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Inglourious Basterds (2009)
Inglourious Basterds (2009)
2009 | War
At the risk of sounding cliché, this was rigorously badass. Has a couple holes but honestly this is still as tightly constructed as this story could possibly be. Just as personal preference I would have liked some more Basterd Nazi killing but there isn't a single wasted line of dialogue in all its still magnetically elongated digressions. Speaking of which, it's been nearly six years to the day that I first saw this film and I still remember so many little, seemingly insignificant lines of dialogue (for instance, how much Landa loves milk and pastries). Saying every performance is an idiosyncratic knockout would be redundant, it's Tarantino after all but it needs underlining here as well: Pitt's wondrously imitatable drawl, Waltz's schoolboy-esque glee in fucking with people, the way Laurent reacts as if she'd just imbibed a pound of broken glass after her nerve-wracking conversation with Landa, so on and so forth. The last half hour ranks among some of the finest Tarantino you'll ever see - the blistering retaliation(s) in the theater, the numerous sharp story surprises that hit like a pot of boiling water to the face, the unfiltered confrontational nature which some find to be a - er - controversial choice today? (Fuck you if you're one of them, by the way). Imagine seeing this and still thinking 𝘖𝘯𝘤𝘦 𝘜𝘱𝘰𝘯 𝘢 𝘛𝘪𝘮𝘦... 𝘪𝘯 𝘏𝘰𝘭𝘭𝘺𝘸𝘰𝘰𝘥 is better.
  
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Christmas Dessert Murder
Christmas Dessert Murder
8
8.0 (1 Ratings)
Book Rating
Two Christmas Murders in One Volume
This book has two Christmas Hannah Swensen stories for you.

In the first, Christmas Caramel Murder, Hannah gets involved when her business partner is accused of killing her husband’s new secretary, who just happened to be playing Mrs. Claus to Herb’s Santa in the community theater. This book borrows a bit from A Christmas Carol, and that makes it a little weird for fans of the series, but it is still enjoyable, with a good wrap up and cameos if not large parts for the regular characters.

The second story is Christmas Cake Murder, which flashes back to Hannah’s first Christmas after her father passed away. In an effort to get her mother out of her grief, Hannah agrees to help put on a Christmas ball filled with cakes. The mystery doesn’t really kick in until late in the story, although there are bread crumbs early on. What is most fun for fans of the series is watching Hannah build the life we are already familiar with.

Between the two stories, there are lots of recipes for you to try at Christmas.

Obviously, if you already have the two books, you’ll be fine skipping this collection. But if you’ve missed them, you might want to consider this way to get the stories.
  
Staged 4 Murder
Staged 4 Murder
J.C. Eaton | 2018 | Mystery
8
8.0 (1 Ratings)
Book Rating
Murder is a Catwalk
The Booked 4 Murder book club is thrilled to find the local theater is putting on a production of The Mousetrap and asking the residents of the local retirement community to participate. Naturally, everyone is excited to be part of the cast and crew. Since Sophie Kimball’s mother lands a part in the play, she expects she will hear all about it in detail. What she doesn’t expect is that someone will find the dead body of Miranda Lee, the star, on the catwalk above the stage one day. Yes, Miranda was being a diva with a capital D, but who would want to kill her?

I was glad I finally found time to return to Sophie’s world. Fans of the play will appreciate references to it and other Agatha Christie works, but knowing the play isn’t a requirement, and nothing is spoiled. There is plenty of action to keep things going. The climax was fun, but there was a bit too much to it. The Booked 4 Murder ladies were mostly balanced between funny and annoying, and I laughed as I read. Sophie is a great main character, and I enjoyed the bit of romance. Hopefully, it won’t be as long before I get to the next book in the series.
  
Us (2019)
Us (2019)
2019 | Horror, Thriller
Jordan Peele does it again
2 years ago at this time, the comedian known as Jordan Peele was all the talk as his feature film Directorial debut, GET OUT was scaring mainstream audiences. This was quite the accomplishment for a first time African-American Director with a film that was, predominantly, cast with African American actors.

Director/Writer Peele is at it again with the horror film (predominantly filled with African-American actors )US - and audiences, I'm sure, are going to go back in to the theater hoping that they will get scared again. And they will, but they will also get something else - a truly unique film.

I see a lot of movies, so for me to be (1) scared and (2) completely surprised by what is going on in a film is a rarity, indeed. And Jordan Peele has done both of these things with US - he has scared and surprised me, and I mean this in a a good way.

US stars Lupito Nyong'o as Adelaide Wilson, a young mother who had a traumatic experience at the beach as a child. Now, as 30-ish mother of two who is visiting that same beach with her husband and 2 children, the traumatic experience comes rushing back. To tell anymore of the story would be to spoil it and to spoil this film for anyone would be a shame, for the fun in this film is trying to figure out what will happen next. Even when you think you know what's going to happen, something else happens instead and you are kept guessing throughout the film.

As far as the acting goes, Nyong'o shows that she can carry a film. I was beginning to fear that she would be one of those former Oscar winners (for 12 YEARS A SLAVE) who fade into obscurity, but this film puts her right back - front and center - on the map, a map that she deserves to be on. She carries this film - and she carries it well. Winston Duke (M'Baku in BLACK PANTHER) ably plays her husband, but is reserved (for the most part) as needed comic relief. I am always concerned when a heavy part of a film falls into the hands of unknown child actors, but Evan Alex (as their son) and - especially - Shahadi Wright Joseph (as their daughter) pull off the acting they need to do.

Credit for all this falls on Jordan Peele who's direction and script shows that GET OUT was no fluke. As I said before, this is a truly ORIGINAL film in plot and content and Peele keeps the action moving forward in interesting ways.

This is a film that needs to be seen more than once. I, for one, can't wait to go back into the theater and check out US again.

Letter Grade A- (but it might move to an A after a 2nd viewing)

8 out of 10 stars and you can take that to the Bank(ofMarquis)