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Night Reader Reviews (683 KP) rated Lithium in Books
Jan 9, 2020
Lithium by Asina C is not the typical book style that comes to mind when I think about a fiction book based in Chernobyl. Normally I would expect such a book to be full of zombies or mutants who go around terrorizing a group of tourist that get lost but that is not the case with Lithium. Instead, this book mixes truth with science and a little bit of fantasy and gives readers a different type of story altogether. This book also talks about the Red Forest in Chernobyl and it sparked an interest in me to look up some pictures of the forest. I also did not notice too much that widely away from the actual facts about Chernobyl, though I would by no means consider myself to be well informed on the subject.
Zurin has lived with her mother for all of her twelve years in a small shack in Pripyat. Her mother has always kept Zurin inside her home for fear of radiation sickness and being seen. This is in part because the area in which they live is believed to be uninhabitable because of all the radiation still in everything following the explosion. Zurin has always been obedient to her mothers rules until one day when her mother goes to get supplies and Zurin decides to step outside for the first time but may have been seen by someone.
Then one day, shortly after her birthday Zurin wakes up to find her mother gone and blood on the floor. Zurin then ventures out into the Red Forest in search of her mother but gets extremely lost and succumbs to radiation sickness. Luckily she is found by a young couple who work for a travel company and snuck into a restricted area of Chernobyl to take pictures for their website. The couple takes Zurin to the hospital and adopts her once she gets better. As fate would have it months later Zurin returns to Pripyat in search of her mother yet again and finds herself in an abandoned hospital. It is in this hospital that she learns the truth about her mother and her life up to this point. Her only hope is to team up with a doctor she is not completely trusting of, the young couple, and a man she has never met before.
What I liked best was the idea of people still being able to live in a highly irradiated area such as Pripyat with few side effects was interesting. The book also offered some mystery as to who Zurin and her mother are and why they chose to continue to live in an isolated area such a Pripyat. What I liked least was a little more complicated. I understand the fact that people exposed to nuclear radiation and or uranium may mutate both physically and/or mentally if they survive. What I did not understand was Nikolavs goal by purposefully mutating the patients who survived the explosion but were trapped in the mental ward of the hospital.
This is definitely a young adult book, but for many, after high school, I feel like it would quickly lose its strong appeal. It is a good book but I feel like it would need to be a little more detailed, making the book a bit longer in order for it to have more of an appeal to adults. I ended up rating this book a 2 out of 4. This is because while I enjoy books set around Chernobyl (especially if mutated people or zombies are involved because it offers a plausible explanation for it) this book fell short of my expectations. One of the main issues I had was how the book fails to give solid reasoning and jumps from one topic to another.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/lithium
Zurin has lived with her mother for all of her twelve years in a small shack in Pripyat. Her mother has always kept Zurin inside her home for fear of radiation sickness and being seen. This is in part because the area in which they live is believed to be uninhabitable because of all the radiation still in everything following the explosion. Zurin has always been obedient to her mothers rules until one day when her mother goes to get supplies and Zurin decides to step outside for the first time but may have been seen by someone.
Then one day, shortly after her birthday Zurin wakes up to find her mother gone and blood on the floor. Zurin then ventures out into the Red Forest in search of her mother but gets extremely lost and succumbs to radiation sickness. Luckily she is found by a young couple who work for a travel company and snuck into a restricted area of Chernobyl to take pictures for their website. The couple takes Zurin to the hospital and adopts her once she gets better. As fate would have it months later Zurin returns to Pripyat in search of her mother yet again and finds herself in an abandoned hospital. It is in this hospital that she learns the truth about her mother and her life up to this point. Her only hope is to team up with a doctor she is not completely trusting of, the young couple, and a man she has never met before.
What I liked best was the idea of people still being able to live in a highly irradiated area such as Pripyat with few side effects was interesting. The book also offered some mystery as to who Zurin and her mother are and why they chose to continue to live in an isolated area such a Pripyat. What I liked least was a little more complicated. I understand the fact that people exposed to nuclear radiation and or uranium may mutate both physically and/or mentally if they survive. What I did not understand was Nikolavs goal by purposefully mutating the patients who survived the explosion but were trapped in the mental ward of the hospital.
This is definitely a young adult book, but for many, after high school, I feel like it would quickly lose its strong appeal. It is a good book but I feel like it would need to be a little more detailed, making the book a bit longer in order for it to have more of an appeal to adults. I ended up rating this book a 2 out of 4. This is because while I enjoy books set around Chernobyl (especially if mutated people or zombies are involved because it offers a plausible explanation for it) this book fell short of my expectations. One of the main issues I had was how the book fails to give solid reasoning and jumps from one topic to another.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/lithium
Purple Phoenix Games (2266 KP) rated A Gentle Rain in Tabletop Games
Dec 3, 2021
“Take a deep breath and relax…” These words greet you as you open the box for A Gentle Rain, and they certainly set the tone for some cathartic experience. Such was the case when upon opening a mystery mailer I found a copy of A Gentle Rain. I had no idea it was coming to me, but it came, I played it, and it did indeed set my soul at ease for the 30 minutes I spent playing several games of it. Mystery games are always good, right? Even when they are bad? But how was this little soothing surprise?
A Gentle Rain is a solo tile placement puzzle game. In it the player is attempting to help eight lily varieties to bloom during a rain shower. This magnificent experience sets alight the spirit of the player and transports them to a new level of zen. Or they simply win the game. It just depends how into it one likes to be.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game (I think), so what you see in these photos is probably what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup A Gentle Rain, gently place on the table the eight blossom tokens. Near these place the shuffled stack of lake tiles, face-down. Flip over the top lake tile and place it on the table in whichever orientation your heart desires. You may now begin your tour of the lake.
On a turn the player will draw a tile from the top of the lake tile stack and attempt to place it on the table, joining a matching straight side to an existing lake tile on the table. As more and more lake tiles are revealed and placed the player may notice a group of four adjoining tiles forming a square. Once this is achieved the player may choose one of the completed lilies showing in this completed square and place a related blossom token in the created circular space. Placing the tokens allow this type of lily to bloom and nurture the player’s natural essence. Should a drawn tile have no space to occupy, it will be safely discarded and allowed to watch the magical spectacle unfold before it.
The lake journey continues in this fashion until either all blossom tokens have been placed in their respective safe spaces or all lake tiles have been drawn and placed or discarded. The player will count all blossom tokens placed for their final score, and if all eight blossom tokens were placed, will also add the number of lake tiles remaining with their brethren in the draw stack. These scores represent the level of enlightenment achieved by strolling near the lake to take in its beauty.
Components. This game is comprised of eight blossom tokens and a bunch of lake tiles in a small box. The lake tiles are all different and feature different lily semi-circles on the edges. They are thick enough to withstand multiple multiple plays and feature incredibly serene artwork. Similarly, the blossom tokens contain beautiful lily depictions upon painted wooden discs. The components in this game are high quality, and suited for addicted gamers’ need for play after play.
Again, I was surprised, not only by simply receiving the game out of the blue with no prior notification, but also by how much I truly enjoy playing this. The rulebook suggests pouring a cup of tea or other soothing beverage (chai is by far my favorite, with Earl Grey several leagues behind), and I certainly follow rulebooks’ suggestions every chance I get. What I was given here is a wonderful solo experience that I will absolutely be rewarding myself with many times in the future.
The puzzly bits of the game are not at all frustrating, as some puzzle games can be, but you truly feel bad for the lilies that you were unable to find a suitable match for it so it can bloom and display its beauty. And when a blossom token is finally placed, I found that I smiled a bit and wished the blossom a nurturing rain shower. Now, of course I have been using flowery words mostly in jest, but truthfully, this game does put one’s mind at ease for a spell. I have been slightly more stressed than normal lately and for some reason this game was EXACTLY what I needed at this point in my life. Destiny? Perhaps. Extremely lucky coincidence? Perhaps that is the same thing…
If you are a fan of puzzle games that can be played solo and that are addicting, then you must take a look at A Gentle Rain. I believe every gamer can appreciate the theme and artwork, and the design is so refreshing and simple. I will be treasuring this little gem for a very long time, and its small footprint makes it a near perfect travel companion. I give this one a very high recommendation for ALL gamer types and ages. Go find a copy today!
A Gentle Rain is a solo tile placement puzzle game. In it the player is attempting to help eight lily varieties to bloom during a rain shower. This magnificent experience sets alight the spirit of the player and transports them to a new level of zen. Or they simply win the game. It just depends how into it one likes to be.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game (I think), so what you see in these photos is probably what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup A Gentle Rain, gently place on the table the eight blossom tokens. Near these place the shuffled stack of lake tiles, face-down. Flip over the top lake tile and place it on the table in whichever orientation your heart desires. You may now begin your tour of the lake.
On a turn the player will draw a tile from the top of the lake tile stack and attempt to place it on the table, joining a matching straight side to an existing lake tile on the table. As more and more lake tiles are revealed and placed the player may notice a group of four adjoining tiles forming a square. Once this is achieved the player may choose one of the completed lilies showing in this completed square and place a related blossom token in the created circular space. Placing the tokens allow this type of lily to bloom and nurture the player’s natural essence. Should a drawn tile have no space to occupy, it will be safely discarded and allowed to watch the magical spectacle unfold before it.
The lake journey continues in this fashion until either all blossom tokens have been placed in their respective safe spaces or all lake tiles have been drawn and placed or discarded. The player will count all blossom tokens placed for their final score, and if all eight blossom tokens were placed, will also add the number of lake tiles remaining with their brethren in the draw stack. These scores represent the level of enlightenment achieved by strolling near the lake to take in its beauty.
Components. This game is comprised of eight blossom tokens and a bunch of lake tiles in a small box. The lake tiles are all different and feature different lily semi-circles on the edges. They are thick enough to withstand multiple multiple plays and feature incredibly serene artwork. Similarly, the blossom tokens contain beautiful lily depictions upon painted wooden discs. The components in this game are high quality, and suited for addicted gamers’ need for play after play.
Again, I was surprised, not only by simply receiving the game out of the blue with no prior notification, but also by how much I truly enjoy playing this. The rulebook suggests pouring a cup of tea or other soothing beverage (chai is by far my favorite, with Earl Grey several leagues behind), and I certainly follow rulebooks’ suggestions every chance I get. What I was given here is a wonderful solo experience that I will absolutely be rewarding myself with many times in the future.
The puzzly bits of the game are not at all frustrating, as some puzzle games can be, but you truly feel bad for the lilies that you were unable to find a suitable match for it so it can bloom and display its beauty. And when a blossom token is finally placed, I found that I smiled a bit and wished the blossom a nurturing rain shower. Now, of course I have been using flowery words mostly in jest, but truthfully, this game does put one’s mind at ease for a spell. I have been slightly more stressed than normal lately and for some reason this game was EXACTLY what I needed at this point in my life. Destiny? Perhaps. Extremely lucky coincidence? Perhaps that is the same thing…
If you are a fan of puzzle games that can be played solo and that are addicting, then you must take a look at A Gentle Rain. I believe every gamer can appreciate the theme and artwork, and the design is so refreshing and simple. I will be treasuring this little gem for a very long time, and its small footprint makes it a near perfect travel companion. I give this one a very high recommendation for ALL gamer types and ages. Go find a copy today!
Kirk Bage (1775 KP) rated Knives Out (2019) in Movies
Jan 22, 2021
Murder mystery films tend to be more fun in theory and anticipation than they are to watch. It’s a genre that I very much enjoy and have indulged in over the years. Yet, if I look back in detail at it, I find that it is the books, especially those of Agatha Christie, that I like much more than anything lasting a couple of hours on the screen. There’s something about the mystery being rushed and squeezed into the cinema artform that is usually anti-climactic or even a full on let down.
Perhaps my favourite of the entire genre is a film that refuses to take itself seriously and is at once a pastiche of the multiple cliches that have accumulated over the years. And that film is, of course, the wonderfully camp, funny and charming 1985 romp Clue, starring Tim Curry and a slough of 80s B stars having the time of their lives. It isn’t a “good” film, it is a cult film, it’s joy being in its absolute lack of pretension or moral judgement. Like the board game that inspired it, it isn’t overly complicated or long, but has just enough cleverness, mirth and ambiance about it to always be a winner.
Rian Johnson’s take on the genre, Knives Out, is aware of these elements at all times, being above all things colourful, playful, arch and glib, but never convoluted or cerebral in an alienating way. He is something of a master at subverting a genre and wringing new life into it; take the invention of the teen noir in Brick, or the blend of assassin time travel sci-fi in Looper. He even gave an entire franchise a new breath of life by re-examining the use of humour and self referencing in Star Wars: The Last Jedi.
All of those previous films have as many detractors as mega fans, proving his style is devisive, for its audacity and its irreverence towards any idea of purism within an established model. And Knives Out is no exception to that. However, it may be the film of his that most people can agree on that they enjoyed, for one reason or another. I think it’s as interesting to ask why that is as it is to talk about the film itself… so, I will. At least, I’ll try to do both without losing my train of thought.
Firstly, it looks stunning; the palate of rich colours used in the poster and all marketing just make it look like something you want to immerse yourself in – every jacket, tie, dress, or piece of furniture is designed to precision, and it works like a dream of the genre you may have once had, as if it had been plucked directly from your subconscious. As in all good murder mysteries, the location, props and costumes should hold as much character as the actors, and the stately home of the Thrombey family certainly provides plenty of atmosphere in every texture and material on display.
Of course, the cast of characters is wonderfully put together with some inspired casting of familiar faces and actors you trust, such as Toni Collette and Michael Shannon, together with a few we don’t see enough of these days, such as Jamie Lee Curtis and Don Johnson, who both manage to create something as memorable as anything they did in their golden days. Add to the mix two bone fide action film superstars in Daniel Craig and Chris Evans, who leave the baggage of their most famous characters far behind and manage to convince you they are real actors again, the former with the aide of a jarring but hilarious Southern drawl, that grates at first but is a perfect choice on reflection.
Then there are the two lynchpins of this film’s ultimate success and joy: the exceptional legendary gravitas of 90 year old Christopher Plummer as the patriarch and victim at the centre of the intrigue, and the quite glorious revelation of Ana de Armas, whose charisma, beauty and skill in this delicately balanced role was the most impressive thing for me about the whole production. It may be Craig who is the ever present focus, as the detective tasked with solving the “crime”, but it is de Armas that you will remember most long after the credits roll.
As for the plot, well… I obviously can’t talk about it without ruining the whole thing. But, I can say that it isn’t far into the intricate web of motives, alibis and secrets before you start to sense this is going somewhere different, even unique. The examination of the relationships and personalities, and the extent to which they each demonstrate greed and selfishness is fascinating, superceding the crime that exists on the surface with a swamp of far seedier and unpleasant goings-on. Craig’s suave Benoit Blanc isn’t so much a detective here as a family therapist, or perhaps a supernatural presence in the style of the old classic, An Inspector Calls. Perhaps, it is suggested, no one completely escapes guilt and shame here… or do they? Are we looking for a murderer, or the only morally good person amidst a pack of dogs?
Another key element is how modern and unstuffy it feels, despite the country house and riches this is no play of manners, quite the opposite – no one here is on their best behaviour for the sake of decorum, and being upper class is an idea played with rather than enforced. The tea and cakes of the classic Christie, such as Murder on the Orient Express is replaced by smartphones and similar trappings, that identify it as definitely 2019 and no period piece. The concerns and themes are very much rooted in our present problems, and for that it engages and resonates in ways a costume drama just can’t do.
Upon finishing it for the first time, you may be thinking “sure, OK, I enjoyed that… but I’m not blown away here”. Then, as it sinks in over coming weeks, you find yourself recommending it to people, and thinking about how good it is in ways you didn’t initially think about. And that is surely why it was so embraced by the critics and paying public alike; it is a likeable, fun film, that can also stand some artistic scrutiny. It isn’t the smartest, or prettiest, or most meaningful film ever made, but it is enough of all three to make it an instant mini-classic, in my opinion.
I feel like there is maybe more to say about it, which is always a good sign, but that will do for now. I’d be happy to discuss it with anyone that feels the need. Or hear from anyone that didn’t like it! It would be interesting to hear that side of it, because I haven’t heard many negative comments on it at all. I don’t think I would defend it as a masterpiece to the end of the Earth, ‘cos it ain’t that good. I’m just hard pressed to find a serious fault. And it’s great when one of those sneaks up on you!
Perhaps my favourite of the entire genre is a film that refuses to take itself seriously and is at once a pastiche of the multiple cliches that have accumulated over the years. And that film is, of course, the wonderfully camp, funny and charming 1985 romp Clue, starring Tim Curry and a slough of 80s B stars having the time of their lives. It isn’t a “good” film, it is a cult film, it’s joy being in its absolute lack of pretension or moral judgement. Like the board game that inspired it, it isn’t overly complicated or long, but has just enough cleverness, mirth and ambiance about it to always be a winner.
Rian Johnson’s take on the genre, Knives Out, is aware of these elements at all times, being above all things colourful, playful, arch and glib, but never convoluted or cerebral in an alienating way. He is something of a master at subverting a genre and wringing new life into it; take the invention of the teen noir in Brick, or the blend of assassin time travel sci-fi in Looper. He even gave an entire franchise a new breath of life by re-examining the use of humour and self referencing in Star Wars: The Last Jedi.
All of those previous films have as many detractors as mega fans, proving his style is devisive, for its audacity and its irreverence towards any idea of purism within an established model. And Knives Out is no exception to that. However, it may be the film of his that most people can agree on that they enjoyed, for one reason or another. I think it’s as interesting to ask why that is as it is to talk about the film itself… so, I will. At least, I’ll try to do both without losing my train of thought.
Firstly, it looks stunning; the palate of rich colours used in the poster and all marketing just make it look like something you want to immerse yourself in – every jacket, tie, dress, or piece of furniture is designed to precision, and it works like a dream of the genre you may have once had, as if it had been plucked directly from your subconscious. As in all good murder mysteries, the location, props and costumes should hold as much character as the actors, and the stately home of the Thrombey family certainly provides plenty of atmosphere in every texture and material on display.
Of course, the cast of characters is wonderfully put together with some inspired casting of familiar faces and actors you trust, such as Toni Collette and Michael Shannon, together with a few we don’t see enough of these days, such as Jamie Lee Curtis and Don Johnson, who both manage to create something as memorable as anything they did in their golden days. Add to the mix two bone fide action film superstars in Daniel Craig and Chris Evans, who leave the baggage of their most famous characters far behind and manage to convince you they are real actors again, the former with the aide of a jarring but hilarious Southern drawl, that grates at first but is a perfect choice on reflection.
Then there are the two lynchpins of this film’s ultimate success and joy: the exceptional legendary gravitas of 90 year old Christopher Plummer as the patriarch and victim at the centre of the intrigue, and the quite glorious revelation of Ana de Armas, whose charisma, beauty and skill in this delicately balanced role was the most impressive thing for me about the whole production. It may be Craig who is the ever present focus, as the detective tasked with solving the “crime”, but it is de Armas that you will remember most long after the credits roll.
As for the plot, well… I obviously can’t talk about it without ruining the whole thing. But, I can say that it isn’t far into the intricate web of motives, alibis and secrets before you start to sense this is going somewhere different, even unique. The examination of the relationships and personalities, and the extent to which they each demonstrate greed and selfishness is fascinating, superceding the crime that exists on the surface with a swamp of far seedier and unpleasant goings-on. Craig’s suave Benoit Blanc isn’t so much a detective here as a family therapist, or perhaps a supernatural presence in the style of the old classic, An Inspector Calls. Perhaps, it is suggested, no one completely escapes guilt and shame here… or do they? Are we looking for a murderer, or the only morally good person amidst a pack of dogs?
Another key element is how modern and unstuffy it feels, despite the country house and riches this is no play of manners, quite the opposite – no one here is on their best behaviour for the sake of decorum, and being upper class is an idea played with rather than enforced. The tea and cakes of the classic Christie, such as Murder on the Orient Express is replaced by smartphones and similar trappings, that identify it as definitely 2019 and no period piece. The concerns and themes are very much rooted in our present problems, and for that it engages and resonates in ways a costume drama just can’t do.
Upon finishing it for the first time, you may be thinking “sure, OK, I enjoyed that… but I’m not blown away here”. Then, as it sinks in over coming weeks, you find yourself recommending it to people, and thinking about how good it is in ways you didn’t initially think about. And that is surely why it was so embraced by the critics and paying public alike; it is a likeable, fun film, that can also stand some artistic scrutiny. It isn’t the smartest, or prettiest, or most meaningful film ever made, but it is enough of all three to make it an instant mini-classic, in my opinion.
I feel like there is maybe more to say about it, which is always a good sign, but that will do for now. I’d be happy to discuss it with anyone that feels the need. Or hear from anyone that didn’t like it! It would be interesting to hear that side of it, because I haven’t heard many negative comments on it at all. I don’t think I would defend it as a masterpiece to the end of the Earth, ‘cos it ain’t that good. I’m just hard pressed to find a serious fault. And it’s great when one of those sneaks up on you!
Ivana A. | Diary of Difference (1171 KP) rated Dear Edward in Books
Feb 3, 2020
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<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
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<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
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<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
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<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
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Louise (64 KP) rated The Doll-Master and Other Tales of Horror in Books
Jul 2, 2018
I will write a sentence or two about each story in the book but not too much as I don’t want to give anything away and spoil your enjoyment of the book.
The Doll – Master: Robbie’s cousin Amy passes away from Leukemia at a very early age. Stealing Amy’s doll is the start of his obsession and begins collecting more throughout his life. His collection includes china, wooden and even barbie dolls which he keeps in a deserted part of the house, however they are not just any old dolls.
I gave this story 3 stars, it was eerie and disturbing and more of a psychological read but for me this one just wasn’t the best. It seemd too predictable
Soldier: Brendan Schrank is up on trial for shooting a black teenager, his story is that it was self-defence. There are gangs that roam the streets and he has stolen his Uncle’s shotgun for security reasons. This story follows Brendan, the trial and his journey.
I also gave this story 3 stars – I liked this story, it was thought-provoking and I am so glad that gun’s are not really a thing in the UK. It also shows how people can become paranoid about going outside with teenagers and gangs. This story is controversial as it deals with racism.
Gun Accident: This is Hanna’s story told 26 years after the gun accident. Hanna was asked by her teacher to house and cat sit whilst she went to her husband’s bedside. The teacher lives in a well to-do part of town with a large house and pays Hanna generously for her troubles, however not everything goes to plan when she gets an unexpected visitor.
This was a 4 star read for me, I really enjoyed the writing and the story. I would class this more of a thriller than a horror story though. I also felt a connection with the character, who likes being home alone? Especially when it’s not your familiar surroundings and your sense are elevated, you hear every little thing and your imagination runs wild…. Just me? Ok then…moving on.
Equatorial:Audrey is currently on holiday with her husband in the Galapagos islands, the trip involves hiking which she is not so keen on but does it for love. Her husband is older but adventurous and likes to travel. Audrey feels like she is constantly letting her husband down as this isn’t really her thing. During the trip Audrey gets this niggling suspicion her husband doesn’t want her there and that there is a possibility there is another woman
This was a 4 stars for me, I really connected with Audrey – I felt sorry for her, clearly grief stricken that her husband no longer loves her and is having an affair. She was a very likeable character.
Big Momma: Violet is the new girl in town and is trying to make friends, This town has a bit of a reputation for animals and children going missing, however undeterred Violet befriends Rita Mae and starts going round her house for dinner. Violets mum is hardly at home, either working or out drinking so she spends a lot of time with the family. She feels like she fits in and would rather love with them but they are not what they are made up to be.
5 stars – best story in the book for me. It was very creepy, the father in this story made me cringe a lot. Violet just wanted to fit in, being overweight and the new girl in school she was happy to be excepted by Rita Mae’s family.
Mystery Inc: A young tradesman comes across an elegant bookshop with rare books and antiques, he falls in love with the shop and must find a way to be the next proprietor.
4 stars – who doesn’t like a story about books and bookstores? I know I do! It was slow-paced but interesting and gripping read.
These stories were truly gripping, I have never read anything from this author before and was not let down. These are not so much as horror but definitely eerie and individual. The pace of the stories are slow, so if you want something quick with lots of action these are not the stories for you. If you are looking for reads with endings that will shock you this is not the book for you! Oates writing is amazing, as the stories went on I became more accustomed to her style and ended up really enjoying myself. All the stories are open-ended, I am not usually a fan of these sort of stories, I like closure and knowing what’s what. But then I started to think about the story and the characters for myself and realised that I could end the story how I wanted to it to end.
I will definitely be reading some more of Oates works, if anyone has read any that they recommend please let me know as I would be really interested.
Overall I rated this book 4 out of 5 stars.
The Doll – Master: Robbie’s cousin Amy passes away from Leukemia at a very early age. Stealing Amy’s doll is the start of his obsession and begins collecting more throughout his life. His collection includes china, wooden and even barbie dolls which he keeps in a deserted part of the house, however they are not just any old dolls.
I gave this story 3 stars, it was eerie and disturbing and more of a psychological read but for me this one just wasn’t the best. It seemd too predictable
Soldier: Brendan Schrank is up on trial for shooting a black teenager, his story is that it was self-defence. There are gangs that roam the streets and he has stolen his Uncle’s shotgun for security reasons. This story follows Brendan, the trial and his journey.
I also gave this story 3 stars – I liked this story, it was thought-provoking and I am so glad that gun’s are not really a thing in the UK. It also shows how people can become paranoid about going outside with teenagers and gangs. This story is controversial as it deals with racism.
Gun Accident: This is Hanna’s story told 26 years after the gun accident. Hanna was asked by her teacher to house and cat sit whilst she went to her husband’s bedside. The teacher lives in a well to-do part of town with a large house and pays Hanna generously for her troubles, however not everything goes to plan when she gets an unexpected visitor.
This was a 4 star read for me, I really enjoyed the writing and the story. I would class this more of a thriller than a horror story though. I also felt a connection with the character, who likes being home alone? Especially when it’s not your familiar surroundings and your sense are elevated, you hear every little thing and your imagination runs wild…. Just me? Ok then…moving on.
Equatorial:Audrey is currently on holiday with her husband in the Galapagos islands, the trip involves hiking which she is not so keen on but does it for love. Her husband is older but adventurous and likes to travel. Audrey feels like she is constantly letting her husband down as this isn’t really her thing. During the trip Audrey gets this niggling suspicion her husband doesn’t want her there and that there is a possibility there is another woman
This was a 4 stars for me, I really connected with Audrey – I felt sorry for her, clearly grief stricken that her husband no longer loves her and is having an affair. She was a very likeable character.
Big Momma: Violet is the new girl in town and is trying to make friends, This town has a bit of a reputation for animals and children going missing, however undeterred Violet befriends Rita Mae and starts going round her house for dinner. Violets mum is hardly at home, either working or out drinking so she spends a lot of time with the family. She feels like she fits in and would rather love with them but they are not what they are made up to be.
5 stars – best story in the book for me. It was very creepy, the father in this story made me cringe a lot. Violet just wanted to fit in, being overweight and the new girl in school she was happy to be excepted by Rita Mae’s family.
Mystery Inc: A young tradesman comes across an elegant bookshop with rare books and antiques, he falls in love with the shop and must find a way to be the next proprietor.
4 stars – who doesn’t like a story about books and bookstores? I know I do! It was slow-paced but interesting and gripping read.
These stories were truly gripping, I have never read anything from this author before and was not let down. These are not so much as horror but definitely eerie and individual. The pace of the stories are slow, so if you want something quick with lots of action these are not the stories for you. If you are looking for reads with endings that will shock you this is not the book for you! Oates writing is amazing, as the stories went on I became more accustomed to her style and ended up really enjoying myself. All the stories are open-ended, I am not usually a fan of these sort of stories, I like closure and knowing what’s what. But then I started to think about the story and the characters for myself and realised that I could end the story how I wanted to it to end.
I will definitely be reading some more of Oates works, if anyone has read any that they recommend please let me know as I would be really interested.
Overall I rated this book 4 out of 5 stars.