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Chris Sawin (602 KP) rated Get Him to the Greek (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Aaron Green (Jonah Hill) works as a record company intern at Pinnacle Records. His boss Sergio Roma (Sean "Diddy" Combs) is wanting a "game changer" that will help turn the company around. Aaron pitches the idea that since it's the ten year anniversary of out of control British rock star Aldous Snow (Russell Brand) performing at the Greek Theatre in Los Angeles, he believes that the company can make a serious profit from not only a return performance, but by re-releasing his back catalog, as well. Sergio eventually goes for the idea and Aaron flies out to London to bring Aldous back to America to prepare for the show. Unfortunately for him, Aldous Snow's lifestyle tends to rub off on him and turns his life upside down in the process. As Aaron deals with some relationship issues and has his hands full trying to keep Aldous sober, Aldous has some relationship problems of his own and begins to wonder if there's more to life than sex, drugs, and rock and roll. It seems like a moot point by the time the Greek Theater show sells out as Aaron may not have a girlfriend or a job by the time the show begins and Aldous speaks of skipping the gig altogether.
I was a pretty big fan of Forgetting Sarah Marshall, but that was mostly due to the Dracula rock opera and Russell Brand's outrageous portrayal of Aldous Snow. So Get Him to the Greek immediately grabbed my attention since it was announced as a spinoff sequel, but I became excited when reviews trickled in saying it was raunchier than its predecessor. Is more Aldous Snow really a good thing though? The short answer is yes. Yes it is.
Russell Brand is really the backbone of the film. Aldous Snow's rock star lifestyle provides his character with a sense of unpredictability as his outlandish outbursts and struggle with more adult decisions is enticing and at often times hilarious. Jonah Hill's screen presence is just as important to the film. His usual quick witted and delightfully explicit sense of humor in addition to his chemistry with Russell Brand is really a spectacular combination. Sean Combs manages to steal quite a few scenes, as well. His theory on screwing with people's heads and his one-liners ("You cannot out run me! I am black!") were surprisingly hysterical. The music in the film is really the key ingredient that brings the entire film together though. Fictional band Infant Sorrow delivers some pretty fantastic and humorously obscene ballads that are better than they should be for a film like this. I liked "Furry Walls" so much that I downloaded the soundtrack as soon as I returned from the theater.
The film's strongest scenes don't seem to last as long as they should though. The R-rated comedy seems to shine brightest when things get a bit more serious as the main characters come off as being more human, more realistic, and easier to relate to during those situations. Unfortunately those scenes really only begin to transpire in the last 15-20 minutes of the film and even though the point is made, I can't help but think of how a great film could have been even better if those events had occurred earlier on to have an even bigger impact. The biggest issue for me was that most of the scenes in the trailers were either not in the film at all or were different takes from scenes that actually made it into the theatrical version of the film. That means the DVD will probably be unrated and have x amount of extra footage not seen in theaters, but at least 50% of the scenes you're looking forward to were probably left on the cutting room floor which is just disappointing.
Get Him to the Greek may very well be this year's The Hangover, but isn't quite as laugh out loud funny as the 2009 comedy blockbuster. Get Him to the Greek is a wonderfully amusing comedy with a highly entertaining soundtrack that effectively gives a little more depth to the already remarkable for all the wrong reasons character Aldous Snow, but unfortunately doesn't live up to the reputation of being the uproarious riot that everyone seems to be making it out to be. Nevertheless, it is still an extremely solid comedy that comes highly recommended from me.
I was a pretty big fan of Forgetting Sarah Marshall, but that was mostly due to the Dracula rock opera and Russell Brand's outrageous portrayal of Aldous Snow. So Get Him to the Greek immediately grabbed my attention since it was announced as a spinoff sequel, but I became excited when reviews trickled in saying it was raunchier than its predecessor. Is more Aldous Snow really a good thing though? The short answer is yes. Yes it is.
Russell Brand is really the backbone of the film. Aldous Snow's rock star lifestyle provides his character with a sense of unpredictability as his outlandish outbursts and struggle with more adult decisions is enticing and at often times hilarious. Jonah Hill's screen presence is just as important to the film. His usual quick witted and delightfully explicit sense of humor in addition to his chemistry with Russell Brand is really a spectacular combination. Sean Combs manages to steal quite a few scenes, as well. His theory on screwing with people's heads and his one-liners ("You cannot out run me! I am black!") were surprisingly hysterical. The music in the film is really the key ingredient that brings the entire film together though. Fictional band Infant Sorrow delivers some pretty fantastic and humorously obscene ballads that are better than they should be for a film like this. I liked "Furry Walls" so much that I downloaded the soundtrack as soon as I returned from the theater.
The film's strongest scenes don't seem to last as long as they should though. The R-rated comedy seems to shine brightest when things get a bit more serious as the main characters come off as being more human, more realistic, and easier to relate to during those situations. Unfortunately those scenes really only begin to transpire in the last 15-20 minutes of the film and even though the point is made, I can't help but think of how a great film could have been even better if those events had occurred earlier on to have an even bigger impact. The biggest issue for me was that most of the scenes in the trailers were either not in the film at all or were different takes from scenes that actually made it into the theatrical version of the film. That means the DVD will probably be unrated and have x amount of extra footage not seen in theaters, but at least 50% of the scenes you're looking forward to were probably left on the cutting room floor which is just disappointing.
Get Him to the Greek may very well be this year's The Hangover, but isn't quite as laugh out loud funny as the 2009 comedy blockbuster. Get Him to the Greek is a wonderfully amusing comedy with a highly entertaining soundtrack that effectively gives a little more depth to the already remarkable for all the wrong reasons character Aldous Snow, but unfortunately doesn't live up to the reputation of being the uproarious riot that everyone seems to be making it out to be. Nevertheless, it is still an extremely solid comedy that comes highly recommended from me.
Becs (244 KP) rated A Raisin in the Sun in Books
Oct 2, 2019
They honestly need more books like this. When my husband found out that I was getting A Raisin in the Sun by Lorraine Hansberry, he grew excited and he never does that unless it’s a science-related book. That was when I knew I was going to like this beautiful novel. When I started to read it, I rushed through it. Not in a “I just want to finish this book” way, more like “I FREAKING LOVE THIS BOOK AND I DON’T EVER WANT IT TO END” way. That says something, right?
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
Gareth von Kallenbach (977 KP) rated Ad Astra (2019) in Movies
Sep 16, 2019
My first experience in IMAX was at the IMAX theater at the Grand Canyon. This was before IMAX theaters could easily be found within easy driving distance in most large cities. The movie, which interestingly still is showing today from those early years took viewers on the magical journey through the Grand Canyon. Throwing in a bit of history, with incredible visages, viewers could experience the canyon without ever hiking within its depths. It may seem odd to compare a big budget title like Ad Astra written and directed by James Gray (The Immigrant / The Lost City of Z) to a short thirty-minute experience film about the Grand Canyon, but both are equally awe inspiring and beautiful if experienced in the same way.
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Rachel King (13 KP) rated Wedlocked in Books
Feb 11, 2019
While the cover of the book gives the impression that the story is exclusively about the main character Rebecca's bad marriage. The book actually encompasses her life leading up to the bad marriage and what happens as a result of the rocky nuptials. The actual ceremony is understood to have happened sort of "between the lines," so to speak. The book is a before and after image in prose.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.
p3anut (62 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Feb 20, 2019
Story (2 more)
The jokes
Graphics
Another trek into the jurassic
Contains spoilers, click to show
I would like to start out by saying that Jurassic Park is my favorite movie of all time! I remember being 7 and not having any fascination with dinosaurs and my parents took me and my sister to see it at the movie theater and I was immediately blown away and obsessed.
Flash forward 25 years and I'm still in love with the Jurassic Park series. Are they hollow shells of the original? Sure, but they are alot of fun.
This one starts out right after the events of Jurassic world and I liked the direction the movie was heading in. I thought some of the call backs to Jurassic world were really fun and clever but I thought the overall story arch of getting Claire to the island to rescue dinosaurs before the volcano erupted, was very reminiscent of the Jurassic Park 3 story line and we all know that movie was a straight up brontosaurus turd! Think about it, grant was lied to about taking Mr Kirby on a tour of dinosaurs and they landed to rescue Eric. Claire was lied to about saving dinosaurs so the main villan could get her to the island to save all these sepcies so he could sell them. ??? Trash setup.
The graphics were very well done and they had some pretty good practical effects and some pretty good practical effects with a slight layer of cgi. I loved the blue background story and I love that they are keeping rexy as a main dinosaur in these iterations.
Overall this movie was just a filler "episode" in the Jurassic Park series with some fun little throw backs to the previous films. It didn't really do anything that makes it standout in the series other than setup for the next movie.
I hope the next one delivers on the promise that dinosaurs will be roaming free around us. I honestly hope it goes even more sci-fi and massie turns evil and has a connection to the genetically engineered Dino's. And they try to take over the world! Just kidding on that last part. But if it is going to be the last movie in the new trilogy I hope they really nail the tone and the pace unlike this movie did.
Until next time my friends.
Flash forward 25 years and I'm still in love with the Jurassic Park series. Are they hollow shells of the original? Sure, but they are alot of fun.
This one starts out right after the events of Jurassic world and I liked the direction the movie was heading in. I thought some of the call backs to Jurassic world were really fun and clever but I thought the overall story arch of getting Claire to the island to rescue dinosaurs before the volcano erupted, was very reminiscent of the Jurassic Park 3 story line and we all know that movie was a straight up brontosaurus turd! Think about it, grant was lied to about taking Mr Kirby on a tour of dinosaurs and they landed to rescue Eric. Claire was lied to about saving dinosaurs so the main villan could get her to the island to save all these sepcies so he could sell them. ??? Trash setup.
The graphics were very well done and they had some pretty good practical effects and some pretty good practical effects with a slight layer of cgi. I loved the blue background story and I love that they are keeping rexy as a main dinosaur in these iterations.
Overall this movie was just a filler "episode" in the Jurassic Park series with some fun little throw backs to the previous films. It didn't really do anything that makes it standout in the series other than setup for the next movie.
I hope the next one delivers on the promise that dinosaurs will be roaming free around us. I honestly hope it goes even more sci-fi and massie turns evil and has a connection to the genetically engineered Dino's. And they try to take over the world! Just kidding on that last part. But if it is going to be the last movie in the new trilogy I hope they really nail the tone and the pace unlike this movie did.
Until next time my friends.
Leighann Twist (26 KP) rated Pet Sematary (2019) in Movies
May 15, 2019
Meh....
Contains spoilers, click to show
I am so on the fence about this film. I liked some of the changes they made to this film. The kids in the masks made me uneasy which I like in a horror film but I feel like they could have done more with the orgin of the masks but other than the kids wearing the masks in the beginning of the film, the only other time you see them is when Ellie starts her killing spree. So the scene at her birthday party....I find it ridiculous that there were all those adults there and while Louis is blindfolded no one is watching the kids to make sure they dont run out into the street. Now one could argue who was watching Guage when he dies in the original but there are A LOT more parents around in this one. And who plays hide and seek in the front yard of a house on a busy highway anyway? Dont they have a backyard too? But despite all that I really enjoyed the scene leading up to Ellies death. They did a good job with Louis going after Guage and then Ellie getting hit instead. It was intense and sucked me right in. Let's talk Zelda for a second. Quite possibly the best and most terrifying part of the movie. Wasnt sure how Zelda could be anymore creepy than she was in the original but OMG they so nailed it. My favorite parts of this remake were the Rachel and Zelda storyline and it had me on the edge of my seat for sure. The ending however lost it for me and left me so angry that I paid to see this movie in the theater. The ending is where everything fell apart for me. It seemed very rushed and sloppily done. Such cheese. Realistically would everyone turn 3 seconds after they were buried? Do zombies have superhuman strength? Cuz Ellie taking her dad to the burial ground and making it over that hill with the weight of his body seemed so cheesy. Then the father killing the mother and them going to get Guage
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
Leah Surette (3 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Mar 14, 2018
Dame Helen Mirren locks you to the screen.
I don't go see movies in theaters often. If you haven't noticed tickets have got insanely pricey. I don't know what prices are everywhere else, but here in Boston, it's almost 19 bucks a ticket. The last movie I watched in Theaters was Jurassic World a few years back. I figured what the hell, I brought my mom along, and we went and saw Winchester. My experience is probably going to be a bit different than yours who might be viewing it at home in a few months when it comes out on VOD of DVD/Blu-ray obviously. So I might have hyped up this review a bit.
I knew nothing of the Winchester house or it's story. Sure I heard the name before, and that it was some type of firearm. I also went into this movie almost blind. Just seeing a few second clip, not even a trailer. I knew Helen Mirren was in it. As a huge fan of Mirren, I was sold at just that. The movie follows Sarah Winchester the grieving widow of the co-owner of the Winchester gun company. (Helen Mirren) Troubled about her mental state, people close to her and affairs ask a doctor to come and examine her mental state. Dr Price ( Jason Clarke) soon finds something else lurks in the walls other than her hallucinations.
I will say this, the script was silly, and by silly it was not good. I think if the script was written a bit differently, the film would have been a 5 star. If you're looking for a gross horror movie, then this is not. However what the film is , is a beautifully made light paranormal movie with a couple messages. At least this is how I feel. Yes this movie used the jump scare tactic.
Which probably had more effect on me, sitting in a loud theater than it would at home. The acting was solid I thought especially from Mirren who is always a powerful performer. The effects were O.K. , There was maybe one part that the effects made a ghost look almost like something out of Lord of the Rings, and it looked quite silly.
I knew nothing of the Winchester house or it's story. Sure I heard the name before, and that it was some type of firearm. I also went into this movie almost blind. Just seeing a few second clip, not even a trailer. I knew Helen Mirren was in it. As a huge fan of Mirren, I was sold at just that. The movie follows Sarah Winchester the grieving widow of the co-owner of the Winchester gun company. (Helen Mirren) Troubled about her mental state, people close to her and affairs ask a doctor to come and examine her mental state. Dr Price ( Jason Clarke) soon finds something else lurks in the walls other than her hallucinations.
I will say this, the script was silly, and by silly it was not good. I think if the script was written a bit differently, the film would have been a 5 star. If you're looking for a gross horror movie, then this is not. However what the film is , is a beautifully made light paranormal movie with a couple messages. At least this is how I feel. Yes this movie used the jump scare tactic.
Which probably had more effect on me, sitting in a loud theater than it would at home. The acting was solid I thought especially from Mirren who is always a powerful performer. The effects were O.K. , There was maybe one part that the effects made a ghost look almost like something out of Lord of the Rings, and it looked quite silly.
Gareth von Kallenbach (977 KP) rated Mowgli (2018) in Movies
Jul 2, 2019
When humans encroach on the jungle they get too close to the animals that call the jungle home. It’s inevitable that they clash. When Shere Khan (Benedict Cumberbatch), a tiger who has no regard for the rules of the jungle, slaughters a group of humans only a child survives. A black panther, Bagheera (Christian Bale), saves the boy, Mowgli (Rohan Chand), and takes him to live with a group of wolves. There he is raised by his mother, Nisha (Naomie Harris), and tried to become part of the pack by Baloo (Andy Serkis), a black bear. Mowgli must train with Baloo to become a member of the pack. As he trains he sees that man expand. With this expansion the man brings back Shere Khan. He kills many of the cows and leaves them for the humans to find. This makes the humans enlist a hunter, Lockwood (Matthew Rhys), to kill the tiger. Also Bagheera believes that sending Mowgli to the humans will keep him safe. Mowgli, just a young boy, must now try and bridge the animal world he knows in the jungle and the human world.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.
Gareth von Kallenbach (977 KP) rated Papillon (2018) in Movies
Jul 2, 2019
Henry “Papillon” Charriere (Charlie Hunnam) is a safecracker making his name in the Parisian underworld. But when he decides to keep some diamonds from a big score to himself his luck changes. He is framed for a murder and given a life sentence. Even worse for Papillon is that he is being shipped to the Devil’s Island penal colony in French Giana. With no chance at an appeal his only chance at freedom is to escape. On the long boat ride from France to South America he finds an unlikely ally in the form of the forger Louis Dega (Rami Malek). The slight and awkward Dega does not want to escape but rather just survive long enough to have his appeal heard. Papillon agrees to protect Dega in exchange for financing any escape plan Papillon can devise. With Dega’s financial backing Papillon now only has to figure out how to escape from prison no one has been known to escape from on an island surrounded by rivers and ocean, unforgiving jungle and guards who shoot to kill.
Papillon is based on a true story and adapted from the novels “Papillon” and “Banco” written by Charriere himself. This is the second film adaptation of these novels. The other film, also Papillon, is from 1973 stared Steve McQueen and Dustin Hoffman. I have not seen the 1973 version but I did enjoy the story and could be worth viewing to get another directors vision.
The 2018 version is powered but a captivating story of survival and the unlikely friendship of two men thrust together in a harsh environment. Both Hunnam (King Arthur, Pacific Rim) and Malek (Mr. Robot – TV Series, Night at the Museum) give excellent performances. The rest of the cast is okay but these two stars give great performances. Danish director Michael Noer (R, Northwest) does a decent job in the telling of the story visually. There was blood in one scene that was a pink colored and did not look anything like blood and that was a little distracting. The prison seemed realistic and grimy, but also weirdly bright.
Overall I enjoyed this film. I didn’t have any expectations going in and was pleasantly surprised but interesting story. At 2 hours and 13 minutes it does seem a bit too long. This would be a film I would enjoy watching at home and not necessarily something I would spend theater money on.
Papillon is based on a true story and adapted from the novels “Papillon” and “Banco” written by Charriere himself. This is the second film adaptation of these novels. The other film, also Papillon, is from 1973 stared Steve McQueen and Dustin Hoffman. I have not seen the 1973 version but I did enjoy the story and could be worth viewing to get another directors vision.
The 2018 version is powered but a captivating story of survival and the unlikely friendship of two men thrust together in a harsh environment. Both Hunnam (King Arthur, Pacific Rim) and Malek (Mr. Robot – TV Series, Night at the Museum) give excellent performances. The rest of the cast is okay but these two stars give great performances. Danish director Michael Noer (R, Northwest) does a decent job in the telling of the story visually. There was blood in one scene that was a pink colored and did not look anything like blood and that was a little distracting. The prison seemed realistic and grimy, but also weirdly bright.
Overall I enjoyed this film. I didn’t have any expectations going in and was pleasantly surprised but interesting story. At 2 hours and 13 minutes it does seem a bit too long. This would be a film I would enjoy watching at home and not necessarily something I would spend theater money on.
Gareth von Kallenbach (977 KP) rated The Last Stand (2013) in Movies
Aug 7, 2019
It’s 2013 and Arnold Schwarzenegger is back in his first leading role in 10 years in
“The Last Stand”
Directed by legendary South Korean director Kim Ji-w oon, The Last Stand stars
Schwarzenegger as Ray Owens, a former LAPD narcotics officer who has left the
violence and bloodshed of the big city to become the sheriff of a sleepy border town
in Arizona called Sommerton Junction where the biggest crime is the town’s mayor
parking in the firezone on main street.
Meanwhile in Las Vegas, Gabriel Cortez, the most vicious and ruthless drug lord
since Pablo Escobar, stages a spectacular escape from FBI custody and takes off
in a stolen/modified Chevrolet Corvette C6ZR1.
With a FBI agent held hostage and a group of mercenaries, Cortez races towards
the Mexican border at over 200 mph and Sommerton Junction. Counted out by the FBI
and the military as just another ‘small town sheriff’ with a group of inexperienced
deputies, Sherriff Owens reluctantly accepts the truth that the only thing standing
between Cortez and his escape and the safety of the people of Sommerton Junction is
Ray.
Co-starring Forrest Whitaker, Johnny Knoxville, Jaimie Alexander, Luis Guzman,
Peter Stormare, and Genesis Rodriguez, “The Last Stand” is a great action film
with an ensemble cast that follows the formula of the ‘action film’ but follows it
well. A basic/solid plot with plenty of spectacular stunts and explosions. After the
first 5 minutes, you don’t have a chance to leave the theater. The story unfolds
quickly, and you really don’t have the chance to look away. With plenty of comic
relief (most of it courtesy of Johnny Knoxville and Luis Guzman) and no romantic
scenes (except for one or two couples lip locking) I though the movie was a great
film. After 10 years, it was honestly a relief to see Schwarzenegger back in movies
as the lead and as part of an ensemble cast.
If there is one thing you can count on,
it is because Arnold always delivers when it comes to action movies no matter the scale,
and after so much time in politics it doesn’t look like he’s skipped a beat
and it’s a great escape from the winter chaos outside.
Welcome back Mr. Schwarzenegger!
“The Last Stand”
Directed by legendary South Korean director Kim Ji-w oon, The Last Stand stars
Schwarzenegger as Ray Owens, a former LAPD narcotics officer who has left the
violence and bloodshed of the big city to become the sheriff of a sleepy border town
in Arizona called Sommerton Junction where the biggest crime is the town’s mayor
parking in the firezone on main street.
Meanwhile in Las Vegas, Gabriel Cortez, the most vicious and ruthless drug lord
since Pablo Escobar, stages a spectacular escape from FBI custody and takes off
in a stolen/modified Chevrolet Corvette C6ZR1.
With a FBI agent held hostage and a group of mercenaries, Cortez races towards
the Mexican border at over 200 mph and Sommerton Junction. Counted out by the FBI
and the military as just another ‘small town sheriff’ with a group of inexperienced
deputies, Sherriff Owens reluctantly accepts the truth that the only thing standing
between Cortez and his escape and the safety of the people of Sommerton Junction is
Ray.
Co-starring Forrest Whitaker, Johnny Knoxville, Jaimie Alexander, Luis Guzman,
Peter Stormare, and Genesis Rodriguez, “The Last Stand” is a great action film
with an ensemble cast that follows the formula of the ‘action film’ but follows it
well. A basic/solid plot with plenty of spectacular stunts and explosions. After the
first 5 minutes, you don’t have a chance to leave the theater. The story unfolds
quickly, and you really don’t have the chance to look away. With plenty of comic
relief (most of it courtesy of Johnny Knoxville and Luis Guzman) and no romantic
scenes (except for one or two couples lip locking) I though the movie was a great
film. After 10 years, it was honestly a relief to see Schwarzenegger back in movies
as the lead and as part of an ensemble cast.
If there is one thing you can count on,
it is because Arnold always delivers when it comes to action movies no matter the scale,
and after so much time in politics it doesn’t look like he’s skipped a beat
and it’s a great escape from the winter chaos outside.
Welcome back Mr. Schwarzenegger!