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Long Day's Journey Into Night
Book
A true modern classic from one of the twentieth century's most significant writers, Long Day's...
Blood Alone
8.0
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With a case of amnesia, will Billy remember who he is and what is his mission, before more people...
Skylark
Book
It is 1900, give or take a few years. The Vajkays—call them Mother and Father—live in Sárszeg,...
Scenes of Subjection: Terror, Slavery and Self-Making in Nineteenth-Century America
Book
In this provocative and original exploration of racial subjugation during slavery and its aftermath,...
For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf: A Choreopoem
6.0
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This revolutionary, award-winning play by a lauded playwright and poet is a fearless portrayal of...
Solitude Creek (Kathryn Dance #4)
9.0
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In her latest thriller, Dance, an agent with the California Bureau of Investigation, finds herself...
Mark @ Carstairs Considers (2579 KP) rated Comedy Can Be Deadly in Books
Oct 17, 2024
Murder Complicates Shakespeare
Levi has landed the role of Puck in the local theater’s production of A Midsummer Night’s Dream. Sho is happy with his role as stage manager until an accident forces him to take on the role of Lysander. Things are anything but smooth sailing with all the personalities in the cast and crew. But then some dies after falling from the upper platform of the theater. Was it an accident or murder?
I love this series, so I was so happy to get the latest entry. The plot is lots of fun with plenty of secrets on the way to the climax, which is the best version of this kind of climax I’ve read. The comedy was a little toned down, but that was a good thing, and there was plenty of laughs. I love how the main characters were developed here again, and the suspects helped pull us into the story. The last chapter sets up the next book, as always, but it’s a bit surprising given some of what happens here. There are some references to past stories, so I recommend you read them in order. You’ll appreciate the character growth more as well. But when you want to laugh while solving a mystery, this is a series you’ll love.
I love this series, so I was so happy to get the latest entry. The plot is lots of fun with plenty of secrets on the way to the climax, which is the best version of this kind of climax I’ve read. The comedy was a little toned down, but that was a good thing, and there was plenty of laughs. I love how the main characters were developed here again, and the suspects helped pull us into the story. The last chapter sets up the next book, as always, but it’s a bit surprising given some of what happens here. There are some references to past stories, so I recommend you read them in order. You’ll appreciate the character growth more as well. But when you want to laugh while solving a mystery, this is a series you’ll love.
Mark @ Carstairs Considers (2579 KP) rated The Last Line in Books
Aug 16, 2025 (Updated Aug 16, 2025)
Murder in a Teacup…Live on Stage!
The latest production at the theater Ellie Marlow owns is Murder in a Teacup. Unfortunately, the lead is Reginald Thornton IV, who seems to be going out of his way to alienate everyone. His character is supposed to die as part of the play, but opening night, he really dies. While the state detectives are quick to judge it natural, something doesn’t sit right with Ellie. Can she figure out what happened?
I picked this book up expecting a cozy, but it quickly became evident this is a bit more of a traditional than a lighter cozy. As long as you know this going in, you should be fine. The mystery is good, and I was fooled until the end. Ellie has Tourette’s, something that overwhelms at times and proves to be a distraction. On the whole, I did love her character and the co-lead as well, as well as how their marriages were shown. The story is told from several points of view, but at times, we have some head hopping. This feels like a standalone instead of a series opener, but if we get a sequel, I’d be interested in revisiting the characters.
I picked this book up expecting a cozy, but it quickly became evident this is a bit more of a traditional than a lighter cozy. As long as you know this going in, you should be fine. The mystery is good, and I was fooled until the end. Ellie has Tourette’s, something that overwhelms at times and proves to be a distraction. On the whole, I did love her character and the co-lead as well, as well as how their marriages were shown. The story is told from several points of view, but at times, we have some head hopping. This feels like a standalone instead of a series opener, but if we get a sequel, I’d be interested in revisiting the characters.
Mark @ Carstairs Considers (2579 KP) rated Murder on Union Square in Books
Jun 13, 2022
Murder in the Theater Means Trouble for Malloy
Frank and Sarah are upset to learn they can’t legally adopt Catherine, the little girl that Sarah has been caring for for several years, because, in the eyes of the law, Parnell Vaughn is her legal father. Fortunately, the actor is willing to sign his rights over to Frank and Sarah, but his fiancée wants some money from them. When Frank goes back to deliver the payment and get Parnell’s signature, he finds the actor dead in his dressing room. With Frank accused of the crime, he and Sarah have to clear his name. Who really murdered Parnell?
It's always a pleasure to pop back in on Sarah and Frank in 1899 New York City, and this book was no exception. I love the characters. As is often the case these days, we get parts of the story from four different points of view, and it is always easy to tell when we switch from one to the other. I did feel the plot wasn’t quite as good as usual for this series. There are a few twists and a strong climax, but it got bogged down in the middle. Still, fans will be happy to spend time with these characters we love. I know I did.
It's always a pleasure to pop back in on Sarah and Frank in 1899 New York City, and this book was no exception. I love the characters. As is often the case these days, we get parts of the story from four different points of view, and it is always easy to tell when we switch from one to the other. I did feel the plot wasn’t quite as good as usual for this series. There are a few twists and a strong climax, but it got bogged down in the middle. Still, fans will be happy to spend time with these characters we love. I know I did.
Gareth von Kallenbach (980 KP) rated Loveless (2017) in Movies
Jul 8, 2019
Speaking as someone who grew up in the United States, prides themselves on having a vast and diverse movie library, and only leaves the confines of the greater Seattle-area on very rare occasions .. I’m the first to admit that there are times when I don’t fully appreciate the films produced in other countries. It’s amazing how different they can be based on even differences in other cultures. Take films made in Russia for example. Perhaps it’s the cold and bleakness of the country but Russian filmmakers are amongst the best when it comes to tragedies. I imagine it’s a ‘carry over’ in part from the great literary masterpieces to come out of that country. Not to give it all away right from the beginning but if you’re like me, you need to prepare yourself for a good tragedy and that’s exactly what the film is that is up for your consideration.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.