"Indiana Jones, that trilogy I just rewatched on a plane from a holiday I just took. I watched all three, and Temple of Doom just continues to win me over. I know; usually, people like The Last Crusade, and there’s a lot of love for Raiders, because it’s the original. But Temple of Doom is just, to me, so funny and entertaining and fun. And the kid from Goonies — Hot Shot? Short Round. He’s so funny, and I grew up with Goonies, but I prefer him in Indiana Jones."

"Let me talk about Last Picture Show… that’s just popped into my mind. For me, that’s a movie that is kind of like no other movie, and no other movie is like it. It just kind of sits there by itself. I guess Peter Bogdonovich is to blame for that, and of course Larry McMurtry, the great writer. We had a chance, like Tron, where we got to do the sequel to Picture Show; twenty years later we shot Texasville. There are three more installments that Larry wrote, that I’m hoping will get made."

"Robert Altman really deserves his own number and section, so I am tying three of his films. He was one of the rare filmmakers experimenting with form within the Hollywood system. He infused his work with fluid zooms to easily enter in and out of spaces and made social interactions feel more organic. He also used sound in experimental ways, pushing the form with overlapping dialogue. It’s so impressive that a studio funded an entire film based on a fever dream he had, starring two of my favorite actresses, Shelley Duvall and Sissy Spacek."

"Probably the most famous countertenor of the 20th century – unless you count Frankie Valli – was the wonderful Alfred Deller, a major figure in the revival of original performance techniques for early and Baroque music. When I was a child we had this album,so I grew up thinking everyone knew and loved 'Where The Bee Sucks' and 'We Be Soldiers Three'. The liner notes, at least on the CD version, are woefully inadequate (who wrote what? when? for which play? Did Henry VIII really write 'Greensleeves'?) but the music is lovely. "