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Gareth von Kallenbach (965 KP) rated The Odd Life of Timothy Green (2012) in Movies
Aug 7, 2019
Cindy and Jim Green are sitting in an adoption agency, where they’re trying to tell their story about Timothy and how they would be good candidates in adopting a child.
The story they tell, started when they were accepting their fact that they would never be able to conceive and of having a baby. They spend time trying to accept their situation but struggle to come to terms with the heartbreaking reality.
One day Jim decides that they should imagine how their kid would be and write it down on a paper. Going through ideas on how their ideal kid would be as well as imaging how it would feel to be parents, Jim and Cindy decide to lay their ideal kid to rest and bury the paper in a box in their garden.
Little did Cindy and Jim know but something magical happened while they were asleep. A thunder storm appears, raining over their house alone and during the storm, magically, a boy name Timothy appears.
Cindy and Jim was confused at first, but came to realize where Timothy really came from and try their best to make him into an ordinary boy. But, Timothy had a few special features of his own, that would change everything.
Jennifer Garner’s acting was very well convincing as was Joel Egerton, playing Jim Green, a strong supportive husband/dad, C.J. Adams, who played Timothy Green, was very well cast as C.J. made Timothy look like every parent’s ideal kid and made it believable from the start.
The movie is an emotional film that moved more than one member of the test screening audience to tears, but such is the magic of the movies. Taking a fantasy and touching so many people in a deep and personal way.
The film is a really good family movie and it will move you.
The story they tell, started when they were accepting their fact that they would never be able to conceive and of having a baby. They spend time trying to accept their situation but struggle to come to terms with the heartbreaking reality.
One day Jim decides that they should imagine how their kid would be and write it down on a paper. Going through ideas on how their ideal kid would be as well as imaging how it would feel to be parents, Jim and Cindy decide to lay their ideal kid to rest and bury the paper in a box in their garden.
Little did Cindy and Jim know but something magical happened while they were asleep. A thunder storm appears, raining over their house alone and during the storm, magically, a boy name Timothy appears.
Cindy and Jim was confused at first, but came to realize where Timothy really came from and try their best to make him into an ordinary boy. But, Timothy had a few special features of his own, that would change everything.
Jennifer Garner’s acting was very well convincing as was Joel Egerton, playing Jim Green, a strong supportive husband/dad, C.J. Adams, who played Timothy Green, was very well cast as C.J. made Timothy look like every parent’s ideal kid and made it believable from the start.
The movie is an emotional film that moved more than one member of the test screening audience to tears, but such is the magic of the movies. Taking a fantasy and touching so many people in a deep and personal way.
The film is a really good family movie and it will move you.
Lyndsey Gollogly (2893 KP) rated Collateral Damage in Books
May 14, 2020
79 of 200
Kindle
Collateral Damage (Tethered book 2)
By Jessica Wayne
Paislee Adams possessed what one man craved: power. After being held captive for fifteen years, she manages to escape and spends the next year of her life pursuing the one who destroyed her. A gunshot heard one night in an alley changes everything, when she comes face to face with Timothy McGinley, a man harboring his own secrets. Ever since a spell left him frozen in time nearly two centuries ago, Timothy has harbored a hatred for all things magic. But when a witch saves his life, he is forced to confront his own mortality for the first time in two hundred years.A man trapped in time.A powerful witch on the run.A dangerous enemy on the hunt.As these two unlikely allies join forces, they have to put aside old grudges in order to stop a man harboring a deadly obsession with them both.
So I was in between 3 and 4 stars for this as I really did enjoy it ! There was a bit more bye to this book than Tethered. Both Timothy and paislee had a bit more character but it was also nice to go back to Aengus and Abby too. A few small inconsistencies but nothing to ruing the book and a lovely nod to Meg Anne who I absolutely love! Another magical romance and if you like romance you will enjoy this!!
Kindle
Collateral Damage (Tethered book 2)
By Jessica Wayne
Paislee Adams possessed what one man craved: power. After being held captive for fifteen years, she manages to escape and spends the next year of her life pursuing the one who destroyed her. A gunshot heard one night in an alley changes everything, when she comes face to face with Timothy McGinley, a man harboring his own secrets. Ever since a spell left him frozen in time nearly two centuries ago, Timothy has harbored a hatred for all things magic. But when a witch saves his life, he is forced to confront his own mortality for the first time in two hundred years.A man trapped in time.A powerful witch on the run.A dangerous enemy on the hunt.As these two unlikely allies join forces, they have to put aside old grudges in order to stop a man harboring a deadly obsession with them both.
So I was in between 3 and 4 stars for this as I really did enjoy it ! There was a bit more bye to this book than Tethered. Both Timothy and paislee had a bit more character but it was also nice to go back to Aengus and Abby too. A few small inconsistencies but nothing to ruing the book and a lovely nod to Meg Anne who I absolutely love! Another magical romance and if you like romance you will enjoy this!!
BankofMarquis (1832 KP) rated Amsterdam (2022) in Movies
Nov 21, 2022
Weak First Half Gives Way To Strong Second Half
There are certain Directors working today that gain such a reputation that most Major Movie Stars clamor to be in their films - no matter how big (or small) their part is. Quentin Tarantino, Wes Anderson and Christopher Nolan all come to mind. And, for some reason, David O. Russell is in that camp as well.
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Finding your feet (2018) in Movies
Sep 29, 2021
Foot tapping and Tear Jerking.
There are some films whose trailers really don’t properly represent their contents. The trailer for the new ‘grey-pound’ film “Finding Your Feet” promised a light hearted and witty foray into an elderly dance-club. And, yes, you get some laughs. But it’s very much a bitter sweet comedy, and the bitterness is ladled on by the bucketload leading to more tears than smiles through the majority of the running time.
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).