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Postcards from Checkpoint Charlie: Images of the Berlin Wall
Book
Between 1945 and 1961, an estimated 2.5 million people fled East Germany in search of the political...
Breach
Olumide Popoola and Annie Holmes
Book
In the refugee camp known as The Jungle an illusion is being disrupted: that of a neatly ordered...
Mark @ Carstairs Considers (2173 KP) rated S is for Silence (Kinsey Millhone, #19) in Books
May 15, 2021
Kinsey Tries to Solve a Very Cold Case
On July 4, 1953, Victoria Sullivan vanished without a trace and was never heard from again. Her abusive husband lived under the shadow of suspicion, and her then seven-year-old daughter, Daisy, has lived with the questions about what happened to her mother and why. And so, thirty-four years later, she hires PI Kinsey Millhone to try to finally solve this mystery. Kinsey is reluctant to take on the case. After all this time, what can she find? Yet, as she begins to poke around, she suspects that the people she is talking to know more than they’ve ever told the police or are telling her. Can she figure out what happened?
Cold cases can make excellent novels, and this is a perfect example. It is obvious early on that Kinsey is gaining new information, but how that is going to play out keeps us guessing until the end. I was certain I knew who it was, but I was wrong. Still, the ending did make sense to me. The characters are strong as always. Kinsey spends much of the book out of town, so we don’t see much of the regulars, which was disappointing, but a minor issue. While all the “modern” 1987 scenes are narrated from Kinsey’s first-person point of view, there are sections from other character’s point of view back in 1953. As good as some of those scenes are, sadly, there are some very graphic scenes in them. We could have easily done without them and it wouldn’t have impacted the story at all. I’m taking a star off for that. If you are a fan, be prepared to skim those scenes and you’ll still enjoy the book overall.
Cold cases can make excellent novels, and this is a perfect example. It is obvious early on that Kinsey is gaining new information, but how that is going to play out keeps us guessing until the end. I was certain I knew who it was, but I was wrong. Still, the ending did make sense to me. The characters are strong as always. Kinsey spends much of the book out of town, so we don’t see much of the regulars, which was disappointing, but a minor issue. While all the “modern” 1987 scenes are narrated from Kinsey’s first-person point of view, there are sections from other character’s point of view back in 1953. As good as some of those scenes are, sadly, there are some very graphic scenes in them. We could have easily done without them and it wouldn’t have impacted the story at all. I’m taking a star off for that. If you are a fan, be prepared to skim those scenes and you’ll still enjoy the book overall.
Carrie Brownstein recommended track Told You So by Miguel in War & Leisure by Miguel in Music (curated)
The Hummingbird Bakery Cake Days: Recipes to Make Every Day Special
Book
The bestselling, hugely popular Hummingbird Bakery is back with a wonderful new collection of easy...
Kristy H (1252 KP) rated Since You've Been Gone in Books
Mar 25, 2021
A fun, summery YA read
This is the nineteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
When Emily's best friend Sloane disappears, right on the cusp of the epic summer they have planned, she feels adrift. Sloane is outgoing while Emily is shy, and she doesn't know what to do without her friend. But then a letter arrives from Sloane, with a list of things Emily should do over the summer, such as "kiss a stranger," "dance until dawn," "hug a Jamie," and more. Very little on the list are things Emily feels comfortable with--they are more Sloane-esque--but she embarks on them anyway, hoping they will bring her friend back. Soon she has the unexpected help of Frank Porter, an upstanding fellow classmate and not normally a friend of hers, and her summer is off to an interesting start.
This is a fun and fluffy book, with a small but lovable cast of characters. I really liked Emily and adored Frank. I especially identified with Emily due to her shyness and her intense dislike of horses. Somehow the crossing items off a list concept was fresh and intriguing here. It's a very summery book, filled with all those fun summery things: ice cream, road trips, pizza parlors, falling in love, and more.
It is a little concerning that no one seems to worry that Sloane and her family has been kidnapped, when she just disappears, but maybe kidnapped people don't have access to stamps?
Overall, this is a sweet book focused on teen friendship. It's cute and romantic and will make you long for warm summer nights and falling in love for the first time.
When Emily's best friend Sloane disappears, right on the cusp of the epic summer they have planned, she feels adrift. Sloane is outgoing while Emily is shy, and she doesn't know what to do without her friend. But then a letter arrives from Sloane, with a list of things Emily should do over the summer, such as "kiss a stranger," "dance until dawn," "hug a Jamie," and more. Very little on the list are things Emily feels comfortable with--they are more Sloane-esque--but she embarks on them anyway, hoping they will bring her friend back. Soon she has the unexpected help of Frank Porter, an upstanding fellow classmate and not normally a friend of hers, and her summer is off to an interesting start.
This is a fun and fluffy book, with a small but lovable cast of characters. I really liked Emily and adored Frank. I especially identified with Emily due to her shyness and her intense dislike of horses. Somehow the crossing items off a list concept was fresh and intriguing here. It's a very summery book, filled with all those fun summery things: ice cream, road trips, pizza parlors, falling in love, and more.
It is a little concerning that no one seems to worry that Sloane and her family has been kidnapped, when she just disappears, but maybe kidnapped people don't have access to stamps?
Overall, this is a sweet book focused on teen friendship. It's cute and romantic and will make you long for warm summer nights and falling in love for the first time.
Wayne Coyne recommended The Dark Side of the Moon by Pink Floyd in Music (curated)
Matthew Krueger (10051 KP) rated Casper (1995) in Movies
Oct 27, 2020
Bill Pullman (1 more)
Christina Ricci
Friendly Ghost
Casper- is a hallloween classic. Its funny, spooky, entertaining and above all a great movie.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
Emma @ The Movies (1786 KP) rated Ghost Stories (2018) in Movies
Sep 25, 2019
Arch skeptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable 'hauntings'.
Well... when it says the brain sees what it wants to see that really is true. My brain saw a film with some potential in it, but ultimately for me, disappointing.
Like A Quiet Place I hadn't been convinced I wanted to see it. But out of the two this one had looked less worrying from the trailers, and I like supernatural things so I double billed again to see this one.
The audience was about 50/50... those who were screaming and those that were laughing. I was surprisingly in the latter category. There were several amusing bits, and I particularly enjoyed the Sooty and Sweep moment and the car scene, Alex Lawther got some very good parts.
I'm left wondering why film makers like to use pieces designed to make people physically jump. There were plenty of things in the film that would have a more chilling effect, but Ghost Stories seemed littered with a lot of the jumpy moments, most of which were obvious in their appearances.
I might have been able to let that go if it hadn't been for one thing... the ending. I don't think I've been that annoyed with an ending since Lost. Even the cheesiness of A Quiet Place's ending was forgotten. Some many things in the film were right there to be explored in more depth but were ignored for what I was hoping to be a startling ending to make up for incomplete stories... there was no satisfying ending here for me. A twisted set of tales that were cut short. In an effort to add more suspense and expectation? Who knows.
Well... when it says the brain sees what it wants to see that really is true. My brain saw a film with some potential in it, but ultimately for me, disappointing.
Like A Quiet Place I hadn't been convinced I wanted to see it. But out of the two this one had looked less worrying from the trailers, and I like supernatural things so I double billed again to see this one.
The audience was about 50/50... those who were screaming and those that were laughing. I was surprisingly in the latter category. There were several amusing bits, and I particularly enjoyed the Sooty and Sweep moment and the car scene, Alex Lawther got some very good parts.
I'm left wondering why film makers like to use pieces designed to make people physically jump. There were plenty of things in the film that would have a more chilling effect, but Ghost Stories seemed littered with a lot of the jumpy moments, most of which were obvious in their appearances.
I might have been able to let that go if it hadn't been for one thing... the ending. I don't think I've been that annoyed with an ending since Lost. Even the cheesiness of A Quiet Place's ending was forgotten. Some many things in the film were right there to be explored in more depth but were ignored for what I was hoping to be a startling ending to make up for incomplete stories... there was no satisfying ending here for me. A twisted set of tales that were cut short. In an effort to add more suspense and expectation? Who knows.
Country Nights
Book
From WSJ bestselling romance author Winter Renshaw comes an angsty small town romance with a twist...
Romance Contemporary