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Kevin Phillipson (9943 KP) rated The Mummy (2017) in Movies
Jun 19, 2018 (Updated Jun 19, 2018)
Andy K (10821 KP) rated The Mummy (2017) in Movies
Nov 18, 2017
Interesting story (1 more)
Russell Crowe
Too much Cruise (1 more)
Dialogue bad
Seemed like the film had no direction after an interesting opening. Way too much Tom Cruise and not much else to like. It would be a shame if they scrapped the whole Dark Universe over one mediocre film.
Matthew Krueger (10051 KP) rated Escape from New York (1981) in Movies
Feb 10, 2021
Snake
Escape From New York is a excellent movie. That combines sci-fi, action, adventure, suspense and thrills.
The plot: In 1997, a major war between the United States and the Soviet Union is concluding, and the entire island of Manhattan has been converted into a giant maximum security prison. When Air Force One is hijacked and crashes into the island, the president (Donald Pleasence) is taken hostage by a group of inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.
The cast is full of people who have or will work will john carpenter. Kurt Russell, Nick Castle, Tom Atkins, Donald Pleaseance, Jamie Lee Curtis and Nancy Stephens all in this film.
Its a excellent movie.
The plot: In 1997, a major war between the United States and the Soviet Union is concluding, and the entire island of Manhattan has been converted into a giant maximum security prison. When Air Force One is hijacked and crashes into the island, the president (Donald Pleasence) is taken hostage by a group of inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.
The cast is full of people who have or will work will john carpenter. Kurt Russell, Nick Castle, Tom Atkins, Donald Pleaseance, Jamie Lee Curtis and Nancy Stephens all in this film.
Its a excellent movie.
Awix (3310 KP) rated The Mummy (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
Kevin Phillipson (9943 KP) rated Death on the Nile (2022) in Movies
Feb 24, 2022
Kenneth branagh (1 more)
Tom Bateman
Watched today at cineworld after watching murder on the orient express couple of weeks ago that I would the sequel to see if it was any good I would say it’s better than murder. On too the film this isn’t the first time I’ve seen a version of death on Nile this is third one Kenneth Branagh is back poirot with the tache back as well we get an origin of the moustache at the beginning of the movie also hos lost love who was mentioned in the first film which was nice. Nice to see Tom Bateman back as his friend from murder on the orient express then the list of suspects including French and sanders and Russell brand any of them could have done it. Anyway will there be third film who knows there’s so many more poirot story’s still out there good film
LeftSideCut (3778 KP) rated The Mummy (2017) in Movies
May 27, 2019 (Updated May 27, 2019)
An abrupt and poorly executed end to the Dark Universe
Since The Mummy came out in 2017, Universals planned Dark Universe has come to a shuddering stop.
After watching this movie I can see why.
The movie starts off ok I guess, the pretty standard 'tomb raiding' you can expect from a Mummy film.
It Tom Cruise that starts to tank it for me - I've always been able to take or leave Tom Cruise. Sometimes I like him, sometimes I don't, and in The Mummy, I definitely didn't. It just seems like he's playing a parody of himself at this point.
When we are introduced midway through the film to the plot device that was supposed to start linking The Mummy to future Dark Universe films - namely Russell Crowe as Jekkyl/Hyde - the movie falls apart even further, causing what little coherence it did have to slowly crumble.
Annabelle Wallace's character is reduced to someone who panders after Tom Cruise, even with his character constantly being an arsehole.
Jake Johnson's character is used as a weird exposition tool that pops randomly without rhyme or reason.
It's just all a little messy.
Some saving graces - The CGI effects or pretty good for the most part and I did quite like Sofia Boutella as The Mummy.
Maybe the first Brendan Frasier Mummy film was just a one off, which is kind of sad, as I was quite excited to see the Universal Monsters brought back to life.
After watching this movie I can see why.
The movie starts off ok I guess, the pretty standard 'tomb raiding' you can expect from a Mummy film.
It Tom Cruise that starts to tank it for me - I've always been able to take or leave Tom Cruise. Sometimes I like him, sometimes I don't, and in The Mummy, I definitely didn't. It just seems like he's playing a parody of himself at this point.
When we are introduced midway through the film to the plot device that was supposed to start linking The Mummy to future Dark Universe films - namely Russell Crowe as Jekkyl/Hyde - the movie falls apart even further, causing what little coherence it did have to slowly crumble.
Annabelle Wallace's character is reduced to someone who panders after Tom Cruise, even with his character constantly being an arsehole.
Jake Johnson's character is used as a weird exposition tool that pops randomly without rhyme or reason.
It's just all a little messy.
Some saving graces - The CGI effects or pretty good for the most part and I did quite like Sofia Boutella as The Mummy.
Maybe the first Brendan Frasier Mummy film was just a one off, which is kind of sad, as I was quite excited to see the Universal Monsters brought back to life.
After-all-this-time? (11 KP) rated Rock of Ages (2012) in Movies
Jan 6, 2019
Brilliant soundtrack. Great for a singalong. (2 more)
Most of the characters were performed well by the actors and actresses.
A pretty entertaining story.
Tom Cruise. Really not a good fit for the part of Stacy Jaxx. Mostly because of his vocals. (2 more)
Confused scene jumping. Blink and it's somewhere else.
Very stereotyoical boy meets girl plot.
Remember the tale of Dick Whittington, where he travels to London to find his fortune? Trade fortune for fame, add in a cheesy on/off/on again romance with a misunderstanding storyline, and a great singalong soundtrack, and you have Rock of Ages.
It comes across very much as live action Disney for grown ups. The plotline is flimsy, and with more holes than a pair of fishnet tights, but due to its sheer entertainment factor, that doesn't seem important, really.
The soundtrack is great, and if you're into 80's rock then you'll definitely find yourself singing along, and with the tunes stuck in your head for a long time afterwards. The majority of the cast provide great performances (we're not talking Oscar-worthy, but definitely do a great job), although Russell Brand's Brummy accent is a little cringeworthy, it and their singing is great. All but one. Sadly, the absolute weak link in the film is one of the biggest names- Tom Cruise.
The character of Stacy Jaxx needs to be edgy, brash, troubled, arrogant and, ultimately, a huge womaniser. He also needs to have a hard hitting, powerful rock singing voice. Sadly, Cruise doesn't really provide any of this adequately enough. His acting seems 'uncomfortable'- he was definitely out of his comfort zone, and his singing voice just does not cut it. Very unbelievable as the character he's supposed to be portraying. It's a huge shame, because it really does mess up the whole film. The whole film has the potential to be brilliant, but the makers were just short off the mark.
Overall, I did enjoy it, and yes I would watch it again. It's just not great, unfortunately. I imagine the stage version is much better
It comes across very much as live action Disney for grown ups. The plotline is flimsy, and with more holes than a pair of fishnet tights, but due to its sheer entertainment factor, that doesn't seem important, really.
The soundtrack is great, and if you're into 80's rock then you'll definitely find yourself singing along, and with the tunes stuck in your head for a long time afterwards. The majority of the cast provide great performances (we're not talking Oscar-worthy, but definitely do a great job), although Russell Brand's Brummy accent is a little cringeworthy, it and their singing is great. All but one. Sadly, the absolute weak link in the film is one of the biggest names- Tom Cruise.
The character of Stacy Jaxx needs to be edgy, brash, troubled, arrogant and, ultimately, a huge womaniser. He also needs to have a hard hitting, powerful rock singing voice. Sadly, Cruise doesn't really provide any of this adequately enough. His acting seems 'uncomfortable'- he was definitely out of his comfort zone, and his singing voice just does not cut it. Very unbelievable as the character he's supposed to be portraying. It's a huge shame, because it really does mess up the whole film. The whole film has the potential to be brilliant, but the makers were just short off the mark.
Overall, I did enjoy it, and yes I would watch it again. It's just not great, unfortunately. I imagine the stage version is much better
LeftSideCut (3778 KP) rated The Hateful Eight (2015) in Movies
Aug 30, 2019 (Updated Sep 11, 2019)
A modern masterpiece
Honestly, there is nothing I dislike about the 8th film from Quentin Tarantino. Absolutely nothing.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
Movie Metropolis (309 KP) rated The Mummy (2017) in Movies
Jun 10, 2019
A new franchise is reborn
It seems that the Marvel Cinematic Universe has kicked off a trend over in tinseltown. Shared franchises are all the rage at the moment, and why not. Marvel has taken over $10billion. DC has finally found its footing with Wonder Woman and Legendary are fusing Godzilla with Kong: Skull Island to create their own monster universe.
But for every success story there is a failed series that didn’t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ‘Dark Universe’. Proceedings kick off with The Mummy. But how does this reboot fare?
Nick Morton (Tom Cruise) is a soldier of fortune who plunders ancient sites for timeless artefacts and sells them to the highest bidder. When Nick and his partner (Jake Johnson) come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess (Sofia Boutella) who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
First-time director and long-time screenwriter Alex Kurtzman crafts a film that moves at breakneck speed, features a lot of nifty set-pieces and is an intriguing precursor to the next instalment of the franchise. It’s pretty good fun to be honest.
Tom Cruise is as reliable as ever, and does all the Tom Cruise staples; running, heavy breathing, shirtless preening, but the stand-out performance here is Russell Crowe’s Dr. Henry Jekyll (yes, that’s right). Despite being slightly underused, Crowe is a fantastic choice to play this multi-layered character. Elsewhere, Sofia Boutella is very good as Ahmanet.
Unfortunately, Jake Johnson (Jurassic World) and Cruise’s love interest Annabelle Wallis (King Arthur: Legend of the Sword) feel miscast with Wallis in particular having no believable chemistry with her co-star.
To look at The Mummy is first-rate. Gone are the campy special effects of the Brendan Fraser-era films, instead replaced with crisp CGI – though the dark and gloomy filming style hampers the obviously great effects. Nevertheless, the aircraft and subsequent crash sequences that have been marketed in the trailers are gripping and produced very well indeed.
Unfortunately, The Mummy relies heavily on jump scares, of which there are far too many, and the trade-off for that rollercoaster pace is a film that feels disjointed, relying on visually stunning action sequences to cover over cracks in the story. Some of the humour also falls flat.
Ultimately though, these are small gripes in a vastly entertaining popcorn flick that is a very solid starting point to a series that will include films like The Invisible Man, Bride of Frankenstein and The Wolfman.
Whilst not the most original film you will see this year, The Mummy opens up some intriguing doors and whilst I’m in no rush to see it again, despite its competence, I’m excited to see how Universal will bring all of their iconic monsters back to the big screen in one unified franchise.
https://moviemetropolis.net/2017/06/10/a-new-franchise-is-reborn-the-mummy-review/
But for every success story there is a failed series that didn’t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ‘Dark Universe’. Proceedings kick off with The Mummy. But how does this reboot fare?
Nick Morton (Tom Cruise) is a soldier of fortune who plunders ancient sites for timeless artefacts and sells them to the highest bidder. When Nick and his partner (Jake Johnson) come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess (Sofia Boutella) who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
First-time director and long-time screenwriter Alex Kurtzman crafts a film that moves at breakneck speed, features a lot of nifty set-pieces and is an intriguing precursor to the next instalment of the franchise. It’s pretty good fun to be honest.
Tom Cruise is as reliable as ever, and does all the Tom Cruise staples; running, heavy breathing, shirtless preening, but the stand-out performance here is Russell Crowe’s Dr. Henry Jekyll (yes, that’s right). Despite being slightly underused, Crowe is a fantastic choice to play this multi-layered character. Elsewhere, Sofia Boutella is very good as Ahmanet.
Unfortunately, Jake Johnson (Jurassic World) and Cruise’s love interest Annabelle Wallis (King Arthur: Legend of the Sword) feel miscast with Wallis in particular having no believable chemistry with her co-star.
To look at The Mummy is first-rate. Gone are the campy special effects of the Brendan Fraser-era films, instead replaced with crisp CGI – though the dark and gloomy filming style hampers the obviously great effects. Nevertheless, the aircraft and subsequent crash sequences that have been marketed in the trailers are gripping and produced very well indeed.
Unfortunately, The Mummy relies heavily on jump scares, of which there are far too many, and the trade-off for that rollercoaster pace is a film that feels disjointed, relying on visually stunning action sequences to cover over cracks in the story. Some of the humour also falls flat.
Ultimately though, these are small gripes in a vastly entertaining popcorn flick that is a very solid starting point to a series that will include films like The Invisible Man, Bride of Frankenstein and The Wolfman.
Whilst not the most original film you will see this year, The Mummy opens up some intriguing doors and whilst I’m in no rush to see it again, despite its competence, I’m excited to see how Universal will bring all of their iconic monsters back to the big screen in one unified franchise.
https://moviemetropolis.net/2017/06/10/a-new-franchise-is-reborn-the-mummy-review/