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Sarah (7800 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Vegemite Girl (284 KP) rated Blood secret in Books
Aug 17, 2017
Amazing characters (3 more)
Action packed
Well written
Set in Australia
My First thriller/mystery read
This was a very Great book. This book is best enjoyed in one sitting - but you won’t really have a conscious choice in that once you begin reading you will be hooked and compelled to read until you reach the very last page!
There was never a dull moment in the story and it was so well written I did not want to put the book down until I was done!
Nothing is as it appears on the surface and it is action packed until the very end. Every single character had a purpose and you knew exactly what you needed to about them, they were real and hardworking and it was easy to feel the characters it just make the story that much better!
It was great to read a book where it was set in Australia and written by an Australian author
There was never a dull moment in the story and it was so well written I did not want to put the book down until I was done!
Nothing is as it appears on the surface and it is action packed until the very end. Every single character had a purpose and you knew exactly what you needed to about them, they were real and hardworking and it was easy to feel the characters it just make the story that much better!
It was great to read a book where it was set in Australia and written by an Australian author
Sarah (126 KP) rated The Sinner - Season 2 in TV
Feb 18, 2019
After being disappointed by the first season, I was curious as to what the second could possibly about - but looked forward to hopefully finding out more about Bill Pullman's character, Detective Harry Ambrose.
A different town, a different killer and another mystery that goes far beyond the deaths that we see in the first episode. Sadly, I still got the same feeling of "oh, that's it?" when it was all over.
Once again, the story comes to us via the medium of flashbacks, and, once again, the characters are just so unlikable.
We catch glimpses of Ambrose's past and are treated to flashbacks of, for instance, interactions between the "mother and son" who are the main focus of this investigation - but where you never really find out what the actual point of these scenes was.
I really do love a good crime thriller - sadly, this show just isn't the one for me.
A different town, a different killer and another mystery that goes far beyond the deaths that we see in the first episode. Sadly, I still got the same feeling of "oh, that's it?" when it was all over.
Once again, the story comes to us via the medium of flashbacks, and, once again, the characters are just so unlikable.
We catch glimpses of Ambrose's past and are treated to flashbacks of, for instance, interactions between the "mother and son" who are the main focus of this investigation - but where you never really find out what the actual point of these scenes was.
I really do love a good crime thriller - sadly, this show just isn't the one for me.
James Koppert (2698 KP) rated Hudson's Kill in Books
Oct 25, 2019
Hudson's Kill
If you have seen Gangs of New York then you know the period this novel is set. This book is completely immersive, Hirsch has done an incredible amount of research, to the language used, the the style of buildings. I often felt myself drawn into the period, even dreaming about the city in my sleep, his descriptions become so vivid. Hudson's Kill has pretty much got a bit of everything for everyone. It's a thriller, it's a murder mystery, it's a political and corruption rollercoaster, it's full of action, it has heroes , villains and enough in every page to keep you turning. All this and written in a way that is very easy and absorbing. Hirsch is a master and it is very hard to believe this is only his second novel. Hudson's Kill deserves to be celebrated and loved, a rare book that will delight so many and deserves to be read. 4/5
ClareR (6062 KP) rated Forget You Know Me in Books
Jan 16, 2019
Talking is good!
This is my first Jessica Strawser book, and I don't think it will be my last. From other reviews, it would seem that this is a departure from the 'thriller' genre of her previous novels: it's definitely more 'Literary Fiction'. There's no real mystery (ok, just the one), and everyone's cards are pretty much laid out on the table. It's just that they all seem incapable of talking to one another: Molly and Liza, once best friends, become more and more estranged as they live so far from one another. Daniel and Molly, although they are married, seem to be growing apart, and due to the demands of work and children, do not seem to have any time for one another. The takeaway message in this seems to be - just talk to each other, for goodness sakes! Relationships need effort from all sides!
Many thanks to NetGalley and St. Martin's Press for my copy of this book to read and enjoy!
Many thanks to NetGalley and St. Martin's Press for my copy of this book to read and enjoy!
Ronnie (304 KP) rated The Silent Patient in Books
Apr 20, 2020
Alicia and her husband Gabriel were happily married for years, until one day Alicia shot her husband 5 time in the head. She hasn’t spoken since that happened, 6 years ago. Psychotherapist Theo wants to find out why this all happened, so he takes a job at the hospital Alicia is in.
I wasn’t sure about how good this book would be but it turned out to be amazing. Alex Michaelides manages to weave a story so clever and intricate, that there is no way to predict how it will end. Throughout the book I was trying to figure out the reason for Alicia’s silence. Did killing her beloved husband traumatize her, or is she simply insane? Although I thought that elements of the storyline were slightly cliché, the writing was so good that it didn’t bother me. I found this book very intriguing and is an amazing debut from the author. I would highly recommend this book to anyone interested in thriller and mystery.
I wasn’t sure about how good this book would be but it turned out to be amazing. Alex Michaelides manages to weave a story so clever and intricate, that there is no way to predict how it will end. Throughout the book I was trying to figure out the reason for Alicia’s silence. Did killing her beloved husband traumatize her, or is she simply insane? Although I thought that elements of the storyline were slightly cliché, the writing was so good that it didn’t bother me. I found this book very intriguing and is an amazing debut from the author. I would highly recommend this book to anyone interested in thriller and mystery.
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