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BankofMarquis (1832 KP) rated The Predator (2018) in Movies
Sep 26, 2018
Waste of idea, talent and my time
If I was to show future generations a prototypical 1980's "Machismo, Blood and Guts Action Flick", I would pull the original 1987 PREDATOR (starring good ol' Arnold Schwarzenegger) off my dusty shelves and show this to them. It is a film so "of it's time".
In subsequent years, there have been more films that attempted to use the Predator character - PREDATOR 2 (1990), AVP: ALIENS VS. PREDATOR (2004), ALIENS VS. PREDATOR: REQUIEM (2007) and PREDATORS (2010) - all disappointing. All failing to equal the balance of machismo, action and humor that is needed.
So...it was with great anticipation that I looked forward to THE PREDATOR, a new film written and directed by Shane Black (KISS KISS BANG BANG, IRON MAN 3, THE NICE GUYS) - one of the actors in the 1987 flick!
And...I was disappointed again.
This film fails because it never really got a grip on just what type of film it wanted to be - is it a Sci-Fi film? Is it an Action film? A buddy flick? A gore fest? A look at Autism? Black's script and direction spreads all these items out on the picnic blanket that is this film and then intermittently picks each one of these up to show us - sometimes a couple of them - like a kid trying to decide whether he wants the chips or the hot dogs or the Oreo cookies and just shoves them all in his mouth together.
And that's too bad, for Black has an interesting premise - rival Predators battling on Earth - with a ragtag group of Earthlings thrown in the middle - and what a "ragtag" group they are! Trevante Rhodes (MOONLIGHTING), Thomas Jane (THE MIST), Keegan-Michael Key (KEY & PEELE), Alfie Allen (GAME OF THRONES) and Augusto Aguilera (CHASING LIFE) make an intriguing band of misfit soldiers that easily could have been an equal to Arnold's ragtag group of soldiers from the 1987 original.
Unfortunately, they are the "back-up band" to the boring Boyd Holbrook (NARCOS) and Olivia Munn (X-MEN: APOCALYPSE) as a couple thrown together to defend Holbrook's Autistic son (Jacob Tremblay - so good in ROOM and wasted here) in a by-the-book "they hate each other when they first meet, so - naturally - they'll fall in love by the end" plot contrivance that doesn't work at all.
Add on top of that Sterling K. Brown (THIS IS US) as a "mysterious" Gov't Agent who is so much of a bad guy, all he was missing was a mustache twirl and the missed opportunities of actors such as Yvonne Stahovski (THE HANDMAID'S TALE) and NIall Matter (EUREKA) who both just stand around and do nothing. They even cast Jake Busey (Gary's kid) - who would be the perfect "over-the-top" bad guy for this sort of film, but...he is just misdirection and wasted as well.
What a wasted effort, a wasted opportunity and a waste of my time.
Letter Grade C_+: The ragtag group of soldiers were at least fun to watch (give Thomas Jane and Keegan-Michael Key their own "buddy" picture)!
5 stars (out of 10) - and you can take that to the BankofMarquis
In subsequent years, there have been more films that attempted to use the Predator character - PREDATOR 2 (1990), AVP: ALIENS VS. PREDATOR (2004), ALIENS VS. PREDATOR: REQUIEM (2007) and PREDATORS (2010) - all disappointing. All failing to equal the balance of machismo, action and humor that is needed.
So...it was with great anticipation that I looked forward to THE PREDATOR, a new film written and directed by Shane Black (KISS KISS BANG BANG, IRON MAN 3, THE NICE GUYS) - one of the actors in the 1987 flick!
And...I was disappointed again.
This film fails because it never really got a grip on just what type of film it wanted to be - is it a Sci-Fi film? Is it an Action film? A buddy flick? A gore fest? A look at Autism? Black's script and direction spreads all these items out on the picnic blanket that is this film and then intermittently picks each one of these up to show us - sometimes a couple of them - like a kid trying to decide whether he wants the chips or the hot dogs or the Oreo cookies and just shoves them all in his mouth together.
And that's too bad, for Black has an interesting premise - rival Predators battling on Earth - with a ragtag group of Earthlings thrown in the middle - and what a "ragtag" group they are! Trevante Rhodes (MOONLIGHTING), Thomas Jane (THE MIST), Keegan-Michael Key (KEY & PEELE), Alfie Allen (GAME OF THRONES) and Augusto Aguilera (CHASING LIFE) make an intriguing band of misfit soldiers that easily could have been an equal to Arnold's ragtag group of soldiers from the 1987 original.
Unfortunately, they are the "back-up band" to the boring Boyd Holbrook (NARCOS) and Olivia Munn (X-MEN: APOCALYPSE) as a couple thrown together to defend Holbrook's Autistic son (Jacob Tremblay - so good in ROOM and wasted here) in a by-the-book "they hate each other when they first meet, so - naturally - they'll fall in love by the end" plot contrivance that doesn't work at all.
Add on top of that Sterling K. Brown (THIS IS US) as a "mysterious" Gov't Agent who is so much of a bad guy, all he was missing was a mustache twirl and the missed opportunities of actors such as Yvonne Stahovski (THE HANDMAID'S TALE) and NIall Matter (EUREKA) who both just stand around and do nothing. They even cast Jake Busey (Gary's kid) - who would be the perfect "over-the-top" bad guy for this sort of film, but...he is just misdirection and wasted as well.
What a wasted effort, a wasted opportunity and a waste of my time.
Letter Grade C_+: The ragtag group of soldiers were at least fun to watch (give Thomas Jane and Keegan-Michael Key their own "buddy" picture)!
5 stars (out of 10) - and you can take that to the BankofMarquis
Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
Halt and Catch Fire
The Predator- love the first one, hated the second one, liked the reboot/remake in 2010 and this one well could of been better. Let me explain the predator franchise is a intrest franchise, mixing togther horror, sci-fi, action and comedy all togther. Sometimes it works like in the oringal one and the 2010 verison, sometimes it doesnt like the sequel. So how does this one hold up. Well all i can say is that its a mix bag. Sometimes the comedy works and sometimes it doesnt. Mostly it doesnt. The sci-fi, action and horror work mostly, kind of, not really. This movie fails as a reboot and fails to live up to the oringal and the 2010 version.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
Movie Metropolis (309 KP) rated The Predator (2018) in Movies
Jun 10, 2019
A soft reboot that actually works
1987; feels like a long time ago doesn’t it? In fact, most of you reading this I imagine weren’t even born way back in the late 80s. I mean, I was only a twinkle in my parents’ eyes at that time. But I digress.
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/
Gareth von Kallenbach (965 KP) rated Tomorrowland (2015) in Movies
Aug 6, 2019
I have to be honest. I was confused when I first heard that a movie was being made called Tomorrowland, and even more so when I heard it that actually is based on the themed area of Disney parks. How could they do it? What would it be about? It was strange. The teaser trailer didn’t give a whole lot away either (as teasers are designed to do). When I saw the full trailer, I had a little more understanding, and it definitely piqued my interest, but I was still totally in the dark. And I wanted to see the movie! I guess Disney really did their job right.
In this film, Tomorrowland is a place of unlimited possibilities. Another dimension, where the inhabitants of that dimension actively seek out intelligent people, inventors, who can do something that can change the world for the better. We begin at the 1964 World Fair in New York where we see a young Frank Walker (Thomas Robinson) entering into the inventor’s competition with a jetpack that doesn’t quite work. However, a mysterious young woman named Athena (Raffey Cassidy) takes an interest in him, offers him a pin and instructs him to follow her. Thus begins Frank’s adventure and we move forward in time to the present day, where we meet Casey Newton (Britt Robertson).
Casey is the teenage daughter of a NASA engineer, who is no slough in the intelligence department herself. We are introduced to her as she is sabotaging equipment at a NASA launch pad that is scheduled to be taken down, which will leave her father without a job. We see Athena again, who has mysteriously not aged, leaving a pin for Casey to discover Tomorrowland on her own. Only, this pin is a simple advertisement. We soon learn that something has gone terribly wrong, and our world is in danger. Athena leads Casey to an aged Frank Walker (George Clooney), who has since been banished from Tomorrowland, but still feeds off of their signal and sits and waits for the end of the world, which he knows when it will happen. But he and Athena see something in Casey that will help save both Tomorrowland, and our world.
Given the conversations, the imagery, and the theme of this movie, it is clearly targeted towards children more than adults. Though, there is plenty for an adult to enjoy about the movie, it is important to understand that the movie is clearly targeted to a younger audience. I say this because I feel, as did my guests who attended the press screening, that the main plot device, the main conflict of the movie, is far too complex a concept for this younger audience to understand. So before you read any further, spoiler alert. You have been forewarned. If you do not want to know, skip the next two paragraphs.
The idea here is that Frank Walker built a machine that could see any point in time. Past, future or present. With this machine, he saw the end of our world. The proposed resolution to stop the destruction of earth is this: turn off the machine. The argument being that the world ends because we see it ending. It becomes a fixation of our mind, and so it will happen. Apparently, the people of Tomorrowland have been streaming this information to Earth for years, but instead of taking steps to prevent it, Earth has embraced it. One of my favorite lines, delivered by one of my favorite actors (Hugh Laurie) indicated that we had simultaneous epidemics of obesity and starvation on Earth. It’s mind boggling. But the Casey comes up with the brilliant idea of turning it off, which will prevent the destruction of Earth because people will no longer be so focused on it. It’s a little more complicated than that, but this is the gist of it. Way too complex for your average child to comprehend.
Another part of the resolution and the end of the movie was brilliant, but I think it was poorly illustrated. As I mentioned earlier, the residents of Tomorrowland were searching for intelligent people, often high IQ inventors, who could make the world a better place. At the end of the film, Casey idea is to bring not only intelligent people, but anyone who will make a difference. Dancers, musicians, doctors, pilots, farmers, etc. I think I even saw a waitress in there. These are people who may not normally be recognized as highly intelligent, but can make huge differences in the world. The idea was to not be so limited in thinking, and understand how everything can contribute to a better world. However, they did not really do a great job of pointing this out, so some movie-goers may miss this point completely and simply see it as a rebuilding of Tomorrowland to its former glory.
Other than those two issues, I thoroughly enjoyed the movie. It had a great amount of humor, action and endearing moments. It was visually stunning, and took a concept that I never thought could be made into a movie and did just that. The movie was brilliantly cast, even down to the minor characters like Hugo (Keegan-Michael Key) and Ursula (Kathryn Hahn). Of course the score was fantastic, it is a Disney film after all. And despite my issues with the complexity of the plot, I still think that everyone, young and old, will enjoy this film.
Is it perfect? Absolutely not. But it is entertaining, and definitely worth seeing on the big screen. So go check it out. In theaters everywhere, today.
In this film, Tomorrowland is a place of unlimited possibilities. Another dimension, where the inhabitants of that dimension actively seek out intelligent people, inventors, who can do something that can change the world for the better. We begin at the 1964 World Fair in New York where we see a young Frank Walker (Thomas Robinson) entering into the inventor’s competition with a jetpack that doesn’t quite work. However, a mysterious young woman named Athena (Raffey Cassidy) takes an interest in him, offers him a pin and instructs him to follow her. Thus begins Frank’s adventure and we move forward in time to the present day, where we meet Casey Newton (Britt Robertson).
Casey is the teenage daughter of a NASA engineer, who is no slough in the intelligence department herself. We are introduced to her as she is sabotaging equipment at a NASA launch pad that is scheduled to be taken down, which will leave her father without a job. We see Athena again, who has mysteriously not aged, leaving a pin for Casey to discover Tomorrowland on her own. Only, this pin is a simple advertisement. We soon learn that something has gone terribly wrong, and our world is in danger. Athena leads Casey to an aged Frank Walker (George Clooney), who has since been banished from Tomorrowland, but still feeds off of their signal and sits and waits for the end of the world, which he knows when it will happen. But he and Athena see something in Casey that will help save both Tomorrowland, and our world.
Given the conversations, the imagery, and the theme of this movie, it is clearly targeted towards children more than adults. Though, there is plenty for an adult to enjoy about the movie, it is important to understand that the movie is clearly targeted to a younger audience. I say this because I feel, as did my guests who attended the press screening, that the main plot device, the main conflict of the movie, is far too complex a concept for this younger audience to understand. So before you read any further, spoiler alert. You have been forewarned. If you do not want to know, skip the next two paragraphs.
The idea here is that Frank Walker built a machine that could see any point in time. Past, future or present. With this machine, he saw the end of our world. The proposed resolution to stop the destruction of earth is this: turn off the machine. The argument being that the world ends because we see it ending. It becomes a fixation of our mind, and so it will happen. Apparently, the people of Tomorrowland have been streaming this information to Earth for years, but instead of taking steps to prevent it, Earth has embraced it. One of my favorite lines, delivered by one of my favorite actors (Hugh Laurie) indicated that we had simultaneous epidemics of obesity and starvation on Earth. It’s mind boggling. But the Casey comes up with the brilliant idea of turning it off, which will prevent the destruction of Earth because people will no longer be so focused on it. It’s a little more complicated than that, but this is the gist of it. Way too complex for your average child to comprehend.
Another part of the resolution and the end of the movie was brilliant, but I think it was poorly illustrated. As I mentioned earlier, the residents of Tomorrowland were searching for intelligent people, often high IQ inventors, who could make the world a better place. At the end of the film, Casey idea is to bring not only intelligent people, but anyone who will make a difference. Dancers, musicians, doctors, pilots, farmers, etc. I think I even saw a waitress in there. These are people who may not normally be recognized as highly intelligent, but can make huge differences in the world. The idea was to not be so limited in thinking, and understand how everything can contribute to a better world. However, they did not really do a great job of pointing this out, so some movie-goers may miss this point completely and simply see it as a rebuilding of Tomorrowland to its former glory.
Other than those two issues, I thoroughly enjoyed the movie. It had a great amount of humor, action and endearing moments. It was visually stunning, and took a concept that I never thought could be made into a movie and did just that. The movie was brilliantly cast, even down to the minor characters like Hugo (Keegan-Michael Key) and Ursula (Kathryn Hahn). Of course the score was fantastic, it is a Disney film after all. And despite my issues with the complexity of the plot, I still think that everyone, young and old, will enjoy this film.
Is it perfect? Absolutely not. But it is entertaining, and definitely worth seeing on the big screen. So go check it out. In theaters everywhere, today.