Search

Search only in certain items:

40x40

Awix (3310 KP) rated Pacific Rim: Uprising (2018) in Movies

Mar 27, 2018 (Updated Mar 28, 2018)  
Pacific Rim: Uprising (2018)
Pacific Rim: Uprising (2018)
2018 | Action, Sci-Fi
What-time-d'you-call-this-then late-arriving sequel to Guillermo del Toro's 2013 love letter to Japanese tokusatsu movies. A new generation of giant robot pilots must stop a new attempt to wipe out the human race using giant monsters.

The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
  
    Chroma Squad

    Chroma Squad

    Games and Entertainment

    3.0 (1 Ratings) Rate It

    App

    Chroma Squad is a tactical RPG about five stunt actors who decide to quit their jobs and start their...

40x40

Awix (3310 KP) rated Dogora (1964) in Movies

Jul 20, 2019 (Updated Jul 20, 2019)  
Dogora (1964)
Dogora (1964)
1964 | Crime, Sci-Fi
Bonkers Japanese sci-fi from the Godzilla team makes most of those movies look like models of restraint and gritty realism. Odd things are afoot in Japan as seemingly random objects - coal, trucks, bank robbers, buildings - start spontaneously floating into the air. 'I never jump to conclusions but I think a giant space monster is probably responsible,' says the lead cop investigating the case. Of course, he is correct, and it's up to the usual team of cops, scientists, and soldiers to save the day.

The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.