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Gareth von Kallenbach (980 KP) rated Kingsman: The Golden Circle (2017) in Movies
Jun 19, 2019
Eggsy (Taron Egerton) is back in action for the ultra-secret Kingsman in the new film “Kingsman: The Golden Cirlce”. The film opens with a fantastic action and chase sequence through the London streets and shows a franticly paced mix of action and humor.
The film then shifts into setup mode and the next hour or so is very light on action and instead focuses on Eggsy and Merlin (Mark Strong), dealing with a devastating attack on the Kingsman from a drug dealer called Poppy (Julianne Moore), who runs her empire with a ruthless and manic style from a 50s themed lair complete with robotic guards and a retro diner and theater.
Poppy runs an organization called The Golden Circle and she has unleashed a devastating plague on the world in an attempt to force the U.S. President to legalize all drugs which would allow her unlimited power and money to further her global agenda.
With their ranks depleted, Eggsy and Merlin head to the states to enlist the help if their U.S. counterparts, the Statesman who while at first reluctant, soon accept the two into their confidence and plan a mission to end the threat Poppy presents once and for all.
Of course complications arise for Eggsy such as his girlfriend and her parents as well as the revelation that Harry (Colin Firth) is alive but suffering amnesia and thus having no memory of his past life and skills in the service of the Kingsman.
One would think that with this setup and cast including the arrivals of Channing Tatum, Jeff Bridges, and Halle Berry, the film would be a slam dunk to surpass the original. Sadly this is not the case. Writer/Director Matthew Vaughn has opted for a film that has a very large gap of it related to setup and exposition. The film opens and concludes with a nice action sequence, but there is really not much in between to get the adrenaline rush going. The original film had the fantastic church sequence that became one of the most talked about moments of the film and sadly the sequel offers nothing nearly as memorable.
The other issue is that the villain is not nearly as memorable nor interesting as Samuel L. Jackson was to say nothing of his sword footed henchman from the original.
There are some amusing moments in the film but It seems that the new cast was not used to their full potential and that the large gaps of the film that lacked any action was a real setback especially with how well the film opened.
In the end the film is an enjoyable but flawed effort that fails to live up to the original but does manage to offer some decent entertainment for those who set realistic expectations.
http://sknr.net/2017/09/20/kingsman-golden-circle/
The film then shifts into setup mode and the next hour or so is very light on action and instead focuses on Eggsy and Merlin (Mark Strong), dealing with a devastating attack on the Kingsman from a drug dealer called Poppy (Julianne Moore), who runs her empire with a ruthless and manic style from a 50s themed lair complete with robotic guards and a retro diner and theater.
Poppy runs an organization called The Golden Circle and she has unleashed a devastating plague on the world in an attempt to force the U.S. President to legalize all drugs which would allow her unlimited power and money to further her global agenda.
With their ranks depleted, Eggsy and Merlin head to the states to enlist the help if their U.S. counterparts, the Statesman who while at first reluctant, soon accept the two into their confidence and plan a mission to end the threat Poppy presents once and for all.
Of course complications arise for Eggsy such as his girlfriend and her parents as well as the revelation that Harry (Colin Firth) is alive but suffering amnesia and thus having no memory of his past life and skills in the service of the Kingsman.
One would think that with this setup and cast including the arrivals of Channing Tatum, Jeff Bridges, and Halle Berry, the film would be a slam dunk to surpass the original. Sadly this is not the case. Writer/Director Matthew Vaughn has opted for a film that has a very large gap of it related to setup and exposition. The film opens and concludes with a nice action sequence, but there is really not much in between to get the adrenaline rush going. The original film had the fantastic church sequence that became one of the most talked about moments of the film and sadly the sequel offers nothing nearly as memorable.
The other issue is that the villain is not nearly as memorable nor interesting as Samuel L. Jackson was to say nothing of his sword footed henchman from the original.
There are some amusing moments in the film but It seems that the new cast was not used to their full potential and that the large gaps of the film that lacked any action was a real setback especially with how well the film opened.
In the end the film is an enjoyable but flawed effort that fails to live up to the original but does manage to offer some decent entertainment for those who set realistic expectations.
http://sknr.net/2017/09/20/kingsman-golden-circle/
Gareth von Kallenbach (980 KP) rated The Good Dinosaur (2015) in Movies
Jun 19, 2019
Over the years dinosaurs have often been portrayed as lumbering oafs, vicious killers, or cuddly playthings. With the reinvigorated “Jurassic” franchise interest in the creatures is at an all-time high. Disney/PIXAR are hoping this interest translates into box office gold with the release of their new film “The Good Dinosaur” which looks to continue the successful and award winning streak of their earlier efforts.
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
Gareth von Kallenbach (980 KP) rated Teen Spirit (2019) in Movies
Jul 2, 2019
Seventeen year old Violet (Elle Fanning) loves to sing. She spends every free moment listening to her iPod or singing. But since her father left Violet and her mother alone, Marla (Agnieszka Grochowska), on a small farm on Isle of Wight, she has very little free time. Each morning, she feeds and cares for the animals on the farm before she heads to school. After school and every weekend she waits tables. Each night secretly she heads to a bar to sing for extra money to help save the farm, but also to have a chance to sing. When she sees a billboard advertising Teen Spirit, a singing competition show, she sees an opportunity to do the one thing that brings her joy and also help get her a better life. The only problem is that she will have to do it without her mother finding out. Since she is under eighteen she has to convince someone to act as her guardian. She asks an old drunk at the bar, Vlad (Zlatko Buric), who loves her singing to go with her. She soon finds out that the disheveled looking old Vlad used to be a famous opera singer. When she finds out she makes it to the second round Vlad helps convince her mother that she should continue chasing her dream with his help. Even though Violet is going against much more experienced and refined competition she is focus on continuing to chase her dream and make it to the Finals in London.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Gareth von Kallenbach (980 KP) rated Annihilation (2018) in Movies
Jul 8, 2019
Lena (Natalie Portman) has spent over a year grieving thinking that her husband has died. Her husband, Kane (Oscar Isaac), was part of a covert Army team. He would leave on missions and not be able to send any word. But a year was too long. Then as she is painting the bedroom of her house Kane walks up the stairs and into the bedroom. She is overwhelmed by happiness. After the initial flutter of excitement wears off she has so many questions. His responses are short and are not making sense. All of the sudden he starts cough up blood. Lena and Kane are headed to the hospital in the ambulance when government vehicles. Lena is pulled out and drugged and quickly loses consciousness. When she awakes she finds herself in a cell being asked questions by a Dr. Ventress (Jennifer Jason Leigh) about her husband and his sudden appearance. She quickly finds out that her husband and his team were one of several team over the past three years that were sent into a place called The Shimmer. The Shimmer was a growing circle surrounding a light house. Nothing that had gone into this area had returned…until Kane. With Kane on the brink of death Lena is determined to find out what is happening inside. She spent over seven years and in the Army and now was a Biology Professor at Johns Hopkins. This made her uniquely qualified to join Dr. Ventress and her team in the latest expedition into The Shimmer.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
Gareth von Kallenbach (980 KP) rated I, Tonya (2017) in Movies
Jul 8, 2019
Most people when they hear the name Tonya Harding immediately have images of Nancy Kerrigan holding her knee and crying out “Why?” over and over again come to their minds. They may even think of Harding herself crying to a panel of judges about the state of the laces on her skates during Olympic competition. Her name and image became a point of ridicule and shame. She became the butt of jokes throughout the 90s and a never-ending punchline. People were not sympathetic to her and were not willing to hear her story. She was condemned to being the monster that we convinced ourselves that she was. The film I, Tonya sheds light onto who this woman was in demonstrating the complexities of her upbringing, years of abuse at the hands of her mother and later her husband. Margot Robbie (Suicide Squad, Wolf of Wall Street) stars as Tonya Harding, the disgraced Olympic figure skater.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
Gareth von Kallenbach (980 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Aug 6, 2019
As a fan of the Pride and Prejudice book by Jane Austen, I thought it was all kinds of wrong when I came across the parody novel Pride and Prejudice and Zombies, by Seth Grahame-Smith, that essentially Austen’s classic novel with elements of modern zombie fiction. Mainly because I’m not a fan of horror movies. So as we approached the theater where we were screening Pride and Prejudice and Zombies, I told my husband, “I really don’t want to watch this. I hate zombies.” He just laughed. “You hate zombies, but you watch Walking Dead. Just pretend it’s an episode of Walking dead. Just set near the Victorian era.” I admit, I do watch the Walking Dead but it’s the most stressful hour of television for me, and there are commercial breaks. This movie has a running time for this move was almost 2 hrs with no commercials.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
Gareth von Kallenbach (980 KP) rated The Heat (2013) in Movies
Aug 7, 2019
In a fun twist to the traditional buddy-cop movie theme, this time we have a pair of ladies bringing The Heat to the streets of Boston for a laugh-out-loud good time.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Gareth von Kallenbach (980 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
Gareth von Kallenbach (980 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
Gareth von Kallenbach (980 KP) rated Playing for Keeps (2012) in Movies
Aug 7, 2019
Gerard Butler has stepped out of his 300 uniform and into some soccer
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*