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The British Cinema Book: 2009
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The new edition of The British Cinema Book has been thoroughly revised and updated to provide a...
BankofMarquis (1832 KP) rated Toy Story 4 (2019) in Movies
Jun 25, 2019
Another TOY STORY triumph for PIXAR
When I first heard that Pixar was going to make a 4th TOY STORY film, I found myself firmly in the camp of "why are they doing this? The 3rd film tied off the trilogy marvelously well and 4th film was not needed" But...I trust Pixar, and when it was revealed that both Tom Hanks and Tim Allen were back on board after reading the script, my fears were alleviated quite a bit, but I still had some unease in the pit of my stomach.
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
BankofMarquis (1832 KP) rated Onward (2020) in Movies
Mar 25, 2020
Fun...but..."lesser" PIxar
I am a big fan of the PIXAR films. I am a big fan of Chris Pratt and Tom Holland. I am a big fan of Fantasy films (wizards, elves, dwarves and so on...) So when I heard there was going to be a Pixar flick featuring the voice talents of Pratt and Holland about characters in a Fantasy world, I was excited to check it out.
I should have lowered my expectations.
Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.
Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.
It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.
You get the drift.
I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.
Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).
I would put ONWARD in the LESSER category.
Letter Grade: B (even a "lesser" Pixar film is still above average)
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
I should have lowered my expectations.
Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.
Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.
It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.
You get the drift.
I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.
Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).
I would put ONWARD in the LESSER category.
Letter Grade: B (even a "lesser" Pixar film is still above average)
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Charlie Cobra Reviews (1840 KP) rated Toy Story 4 (2019) in Movies
Jul 7, 2020
Funny, Heartwarming, And Beautifully Animated
Toy Story 4 is a 2019 CG/comedy movie directed by Josh Cooley and based on screenplay written by Andrew Stanton, and Stephany Folsom; along with John Lasseter, Rashida Jones, Will McCormack, Valerie LaPointe, and Martin Hynes. It was produced by Picard Animation Studios for Walt Disney Pictures and distributed by Walt Disney Studios Motion Pictures. The film stars Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele and Keanu Reeves.
Woody (Tom Hanks) and the other toys are happy in their new life after Andy donates his toys to Bonnie; but Woody worries Bonnie will feel overwhelmed at school when she starts kindergarten. Woody sneaks into her backpack and recovers her arts and crafts supplies when a classmate throws them away. She uses the supplies, including a spork Woody grabbed to create a handmade toy she names "Forky" (Tony Hale). And when Bonnie and her family go on a road trip, Forky jumps out of the window setting off a chain of events that will change the group forever.
This movie was funny, stunningly animated, and emotionally touching. They really were shooting to impress with the amount of detail they had in this movie, from the glossy porcelain shine of Bopeep, to the fur on the cat, to all the other toys little details. I liked how the action was very character driven and how the storytelling was really well done. The character growth/arc for Bopeep was one of my favorites and I really enjoyed the cast of new characters and how they were incorporated as well like, Keanu Reeves and Key and Peele. This was such a great movie and it got me choked up at the end of the movie and I couldn't find anything to really complain about but then I read an article that made me question how I felt about it and what I saw. I'll see if I can add the link to it at the end of my review. It ultimately made me drop my rating by a point, I almost gave this movie a 9, but I give it a 8/10. But I do give it my "Must See Seal Of Approval".
Here is the link to the article: https://www.gamespot.com/articles/theres-a-problem-with-toy-story-4-opinion/1100-6468073/
Woody (Tom Hanks) and the other toys are happy in their new life after Andy donates his toys to Bonnie; but Woody worries Bonnie will feel overwhelmed at school when she starts kindergarten. Woody sneaks into her backpack and recovers her arts and crafts supplies when a classmate throws them away. She uses the supplies, including a spork Woody grabbed to create a handmade toy she names "Forky" (Tony Hale). And when Bonnie and her family go on a road trip, Forky jumps out of the window setting off a chain of events that will change the group forever.
This movie was funny, stunningly animated, and emotionally touching. They really were shooting to impress with the amount of detail they had in this movie, from the glossy porcelain shine of Bopeep, to the fur on the cat, to all the other toys little details. I liked how the action was very character driven and how the storytelling was really well done. The character growth/arc for Bopeep was one of my favorites and I really enjoyed the cast of new characters and how they were incorporated as well like, Keanu Reeves and Key and Peele. This was such a great movie and it got me choked up at the end of the movie and I couldn't find anything to really complain about but then I read an article that made me question how I felt about it and what I saw. I'll see if I can add the link to it at the end of my review. It ultimately made me drop my rating by a point, I almost gave this movie a 9, but I give it a 8/10. But I do give it my "Must See Seal Of Approval".
Here is the link to the article: https://www.gamespot.com/articles/theres-a-problem-with-toy-story-4-opinion/1100-6468073/
Gareth von Kallenbach (965 KP) rated Toy Story 4 (2019) in Movies
Jun 28, 2019
A Touching And Winning Triumph
Toy Story 4 was a heartwarming story filled with exciting plot twists, lots of laughs, and even a few heart wrenching moments. The movie is easy to follow while still being very exciting. Made by Disney Pixar they uphold their hold on wholesome, funny, and exciting entertainment. I’ll admit I was a bit skeptical at first as this was the fourth movie in the saga and I was convinced that there wasn’t much for the writers to go off on since the 3rd movie comes to such a happy conclusion. I am happy to say that I was pleasantly surprised! I walked into the theatre feeling a little unsure, to being moved to tears by the conclusion of the film, and then leaving the theatre feeling like a small part of my childhood was complete since I was raised on this Disney/Disney-Pixar movies!
The original cast is back at it again with Tom Hanks voicing Woody and Tim Allen as Buzz Lightyear. This of course only added to the charm of the movie as I can’t imagine anyone better. It was also awesome to have the Voice actors from Toy Story 3 back and In the movie. I was also very pleased to have Bo Peep back in the saga! One of the best things about the film is the new lovable characters. One of my absolute favorites was Forky voiced by Tony Hale. Forky is a toy that was made by bonnie while she was feeling lonely at kindergarten orientation, Forky is made out of craft supplies (pipe cleaners, googly eyes, etc.) and a spork.
Forky doesn’t want to be Bonnie’s toy at first and is constantly trying to go be in the trash because that is where he feels like he belongs. Woody dedicates himself to keeping forky available to Bonnie because she has become attached to him. Finally, Woody is able to help forky to see why his role in Bonnie’s life is important.
There are plenty of other lovable characters and a wonderful plot. It was a charming movie that I would recommend to all ages! I was very pleased with the movie and would happily go see it again in a heartbeat! I would proudly give the movie 5 stars, It was brilliantly done.
http://sknr.net/2019/06/14/toy-story-4/
The original cast is back at it again with Tom Hanks voicing Woody and Tim Allen as Buzz Lightyear. This of course only added to the charm of the movie as I can’t imagine anyone better. It was also awesome to have the Voice actors from Toy Story 3 back and In the movie. I was also very pleased to have Bo Peep back in the saga! One of the best things about the film is the new lovable characters. One of my absolute favorites was Forky voiced by Tony Hale. Forky is a toy that was made by bonnie while she was feeling lonely at kindergarten orientation, Forky is made out of craft supplies (pipe cleaners, googly eyes, etc.) and a spork.
Forky doesn’t want to be Bonnie’s toy at first and is constantly trying to go be in the trash because that is where he feels like he belongs. Woody dedicates himself to keeping forky available to Bonnie because she has become attached to him. Finally, Woody is able to help forky to see why his role in Bonnie’s life is important.
There are plenty of other lovable characters and a wonderful plot. It was a charming movie that I would recommend to all ages! I was very pleased with the movie and would happily go see it again in a heartbeat! I would proudly give the movie 5 stars, It was brilliantly done.
http://sknr.net/2019/06/14/toy-story-4/
BankofMarquis (1832 KP) rated Toy Story (1995) in Movies
Dec 16, 2018
Truly a classic
With Toy Story 4 coming out in theaters this summer, I thought I'd go back and check out a beloved classice - the original TOY STORY (1995) to see if this film holds up to my memory of it.
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Wild Hogs (2007) in Movies
Aug 14, 2019
When four middle aged men all face a collection of issues at the same time, some people might think this premise is a setup for an emotional drama that will explore aging from a men’s point of view.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.
Phillip McSween (751 KP) rated Toy Story 4 (2019) in Movies
Jul 29, 2019
About Life and Letting Go...
In yet another crazy adventure, Toy Story 4 sees Woody and the gang protecting Forky, Bonnie’s new toy she created from a spork in Kindergarten class.
Acting: 10
I mentioned this in my review of Toy Story 3, but it bears repeating: the ability to bring back the same cast from one movie to the next guarantees stellar voice-acting performances. Tom Hanks and Tim Allen have perfected their roles as Woody and Buzz and their performances take you out of the realm of thinking these are mere toys, but actual sentient beings. Beyond these two and the rest of the traditional gang you have rib-splitting performances from Keegan-Michael Key and Jordan Peele as Bunny and Ducky along with more hilarity from Keanu Reeves playing Duke Caboom, a stunt toy. Their ability to make their characters as endearing as they are funny makes the viewing experience that much more enjoyable.
Beginning: 10
Characters: 10
To expand on the above, it’s not just about the characters but how they develop as the story progresses. These are animated movies meant for kids yet these characters manage to grow as they would in a typical (great) movie. Characters like Woody are faced with difficult choices they have to make and I found myself wondering if they would have made those same choice two or three movies ago.
On another note, I appreciate that the movies have grown since the first in the way of their villains. It’s always refreshing when villains aren’t just innately bad and they have a backstory of some sort. Gabby Gabby, the babydoll with a broken voicebox, is no exception here.
Cinematography/Visuals: 10
Conflict: 10
Like its predecessors, Toy Story 4 is meant to take you on an adventure and it doesn’t disappoint. Continuing from a similar motif of the third movie, the gang is involved in a heist that includes great stakes. From the planning to the execution of it all, it’s nonstop great fun.
Entertainment Value: 10
Some of the most fun I’ve had in the theater in 2019. This movie has everything you want. There’s action, laughter, and yes maybe a tear or two. This movie doesn’t disappoint in the slightest.
Memorability: 8
From the beautiful visuals (seriously, it’s not even fair at this point) to a number of hilarious and touching moments, this one is absolutely one to remember. In a message that spoke to me directly, it’s all about being willing to let go and start new chapters of your life, getting out of your comfort zone and starting fresh. I dig it.
Pace: 10
For the most part, things are smooth sailing here as this film very rarely gets boring. There is a minor blip where I felt like they could have sped things along a little quicker, but big emphasis on “minor”. I was invested the whole way.
Plot: 10
Yet another great story that’s believable and doesn’t harbor any major holes. Seriously, how do they keep doing this? How do they keep creating brand new experiences that are vastly different from the last? Beyond impressed.
Resolution: 10
Overall: 98
This series truly answers the question: How long should a movie series go before you call it quits? The answer: As long as you have a good story, tell it! What was once one of the greatest trilogies of all time is now one of the greatest quadrilogies of all time. Toy Story 4 is a masterpiece.
Acting: 10
I mentioned this in my review of Toy Story 3, but it bears repeating: the ability to bring back the same cast from one movie to the next guarantees stellar voice-acting performances. Tom Hanks and Tim Allen have perfected their roles as Woody and Buzz and their performances take you out of the realm of thinking these are mere toys, but actual sentient beings. Beyond these two and the rest of the traditional gang you have rib-splitting performances from Keegan-Michael Key and Jordan Peele as Bunny and Ducky along with more hilarity from Keanu Reeves playing Duke Caboom, a stunt toy. Their ability to make their characters as endearing as they are funny makes the viewing experience that much more enjoyable.
Beginning: 10
Characters: 10
To expand on the above, it’s not just about the characters but how they develop as the story progresses. These are animated movies meant for kids yet these characters manage to grow as they would in a typical (great) movie. Characters like Woody are faced with difficult choices they have to make and I found myself wondering if they would have made those same choice two or three movies ago.
On another note, I appreciate that the movies have grown since the first in the way of their villains. It’s always refreshing when villains aren’t just innately bad and they have a backstory of some sort. Gabby Gabby, the babydoll with a broken voicebox, is no exception here.
Cinematography/Visuals: 10
Conflict: 10
Like its predecessors, Toy Story 4 is meant to take you on an adventure and it doesn’t disappoint. Continuing from a similar motif of the third movie, the gang is involved in a heist that includes great stakes. From the planning to the execution of it all, it’s nonstop great fun.
Entertainment Value: 10
Some of the most fun I’ve had in the theater in 2019. This movie has everything you want. There’s action, laughter, and yes maybe a tear or two. This movie doesn’t disappoint in the slightest.
Memorability: 8
From the beautiful visuals (seriously, it’s not even fair at this point) to a number of hilarious and touching moments, this one is absolutely one to remember. In a message that spoke to me directly, it’s all about being willing to let go and start new chapters of your life, getting out of your comfort zone and starting fresh. I dig it.
Pace: 10
For the most part, things are smooth sailing here as this film very rarely gets boring. There is a minor blip where I felt like they could have sped things along a little quicker, but big emphasis on “minor”. I was invested the whole way.
Plot: 10
Yet another great story that’s believable and doesn’t harbor any major holes. Seriously, how do they keep doing this? How do they keep creating brand new experiences that are vastly different from the last? Beyond impressed.
Resolution: 10
Overall: 98
This series truly answers the question: How long should a movie series go before you call it quits? The answer: As long as you have a good story, tell it! What was once one of the greatest trilogies of all time is now one of the greatest quadrilogies of all time. Toy Story 4 is a masterpiece.
Phillip McSween (751 KP) rated Toy Story 3 (2010) in Movies
Jul 25, 2019
Character-Driven Masterpiece
There aren’t a lot of movie series’ that get better with each movie, but the Toy Story franchise has definitely accomplished that. Toy Story 3 is not just the best movie of the franchise to date, but it’s also one of the greatest movies ever made. Also, before I go any further: DAMN, it feels good to be posting another review. To quote John Wick: “Yeah, I’m thinking I’m back!” But I digress…In this third installment, Andy is all grown up and the gang sets their sights on a preschool where they hope to get played with everyday for eternity.
Acting: 10
It’s almost unfair when you think about the amazing cast of the Toy Story franchise. Tom Hanks and Tim Allen as Woody ad Buzz really have a way of putting you dead in the moment. These are toys, yet, somehow, the phenomenal acting jobs truly brings them to life as sentient beings. Their pain as well as their triumphs are felt throughout.
Beginning: 10
Yet another thing this franchise has gotten down to a science. The first five minutes of the movie puts you in a grand adventure where all the toys are facing off against each other. Then the next five minutes are heartbreaking. It’s a pleasant rollercoaster that sets the story up perfectly.
Characters: 10
The gang’s all here, including Cowgirl Jessie from the last movie and her horse Bullseye. In addition to having their own flavor and personality, I can really appreciate how Buzz and Woody continue to develop as characters. Buzz continues to try and be the voice of reason while Woody relies mainly on his emotion. I really enjoyed Lotso (Ned Beatty) as well, a purple teddy who smells like strawberries and walks with a cane. If those were his only interesting quirks that would be enough, but there is so much more to appreciate about his character that I won’t give away.
Cinematography/Visuals: 10
You know the visuals are at masterpiece levels when I’m marveling at a trash bag. A trash bag for God’s sake! But man the detail on this bag, the way it moved just so perfectly. I know, I’m a nutcase, but this trash bag! It’s the sheer attention to detail that blows my mind. There is another shot, and this one is probably my favorite, of Lotso stepping into the lights of a Tonka truck with his cronies to approach Buzz and the gang. The way the light hits perfectly casting shadows definitely tells me there are no shortages of geniuses at Pixar.
Conflict: 10
Entertainment Value: 10
Toy Story 3 is why I love movies. From bottom to top, it checks all the boxes. You will experience a wave of emotions and have fun the whole way.
Memorability: 10
The movie casts a memorable message about our ability to let go and move on. Watching this at different points in my life, every single time I could relate to Woody and his struggles with letting go. Oh yeah, and the film is super fun too. I can’t count the number of moments where I marveled at how this movie does things that creatively surpass the other two. Like Up, this is a movie that sticks with you long after you watch it.
Pace: 10
The longest of the three, yet it somehow feels like the shortest. There is always something exciting that’s happening. Its ebbs and flows move the story along with every single detail somehow feeling important.
Plot: 10
Watching this made me think, “Oh my goodness, they could do a hundred more of these and it would never get old.” This story stands alone and has actual plausibility…well, as toy stories go anyway. At one point, the movie moves from new adventure to crazy heist to prison break. And I’m here for all of it, every last piece.
Resolution: 10
Overall: 100
Watching a movie like this is like watching a talented gymnast perform an unforgettable routine. You know you want to give it a perfect score provided they stick the landing. Beginning, middle, and end Toy Story 3 establishes credibility as being epic and damn-near perfect. Landing stuck.
Acting: 10
It’s almost unfair when you think about the amazing cast of the Toy Story franchise. Tom Hanks and Tim Allen as Woody ad Buzz really have a way of putting you dead in the moment. These are toys, yet, somehow, the phenomenal acting jobs truly brings them to life as sentient beings. Their pain as well as their triumphs are felt throughout.
Beginning: 10
Yet another thing this franchise has gotten down to a science. The first five minutes of the movie puts you in a grand adventure where all the toys are facing off against each other. Then the next five minutes are heartbreaking. It’s a pleasant rollercoaster that sets the story up perfectly.
Characters: 10
The gang’s all here, including Cowgirl Jessie from the last movie and her horse Bullseye. In addition to having their own flavor and personality, I can really appreciate how Buzz and Woody continue to develop as characters. Buzz continues to try and be the voice of reason while Woody relies mainly on his emotion. I really enjoyed Lotso (Ned Beatty) as well, a purple teddy who smells like strawberries and walks with a cane. If those were his only interesting quirks that would be enough, but there is so much more to appreciate about his character that I won’t give away.
Cinematography/Visuals: 10
You know the visuals are at masterpiece levels when I’m marveling at a trash bag. A trash bag for God’s sake! But man the detail on this bag, the way it moved just so perfectly. I know, I’m a nutcase, but this trash bag! It’s the sheer attention to detail that blows my mind. There is another shot, and this one is probably my favorite, of Lotso stepping into the lights of a Tonka truck with his cronies to approach Buzz and the gang. The way the light hits perfectly casting shadows definitely tells me there are no shortages of geniuses at Pixar.
Conflict: 10
Entertainment Value: 10
Toy Story 3 is why I love movies. From bottom to top, it checks all the boxes. You will experience a wave of emotions and have fun the whole way.
Memorability: 10
The movie casts a memorable message about our ability to let go and move on. Watching this at different points in my life, every single time I could relate to Woody and his struggles with letting go. Oh yeah, and the film is super fun too. I can’t count the number of moments where I marveled at how this movie does things that creatively surpass the other two. Like Up, this is a movie that sticks with you long after you watch it.
Pace: 10
The longest of the three, yet it somehow feels like the shortest. There is always something exciting that’s happening. Its ebbs and flows move the story along with every single detail somehow feeling important.
Plot: 10
Watching this made me think, “Oh my goodness, they could do a hundred more of these and it would never get old.” This story stands alone and has actual plausibility…well, as toy stories go anyway. At one point, the movie moves from new adventure to crazy heist to prison break. And I’m here for all of it, every last piece.
Resolution: 10
Overall: 100
Watching a movie like this is like watching a talented gymnast perform an unforgettable routine. You know you want to give it a perfect score provided they stick the landing. Beginning, middle, and end Toy Story 3 establishes credibility as being epic and damn-near perfect. Landing stuck.
Bob Mann (459 KP) rated Bohemian Rhapsody (2018) in Movies
Sep 28, 2021
“Fame and fortune and everything that goes with it”.
Sometimes a trailer generates a bit of a buzz of excitement with a cinema audience and the first showings of the trailer for “Bohemian Rhapsody” was a case in point. But would the film live up to the potential?
The Plot
Farrokh Bulsara (Rami Malek), born in Zanzibar to Indian parents, is a shy boy with a dramatic singing voice. At a concert he meets Mary (Lucy Boynton) who becomes the “love of his life”. When a space for a lead singer becomes available in a college band, Farrokh leaps at the chance and onstage becomes an exuberant extrovert. The band, of course, changes its name to Queen and with Farrokh assuming the name of Freddie Mercury they are set for global success. But Freddie is a complex character, and the demands and temptations of global super-stardom take a terrible toll.
The Review
Wow! What a great film on so many different levels. As a biopic of Mercury and a history of one of the greatest ever rock bands, the film is highly entertaining. But I wasn’t prepared for how emotional I would find it. Mercury’s life is befitting of a Shakespearian tragedy: an estrangement from his ‘conservative’ father (Ace Bhatti); a public extravert, but privately an insecure and needy bi-sexual, constantly searching for his perch in life; a meteoric rise and an equally spectacular and historic fall.
Do you remember where you were (if anywhere!) during the historic Live Aid concert at Wembley in July 1985? My eagle-minded wife had to remind me that we were travelling to Hampshire to house hunt because of my graduate job offer from IBM Hursley Park. My 3 month old daughter was rolling around, unstrapped, in a carry cot on the back seat: different times; different rules! Why this is relevant is that the film culminates in a recreation of the band’s spectacular 20 minute set for 1985’s Live Aid concert at Wembley. It’s a spectacular piece of cinema and one that – for me – puts the much hyped concert scenes from “A Star is Born” back in its box. Aside from a few niggles (the sound engineers in the booth were, if I’m not mistaken, all the size of Hagrid!) it’s a spectacular piece of CGI work.
It’s also worth remembering that whilst today’s massive stadium concerts from the likes of Adele and Coldplay are commonplace, back in the UK of 1985 most of the bands played in more traditional theatre venues: this really was an historic event on so many levels.
If I’m being critical, there are a few bits of the movie that are a tad tacky and twee. A whizz around the world of tour locations is composed of some pretty ropy animations that didn’t work for me. And a few of the ‘creations’ of classic songs – particularly “Another One Bites the Dust” – are a bit forced. Countering that though, the “Bohemian Rhapsody” is mesmerising.
The Turns
I’ll just put it right out there, Rami Malek is just sensational as Mercury! I first called out Malek as someone to watch in “Need For Speed“, but since then he’s gone on to major fame in the TV series “Mr Robot”. Here he is a force of nature on the screen and you literally can’t take your eyes off him. Every nuance of Mercury’s tortured soul is up there. I would love to see the performance recognized in the Awards season, with the showreel clip being a brilliant standoff in the rain with Paul Prenter (“Downton’s” Allen Leech).
The rest of the band – Ben Hardy as drummer Roger Taylor; Gwilym Lee as lead guitar Brian May; and Joseph Mazzello (yes, young Tim from “Jurassic Park”!) as bass guitarist John Deacon – all work well together, with Lee looking more like Brian May than Brian May!
Lucy Boynton, so great in “Sing Street“, gets a meaty dramatic role to sink her teeth into, and the ever-reliable Tom Hollander is great as the band’s legal rep/manager Jim “Miami” Beech: his ‘knowing looks’ near the end of the film are brilliantly done.
The surprise piece of casting though was the very welcome return of Mike Myers as the exec Ray Foster: only seen spasmodically on screen since 2009’s “Inglorious Basterds”. It’s a role that reminded me of Tom Cruise‘s turn in “Tropic Thunder”! But it’s well done. After making “Bohemian Rhapsody” famous again in “Wayne’s World”, how could he have refused? I say “Welcome back Mr Myers”: you’ve been missed.
And a final shout out to Paul Jones, my son-in-law’s brother, who gets a full screen appearance in the crowd, arms outstretched, during the “Fat Bottomed Girls” set! (I must admit, I missed it, so will have to go and see it again!)
Final Thoughts
This is a film that grabs you and propels you through the story at a fast lick. It’s a surprisingly moving story, with a well-known and tragic finale. It’s not a perfect film, but it is up there wih the year’s best as a high-energy cinema experience.
The Plot
Farrokh Bulsara (Rami Malek), born in Zanzibar to Indian parents, is a shy boy with a dramatic singing voice. At a concert he meets Mary (Lucy Boynton) who becomes the “love of his life”. When a space for a lead singer becomes available in a college band, Farrokh leaps at the chance and onstage becomes an exuberant extrovert. The band, of course, changes its name to Queen and with Farrokh assuming the name of Freddie Mercury they are set for global success. But Freddie is a complex character, and the demands and temptations of global super-stardom take a terrible toll.
The Review
Wow! What a great film on so many different levels. As a biopic of Mercury and a history of one of the greatest ever rock bands, the film is highly entertaining. But I wasn’t prepared for how emotional I would find it. Mercury’s life is befitting of a Shakespearian tragedy: an estrangement from his ‘conservative’ father (Ace Bhatti); a public extravert, but privately an insecure and needy bi-sexual, constantly searching for his perch in life; a meteoric rise and an equally spectacular and historic fall.
Do you remember where you were (if anywhere!) during the historic Live Aid concert at Wembley in July 1985? My eagle-minded wife had to remind me that we were travelling to Hampshire to house hunt because of my graduate job offer from IBM Hursley Park. My 3 month old daughter was rolling around, unstrapped, in a carry cot on the back seat: different times; different rules! Why this is relevant is that the film culminates in a recreation of the band’s spectacular 20 minute set for 1985’s Live Aid concert at Wembley. It’s a spectacular piece of cinema and one that – for me – puts the much hyped concert scenes from “A Star is Born” back in its box. Aside from a few niggles (the sound engineers in the booth were, if I’m not mistaken, all the size of Hagrid!) it’s a spectacular piece of CGI work.
It’s also worth remembering that whilst today’s massive stadium concerts from the likes of Adele and Coldplay are commonplace, back in the UK of 1985 most of the bands played in more traditional theatre venues: this really was an historic event on so many levels.
If I’m being critical, there are a few bits of the movie that are a tad tacky and twee. A whizz around the world of tour locations is composed of some pretty ropy animations that didn’t work for me. And a few of the ‘creations’ of classic songs – particularly “Another One Bites the Dust” – are a bit forced. Countering that though, the “Bohemian Rhapsody” is mesmerising.
The Turns
I’ll just put it right out there, Rami Malek is just sensational as Mercury! I first called out Malek as someone to watch in “Need For Speed“, but since then he’s gone on to major fame in the TV series “Mr Robot”. Here he is a force of nature on the screen and you literally can’t take your eyes off him. Every nuance of Mercury’s tortured soul is up there. I would love to see the performance recognized in the Awards season, with the showreel clip being a brilliant standoff in the rain with Paul Prenter (“Downton’s” Allen Leech).
The rest of the band – Ben Hardy as drummer Roger Taylor; Gwilym Lee as lead guitar Brian May; and Joseph Mazzello (yes, young Tim from “Jurassic Park”!) as bass guitarist John Deacon – all work well together, with Lee looking more like Brian May than Brian May!
Lucy Boynton, so great in “Sing Street“, gets a meaty dramatic role to sink her teeth into, and the ever-reliable Tom Hollander is great as the band’s legal rep/manager Jim “Miami” Beech: his ‘knowing looks’ near the end of the film are brilliantly done.
The surprise piece of casting though was the very welcome return of Mike Myers as the exec Ray Foster: only seen spasmodically on screen since 2009’s “Inglorious Basterds”. It’s a role that reminded me of Tom Cruise‘s turn in “Tropic Thunder”! But it’s well done. After making “Bohemian Rhapsody” famous again in “Wayne’s World”, how could he have refused? I say “Welcome back Mr Myers”: you’ve been missed.
And a final shout out to Paul Jones, my son-in-law’s brother, who gets a full screen appearance in the crowd, arms outstretched, during the “Fat Bottomed Girls” set! (I must admit, I missed it, so will have to go and see it again!)
Final Thoughts
This is a film that grabs you and propels you through the story at a fast lick. It’s a surprisingly moving story, with a well-known and tragic finale. It’s not a perfect film, but it is up there wih the year’s best as a high-energy cinema experience.