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Lucy Buglass (45 KP) rated Broken Ceiling (2018) in Movies
Jun 20, 2019
A critique of toxic workplace culture
We’ve all had to endure conference calls at work, and we all know how boring they can be. When I realised that Broken Ceiling takes place almost entirely within a conference call, I was worried that they wouldn’t be able to keep my attention for a full hour and a half. However, I’m pleased to say I was wrong!
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
<i>This eBook was provided by the author in exchange for an honest review </i>
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Dr. Sayer Altair is a neuroscientist, investigating the brains of serial killers for the FBI. But when the police find a young girl, dead, after being locked in a cage and left to starve, Sayer is called on to lead the murder investigation. The case intensifies when it turns out she's the daughter of a famous Senator. Soon another girl is missing and Sayer feels the pressure of the case surrounding her. Can she find this next victim before it's too late? And can she find the horrible person who is doing this--before they strike again?
This one had been on my shelf for a bit, and I picked it up as part of my self-imposed #readwhatyouown challenge. I also have the second book, Buried, coming up soon and wanted to read the first Sayer Altair book in the series.
I found Caged to be a quick, compelling read, and I warmed to Sayer immediately. She's a smart, complicated protagonist with her own set of issues, but also an endearing love of hot dogs, actual dogs, and a deep desire to solve her cases and help her victims. I had a slight sense of deja vu starting this one as I'd just recently read a book about another Ph.D. who was studying the brains of serial killers (The Killer on the Wall). What are the odds, right? (Fairly small, I suppose, when you read a ton of thrillers.)
This was a fast read--a race against time aided by short, quick chapters. I actually had a pretty good feeling about who our sicko killer was, but it didn't stop me from finding the entire book very compelling. The novel is a dark read, with the idea of a killer conducting experiments on caged girls very creepy. There's a lot going on--ties to mythology, Sayer's research, some mentions of Sayer's past (she's lost a loved one), office politics, Sayer's (wonderfully feisty) grandmother popping up, and more. At times, it's a bit much and some of the pieces don't feel fully explored, but overall, I enjoyed all the various plot lines.
Sayer is assisted by a great supporting cast (Ezra, one of her researchers, was my favorite, along with her FBI partner). Her grandmother, as mentioned, is also pretty fun. The thread of strong women in this one is interesting, and it's nice to have a main character whom--while obviously flawed--is still really tough and really smart. I'll read about them any day.
"'I think you might just be a badass, Sayer Altair.'"
I sometimes found the writing to be a little simplistic, especially when depicting Sayer's thoughts and feelings (along the lines of a little more telling versus showing). Still, it was well-written for a debut novel and well-done from a forensic and crime perspective--the author's background (Ph.D., murder investigator, and more) shows.
Overall, this was a very enjoyable read. I'm always up for a good mystery that holds my interest, especially one featuring a strong female protagonist. I'm looking forward to reading Buried soon. 3.5+ stars.
This one had been on my shelf for a bit, and I picked it up as part of my self-imposed #readwhatyouown challenge. I also have the second book, Buried, coming up soon and wanted to read the first Sayer Altair book in the series.
I found Caged to be a quick, compelling read, and I warmed to Sayer immediately. She's a smart, complicated protagonist with her own set of issues, but also an endearing love of hot dogs, actual dogs, and a deep desire to solve her cases and help her victims. I had a slight sense of deja vu starting this one as I'd just recently read a book about another Ph.D. who was studying the brains of serial killers (The Killer on the Wall). What are the odds, right? (Fairly small, I suppose, when you read a ton of thrillers.)
This was a fast read--a race against time aided by short, quick chapters. I actually had a pretty good feeling about who our sicko killer was, but it didn't stop me from finding the entire book very compelling. The novel is a dark read, with the idea of a killer conducting experiments on caged girls very creepy. There's a lot going on--ties to mythology, Sayer's research, some mentions of Sayer's past (she's lost a loved one), office politics, Sayer's (wonderfully feisty) grandmother popping up, and more. At times, it's a bit much and some of the pieces don't feel fully explored, but overall, I enjoyed all the various plot lines.
Sayer is assisted by a great supporting cast (Ezra, one of her researchers, was my favorite, along with her FBI partner). Her grandmother, as mentioned, is also pretty fun. The thread of strong women in this one is interesting, and it's nice to have a main character whom--while obviously flawed--is still really tough and really smart. I'll read about them any day.
"'I think you might just be a badass, Sayer Altair.'"
I sometimes found the writing to be a little simplistic, especially when depicting Sayer's thoughts and feelings (along the lines of a little more telling versus showing). Still, it was well-written for a debut novel and well-done from a forensic and crime perspective--the author's background (Ph.D., murder investigator, and more) shows.
Overall, this was a very enjoyable read. I'm always up for a good mystery that holds my interest, especially one featuring a strong female protagonist. I'm looking forward to reading Buried soon. 3.5+ stars.
Darren (1599 KP) rated I Spit On Your Grave: Vengeance (2015) in Movies
Oct 24, 2019
Characters – Jennifer/Angela, is the victim from the first movie that got her revenge on her rapist, now back in the real world, she is still experiencing nightmares from sexual assault and fantasies of killing anyone that shows any sexual interest, be it a look or inappropriate touching. This becomes a reality once her new friend is killed and now she sets out to kill anyone that has victimised members of the rape support group. Marla is the new friend Angela makes, she has been a victim of an abusive ex-boyfriend and gets to show a looser side when working with Angela to get their message across to the guys in their lives. Oscar is a member of the support group that has seen his daughter raped before she killed herself and the rapist walked free, he talks the revenge game, never sure whether to take the step. Detective McDylan is investigating the murder of Marla and tries to help Angela when the suspect gets murdered, this is a generic cop figure.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Ivana A. | Diary of Difference (1171 KP) rated All These Beautiful Strangers in Books
Dec 21, 2018
Review can also be found on www.diaryofdifference.com
A beautiful story about families, love, betrayal, the difference between the rich and poor, and a girl that tries to discover what happened to her missing mother, while discovering herself.
Charlie Calloway has a life most people would kill for – a tight-knit family, a loyal set of friends, and top grades a privileged boarding school. But Charlie’s never been interested in what most people want. Like all Calloways, she’s been taught that she’s different, special – better. So when her school’s super-exclusive secret society extends a mysterious invitation, Charlie’s determination to get in is matched only by her conviction that she belongs there.
But their secrets go deeper than she knows.
Charlie finds herself thrust into the centre of a decades-old mystery – one that implicates her family in not one terrible crime, but two. Uncovering their past may destroy everything she knows – or give her the answer she’s always craved: Who or what was behind her mother’s disappearance ten years ago?
I haven’t heard about this book until I received it as a birthday gift from my sister. The cover is just – gorgeous! You can feel the raindrops on the cover, and the sides are painted black, and you can read out ”I KNOW”. They have been thinking of all the little details.
The story is a bit slow at the beginning. It took me a while to get into it, as they delay the plot for a while, but once you get past that little hill of boredom, it gets better and better. I could imagine myself climbing a mountain with my bike, struggling while climbing, just so I can enjoy the great fast downhill and wind in my face.
The story is told by many people’s perspective, and it changes after each chapter. The amazing thing was, the stories go back in the past as well, but the story keeps flowing in one direction, event by event, which I really enjoyed. If this was poorly made, the book would’ve been so confusing, but fortunately, it wasn’t.
Even though I didn’t expect, this turned out to be a great mystery-solving novel, with wonderful and unexpected plot-twists, and a cliffhanger until the end. Is the mother dead or alive?
Many of the topics covered are very relatable. The difference between children raised in rich families versus the children raised in not-s-rich families. Their thoughts and mindsets, their beliefs, and the people they hang out with. And when a girl like Charlie, who has a father from a rich family and a mother from a poor family, is on the cross-road, it is amazing to see this character develop and make choices for herself, that reflect on both her backgrounds.
A lovely read, fast-paced novel, with a beautiful cover and even more beautiful reading material, this is one of the stories that I would recommend for you to read on a rainy day, covered in a blanket, with a hot chocolate – despite the summer theme on the cover, this was a winter book for me.
A beautiful story about families, love, betrayal, the difference between the rich and poor, and a girl that tries to discover what happened to her missing mother, while discovering herself.
Charlie Calloway has a life most people would kill for – a tight-knit family, a loyal set of friends, and top grades a privileged boarding school. But Charlie’s never been interested in what most people want. Like all Calloways, she’s been taught that she’s different, special – better. So when her school’s super-exclusive secret society extends a mysterious invitation, Charlie’s determination to get in is matched only by her conviction that she belongs there.
But their secrets go deeper than she knows.
Charlie finds herself thrust into the centre of a decades-old mystery – one that implicates her family in not one terrible crime, but two. Uncovering their past may destroy everything she knows – or give her the answer she’s always craved: Who or what was behind her mother’s disappearance ten years ago?
I haven’t heard about this book until I received it as a birthday gift from my sister. The cover is just – gorgeous! You can feel the raindrops on the cover, and the sides are painted black, and you can read out ”I KNOW”. They have been thinking of all the little details.
The story is a bit slow at the beginning. It took me a while to get into it, as they delay the plot for a while, but once you get past that little hill of boredom, it gets better and better. I could imagine myself climbing a mountain with my bike, struggling while climbing, just so I can enjoy the great fast downhill and wind in my face.
The story is told by many people’s perspective, and it changes after each chapter. The amazing thing was, the stories go back in the past as well, but the story keeps flowing in one direction, event by event, which I really enjoyed. If this was poorly made, the book would’ve been so confusing, but fortunately, it wasn’t.
Even though I didn’t expect, this turned out to be a great mystery-solving novel, with wonderful and unexpected plot-twists, and a cliffhanger until the end. Is the mother dead or alive?
Many of the topics covered are very relatable. The difference between children raised in rich families versus the children raised in not-s-rich families. Their thoughts and mindsets, their beliefs, and the people they hang out with. And when a girl like Charlie, who has a father from a rich family and a mother from a poor family, is on the cross-road, it is amazing to see this character develop and make choices for herself, that reflect on both her backgrounds.
A lovely read, fast-paced novel, with a beautiful cover and even more beautiful reading material, this is one of the stories that I would recommend for you to read on a rainy day, covered in a blanket, with a hot chocolate – despite the summer theme on the cover, this was a winter book for me.
Darren (1599 KP) rated Night Crossing (1982) in Movies
Jul 2, 2019
Story: Night Crossing starts as we go to East Germany in 1979, The Strelzyk family, Peter (Hurt), Doris (Alexander), Frank (D.McKeon) and Fitscher (K.McKeon) who are getting tired of not being able to go to the west side of Germany, one they see as fairer. The friendship between this family and the Wetzel’s Gunter (Bridges) and Petra (O’Connor) keeps them strong, while they see the friends trying to escape getting killed.
When Peter comes up with up the idea to build a balloon with Gunter to escape, it will mean working in secret because getting caught will only see him killed. When Gunter leaves for family reasons, Peter must keep the idea within the family for the hope for their future.
Characters – Peter is a father that has been living with his family in Eastern Germany, he is getting tired of the lack of change or unity with the Western side and decides he wants to risk his family’s life to escape, he plans to build a balloon which would fly over the borders in place. Doris is the wife of Peter, she is reluctant to help at first, but soon sees this being the only option. Gunter is the friend that wants to help build the balloon, only for his wife to push him into staying behind because of the young age of their children. Petra is Gunter’s wife that doesn’t want to risk their infant children with an escape plan so dangerous.
Performances – John Hurt in the leading role is the strongest member of the cast, he shows that even a common man can have the hope required for his character. Jane Alexander and Glynnis O’Connor are both fitting the wife type of role which doesn’t get much else to do. Beau Bridges completes the cast with a performance that shows just how young men would have been affected in this world.
Story – The story follows two families that work together to find a way to escape East Germany and get into West Germany in the late 70s, they must risk everything for this, which is failing would see them face certain death. this is a story of inspiration that showed us just how much people were willing to risk escaping a land they couldn’t live their natural life without being dictated too, it shows the patience to make it happen and how family can inspire you to risk everything.
Family/History – This might be classed as a family film that is because of the families involved in trying to make this high risk situation happen, the history of their escape is one that could inspire many who were trapped in the land.
Settings – The film is set in the harsh living conditions the families would have been living in and how secretive their plan would have been to make happen.
Scene of the Movie – Are we in the West?
That Moment That Annoyed Me – It could have been a lot darker.
Final Thoughts – This is an inspiration story of two family’s determination to make it out of a life which didn’t offer them a true future.
Overall: True story that shows bravery and inspiration.
When Peter comes up with up the idea to build a balloon with Gunter to escape, it will mean working in secret because getting caught will only see him killed. When Gunter leaves for family reasons, Peter must keep the idea within the family for the hope for their future.
Characters – Peter is a father that has been living with his family in Eastern Germany, he is getting tired of the lack of change or unity with the Western side and decides he wants to risk his family’s life to escape, he plans to build a balloon which would fly over the borders in place. Doris is the wife of Peter, she is reluctant to help at first, but soon sees this being the only option. Gunter is the friend that wants to help build the balloon, only for his wife to push him into staying behind because of the young age of their children. Petra is Gunter’s wife that doesn’t want to risk their infant children with an escape plan so dangerous.
Performances – John Hurt in the leading role is the strongest member of the cast, he shows that even a common man can have the hope required for his character. Jane Alexander and Glynnis O’Connor are both fitting the wife type of role which doesn’t get much else to do. Beau Bridges completes the cast with a performance that shows just how young men would have been affected in this world.
Story – The story follows two families that work together to find a way to escape East Germany and get into West Germany in the late 70s, they must risk everything for this, which is failing would see them face certain death. this is a story of inspiration that showed us just how much people were willing to risk escaping a land they couldn’t live their natural life without being dictated too, it shows the patience to make it happen and how family can inspire you to risk everything.
Family/History – This might be classed as a family film that is because of the families involved in trying to make this high risk situation happen, the history of their escape is one that could inspire many who were trapped in the land.
Settings – The film is set in the harsh living conditions the families would have been living in and how secretive their plan would have been to make happen.
Scene of the Movie – Are we in the West?
That Moment That Annoyed Me – It could have been a lot darker.
Final Thoughts – This is an inspiration story of two family’s determination to make it out of a life which didn’t offer them a true future.
Overall: True story that shows bravery and inspiration.
Gareth von Kallenbach (980 KP) rated I Feel Pretty (2018) in Movies
Jul 8, 2019
Renee (Amy Schumer), a later, twenty something who lives in New York City. She works in a small division Lily LeClaire, a high end beauty product company. From a tiny ramshackle office, she dreams and one day working at the glamorous HQ in downtown Manhattan. She finds out that there is a position available, but she does not think that she is good enough to get the job.
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
Darren (1599 KP) rated Ringu 2 (Ring 2) (2005) in Movies
Nov 7, 2019
Characters – Rachel has moved her child to a smaller town to start a new life away from the pain of the previous one. she gets a new job, only for the first day on the job, Samara takes her next victim. Wanting to stop the spread of the curse in this new town, Rachel destroys the video tape, only to see herself become the target once again of Samara. Rachel will need to continue the investigation into who Samara was and why she is still haunting the world. Max is one of the co-workers at the newspaper, he isn’t trying to hit on Rachel, but does become the only person that Rachel can turn too. Aidan is the son that has started to take after his father with his love of photography, he does become the target of Samara, we see two different sides to David in this film. Dr Temple is trying to figure out what has been happening to Aidan, first seeing that it could be child abuse, she needs to make sure the child is safe before anything else.
Performances – Naomi Watts is still strong in the leading role, we need her to show extra motherly emotions in the film this time around. Simon Baker doesn’t get a chance to get going in this film, while David Dorfman does make a big improvement because of the extra additions to his character. The supporting cast are not the strongest either with most getting left to limited screen time.
Story – The story here continues to see Rachel haunted by Samara needing to continue to unlock the truth about Samara to save her own son from her curse. Now this is a confusing as for a story because everything felt pretty wrapped up at the end of the film, this did end up just putting a forced sequel out there which tries to build more on the Samara legacy. Where this falls short in the story as by giving us weak supporting characters, having the events literally start the day Rachel arrives in the new town and going against certain things that happen in the first film.
Horror/Mystery – The horror in the film does give us basic moments of scares, though dream sequences a hoping the same jumps can worked in the first film. the mystery continues to look at the mystery about Samara and why she has continued to haunt people.
Settings – The film was moved to a smaller location, while returning to certain other locations with them being an extra clue involved in the film.
Special Effects – The effects in the film have dated already, you can see certain green screens being used, which were meant for uneasy scenes.
Scene of the Movie – The bath surprise.
That Moment That Annoyed Me – The dated effects.
Final Thoughts – This is a weaker sequel that tries to build up on the original legacy, only to dive further into something we didn’t need to get more about what is happening.
Overall: Simple and weak sequel.
Performances – Naomi Watts is still strong in the leading role, we need her to show extra motherly emotions in the film this time around. Simon Baker doesn’t get a chance to get going in this film, while David Dorfman does make a big improvement because of the extra additions to his character. The supporting cast are not the strongest either with most getting left to limited screen time.
Story – The story here continues to see Rachel haunted by Samara needing to continue to unlock the truth about Samara to save her own son from her curse. Now this is a confusing as for a story because everything felt pretty wrapped up at the end of the film, this did end up just putting a forced sequel out there which tries to build more on the Samara legacy. Where this falls short in the story as by giving us weak supporting characters, having the events literally start the day Rachel arrives in the new town and going against certain things that happen in the first film.
Horror/Mystery – The horror in the film does give us basic moments of scares, though dream sequences a hoping the same jumps can worked in the first film. the mystery continues to look at the mystery about Samara and why she has continued to haunt people.
Settings – The film was moved to a smaller location, while returning to certain other locations with them being an extra clue involved in the film.
Special Effects – The effects in the film have dated already, you can see certain green screens being used, which were meant for uneasy scenes.
Scene of the Movie – The bath surprise.
That Moment That Annoyed Me – The dated effects.
Final Thoughts – This is a weaker sequel that tries to build up on the original legacy, only to dive further into something we didn’t need to get more about what is happening.
Overall: Simple and weak sequel.