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Hypeshooter (3 KP) created a post
Jul 12, 2017
Awix (3310 KP) rated Zama (2017) in Movies
Jun 5, 2018
Very art-housey Argentinian movie which has managed to acquire some kind of profile due to the involvement as producers of Pedro Almodavar and Danny Glover. Mildly stressed functionary Zama finds himself posted to a backwater South American outpost of the Spanish empire, some time in the 17th century, desperately tries to get himself transferred elsewhere, has very little success with this. In the end it all goes a little bit Apocalypse Now/Aguirre the Wrath of God.
Beautiful to look at, but one of those films where the fact that not very much happens is kind of the point. Implicitly highly critical of colonialism and slavery, of course - the Spanish overlords and the trappings of their civilisation are shabby and squalid compared to the local people - but more a character study of someone who finds himself becalmed in life (nice central performance). As I say, not very much happens until quite near the end, but it doesn't happen very beautifully.
Beautiful to look at, but one of those films where the fact that not very much happens is kind of the point. Implicitly highly critical of colonialism and slavery, of course - the Spanish overlords and the trappings of their civilisation are shabby and squalid compared to the local people - but more a character study of someone who finds himself becalmed in life (nice central performance). As I say, not very much happens until quite near the end, but it doesn't happen very beautifully.
Andy K (10821 KP) rated Badlands (1973) in Movies
Jul 29, 2019
Impressive debut from the legend himself, Terrence Malick
Martin Sheen and Sissy Spacek look so young! Probably because they are!
Impressive directorial debut and the start of great things to come. Some of his visual style are already present including impressive landscape shots or cut scenes featuring animals and nature.
The story is based on the American serial killer Charles Starkweather who befriends a naive young girl, invades her life and brings her along on a mass killing road trip across the southern United States. The victims include almost everyone they meet. The authorities are mobilized and pursue the duo as tensions escalate.
Sheen and Spacek are perfectly cast as the young couple which modern audiences would equate to Natural Born Killers; however, this film is not over the top like NBK. I really enjoyed their reluctant relationship and the mounting peril with the inevitable confrontation with the law.
Highly recommended.
Impressive directorial debut and the start of great things to come. Some of his visual style are already present including impressive landscape shots or cut scenes featuring animals and nature.
The story is based on the American serial killer Charles Starkweather who befriends a naive young girl, invades her life and brings her along on a mass killing road trip across the southern United States. The victims include almost everyone they meet. The authorities are mobilized and pursue the duo as tensions escalate.
Sheen and Spacek are perfectly cast as the young couple which modern audiences would equate to Natural Born Killers; however, this film is not over the top like NBK. I really enjoyed their reluctant relationship and the mounting peril with the inevitable confrontation with the law.
Highly recommended.
Gareth Leadbetter (1 KP) rated Blood Bowl (2016 edition) in Tabletop Games
Jun 24, 2019
One of the oldest and best just got a relaunch
Blood Bowl is more than just a boxed game; for some it's a way of life, boasting tournaments and fans all around the world, including players of the many spin-off video games. The base set barely touched the surface of the hobby. I thoroughly recommend seeking out the Death Zone expansions, which add league rules to the mix. There are already many team expansions (such as Elves) released with more to come. The hobby is further supported by an abundance of third party additions. If you like the idea of playing a strategic, turn-based version of American Football with Dwarves and mutant rats the look no further.
tapestry100 (306 KP) rated The Queen of the Night in Books
Aug 2, 2017
I'm not really sure what to say about Alexander Chee's novel The Queen of the Night other than it is magnificent. A sprawling, epic tale that put me in mind of Arthur Golden's Memoirs of a Geisha, we follow Paris Opera sensation Lilliet Berne as she recounts her life from her humble beginnings as an orphaned American child, who tried to make her way to Europe to the only family she new of after the death of her family and ended up being swept up by one circumstance after another into the spectacle that was the Second French Empire. We follow her life from her time with a traveling circus, to becoming a prostitute in one of Paris' more prestigious whorehouses, to her time as a dresser for Empress Eugénie de Montijo at the Tuileries, until she finally makes her debut at the French Opera. Through this tale, she is trying to discover who might know of her secrets, as each time she took on a new role, she also cast off her old life and name and reinvented herself at each turn, trying to finally free herself from her own past and come into the life that she wants for herself.
Chee seems to have thoroughly researched his setting for Lillet's journey, and his writing is strong and precise. Lilliet's life is quite an adventure, but it never seems to be dull, and I never felt like I was wishing that her tale would hurry along. I listened to the audio version, and Lisa Flanagan's narration is spot on; she truly became the voice of Lilliet for me. The only thing that I added to my own listening of the book that I think could possibly benefit other readers is that I listened to selections of the operas and other musical pieces that are mentioned in the book, to add that next level of enjoyment to the story.
Chee is an extraordinary storyteller and I'll definitely be reading more by him in the future.
Chee seems to have thoroughly researched his setting for Lillet's journey, and his writing is strong and precise. Lilliet's life is quite an adventure, but it never seems to be dull, and I never felt like I was wishing that her tale would hurry along. I listened to the audio version, and Lisa Flanagan's narration is spot on; she truly became the voice of Lilliet for me. The only thing that I added to my own listening of the book that I think could possibly benefit other readers is that I listened to selections of the operas and other musical pieces that are mentioned in the book, to add that next level of enjoyment to the story.
Chee is an extraordinary storyteller and I'll definitely be reading more by him in the future.
BankofMarquis (1832 KP) rated Stand by Me (1986) in Movies
Jun 15, 2018
A Modern Classic
Remember the days of your youth, when Summer was just one long vacation - where you and your buddies would take off and let the day unfold as it presents itself - no schedules, no meetings and the only clock was the rising and setting of the sun?
Such, nostalgic, feelings and remembrances is at the heart of the 1986 Rob Reiner film, STAND BY ME, a "coming of age" tale of boys on the cusp of leaving boyhood behind.
Based on a Stephen King novella, STAND BY ME follows the adventures of Gordie LaChance and his pals Vern, Teddy and Chris as they set off to find the body of a young man who has been missing - and presumed dead.
But it is not the destination that is at the heart of this story, it is the journey - and what a journey, filled with heart, it is. We join in with these 4 boys as the walk towards the unknown - both physically and (more importantly) metaphorically, growing and developing in front of our eyes.
Credit for this film has to start with Director Rob Reiner - mainly known before this film as "Meathead" on the classic TV Series ALL IN THE FAMILY. This was Reiner's 5th film as a Director and, I believe, announced his "arrival" as a signature Director. Look at the run Reiner had. In order, he directed THIS IS SPINAL TAP, THE SURE THING, STAND BY ME, THE PRINCESS BRIDE, WHEN HARRY MET SALLY, MISERY and A FEW GOOD MEN. I would also include THE AMERICAN PRESIDENT and GHOSTS OF MISSISSIPPI in this list, but they come after the misfire NORTH. But, 9 out of 10 good films is quite the track record.
What struck me in this showing of the film (seen on the big screen for the first time by me since 1986) is the contrast between intimacy and enormity. When the boys are on their trek, Reiner shoots a good deal of these scenes from a distance - showing how small these boys are in comparison to the world around them. But, when the scene is an intimate, dialogue, character-driven scene, he tightens his shots right into the faces of the 4 leads, creating an intimacy that draws us into these characters.
The other credit has to go to whomever cast this film - for the 4 unknown boys that were cast in the leads were well cast, indeed.
Start with Wil Wheaton as Gordie. Gordie has spent his whole life in the shadow of his over-achieving "All American" brother, trying to be noticed for who - and what - he is, an author, not an athlete. Wheaton brings the right combination of determination, intelligence and vulnerability to Gordie, giving us a protagonist we can root for. Jerry O'Connell was funnier than I remembered as the "fat kid", Vern, who just wants to play by the rules, but always goes along with his friends, despite his better judgement. Corey Feldman has never been better than he is here as Teddy Duchamp - a young boy with a troubled home life - and a troubled life - that is trying to control, and understand, the rage inside of him.
But it is the work of the late River Phoenix as Chris Chambers, the "leader" of this group that really shines. He is the glue that keeps this foursome together, strong but showing a vulnerability and a "realistic" view of what it is to be a misunderstood youth - the hurt that comes with that and the walls that one puts up to combat that. Phoenix commands the screen in every scene that he is in and when the scene is just Phoenix and Wheaton, you are drawn into a real friendship.
I was surprised, at this viewing, at how serious this film is - and the topics that this film addresses - but those moments are wisely balanced by scenes of action/adventure (like the train tressel scene), comedy (like the the "lard-ass" pie eating scene) and "other" moments (the leaches!).
This is one of those films that is getting better with time - it is aging well - and, rightfully, fits in the category of "Modern Classic".
Letter Grade: A
Such, nostalgic, feelings and remembrances is at the heart of the 1986 Rob Reiner film, STAND BY ME, a "coming of age" tale of boys on the cusp of leaving boyhood behind.
Based on a Stephen King novella, STAND BY ME follows the adventures of Gordie LaChance and his pals Vern, Teddy and Chris as they set off to find the body of a young man who has been missing - and presumed dead.
But it is not the destination that is at the heart of this story, it is the journey - and what a journey, filled with heart, it is. We join in with these 4 boys as the walk towards the unknown - both physically and (more importantly) metaphorically, growing and developing in front of our eyes.
Credit for this film has to start with Director Rob Reiner - mainly known before this film as "Meathead" on the classic TV Series ALL IN THE FAMILY. This was Reiner's 5th film as a Director and, I believe, announced his "arrival" as a signature Director. Look at the run Reiner had. In order, he directed THIS IS SPINAL TAP, THE SURE THING, STAND BY ME, THE PRINCESS BRIDE, WHEN HARRY MET SALLY, MISERY and A FEW GOOD MEN. I would also include THE AMERICAN PRESIDENT and GHOSTS OF MISSISSIPPI in this list, but they come after the misfire NORTH. But, 9 out of 10 good films is quite the track record.
What struck me in this showing of the film (seen on the big screen for the first time by me since 1986) is the contrast between intimacy and enormity. When the boys are on their trek, Reiner shoots a good deal of these scenes from a distance - showing how small these boys are in comparison to the world around them. But, when the scene is an intimate, dialogue, character-driven scene, he tightens his shots right into the faces of the 4 leads, creating an intimacy that draws us into these characters.
The other credit has to go to whomever cast this film - for the 4 unknown boys that were cast in the leads were well cast, indeed.
Start with Wil Wheaton as Gordie. Gordie has spent his whole life in the shadow of his over-achieving "All American" brother, trying to be noticed for who - and what - he is, an author, not an athlete. Wheaton brings the right combination of determination, intelligence and vulnerability to Gordie, giving us a protagonist we can root for. Jerry O'Connell was funnier than I remembered as the "fat kid", Vern, who just wants to play by the rules, but always goes along with his friends, despite his better judgement. Corey Feldman has never been better than he is here as Teddy Duchamp - a young boy with a troubled home life - and a troubled life - that is trying to control, and understand, the rage inside of him.
But it is the work of the late River Phoenix as Chris Chambers, the "leader" of this group that really shines. He is the glue that keeps this foursome together, strong but showing a vulnerability and a "realistic" view of what it is to be a misunderstood youth - the hurt that comes with that and the walls that one puts up to combat that. Phoenix commands the screen in every scene that he is in and when the scene is just Phoenix and Wheaton, you are drawn into a real friendship.
I was surprised, at this viewing, at how serious this film is - and the topics that this film addresses - but those moments are wisely balanced by scenes of action/adventure (like the train tressel scene), comedy (like the the "lard-ass" pie eating scene) and "other" moments (the leaches!).
This is one of those films that is getting better with time - it is aging well - and, rightfully, fits in the category of "Modern Classic".
Letter Grade: A
Lyndsey Gollogly (2893 KP) rated Noble Intentions (Noble #1) in Books
Feb 9, 2020
Noble Britton had suffered greatly at the hands of his first wife, and he refused to fall into the same trap again. This time he intended to marry a quiet, biddable woman who would not draw attention to herself or cause scandal. Gillian Leigh's honest manner and spontaneous laughter attracted him immediately. It mattered little that she was accident-prone; he could provide the structure necessary to guide her.
But unconventional to the tips of her half-American toes―toes that one of them was constantly tripping over―his new bride turned the tables on him, wreaking havoc on his orderly life. And worse, demanding he surrender his heart. Perpetually one step behind his beguiling spouse, Noble suffered a banged-up head, a black eye, and a broken nose before he realized Gillian had healed his soul and proved that their union was no heedless tumble, but the swoon of true love.
I love Katie Macalister her books always manage to make me laugh. This was no different I thought Gillian's character was just brilliant she was so normal! The words just flowed I laughed a few times at her antics and conversations with Charlotte. Definitely worth a read.
But unconventional to the tips of her half-American toes―toes that one of them was constantly tripping over―his new bride turned the tables on him, wreaking havoc on his orderly life. And worse, demanding he surrender his heart. Perpetually one step behind his beguiling spouse, Noble suffered a banged-up head, a black eye, and a broken nose before he realized Gillian had healed his soul and proved that their union was no heedless tumble, but the swoon of true love.
I love Katie Macalister her books always manage to make me laugh. This was no different I thought Gillian's character was just brilliant she was so normal! The words just flowed I laughed a few times at her antics and conversations with Charlotte. Definitely worth a read.
Frank Carter recommended Background Music by American Nightmare/Give Up The Ghost in Music (curated)
BankofMarquis (1832 KP) rated Father Stu (2022) in Movies
Sep 25, 2022
One Note Performance In The Lead Sinks Film
When one creates a film that is based on the real life exploits of a person, the Writer/Director of the film will be sorely tempted to include that character in every scene. Which is fine if that character is written in an interesting enough way to keep our attention. When it is NOT written well, then the film is poorer because of it.
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
