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Sophia (Bookwyrming Thoughts) (530 KP) rated Lucid in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Lucid</i> is really weird it's <b>not exactly a book with contents that I usually come across.</b> The last time I actually read a book that dealt with dreams was <i><a title="The Vault of Dreamers by Caragh M. O'Brien" href="https://bookwyrmingthoughts.com/arc-review-the-vault-of-dreamers-by-caragh-m-obrien/"; target="_blank" rel="noopener">The Vault of Dreamers</a></i>. <i>Lucid</i> kind of... <b>throws in dreams and nightmares together</b> when Lori Blaine's psychologist encourages her to finally go through a door reoccurring in her dreams for years. When Lori does, she is plunged into another world entirely where danger lurks around every corner.
<b>Bonansinga writes in a different style than what you might be used to.</b> As I read <i>Lucid</i>, <b>I felt like I was watching an episode of a TV series, or just merely an actress reading a script.</b> While Lori is our main character most of the time, <b>the author shifts outside of the character's thoughts every so often</b> and focuses on the dialogue and actions of the people around her. There's are a few moments where it's <b>almost as though there's a narrator observing everything going on but accidentally slips up and quickly tries to fix everything by repositioning the camera. Meanwhile, the characters, or "actors," pretend not to notice.</b>
<blockquote style="text-align: left;">They swerved around the body, which lay in a heap near the shouldergiving it a wide berthand then roared off into the night.
They never saw the body behind them casually sit up, rise to its feet, and walk away.
I promise Ill tell you everything, Lori was saying, searching through the glove box, as the damaged Geo chugged down a hill.</blockquote>
I've also <b>never seen so many caps in a book before.</b> I don't mean the first letter in every sentence, I mean the I'M YELLING AT YOU THOUGH INTERMASPACE kind. (Or <a title="Daughter of Deep Silence by Carrie Ryan" href="https://bookwyrmingthoughts.com/dnf-review-daughter-of-deep-silence-by-carrie-ryan/"; target="_blank" rel="noopener">my brain is raging at a book.</a> It's not necessarily one I didn't finish.)
<i>Lucid</i> is very <b>action-packed and vivid, but I don't really feel like this is a stand alone.</b> There's a pretty solid ending, but there may be a subtle loose end or two (I'll have to mull it over in my brain). <b>The dream world, however...</b>
I'm still very confused. I know there are five stages of sleep: brain activity slows down in the first, brain activity is everywhere in the second as the body transitions into the third stage, where brain activity is low. The fourth stage is similar to the third stage as the body prepares for the fifth stage, which is known as REM, or rapid eye movement, and dreams come alive.
I totally summarized that part. I probably came across this on a boring day and didn't remember anything but rapid eye movement is where dreams occur. REM is also a unit of measurement measuring the amount of radiation absorbed by human tissue. *drum rolls* I promise I'm not showing off.
Anyhoo, back to this whole dream world thing Bonansinga built <i>Lucid</i> on. According to the book, <b>there are three dimensions.</b> There's <b>WAKEworld</b>, which I assume is when all of us are awake and slouching in office/desk chairs (or curled up with a good book); <b>REMspace</b>, which I assume is the dream world and where you dream; and then there's <b>LIMBOspace/LIMBOworld</b>, which, knowing the word limbo, it's the middle world between dreams and wakefulness.
<b>I get the gist. But I don't <i>understand</i> how this whole LIMBOspace/LIMBOworld works.</b> I mean, <b>is it connected to that in-between where you're not living or dead,</b> because it's connected to comatose states? <b>What happens if Lori actually "ran out of time?"</b> She'll be a vegetable, most likely, but <b>if she runs out of time... is she a vegetable forever until her body is just a pile of bones and dust somewhere? But then what happens when you <i>are</i> a pile of bones and dust somewhere? Do you continue existing in this LIMBOspace, or do you just disappear?</b>
I could be over thinking this and taking it a curious step further than what is actually necessary (I would still wonder about that connection to comatose states though). <b><i>Lucid</i> has mind-boggling and creepy moments throughout the book, but it's really just similar to someone trying to stop demons entering the real world. Bonansinga just takes it from a dream level rather than an inferno one.</b> Points given for a unique take on an overused plot.
<a href="https://bookwyrmingthoughts.com/review-lucid-by-jay-bonansinga/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Lucid</i> is really weird it's <b>not exactly a book with contents that I usually come across.</b> The last time I actually read a book that dealt with dreams was <i><a title="The Vault of Dreamers by Caragh M. O'Brien" href="https://bookwyrmingthoughts.com/arc-review-the-vault-of-dreamers-by-caragh-m-obrien/"; target="_blank" rel="noopener">The Vault of Dreamers</a></i>. <i>Lucid</i> kind of... <b>throws in dreams and nightmares together</b> when Lori Blaine's psychologist encourages her to finally go through a door reoccurring in her dreams for years. When Lori does, she is plunged into another world entirely where danger lurks around every corner.
<b>Bonansinga writes in a different style than what you might be used to.</b> As I read <i>Lucid</i>, <b>I felt like I was watching an episode of a TV series, or just merely an actress reading a script.</b> While Lori is our main character most of the time, <b>the author shifts outside of the character's thoughts every so often</b> and focuses on the dialogue and actions of the people around her. There's are a few moments where it's <b>almost as though there's a narrator observing everything going on but accidentally slips up and quickly tries to fix everything by repositioning the camera. Meanwhile, the characters, or "actors," pretend not to notice.</b>
<blockquote style="text-align: left;">They swerved around the body, which lay in a heap near the shouldergiving it a wide berthand then roared off into the night.
They never saw the body behind them casually sit up, rise to its feet, and walk away.
I promise Ill tell you everything, Lori was saying, searching through the glove box, as the damaged Geo chugged down a hill.</blockquote>
I've also <b>never seen so many caps in a book before.</b> I don't mean the first letter in every sentence, I mean the I'M YELLING AT YOU THOUGH INTERMASPACE kind. (Or <a title="Daughter of Deep Silence by Carrie Ryan" href="https://bookwyrmingthoughts.com/dnf-review-daughter-of-deep-silence-by-carrie-ryan/"; target="_blank" rel="noopener">my brain is raging at a book.</a> It's not necessarily one I didn't finish.)
<i>Lucid</i> is very <b>action-packed and vivid, but I don't really feel like this is a stand alone.</b> There's a pretty solid ending, but there may be a subtle loose end or two (I'll have to mull it over in my brain). <b>The dream world, however...</b>
I'm still very confused. I know there are five stages of sleep: brain activity slows down in the first, brain activity is everywhere in the second as the body transitions into the third stage, where brain activity is low. The fourth stage is similar to the third stage as the body prepares for the fifth stage, which is known as REM, or rapid eye movement, and dreams come alive.
I totally summarized that part. I probably came across this on a boring day and didn't remember anything but rapid eye movement is where dreams occur. REM is also a unit of measurement measuring the amount of radiation absorbed by human tissue. *drum rolls* I promise I'm not showing off.
Anyhoo, back to this whole dream world thing Bonansinga built <i>Lucid</i> on. According to the book, <b>there are three dimensions.</b> There's <b>WAKEworld</b>, which I assume is when all of us are awake and slouching in office/desk chairs (or curled up with a good book); <b>REMspace</b>, which I assume is the dream world and where you dream; and then there's <b>LIMBOspace/LIMBOworld</b>, which, knowing the word limbo, it's the middle world between dreams and wakefulness.
<b>I get the gist. But I don't <i>understand</i> how this whole LIMBOspace/LIMBOworld works.</b> I mean, <b>is it connected to that in-between where you're not living or dead,</b> because it's connected to comatose states? <b>What happens if Lori actually "ran out of time?"</b> She'll be a vegetable, most likely, but <b>if she runs out of time... is she a vegetable forever until her body is just a pile of bones and dust somewhere? But then what happens when you <i>are</i> a pile of bones and dust somewhere? Do you continue existing in this LIMBOspace, or do you just disappear?</b>
I could be over thinking this and taking it a curious step further than what is actually necessary (I would still wonder about that connection to comatose states though). <b><i>Lucid</i> has mind-boggling and creepy moments throughout the book, but it's really just similar to someone trying to stop demons entering the real world. Bonansinga just takes it from a dream level rather than an inferno one.</b> Points given for a unique take on an overused plot.
<a href="https://bookwyrmingthoughts.com/review-lucid-by-jay-bonansinga/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Darren (1599 KP) rated Annabelle Comes Home (2019) in Movies
Jul 10, 2019
Director: Gary Dauberman
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Purple Phoenix Games (2266 KP) rated Salty Dogs in Tabletop Games
Aug 27, 2019
Avast ye land lubbers!! Batten down the hatches! I am a scary pirate! Ok so maybe that last one isn’t necessarily historically accurate, but it’s fun. Sometimes you can enjoy something purely because it’s fun and you don’t have to analyze everything down to the mechanic or pixel. I am not even going to attempt that with this one, but I will explain the rules and our thoughts through several plays of Salty Dogs.
Salty Dogs is a small card game – it fits into a normal deck box – where each player is captaining their pirate ship and vying to become King of the Mountain! … or, rather, the High Seas! Players must protect their crew and be the last pirate ship standing to win the game!
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. Similarly, you will see the play mat that was provided. You can download a play mat from the game’s website or order these from the publisher. -T
Setup is easy peasy scurvy squeezy. Remove from the deck all the pirate cards (they have a blue banner with a unique name at the bottom). Shuffle these, and deal each player five pirates. This will make up the crew for each player’s ship. No individual cards have certain abilities – they are all the same – so either place your crew randomly or choose who you would prefer to be Captain, First Mate, and then dump the others into the generic Pirate spaces. From there shuffle the remaining pirate cards into the deck, deal each player five cards and the battle is on!
On your turn, draw a card and play a card. Ok, on to final thoughts! Kidding, but game play is really that easy. There is no hand minimum or maximum limit, but it usually stays around five for the duration of the game. Cards drawn will be pirates, actions, attacks, illnesses, cures, or defense cards. You use pirate cards to refill any vacant crew slot on your ship. Vacancies happen when an opponent plays an attack or illness card on one of your crew. Your crew may only be attacked in a certain order with the first attackable card being furthest away from your Captain, and said Captain being targeted last. So your pirate is ill, eh? Simply play a cure card that affects the illness and heal your crew right up. Example – you have contracted Scurvy. Well, obviously the only cure for Scurvy is Piggy Peg Leg’s Gumbo. So throw the Gumbo card to cure your crew’s illness. That dastardly Captain Doodles McPoodle is firing their cannon attacks at you? Throw your Fog defense card to protect yourself – BOOM! There are several other illness and action combinations in the game I will allow you to discover for yourselves.
A note about attacking First Mates and Captains. First Mates are immune to Mutiny cards, and the Captain is immune to Mutiny AND Illness cards. This is a rule pair that can easily be forgotten, so try to keep that in mind the whole time as your crews are blown to smithereens.
Components. Per my disclaimer we were sent the deck of cards and four optional play mats. These components may change or improve over the course of the upcoming Kickstarter campaign, but I will comment on what we were sent. The cards are of good quality and the art upon them and throughout the game is quirky, but really really good. We really enjoyed seeing some tongue-in-cheek pop culture references in the pirate cards and in the accompanying art. The play mats feel like the top layer of a mouse pad – they are silky smooth and just as thin. I thought having thin play mats would be a negative, but then I packed up the game again and was thankful that they weren’t complete neoprene pads. So I’m in on those play mats. If you don’t splurge for the play mats, just line up your crew in front of you and it’s quite functional that way as well.
Salty Dogs. What did we think? Well, honestly, we really loved it. The art is whimsical and colorful. The cards are all super useful, and there’s something to be said about just obliterating your opponents’ ships and giving in to the piratey bloodlust. I was targeted early and was raring to come back as soon as I could in the next game. With so many pirate games, take that games, card games, and battle games on the market, I still think most gamers will enjoy Salty Dogs. It is not at all a brain burner, but it’s a great light (and light-hearted) filler game that will leave you with a smile on your face and a desire to play again and again. We at Purple Phoenix Games highly recommend this title, and cannot wait to see what the Kickstarter campaign has in store. May yer poop decks be sparkling and yer booty be plentiful!
Salty Dogs is a small card game – it fits into a normal deck box – where each player is captaining their pirate ship and vying to become King of the Mountain! … or, rather, the High Seas! Players must protect their crew and be the last pirate ship standing to win the game!
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. Similarly, you will see the play mat that was provided. You can download a play mat from the game’s website or order these from the publisher. -T
Setup is easy peasy scurvy squeezy. Remove from the deck all the pirate cards (they have a blue banner with a unique name at the bottom). Shuffle these, and deal each player five pirates. This will make up the crew for each player’s ship. No individual cards have certain abilities – they are all the same – so either place your crew randomly or choose who you would prefer to be Captain, First Mate, and then dump the others into the generic Pirate spaces. From there shuffle the remaining pirate cards into the deck, deal each player five cards and the battle is on!
On your turn, draw a card and play a card. Ok, on to final thoughts! Kidding, but game play is really that easy. There is no hand minimum or maximum limit, but it usually stays around five for the duration of the game. Cards drawn will be pirates, actions, attacks, illnesses, cures, or defense cards. You use pirate cards to refill any vacant crew slot on your ship. Vacancies happen when an opponent plays an attack or illness card on one of your crew. Your crew may only be attacked in a certain order with the first attackable card being furthest away from your Captain, and said Captain being targeted last. So your pirate is ill, eh? Simply play a cure card that affects the illness and heal your crew right up. Example – you have contracted Scurvy. Well, obviously the only cure for Scurvy is Piggy Peg Leg’s Gumbo. So throw the Gumbo card to cure your crew’s illness. That dastardly Captain Doodles McPoodle is firing their cannon attacks at you? Throw your Fog defense card to protect yourself – BOOM! There are several other illness and action combinations in the game I will allow you to discover for yourselves.
A note about attacking First Mates and Captains. First Mates are immune to Mutiny cards, and the Captain is immune to Mutiny AND Illness cards. This is a rule pair that can easily be forgotten, so try to keep that in mind the whole time as your crews are blown to smithereens.
Components. Per my disclaimer we were sent the deck of cards and four optional play mats. These components may change or improve over the course of the upcoming Kickstarter campaign, but I will comment on what we were sent. The cards are of good quality and the art upon them and throughout the game is quirky, but really really good. We really enjoyed seeing some tongue-in-cheek pop culture references in the pirate cards and in the accompanying art. The play mats feel like the top layer of a mouse pad – they are silky smooth and just as thin. I thought having thin play mats would be a negative, but then I packed up the game again and was thankful that they weren’t complete neoprene pads. So I’m in on those play mats. If you don’t splurge for the play mats, just line up your crew in front of you and it’s quite functional that way as well.
Salty Dogs. What did we think? Well, honestly, we really loved it. The art is whimsical and colorful. The cards are all super useful, and there’s something to be said about just obliterating your opponents’ ships and giving in to the piratey bloodlust. I was targeted early and was raring to come back as soon as I could in the next game. With so many pirate games, take that games, card games, and battle games on the market, I still think most gamers will enjoy Salty Dogs. It is not at all a brain burner, but it’s a great light (and light-hearted) filler game that will leave you with a smile on your face and a desire to play again and again. We at Purple Phoenix Games highly recommend this title, and cannot wait to see what the Kickstarter campaign has in store. May yer poop decks be sparkling and yer booty be plentiful!
Darren (1599 KP) rated Angel Has Fallen (2019) in Movies
Aug 22, 2019
Verdict: Franchise Hasn’t Fallen
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
Purple Phoenix Games (2266 KP) rated Cytress in Tabletop Games
May 13, 2022
You ever play a game where you feel completely overwhelmed at first, but then slowly figure everything out just to fall in love with it? I really hadn’t… until Cytress. This thing is beastly, huge, and like 4 main games crammed into one experience and one box. I really wasn’t planning on letting on to my final thoughts so quickly, but here we are.
So like I mentioned, this game is an utter beast. I mean this lovingly, but for many different purposes. First, it will take some time to fully read the rulebook and understand everything mentioned within. Secondly, it will take way more time than you think to setup for the first game. Just stick with it – I promise it is worth it. Thirdly, players who are familiar with the game have a giant advantage over those who do not, so my immediate suggestion is to make a commitment to play with the same players as often as possible.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Typically in my reviews I like to explain the setup and paraphrase the rules to give a great idea of how the game looks and plays. This time, however, I just don’t think I can paraphrase the rules well enough to do anything justice. That said, I will provide a link to the designer explaining the game and provide photos and my final thoughts at the end as normal.
I should get back to normal format now.
Components. Just as a reminder, we were sent a preview copy of the game. That said, we were sent a box just FULL of components. There are about a billion cards of different types and sizes, translucent tracking cubes, tunnel/tube pieces, standees, boards, chits, and even DeLorean-looking ships. Everything in my box was really great quality, especially for a prototype preview copy. It is difficult to tell from the Kickstarter campaign page what the final game will look like (with final components and all), but even if it came to backers the same quality as what I was forwarded, I imagine backers would be decently satisfied.
Okay, I know I did not explain the game at all, but if you watched the video, you will understand why. Essentially, players are trying to score the most points and get their team into the floating city of Stratos. They accomplish this by building tall tubes on the main board. Influence in each subsection (or neighborhood I guess) on the main board allows players to build these tubes, and completing missions for different crime bosses allows influence over the different neighborhoods. Throughout the game players are able to leverage their resources at several locations, and even increase effectiveness of their characters through different means of leveling up. It’s a great combination of mechanics and design choices that Laura would more than likely give it a chef’s kiss.
I will always have extreme fondness for games that allow me to level up my character. Years and years of playing RPGs both digitally and tabletopally have fed my love of character development. Cytress allows me to indulge that part of my gaming preferences and really create characters that are interesting for me to play. I mean, if I am playing a character in a game, I would prefer to have some say in how they are built. Immediately Cytress scores big points from me for this factor alone.
Playing a game on different levels is also a really big enjoyment factor for me. I mean this as being able to concentrate my turns to specific but different areas of the board/game, but also that incredible 3D Stratos board creation is simply divine. I really appreciate when designers think in that third dimension and are able to create meaningful design choices to incorporate it (like in Everdell), instead of just throwing a random element for coolness factor. Playing my cards and pushing my cubes to climb ever higher is not only something I enjoy in games, but also in life… if that can be a metaphor for life.
I really could write for hours on what I love about Cytress, but I don’t want to beleaguer the point. This is a game that, if it sounds even remotely interesting to you, should be backed immediately. The campaign ends May 24 so you have some time still, but don’t wait. You certainly don’t want it to slip away. I have had such a blast with Cytress with all the play counts, and I cannot decide which I like best, so I won’t decide – it is great with all play counts! Purple Phoenix Games enthusiastically recommends Cytress to any and all lovers of games. The theme is amazing, presentation is through the roof (almost literally), and the gameplay is surprisingly interesting from a first-time designer. You can thank me for enticing you to back it when you see me at the next convention by buying me a delicious beverage. Then we can play a game of Cytress and school some randos.
So like I mentioned, this game is an utter beast. I mean this lovingly, but for many different purposes. First, it will take some time to fully read the rulebook and understand everything mentioned within. Secondly, it will take way more time than you think to setup for the first game. Just stick with it – I promise it is worth it. Thirdly, players who are familiar with the game have a giant advantage over those who do not, so my immediate suggestion is to make a commitment to play with the same players as often as possible.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Typically in my reviews I like to explain the setup and paraphrase the rules to give a great idea of how the game looks and plays. This time, however, I just don’t think I can paraphrase the rules well enough to do anything justice. That said, I will provide a link to the designer explaining the game and provide photos and my final thoughts at the end as normal.
I should get back to normal format now.
Components. Just as a reminder, we were sent a preview copy of the game. That said, we were sent a box just FULL of components. There are about a billion cards of different types and sizes, translucent tracking cubes, tunnel/tube pieces, standees, boards, chits, and even DeLorean-looking ships. Everything in my box was really great quality, especially for a prototype preview copy. It is difficult to tell from the Kickstarter campaign page what the final game will look like (with final components and all), but even if it came to backers the same quality as what I was forwarded, I imagine backers would be decently satisfied.
Okay, I know I did not explain the game at all, but if you watched the video, you will understand why. Essentially, players are trying to score the most points and get their team into the floating city of Stratos. They accomplish this by building tall tubes on the main board. Influence in each subsection (or neighborhood I guess) on the main board allows players to build these tubes, and completing missions for different crime bosses allows influence over the different neighborhoods. Throughout the game players are able to leverage their resources at several locations, and even increase effectiveness of their characters through different means of leveling up. It’s a great combination of mechanics and design choices that Laura would more than likely give it a chef’s kiss.
I will always have extreme fondness for games that allow me to level up my character. Years and years of playing RPGs both digitally and tabletopally have fed my love of character development. Cytress allows me to indulge that part of my gaming preferences and really create characters that are interesting for me to play. I mean, if I am playing a character in a game, I would prefer to have some say in how they are built. Immediately Cytress scores big points from me for this factor alone.
Playing a game on different levels is also a really big enjoyment factor for me. I mean this as being able to concentrate my turns to specific but different areas of the board/game, but also that incredible 3D Stratos board creation is simply divine. I really appreciate when designers think in that third dimension and are able to create meaningful design choices to incorporate it (like in Everdell), instead of just throwing a random element for coolness factor. Playing my cards and pushing my cubes to climb ever higher is not only something I enjoy in games, but also in life… if that can be a metaphor for life.
I really could write for hours on what I love about Cytress, but I don’t want to beleaguer the point. This is a game that, if it sounds even remotely interesting to you, should be backed immediately. The campaign ends May 24 so you have some time still, but don’t wait. You certainly don’t want it to slip away. I have had such a blast with Cytress with all the play counts, and I cannot decide which I like best, so I won’t decide – it is great with all play counts! Purple Phoenix Games enthusiastically recommends Cytress to any and all lovers of games. The theme is amazing, presentation is through the roof (almost literally), and the gameplay is surprisingly interesting from a first-time designer. You can thank me for enticing you to back it when you see me at the next convention by buying me a delicious beverage. Then we can play a game of Cytress and school some randos.
Kaysee Hood (83 KP) rated Landline in Books
Oct 3, 2017
I will be honest when I say I did not take notes for this book as I did the others. I did not write down thoughts or what was going on or doodle like pictures in my book journal like I have done with the previous books so I could write a review. There is a simple reason for this: I was not dazzled by Landline as I have been with Rowell's other books. This does not mean I did not enjoy it, I was not simply not as captured.
Now, there is a certain charm Georgie McCool has. She is a working woman. She is the bread winner. She knows what she wants. She is funny and clever. Most importantly, she is aware of her flaws and is not put off as someone perfect. She is open about her flaws. She points these out about herself. Those with who she is and what is of her body.
That is not what Landline is about however. Well maybe in a way it is as the whole plot is the focus of her choosing her career over Neil where she works with her best friend, who obviously loves her as much as she is hopelessly in love with her husband. This is a certain strain on their relationship. Not to mention she is selfish and has put a lot of the work on Neil to keep the house in order, make meals, and raise the kids while she lives her dream. What we witness is the final straw breaking when she chooses her career over the family once more during Christmas.
Now I will admit I was not into the story the first fourth of the way. I am not one for drama in the way it has presented itself in these pages. I hate soap operas and love triangles. Romance is wonderful, but there is this line I have where it cannot be chaos or something I could turn a chick flick on to get it out of my system. Though this did take a turn with the phone calls.
I will not spoil the magic factor of this books, but what I can say is Rowell does not have in this book as she did in the others. She is quite there in her writing. It is her words. Her style. There is something missing. I cannot tell you as to what it is, but there is something missing. I would say give Landline a chance if you are a fan or if it sparks some sort of interest for you, but it is not a book I am going to put on my shelf.
Now, there is a certain charm Georgie McCool has. She is a working woman. She is the bread winner. She knows what she wants. She is funny and clever. Most importantly, she is aware of her flaws and is not put off as someone perfect. She is open about her flaws. She points these out about herself. Those with who she is and what is of her body.
That is not what Landline is about however. Well maybe in a way it is as the whole plot is the focus of her choosing her career over Neil where she works with her best friend, who obviously loves her as much as she is hopelessly in love with her husband. This is a certain strain on their relationship. Not to mention she is selfish and has put a lot of the work on Neil to keep the house in order, make meals, and raise the kids while she lives her dream. What we witness is the final straw breaking when she chooses her career over the family once more during Christmas.
Now I will admit I was not into the story the first fourth of the way. I am not one for drama in the way it has presented itself in these pages. I hate soap operas and love triangles. Romance is wonderful, but there is this line I have where it cannot be chaos or something I could turn a chick flick on to get it out of my system. Though this did take a turn with the phone calls.
I will not spoil the magic factor of this books, but what I can say is Rowell does not have in this book as she did in the others. She is quite there in her writing. It is her words. Her style. There is something missing. I cannot tell you as to what it is, but there is something missing. I would say give Landline a chance if you are a fan or if it sparks some sort of interest for you, but it is not a book I am going to put on my shelf.
Hazel (1853 KP) rated The Sunlight Pilgrims in Books
May 25, 2017
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Haley Mathiot (9 KP) rated Replication: The Jason Experiment in Books
Apr 27, 2018
Replication: the Jason Experiment has many different components that make it an excellent book.
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
Haley Mathiot (9 KP) rated Abandon (Abandon, #1) in Books
Apr 27, 2018
I read Meg Cabot's Vanished series (previously published as 1-800-WHERE-R-U) and have drawn the same conclusion about Abandon as I did about that series: She's a fabulous story teller and can weave a wonderful intriguing mysterious story that is highly addicting (I read Abandon in five hours without stopping) but she's not a very good writer.
Let me explain: The ARC was 304 pages. If she had cut out all the unneeded phrases, descriptions, and dead wood that slowed the story down and made it harder to read, it would be closer to 200. If it were shorter, she'd have more space for more of that great plot line that she's so good at developing. But instead, I'm stuck tripping over ungrammatical sentences and awkward phrases—and let's not forget whole unnecessary paragraphs with details that don't matter, set off by dashes right in the middle of the sentence, because that's just such a good thing to put in a novel—that force you to go back and read the sentence several times so your brain doesn't get to twisted.
As for the story itself: I can't praise it enough. It was a mystery I had to solve, and some of the small clues I figured out, and others I didn't. I loved that I could figure out stuff about the same time Pierce did, but I also loved that I didn't figure out the major mystery of the story until I was supposed to. Some novelists make it too obvious, but Cabot had just enough to make it work.
I liked Pierce, but there were a few times I wanted to shake her and tell her to grow up and be honest. That is one of the reasons I couldn't stop reading, though. I wanted to see what happened because of the choices she made. And then there was the time I wanted to slap her: of course John was in love with her, why did she think he was acting like that? silly girl. Yet I couldn't have mean thoughts towards her because I liked her (and, okay, I have a soft spot for crazy main characters). John? He was quite amazing. Wild thing. Dark troubled boy. Dangerous. John needs to climb out of that novel and through my bedroom window and be my boyfriend.
The pacing and tension was perfect: I started reading and didn't stop until about five hours later when I closed the book at the end. I couldn't stop reading. That's the kind of book I like.
Now if only Cabot could write. Yes I have read worse writers, but she would be so excellent if the interior monologue of the character was less frustrating.
Content/Recommendation: No language, no sex. Ages 15+
Let me explain: The ARC was 304 pages. If she had cut out all the unneeded phrases, descriptions, and dead wood that slowed the story down and made it harder to read, it would be closer to 200. If it were shorter, she'd have more space for more of that great plot line that she's so good at developing. But instead, I'm stuck tripping over ungrammatical sentences and awkward phrases—and let's not forget whole unnecessary paragraphs with details that don't matter, set off by dashes right in the middle of the sentence, because that's just such a good thing to put in a novel—that force you to go back and read the sentence several times so your brain doesn't get to twisted.
As for the story itself: I can't praise it enough. It was a mystery I had to solve, and some of the small clues I figured out, and others I didn't. I loved that I could figure out stuff about the same time Pierce did, but I also loved that I didn't figure out the major mystery of the story until I was supposed to. Some novelists make it too obvious, but Cabot had just enough to make it work.
I liked Pierce, but there were a few times I wanted to shake her and tell her to grow up and be honest. That is one of the reasons I couldn't stop reading, though. I wanted to see what happened because of the choices she made. And then there was the time I wanted to slap her: of course John was in love with her, why did she think he was acting like that? silly girl. Yet I couldn't have mean thoughts towards her because I liked her (and, okay, I have a soft spot for crazy main characters). John? He was quite amazing. Wild thing. Dark troubled boy. Dangerous. John needs to climb out of that novel and through my bedroom window and be my boyfriend.
The pacing and tension was perfect: I started reading and didn't stop until about five hours later when I closed the book at the end. I couldn't stop reading. That's the kind of book I like.
Now if only Cabot could write. Yes I have read worse writers, but she would be so excellent if the interior monologue of the character was less frustrating.
Content/Recommendation: No language, no sex. Ages 15+