WamIndia Movie Talkies
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WAMIndia Talkies - The latest movies of Bollywood, Tollywood, Kollywood, Sandalwood and Mollywood...
Gone Too Far
Book
Keeping secrets ruined her life. But the truth might just kill her. Piper Woods can't wait for...
Natalie D. Richards Gone Too Far Young Adult Young Adult Fiction Thriller Mystery
We All Fall Down
Book
Theo's always been impulsive. But telling Paige how he feels? He's obsessed over that decision. And...
Natalie D. Richards We All Fall Down Young Adult Young Adult Fiction Thriller Mystery
Inspired By Murder
6.0
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Book
To write the perfect story, he needs to commit the perfect crime. Tired of his day job,...
Thriller
Clean Cut (Anna Travis #3)
8.0
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Book
Dedicated, intuitive and utterly obsessive, DCI James Langton is ruthless in his pursuit of a gang...
Anna Travis DCI Langdon crime Police Thriller Mystery
Yesterday's Over (Philly Heat Series, #3)
6.0
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Book
In the rubble of a massive explosion that rocked Philadelphia, bones are discovered beneath the...
Romance Suspense/Thriller
Hidden Rooms
8.0
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Book
You can run fast. You can run far. But you can’t outrun your family. Long distance runner Riley...
Mystery Crime Thriller
Caffeinated Fae (464 KP) rated Murder Notes (Lilah Love #1) in Books
Apr 15, 2019
One thing that seemed off to me was how many redundant phrases there were. The author really seemed to love “Murder Girl,” “Devil in the Details,” and “Otherworld.” These were used constantly and it became annoying after a bit. The writing was not my favorite either. It could be that Lisa was taking on the Mystery genre so she was trying hard to change her voice, unfortunately, it seemed to fall flat to me.
The plot was interesting and it did keep me guessing but though intrigued, I never felt the need to pick up this book. I wouldn’t have read it as fast as I did if it wasn’t for the fact that I was on her ARC team. There were no moments where I was on the edge of my seat wondering what was going to happen next. It’s a little disappointing how slow this story was.
The redeeming part of this book was how intricate the plot line was. Though it was slow, it was elaborate and interesting. I never knew what to expect and I appreciated it. There were, of course, a few no brainers with the book but I enjoyed how thought out the plot was. It kept my attention even though it was a slow read.
All in all, I won’t be continuing on in the series. Though the plot kept my interest I was definitely not impressed.
*I received this book in exchange for an honest review.
Charlie Cobra Reviews (1840 KP) rated Murder Mystery (2019) in Movies
Jul 7, 2020
New York police officer, Nick Spits (Adam Sandler) lies about booking a trip to Europe after their 15th anniversary dinner. His wife Audrey (Jennifer Aniston), a hairdresser, thinks they will never visit Europe as he promised at their wedding. Nick scrambles to put together a less than ideal vacation honeymoon when on the plane Audrey meets billionaire Charles Cavendish (Luke Evans) who invites them to join him on his family yacht. As they explore the yacht they meet several eccentric and unusual people who they learn have all gathered to celebrate the upcoming wedding of Charles' former fiancee and his elderly uncle Malcolm Quince (Terrence Stamp). After Quince announces that everyone invited have been cutoff from his money and only his new wife Suzi (Shiori Kutsuna) will receive his inheritance, the lights go out and he is killed with his own dagger before he can sign his new will. Now everyone is a suspect, in this murder mystery.
This movie was great, lots of laughs and had you guessing, who did it. I really enjoy watching mystery/thriller movies and trying to see if I can figure out who the killer is before the reveal and I like how this movie kept me guessing. Of course it doesn't take itself as serious as an actual murder mystery and also pokes fun of some of the cliches and tropes, I had a good time watching it. It reminded me both of the movie The Orient Express and Clue. I give this movie a 6/10.
Sarah (7798 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.