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Lee (2222 KP) rated Colossal (2016) in Movies
Jul 26, 2017
Colossal is written and directed by Nacho Vigalondo, who also wrote and directed 2007’s Timecrimes. One of my favourite movies and probably the best movie about time travel that isn’t Back to the Future! So, I’d been looking forward to catching this, his latest movie, for a while now. Luckily, it didn’t disappoint.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Acanthea Grimscythe (300 KP) rated Ghosts of Manor House in Books
Jan 31, 2019
Ghosts of Manor House by Matt Powers is a book with a lot of unmet potential, to put things nicely. It’s clear the author spent a lot of time planning his story out, but beyond that… well, it’s lacking. It also doesn’t help that the majority of the book is written in passive voice–a pet peeve of mine. Passive voice really disrupts my flow and, despite having read the most recent edition sent to me by the author, I feel the book could use another go-over from an editor.
The characters of Ghosts of Manor House exist, in so much as the fact that they are present in the book. If you’re looking for a reason to get attached to any of them though, you won’t find it. There’s a strange sort of distance between the reader and the main characters, Edmund and Charlie. There’s also no depth to either of them. In fact, there’s more of a connection to minor characters. I absolutely hate it when I can’t feel any sort of emotion for a fictional character; it makes whatever happens to them less severe. When it comes to horror, this is a huge letdown. I want to feel fear for the protagonist in a story, I want to be on the edge of my seat with excitement. In this book… there was none of that.
When it comes to plot, Ghosts of Manor House is a mixed bag of tricks and treats. There’s several continuity issues and the whole use of some wacky sort of time travel is a huge turn off. It took me a little while to realize what was going on because Powers doesn’t explain or note the presence of this science-fiction element. Additionally, the locale changes from Hope County to Salem County, though after that change, Powers sticks with the latter. On the good side of things, Powers certainly excels at detailing a haunted location. If you’ve read Kill Creek, you might remember the main character, Sam McGarver, lecturing about the importance of this in horror novels. A well-thought out history for these spooky places is paramount to maintaining interest and in Ghosts of Manor House, Manor House’s past is most definitely intriguing.
Overall, I feel like there’s a lot that went to waste with this book. While it is deliciously short, I would have preferred reading something longer, where I could actually develop feelings and connections to the characters, as opposed to feeling like I watched a dull movie. I would like to thank the author for providing me with a copy of this book in exchange for an honest, unbiased review.
The characters of Ghosts of Manor House exist, in so much as the fact that they are present in the book. If you’re looking for a reason to get attached to any of them though, you won’t find it. There’s a strange sort of distance between the reader and the main characters, Edmund and Charlie. There’s also no depth to either of them. In fact, there’s more of a connection to minor characters. I absolutely hate it when I can’t feel any sort of emotion for a fictional character; it makes whatever happens to them less severe. When it comes to horror, this is a huge letdown. I want to feel fear for the protagonist in a story, I want to be on the edge of my seat with excitement. In this book… there was none of that.
When it comes to plot, Ghosts of Manor House is a mixed bag of tricks and treats. There’s several continuity issues and the whole use of some wacky sort of time travel is a huge turn off. It took me a little while to realize what was going on because Powers doesn’t explain or note the presence of this science-fiction element. Additionally, the locale changes from Hope County to Salem County, though after that change, Powers sticks with the latter. On the good side of things, Powers certainly excels at detailing a haunted location. If you’ve read Kill Creek, you might remember the main character, Sam McGarver, lecturing about the importance of this in horror novels. A well-thought out history for these spooky places is paramount to maintaining interest and in Ghosts of Manor House, Manor House’s past is most definitely intriguing.
Overall, I feel like there’s a lot that went to waste with this book. While it is deliciously short, I would have preferred reading something longer, where I could actually develop feelings and connections to the characters, as opposed to feeling like I watched a dull movie. I would like to thank the author for providing me with a copy of this book in exchange for an honest, unbiased review.
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Kristy H (1252 KP) rated Eight Perfect Hours in Books
Oct 28, 2021
Noelle Butterby has recently broken up with her boyfriend of twelve years, Ed. Ed found Noelle pathetic for staying home to take care of her ill Mum and therefore being unwilling to travel to the States with him for a new job. But for Noelle, it's more than that. Her family obligations are both confining and all she has--leaving her unable to fulfill her own dreams, including opening her own flower shop. On her way to her university reunion--the first time she's been out in ages--Noelle finds herself trapped on a snowy roadway. With traffic stalled for hours, she meets Sam, the man in the car next to hers. They form a small friendship over the eight hours they're stuck, bonding while she charges her phone and they forage for food. In those few hours, Noelle is truly, actually happy. But the roadway is cleared and Sam drives off. Yet, somehow, after their snowy time together, the universe seems to continue to throw Sam and Noelle together. Each is dealing with their own relationship woes, but they feel drawn to one another. Are Sam and Noelle meant to be? And can Noelle find her own way while dealing with the weight of her family responsibility?
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.