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Sgt. Pepper's Lonely Hearts Club Band by The Beatles
Sgt. Pepper's Lonely Hearts Club Band by The Beatles
1967 | Pop, Psychedelic, Rock
One Of The Most Influential Albums Of All Time
The reason that this album is so influential and important to everything that came after it is simple, it was the first true example of what we think of as a concept album today. The album opens with an introduction to what you are about to witness, which is something that had never even been considered before in music. Sgt Pepper’s Lonely Heart’s Club Band was also very meta for its time considering that the first song informs you of the members that this band is made up from and gives you a reason as to why they are performing these songs to you. Equally, ending the album with the Sgt Pepper’s Lonely Heart’s Club Band reprise brings the whole thing full circle, and this formula became what was adopted by concept all albums going forward, The Who followed the same structure, as did Pink Floyd and Green Day. Musically, the record continued where Revolver, (the previous album,) left off, engraining the Beatles as pioneers in psychedelic music. Songs such as, ‘Lucy in the Sky With Diamonds,’ and ‘Within You, Without You,’ where more far out than any other psychedelic musical piece had been before. Then you have tracks such as ‘When I’m Sixty Four,’ and ‘Getting Better,’ which utilize classical instruments normally found in orchestral music. This totally rewrote the rules on what a pop song could do. Every song on Sgt. Pepper is a masterpiece and each earns that title both on an individual basis and as part of a whole and all for their own unique reasons. There is also the fact that the album contains what I consider to be the band’s greatest song, ‘A Day In The Life.’ It is the final track on the album, often considered an epilogue, as the album officially ends with the reprise of Sgt Pepper’s Lonely Heart’s Club Band and forty years later, it still sends tingles down the spine of anyone that has the honor to listen to it. Lennon’s parts bookend the track while the middle section belongs to McCartney. As is the case with the rest of the album, the song points out the juxtaposition of Lennon’s narcissistic realist view on the world versus McCartney’s brighter more optimistic outlook on life. Then the song ends with a beautifully chaotic climax of instruments all playing together, building from their respective lowest notes to their highest. It so clearly ends the album, there is no fade out, its everything coming together and playing simultaneously and then stopping all in unison, a very purposeful and definite way to end an album.
 Even when the album is over the Beatles are still innovating by including a creepy loop within the groove of the album, implemented to give listeners a fright as they only expect to hear silence after the climax of ‘A Day In The Life.’ After a few moments of peace, a high pitched frequency is heard followed by a peculiar mix of abstract sounds all at once. Even after all this time, after the ridiculously high number of times that I’ve listened to the record and although I know to expect the sound before it happens, it’s still chilling to this day. This was the first time that a band intentionally included hidden sounds on an album, making listeners sit through a few seconds of silence to hear it. People claim that this album is overrated, but there is a reason that it is held in such high regard and whether you think this album deserves its legendary status or not, it is impossible to debate the fact that it is probably the most important album ever recorded. Everything from the album artwork to the music and the lyrics is still extremely relevant and important, even in this current digital age of music.
  
Doctor Strange (2016)
Doctor Strange (2016)
2016 | Action, Adventure, Sci-Fi
One heck of a ride
Contains spoilers, click to show
I went to see Doctor Strange last night and let me tell you, it was one hell of a ride. I saw it in 3D which is the only way I will watch movies nowadays, because its so immersive and makes the movie really come alive, at least in my opinion. Marvel Studios did a really amazing job on capturing the essence of this movie. If you want a good idea on how it is, think The Matrix meets Inception, meets Harry Potter.

If you don't know the story of Doctor Strange, well let me fill you in. Dr. Steven Strange was a brilliant neurosurgeon, and an egotist. In the movie, we find Doctor Strange (played by Benedict Cumberbatch) washing up to perform brain surgery. His prideful, ways have him showboating the surgery by not waiting for any imaging equipment and dislodging a bullet from the brain of a person who was thought to be dead.

After he has preformed a miracle surgery, he is rushing through traffic to go to a gala, when he hits another car, and crashes. In the process of crashing he crushes his hands, the very tools to which he was made famous for. After countless surgeries and experimental procedures he is left in destitute.

He then begins to wander the city and comes across a man who had sever spinal cord injury and was supposed to never walk again, but was and playing basketball, who tells him of a spiritual retreat that he went on in order to heal himself. Using what money he has left Dr. Strange flies to Kathmandu to search out this mystical temple and its healer.

He wanders the streets of Kathmandu, looking for any signs of where this holy temple may be. Getting desperate, and weary of looking. He makes a fated turn down a back alley street, where he is assaulted by a group of Pick Pockets, who target him as easy prey. They are quickly dispatched as Mordo (played by Chiwetel Ejiofor) beats them down, thus saving Strange from certain death by the hands of petty thugs.

Mordo takes Dr. Strange to the temple, explaining that The Ancient One (played by Tilda Swinton) may be able to help him, but that he would have to be very humble in asking for help. Dr. Strange with his medical, and scientific knowledge, begins to dismiss the teachings and workings of The Ancient One, as no more than metaphysical BS. The Ancient One then sends Dr. Strange on a quick out of body journey throughout the multiverse the whole time narrating the journey with deep wisdom. And then quickly after he is brought back from this journey he is banished to the streets and the doors locked behind him. Begging and pleading for hours, Mordo convinces The Ancient One to accept him for training.

Through what can be assumed as months of training, Dr. Steven Strange begins learning the mystical arts and excelling at a phenomenal rate. While studying he discovers The Eye of Agamotto. A powerful talisman capable of augmenting time and space. He then uses it to reveal the missing pages of a manuscript, and discovers that The Ancient One has been harnessing energies from a dark dimension to prolong her life, and a realm of a dimensional being known as Dormammu. Dormammu wants nothing else than to absorb the Earth into his being and make it part of the dark dimension. Doctor Strange then learns that Dormammu's henchmen are devising a plot to overtake 3 power houses throughout the world, in order to allow his reign of power to be complete.

Doctor Strange then must battle Kaecilius (played by Mads Mikkelsen) a former student of The Ancient One, and top disciple of Dormammu, for control of the Sanctum's (three mystical power houses that create a magical shield that protects the earth). This is the point in the movie where Steven begins to really take point and understand the extent of the power that he has learned. An epic magical battle of the wills ensues where Dr. Strange, Mordo, and Kaecillius, all take the the streets of New York in 'Mirror Dimension' where Kaecillius bends space and time to create an augmented reality (if you have seen Inception this is where they flip the world upside down and sideways and things get really visually intense), The battle of wills continues until finally The Ancient One joins the fight and battles her former pupil in a no holds battle. She is then critically injured and all of reality returns to normal. As she lays dying in a hospital room, she and Strange exchange an emotional yet sagely goodbye on the Astral Plane.

Doctor Strange returns to the New York Sanctum only to find that it had been destroyed. He and Mordo go to Hong Kong, the where they discover that the last Sanctum has fallen and that Dormammu is in the process of over taking the Earth with help from his lackey Kaecillius. Acting on instinct and whim, Doctor Strange uses The Eye of Agamotto to turn back time and restore the city and Sanctum back to its original form, when Kaecillius breaks the spell and concentration of Doctor Strange. DS then flies into the heart of the dark dimension bringing along with him The Eye of Agamotto, where he then traps Dormammu and himself in an endless time loop. Driving Dormammu mad realizing that he is trapped inside of time and no longer existing outside of time. Strange strikes a bargain that Dormammu will retreat from the Earth and take with him all of his followers never to return again, to which a defeated and angry Dormammu agrees and calls back his forces. The movie ends with Doctor Strange taking up the mantel of Sorcerer Supreme.
  
A Game of Thrones
A Game of Thrones
George R.R. Martin | 2014 | Fiction & Poetry
10
8.8 (87 Ratings)
Book Rating
Full review can be found on my blog: www.diaryofdifference.com

This book will shake and break your heart. This book will make you realise that life is anything but gentle. But this book will also bring you the greatest adventure you have yet to see.

I have bought my whole book collection back in 2014. I have been procrastinating with this series for four years. And today, while writing this review, I thank the old gods and the new, for convincing me to read the first book.

I am probably one of the last people that have reviewed this book, and I assume you all already know a lot about the Game of Thrones series.

It is a book about one Iron Throne, and all the wars, fights, betrayals are about who will be sitting on that throne, and who will be in charge of all kingdoms.

Now, starting off, I am still not sure why people would send armies and armies of soldiers in order to win the throne, when it seems that no matter who becomes a king, that person gets instantly killed. And no kingdom respects each other, and kings and lords keep fighting off and wasting resources for a lost purpose, so there’s that as well.

We have many houses, Stark, Lannister, Baratheon, Tully, Arryn, Targaryen, Tyrell, Greyjoy, Martell, etc - and they all feature with something unique to their house. Most importantly, they all either want the throne, want revenge or want them both.

But just to clarify - I loved the book!

George R.R. Martin is a genius! He has created this amazing world, and characters that are so alive that make you either hate them or love them, but with all your heart. He has created relationships so tangled and stories so well written, that he puts other authors to shame.

The book is written from a third person perspective, and each chapter features a character. And with each chapter, George moves the time gradually, so we are not stuck in a loop of time pause. I enjoyed this method quite a lot! It kept the story line going very smoothly.

‘’Most men would rather deny a hard truth than face it.’’

There were so many characters I admired. But my connection with these characters in this book is unlike any other connection I have made. I usually either love or hate a character. But here, I judged actions, and relationships, and things people said and did!

I liked Eddard Stark’s bravery, and his manliness, but I didn’t like the fact that he was too honest for his own good.

‘’Can a man still be brave if he’s afraid?
‘’That’s the only time a man an be brave’’.

I loved Arya’s fierceness, but I didn’t like her stubbornness.

‘’For the second time today Arya reflected that life was not fair.’’

I liked Sansa’s politeness, and girlishness. She had all the perfect manners, but she also would betray family for love.

I loved Jon Snow’s story, and how he overcame his past, and learned to live with it.


‘’Let me give you some counsel, bastard.‘’ Lannister said. ‘’Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.’’


I loved many other characters for things they did, and hated many others, but I cherished the difference in each and every character, and that was the beauty in it - that even though an author can create so many characters, he can make them so different from each other.

In this book, you will encounter everything: mostly mean people, ready to kill everyone and anyone standing in the way of their plans. You will read about a story of a family that falls apart, a kingdom that vanishes, a fight between kings, how a little girl will learn life in one day, how a mother will watch her children disappear, one by one.
  
The Seven Deaths Of Evelyn Hardcastle
The Seven Deaths Of Evelyn Hardcastle
Stuart Turton | 2018 | Mystery, Science Fiction/Fantasy
8
7.9 (24 Ratings)
Book Rating
What a ride! Wow. I'm stumped as to how to even explain how detailed and twisty and turny and clever this book is! I read somewhere that Stuart Turton had to map out an 8-day timeline with post-its marking every 2 minutes so he could keep track of everything - and wow! Just wow. I cannot even imagine the thought and preparation that went into arranging this story!

There is such creativity to this mystery - reminiscent of the best Agatha Christie novels, the book is set at Blackheath, a sprawling ancient estate, which has seen better days. But back in it's glory, almost two decades ago, there was a murder of a little boy. Now, coming up on the 20th anniversary, a whole slew of characters is gathered at the crumbling estate by the matriarch of the family, and yet another murder occurs.

Evelyn Hardcastle is the sister of that little boy, and she will die every single day until Adrian Bishop can solve the murder. He's stuck in an 8-day loop, and needs to figure out the killer and break the cycle. Oh and did I mention that every time her falls asleep, or goes unconscious, he wakes up in the body (and mind!) of a different guest?!

I loved how this all played out - Imagine waking up in an obese body that stinks and can't even get out of a bathtub without assistance! And then in that of a constable with a sharp clever mind and gorgeous fiancé, and then a drug dealer! What a ride this was! I dove right into it not knowing what to expect and breezed through the first 1/3 of it. By 2/3 in I started getting a little bit mixed up. The timeline jumps across and back the span of 8 days and you never know where in the past or future you will end up - or in whose (of 8 guests) mind/body. But by the last 1/3 - I was ravenously flipping pages to find out who killed Evelyn and the end does NOT disappoint! Wow! Again - wow!

What really cool and clever idea. I've never read anything like this and it was seriously one of the most inventive and creative murder mysteries I've ever read.
  
Avengers: Endgame (2019)
Avengers: Endgame (2019)
2019 | Sci-Fi, Thriller
End of a Generation
Marvel's Avengers: Endgame is a 2019 superhero movie produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by the Russo brothers (Anthony and Joe), written by Christopher Markus and Stephen Mcfeely and starred an All-star cast of actors. It is a sequel to Avengers: Infinity War and is the 22nd film in the MCU.


Three weeks after the events of Avengers: Infinity War, what's left of the Avengers are coping with their loss in their own ways. With so many gone, the world itself has changed and become a different place. Many struggle to move on or move forward, others try to keep busy continuing to fight crime/criminals. Thanos is gone and his location can't be found by any deep space satellite or advanced technology that Earth has. However in their darkest moment a glimmer of hope emerges when information outside of Earth comes into play with Thanos possible location. They form a plan and maybe just maybe, have a chance to get their hands on the Infinity stones and bring their friends back. But this time there will be even less of them to fight the all powerful Thanos.


This movie was epic. This film definitely lived up to all the hype. Already a phenomenal success financially, it made 1.2 billion opening weekend. This film was also a success in story telling being the finality of a story being told in over 20 films. It was very emotional with lots of action and pretty satisfying. Very somber in the beginning, especially with how the last installment in the franchise went. I really thought that i knew how the beginning of the film would play out but they really gave the audience some twists early on and throughout. And they also made sure it had plenty of "fan service", giving the fans a lot of what they wanted. Not a lot more that i can say without spoilers but I was really thrown for a loop with a couple of characters mainly Thor and Hulk. This movie gets my "Must See Seal of Approval" and I give it an 8.


I almost gave it a 9, but I felt Infinity War was better and certain Avengers acted out of character. Also a pretty confusing plot device that plays a very important role in how the movie unfolds.
  
Kwaan
Kwaan
Platform
This game reminds me an awful lot of proteus. Very little is told to you. Wandering around a pixelated island trying to sort things out. The point and click mechanics might make you nostalgic. A peppy atmosphere and creative out lets might have you coming back to see what the community has done to the trees and chalk boards.

The game is in early access and it does show. Platforming is going to take a long while to get used to. You get around by shooting a string and pulling yourself up to a point where he can swing to get to the platform sometimes this can be very frustrating. This could be fixed by letting you slide down on the string but that has yet to be seen.

Appearance I genuinely liked the sprite animation, seems like something you might see in say a late Nintendo to early super Nintendo. Intricate works of player art can be found here and there. The over world if bright and colorful during the day.

Quest systems and leveling are something I didn’t quite get here. The story is told in the back ground and you have to go hunting for it. I got caught up in the bright atmosphere and exploring that I really did not get around to that part of the game. There is quite a bit to explore if you have the time and patience.

Ambient music is here and it does suite the mood. I do feel like it’s on an endless loop. Not to mention in the version I’m playing on there is no option menu at all. So either mute all sounds or mute it in the volume mixer. Small problem I know but several small issues can culminate into a bit one.

Velocity is another challenge, you can find yourself making a gap sometimes. Other times you will not be so lucky. Getting your string to attach to a flock of seagulls or a school of fish can feel almost impossible. Spikes and death traps are abound. When you overcome these obstacles for say a treasure chest it can be a bit underwhelming.

The mystery to it all feels very cryptic. I for the life of me could not find anything out. Admittedly I’m terrible at these kind of puzzles. Some clues would be much appreciated. End of the world is coming is about the only thing I could figure out.

The intention of the game feels good. I can see a lot of love and time went into crafting this world. Even with all its color, ambiance and charm I can see the flaws. Early accesses is a phrase I think is more than apt here. However this could be something very special with just a few tweaks.

In the end I could only recommend this game to those willing to support a modern point and click platformer. If you grew up with platformers like Mario and castlevania this might just be a bit to different. Unless you’re willing to look past the controls and or love retro sprites.

http://sknr.net/2015/04/10/kwaan-a-point-and-click-adventure/
  
Zoo (2018)
Zoo (2018)
2018 | Comedy, Drama, Horror
I'm not sure how this came into the watching loop, I honestly think it was the fact it was only about an hour and a half long.

John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?

From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.

John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.

Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.

The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.

At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.

Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.

Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.

Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html
  
Dancing In Your Head by Ornette Coleman
Dancing In Your Head by Ornette Coleman
2016 | Jazz
(0 Ratings)
Album Favorite

"It’s early 70s, with the Master Musicians of Joujouka. That’s partly why I chose it, because they’re on a couple of tracks. That record is one of the earliest jazz records I found myself listening to a lot. Somebody handed it to me and I was really impressed by it. I didn’t know anything about these Joujouka guys at that point except for the fact that their name always came up in relationship to the Rolling Stones and Brian Jones. At that point I don’t think I’d even heard of that Pipes of Pan At Jajouka record that Brian Jones recorded but I started to get really interested into Dancing In Your Head. Ornette went to Morocco with this music critic named Robert Palmer. Palmer was a really important music writer and I’d read some of his stuff, so when I saw his name on the back of that record I was even further intrigued. It was a kind of an early avenue into free jazz for me, because this record led me to Miles and to Coltrane and to Thelonious Monk and Albert Ayler and all this other stuff. I think probably at the same time I was also listening to African “world music” as they called it later, and a lot of Gamelan was really important to me. I was looking for world music that I felt I could find stuff in, that could inform my interest in rock & roll and certainly the Gamelan music had a lot of that just because it was metallic and loud and it had these furious beats and Dancing In Your Head did too because it was really drone-y in ways that reminded me of the Velvet Underground and was also really loud. It also tied directly with jazz music because The Master Musicians of Jajouka playing those rhaitas were circular breathing in the way the jazz players were, just going around, you never felt like the music broke for breath. They were just going around in this endless loop, which also tied it in with my interest in tape music and tape loops and things like that. It wasn’t really until I went there and played with these guys in the 90s – we went to the village and spent a couple of days there and kind of played all night long with them – they had a cheap generator and an electric guitar – I could see that it was loud and kind of stomping in a way that related to rock & roll but it also had this circular trance-y thing where you started to lose track of time. Had it been going on for ten minutes or forty minutes or whatever it was? It had a very druggy quality with or without the drugs. There was just something about Ornette Coleman and when I heard this record I felt like I was hearing someone who was a great force. He did all these amazing ground breaking records and it opened up the whole world of jazz for me."

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Live Die Repeat: Edge of Tomorrow (2014)
Live Die Repeat: Edge of Tomorrow (2014)
2014 | Drama, Sci-Fi
When the world falls under attack from a bizarre alien threat the world’s militaries unite to wage a desperate battle to save humanity. In the new film “Edge of Tomorrow”, Tom Cruise stars as Major Cage, a smug p.r. specialist who holds numerous interviews and press conferences convincing people to enlist and join the war effort and promising victory while keeping himself in safe locales far from the action.

When Cage learns that he is to be embedded with fighting units in a major offensive following the first victory by the humans, he balks and attempts to blackmail his new superior General Bringham (Paul Gleeson), into letting him stay away from combat zones.

Gleeson calls his bluff and Cage soon awakens at a forward base where his orders list him as a deserter who impersonates an officer and as such, is not to have any communication and is to be inserted into combat the following morning.

With no combat training at all since he was pulled from a P.R. firm and only had R.O.T.C. in college, Cage is highly unsuited to combat. He is not even capable of getting the weapons on his power suit to go off safety mode.

The battle goes badly and Cage and his fellow troops are decimated but shortly before his death, Cage gets himself up close and personal with the enemy and goes down in a blaze of glory.

Cage then unexpectedly awakens and it is the previous morning but he has all the knowledge of what happened previously. His efforts to warn his superiors fail and once again the invasion becomes a disaster. Cage is caught in a loop repeating the doomed mission but each time out he makes subtle changes and learns from his mistakes.

One such change has him encounter war hero Rita Vrataski (Emily Blunt) who oddly enough recognizes what is happening to Cage and instructs him to find her when he awakens.

Despite some effort, Cage manages to locate and convince Rita and the two of them work to build Cages combat skills all the while attempting to understand the nature of the enemy and what is happening to them.

With the advantage of being able to repeat the same day over and over the unlikely pair becomes the best hope for humanity and set about to save the day.

The film has a very solid and enjoyable premise and I liked the way they handled Cruise’s character. When I first heard of the film I thought he was a bit old to play a combat rookie unless they were hard pressed and forced him into duty but even then he would have some kind of training.

The film has some great supporting performances and great FX that really popped in IMAX 3D. I really enjoyed the action and the story and while if you really stop and analyze it you may find issues with the time loops and possible paradoxes presented, the main thing is that it is an action film that actually gives fans a story, solid characters, and an interesting premise.

Cruise and Blunt work well with one another and I must say that the film is right there with “Captain America: The Winter Soldier” as the best film of the summer offerings to date in my opinion. Check this one out as you will not want to miss it.

http://sknr.net/2014/06/06/edge-tomorrow/
  
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Brian Eno recommended Early Works by Steve Reich in Music (curated)

 
Early Works by Steve Reich
Early Works by Steve Reich
(0 Ratings)
Album Favorite

"I could easily talk for several hours just about this. It was particularly this piece called 'It's Gonna Rain' that I heard with my friend Peter Schmidt, the painter. I'd met Peter while I was at art college and he was a very, very distinctive and unusual character. He was a German Jew who'd come over to England in the '30s and was a very good poker player because it was impossible to know what he was thinking. He was a very inscrutable person. Most people found it very hard to be with him as you'd say something to him and he'd just look at you. But I liked him a lot and we got on very well, and it turned out we'd been thinking about a lot of similar things. One of the things we used to do was sit around at his place in Stockwell and explore new music. Generally it was he who would play things to me and one day he said, ""Have you heard this?"" and my life changed. Reich recorded this in '65, so that's 51 years old and fucking hell, what have we been doing for half a century? The first thing that happens when you're listening to that is that the repetitive element of it gradually makes you start to lose focus of the pieces that keep repeating. You start hearing the little differences. It's a little bit like the way a frog's eye works. It doesn't scan like ours do, it stays fixed on a scene and very quickly the rods and cones get saturated with everything that doesn't move. So as soon as something does move, like a fly, that's the only thing that the frog sees. I think the ears behave like that when they're presented with something highly repetitive like this. Your ears quickly saturate or habituate with the common stuff and they start to pick up details. I remember the first time I heard 'It's Gonna Rain', I started to zone in on the pigeons, because this was out in the street, it was a recording of a street preacher so you can hear cars and horns and then you start to hear these birds but only after a while, after the other stuff has cleared out of your consciousness. That's amazing because what was making the music was my brain and that was the first time I'd realised that, as a composer, you could co-opt a listener's brain. So suddenly, wow, that's another 100 per cent of the universe opening up. When you put something out into the world that is kind of incomplete and it takes your consciousness and the errors of your perceptual mechanism to actually make it into something, that totally changed my idea of what music could be. The actual amount of material used is tiny, the loop of ""it's gonna rain"" is not even a second, and that's the only element used in that section. You think, bloody hell, that's economy, and I've always loved economy. At the time I first heard this we were in a period of maximum indulgence in pop music. Sixteen-track recorders had just appeared so suddenly so many people were just putting so much shit onto everything just because you could. Every spice in the cupboard. Suddenly I heard this and it was so stark and effective. The other thing about it is that within it is a mechanism that I've subsequently used a lot, which is the idea of having things running out of sync with each other. Again, your whole experience of music until then had been to do with synchronisation. Everything sticks together and then at this point everything changes together. What happens in this piece is that you get the same cycle but running so that on each repetition they're in a slightly different place in relation to each other. So you have an automatic generator of variety and I use that on so much of my work. That became my go-to technique for making something interesting straight away."

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