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Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
Storm and Shelter (Ebb & Flow #3)
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Merissa (13194 KP) rated Lord of Rage (Royal House of Shadows, #2) in Books
Dec 17, 2018
Lord of Rage is based on the tale of Goldilocks and is the tale of Nicolai's younger sister Breena. Raised as a princess Breena always knew it would be her duty to marry a man chosen by her father to make an alliance between kingdoms. Everything changes when Elden comes under attack and her parents are killed by the blood sorcerer. On their death beds the king and queen used the last of their magic to send their 4 children to safety. Breena finds herself alone in the forest - lost, terrified and grieving for her family she is tired and hungry when she stumbles across the isolated cottage that Osborn shares with his brothers Bernt and Torben. Osborn is the last of the Ursan beserkers, his village was destroyed in a vampire attack that only his 2 young brothers survived. After years working as a mercenary to provide for them all Osborn wants now is a quiet life and to eventually get revenge on the vampires that took everything from them. The last thing he needs is a beautiful stranger invading his space, particularly one who has been invading his dreams to share passionate kisses. Breena is determined to trace her brothers and discover what happened to their kingdom and she will do whatever it takes to get Osborn to help her achieve her goals.
Overall I enjoyed this more than the first book in the series and I will read on to find out what happened to Breena's other brothers and to see if Nicolai can manage to regain his kingdom.
Overall I enjoyed this more than the first book in the series and I will read on to find out what happened to Breena's other brothers and to see if Nicolai can manage to regain his kingdom.
The Unexpected Adventures of Martin Freeman
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Martin Freeman is one of Britain's best-loved actors. After being cast in bit parts and cameos -...
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The memoirs of Chevalier Rafael de Weryha-Wysoczanski, a Polish nobleman whose nobility dates back...
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Heather Cranmer (2721 KP) created a post
Apr 9, 2021
Jesters_folly (230 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 29, 2019
Contains spoilers, click to show
Dora and the lost city of gold brings the characters from the ‘Dora the Explore ' together for a live action adventure. The film starts when Dora is six and her cousin Diego goes to live in the city. Ten years later Dora's parents get ready to find a lost city so, for safety they send her to the join Diego. Finding that Diego has changed over the years and that city life is nothing like living in the jungle leaving her upset and friendless. During a school field trip, Dora, Diego and two of their classmates are kidnapped by treasure hunters in an attempt to find Dora's parents and the lost city.
Dora and the lost city of gold is a classic children’s jungle adventure; you have kidnapped adults, jungle traps, quick sand (I can’t remember the last time I saw quicksand in a movie, may be Jumaji 2), Ruined cities, giant, possibly man eating plants and a bit of cartoon physics.
The cartoony side of the film is a bit odd, the film is trying to include all the main characters from the series and this includes Boots the Monkey and Swipe the fox. Boots kind of makes sense, he was Dora’s companion throughout the cartoon and the character in the film did have an actual role that served a purpose, however Swipe seemed a pointless, his roll could have been performed by any of the other villains.
Over all ‘Dora and the lost city of gold’ is good, silly fun.
Dora and the lost city of gold is a classic children’s jungle adventure; you have kidnapped adults, jungle traps, quick sand (I can’t remember the last time I saw quicksand in a movie, may be Jumaji 2), Ruined cities, giant, possibly man eating plants and a bit of cartoon physics.
The cartoony side of the film is a bit odd, the film is trying to include all the main characters from the series and this includes Boots the Monkey and Swipe the fox. Boots kind of makes sense, he was Dora’s companion throughout the cartoon and the character in the film did have an actual role that served a purpose, however Swipe seemed a pointless, his roll could have been performed by any of the other villains.
Over all ‘Dora and the lost city of gold’ is good, silly fun.
