without the help of the law.

This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.

Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.

This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
  
Fame (2009)
Fame (2009)
2009 | Drama, Musical, Romance
5
6.5 (4 Ratings)
Movie Rating
I love musicals so whenever the big guys at the studios decide to remake a classic like “Fame”(1982), I get, well, nervous. How could there be a remake of a film that is so well associated with the 1980s without mocking current audience’s film going standards? Would a new “Fame” be possible without the time period that created it in the first place?

“Fame” follows the year-by-year story of a group of kids who apply to and later attend the New York Academy of Performing Arts. The story follows their growth as performers and as people in the never forgiving streets of New York City. The film has the expected music, dancing, and moral tales about the harsh realities of people in search of that ever-elusive “Fame”.

Littered in guest stars ranging from “Frasier’s” Kelsey Grammer to “Will and Grace’s” Megan Mullally, “Fame” seemed less like the remake of a musical and more like a star studded Ellen show.

Still, there are some exceptional performances from less seasoned stars like Anna Maria Perez de Tagle who plays young aspiring actress Joy and Natuari Naughton as Denise a classical pianist who dreams of singing.

While the film is good, it lacks the heart of a truly engrossing musical. The acting is decent and the choreography is excellent but this modernized version of “Fame” complete with Barenaked Ladies song jokes is no “Chicago”. Moreover, the new version of “Fame” varies significantly from the classic, with hip-hop tracks and a rhythm heavy version of the classic theme song. For many the biggest downside to this musical is sure to be the less than engrossing musical numbers.

Like a darker “High School Musical” for a slightly older audience, “Fame” is a decent film worth a watch, but it will not have you singing a medley in your living room.
  
Sealed Off (A Maine Clambake Mystery, #8)
Sealed Off (A Maine Clambake Mystery, #8)
Barbara Ross | 2019 | Mystery
10
9.0 (2 Ratings)
Book Rating
Fall Brings Mysteries for Julia
The clambake that Julia Snowden and her family run on their family’s island is just running on weekends through Columbus Day. Unfortunately, tension among the staff seems to be reaching the boiling point. Romances among the staff have been causing issues all season, but Julia was hoping they could make it until the end of the season, and those issues would resolve themselves before the clambake starts up again in the spring. A fist fight as the guests and crew were leaving one days brings things to a head, and leaves Julia in the unfortunate position of firing her boyfriend’s brother. However, a dead body on the island the next morning only makes the situation worse.

There is a strong sub-plot, almost a second full mystery, in this book involving a room that has been sealed off since the 1890’s in the family mansion on the island. Between the two stories, this book moves forward at a constant pace, and the pages flew by. I never wanted to put the book down until I reached the satisfying end. Once again, I was left in awe of how the clues were woven into the story. Several series arcs were advanced here, and the chances for character development were put to full use. The new characters are just as strong as the series regulars, which is no surprise to anyone who has read the series. Those looking for recipes will be pleased with the five we get at the end of the story. There is not one wasted word in this story, and I set it down completely satisfied. Well, almost satisfied. As is always the case, I was left wanting to visit Julia and her family and friends again as soon as possible. Fans of the series will be delighted with this book. If you haven’t started this series yet, you need to fix that as soon as possible.
  
40x40

Colin Newman recommended Avocet by Bert Jansch in Music (curated)

 
Avocet by Bert Jansch
Avocet by Bert Jansch
1979 | Folk
(0 Ratings)
Album Favorite

"I was not really listening to what was going on in 1979. A lot of popular music wasn’t very good. There was a lot of punk hangover and a lot of it was a bit… whatever. At that point, Wire were stratospheric; it wasn’t really important to listen to what other people were doing. We didn’t have anything to do with Gang of Four. They were coming from a very different place. We studiously ignored Joy Division because they seemed a little too derivative of us. Maybe that seems like arrogance in hindsight but that’s how it felt at the time. Bert Jansch’s Avocet was very off compared to what was going on in music in the late ’70s. I knew about him when I was in school because he was in Pentangle. The whole thing with music fans in the late ’60s was all about: “Are you Jimi or Eric?” Then there was a group of us who were a bit cooler who said: “Are you Bert or John?” Which meant John Renbourn, the other guitarist in Pentangle. The kind of people who liked Jimi Hendrix would sit in their room playing solos and making a guitar face."

Source