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Kevin Phillipson (9928 KP) rated Doctor Who - Season 14 in TV
May 4, 2020
Tom baker (4 more)
Elizabeth sladen
Louise Jameson
Robots of death
Talons of Weng
Probably the best classic season of doctor who ever and also tom Bakers best season it has everything Sarah Jane Smith in her last two stories the introduction of Leela new TARDIS console room wood paneling classic episodes robots of death deadly assassin talons of Weng chiang the doctor dressed as Sherlock Holmes I could go on with this boxset but I won't. hopefully getting the brand new blu ray boxset soon in the post
Lyndsey Gollogly (2893 KP) rated Cunning Folk in Books
Oct 19, 2021
174 of 250
Book
Cunning Folk
By Adam Nevill
Once read a review will be written via Smashbomb and link posted in comments
A compelling folk horror story of deadly rivalry and the oldest magic from the four times winner of The August Derleth Award for Best Horror Novel.
No home is heaven with hell next door.
Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.
Within days of crossing the threshold, when hostilities break out with the elderly couple next door, Tom's dreams of future contentment are threatened by an escalating tit-for-tat campaign of petty damage and disruption.
Increasingly isolated and tormented, Tom risks losing his home, everyone dear to him and his mind. Because, surely, only the mad would suspect that the oddballs across the hedgerow command unearthly powers. A malicious magic even older than the eerie wood and the strange barrow therein. A hallowed realm from where, he suspects, his neighbours draw a hideous power.
Brilliant!!!! You certainly don’t know who lives next door and who you’re pissing off with a chainsaw! Just brilliant then again I didn’t expect anything less from Adam his books are just the highlight of the year. He’s taken annoying neighbours to a whole new level. I tried so many times to slow myself down but it just wasn’t happening I needed to keep reading. I know I’m going to have a book depression waiting to see what he comes up with next.
Book
Cunning Folk
By Adam Nevill
Once read a review will be written via Smashbomb and link posted in comments
A compelling folk horror story of deadly rivalry and the oldest magic from the four times winner of The August Derleth Award for Best Horror Novel.
No home is heaven with hell next door.
Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.
Within days of crossing the threshold, when hostilities break out with the elderly couple next door, Tom's dreams of future contentment are threatened by an escalating tit-for-tat campaign of petty damage and disruption.
Increasingly isolated and tormented, Tom risks losing his home, everyone dear to him and his mind. Because, surely, only the mad would suspect that the oddballs across the hedgerow command unearthly powers. A malicious magic even older than the eerie wood and the strange barrow therein. A hallowed realm from where, he suspects, his neighbours draw a hideous power.
Brilliant!!!! You certainly don’t know who lives next door and who you’re pissing off with a chainsaw! Just brilliant then again I didn’t expect anything less from Adam his books are just the highlight of the year. He’s taken annoying neighbours to a whole new level. I tried so many times to slow myself down but it just wasn’t happening I needed to keep reading. I know I’m going to have a book depression waiting to see what he comes up with next.
Jesters_folly (230 KP) rated The Girl Who Loved Tom Gordon in Books
Dec 29, 2020
I'd never heard of this Stephen King novel before but that's the joys of charity shops. The blurb on the back book didn't give much away and going into any King book blind can be a bit of a gamble, will it be horror, dark tower related, Shining related or some kind of hybrid. Oddly 'The Girl Who Loved Tom Gordon' doesn't necessarily fit into any of these category's.
Set in Mane (Like a lot of Kings works.) 'The Girl Who Loved Tom Gordon' follows 9 year old Trisha McFarland as she gets lost in the wood whilst on a hike with her mother and brother. The story is more about coping with horror than an actual horror story as Trisha tries to find her way out of the woods whilst having to contend with the changing landscape, dead animals, hunger, thirst and exposure. Oh and there may or may not be something stalking her and that's the real extent of the horror, the 'not knowing' what's out there. There is no 'Dark man' or plague and no one has any shine, the story is just a little girl trying to find her way home. King mix's the real threats with those of Trisha's imagination , blurring the line so that, by the end the reader is not sure what really happened. Pushed to her limits Trisha is forced to dwell on the nature of god(s) and whether she should wait for a miracle or try to save her self .
Overall a good book that is slightly different to Kings other works and, at just over 200 pages (the copy I read) it's a refreshingly quick read
Set in Mane (Like a lot of Kings works.) 'The Girl Who Loved Tom Gordon' follows 9 year old Trisha McFarland as she gets lost in the wood whilst on a hike with her mother and brother. The story is more about coping with horror than an actual horror story as Trisha tries to find her way out of the woods whilst having to contend with the changing landscape, dead animals, hunger, thirst and exposure. Oh and there may or may not be something stalking her and that's the real extent of the horror, the 'not knowing' what's out there. There is no 'Dark man' or plague and no one has any shine, the story is just a little girl trying to find her way home. King mix's the real threats with those of Trisha's imagination , blurring the line so that, by the end the reader is not sure what really happened. Pushed to her limits Trisha is forced to dwell on the nature of god(s) and whether she should wait for a miracle or try to save her self .
Overall a good book that is slightly different to Kings other works and, at just over 200 pages (the copy I read) it's a refreshingly quick read
LeftSideCut (3778 KP) rated Pinocchio (2022) in Movies
Oct 13, 2022
Another day, another "live action retelling" of a Disney classic that manages to disappoint. With the exception of Maleficent and most of The Jungle Book (and I guess Aladdin wasn't completely horrible), these Disney remakes have been duds, thanks to the general air of hollow souless-ness that surrounds them. This is precisely the main detriment with Pinocchio. It's existence in the first place invites comparisons to the original, a truly beloved animation. In turn, this remake offers nothing of value. Anything new on display feels vapid, and everything familiar is far superior within the source material. You have to ask "well what was the point"? It was the same with Mulan. It was the same with Cinderella. It was the same with The Lion King, and I have no doubt that it will be the same with Hercules when that eventually arrives. Disney seem content with shitting out lifeless rehashes for a quick buck and it's probably not going to change.
Tom Hanks tries his best. Monstro looks kind of cool. Jiminy Cricket being voiced scarily accurately by Joseph Gordon Levitt is low key hilarious. Otherwise, this movie is only good for fire wood.
Tom Hanks tries his best. Monstro looks kind of cool. Jiminy Cricket being voiced scarily accurately by Joseph Gordon Levitt is low key hilarious. Otherwise, this movie is only good for fire wood.
Heather Cranmer (2721 KP) rated In a Dark, Dark Wood in Books
Jul 9, 2019
I've been a fan of Ruth Ware since I read The Death of Mrs. Westaway. Actually, what really made me love Ruth Ware was her book The Lying Game. When I came across In a Dark, Dark Wood, I was intrigued to say the least. I'm glad I decided to read this book because I believe it's Ruth Ware's best novel out of the four I've read.
Leonora, or Nora as she likes to be called, receives an email inviting her to Clare's hen do (bachelorette party). Nora and Clare used to be the best of friends, but that was 10 years ago. Nora is a bit wary of the invite, but when her friend Nina is invited and says she'll go if Nora goes, Nora agrees. Nora finds out who Clare is marrying, and it seems like things go from bad to worse including Nora being injured and others being hurt. Nora must find piece together what happened at Clare's hen do in order to figure out the mystery behind everything. There's only one problem. She can't remember what actually happened that night.
The plot really sucked me in right from the beginning. I was wondering why Nora would be invited to someone's hen do that she hasn't seen or spoken with in over 10 years. I also had to understand why Nora would even be interested in going considering it had been so long. I don't think I would have went. However, the whole plot fascinated me. I had to know the motives of everyone. I felt like everyone was a suspect, and I was scrutinizing every little detail. There are some plot twists, and a few of them are predictable, but I still loved In a Dark, Dark Wood. I also loved the fact that there were no cliff hangers, and all of my questions were answered by the end of the book. One thing that did feel a bit improbable but not impossible was how Nora and her ex-boyfriend James ended things when they were teenagers. I have a hard time believing that not one of them would have reached out to the other in the whole ten years they had not seen each other especially right after their break up with what happened. Like I said, I guess it is possible to go without speaking to each other after that, but when something that major happens between a couple (I don't want to give the major thing away due to spoilers), I would have thought there would be more talking at some point.
I felt the characters were well written and had enough depth to the them to feel realistic. I enjoyed the character of Nora. All I can say is with what goes wrong for her makes me glad that I've never been in her position. I admired her desire to find out the truth even if it meant getting herself in trouble. However, sometimes I couldn't understand her reasoning behind some things such as wanting to go to someone's hen do that she hasn't seen or spoken to in ten years! Perhaps other people would go out of curiosity, but I would have just noped out of that. Also, what I mentioned in the previous paragraph about her not speaking to her ex even though there was something major that happened in their relationship. However, I really did like Nora. I had a love/hate relationship with Nina. Sometimes I liked her but other times she came across as too mean. I know that was just meant to be her personality, but I just had a hard time figuring her out. Flo was definitely a character. It was as if she was in love with Clare! She was obsessed with Clare and very high strung. I felt like Flo had some mental problems going on and needed help with them ASAP. I never knew if I should trust Flo or not. Clare seemed like she had changed from her school days when she was manipulative and selfish. I wish Clare would have been more of a forefront character throughout the book, but she felt like a minor character. Tom was definitely an interesting character to say the least. I did really like him, but I also questioned his motives.
I very much enjoyed the pacing for In a Dark, Dark Wood. The pacing flowed smoothly from the very first page. I never once felt like it slowed down at all. I was left hanging on every word.
Trigger warnings for In a Dark, Dark Wood include drinking, smoking, drug use, profanity, mentions of sex although not graphic, violence, gun violence, and death.
All in all, In a Dark, Dark Wood was a fantastic read! I enjoyed every second of the book, and I felt so empty after it ended because it was over. It had all the makings of a great book such as an interesting plot and fantastic characters. I would definitely recommend In a Dark, Dark Wood by Ruth Ware to those aged 17+ that love psychological thrillers and those who want to be sucked into a book from the very first sentence.
Leonora, or Nora as she likes to be called, receives an email inviting her to Clare's hen do (bachelorette party). Nora and Clare used to be the best of friends, but that was 10 years ago. Nora is a bit wary of the invite, but when her friend Nina is invited and says she'll go if Nora goes, Nora agrees. Nora finds out who Clare is marrying, and it seems like things go from bad to worse including Nora being injured and others being hurt. Nora must find piece together what happened at Clare's hen do in order to figure out the mystery behind everything. There's only one problem. She can't remember what actually happened that night.
The plot really sucked me in right from the beginning. I was wondering why Nora would be invited to someone's hen do that she hasn't seen or spoken with in over 10 years. I also had to understand why Nora would even be interested in going considering it had been so long. I don't think I would have went. However, the whole plot fascinated me. I had to know the motives of everyone. I felt like everyone was a suspect, and I was scrutinizing every little detail. There are some plot twists, and a few of them are predictable, but I still loved In a Dark, Dark Wood. I also loved the fact that there were no cliff hangers, and all of my questions were answered by the end of the book. One thing that did feel a bit improbable but not impossible was how Nora and her ex-boyfriend James ended things when they were teenagers. I have a hard time believing that not one of them would have reached out to the other in the whole ten years they had not seen each other especially right after their break up with what happened. Like I said, I guess it is possible to go without speaking to each other after that, but when something that major happens between a couple (I don't want to give the major thing away due to spoilers), I would have thought there would be more talking at some point.
I felt the characters were well written and had enough depth to the them to feel realistic. I enjoyed the character of Nora. All I can say is with what goes wrong for her makes me glad that I've never been in her position. I admired her desire to find out the truth even if it meant getting herself in trouble. However, sometimes I couldn't understand her reasoning behind some things such as wanting to go to someone's hen do that she hasn't seen or spoken to in ten years! Perhaps other people would go out of curiosity, but I would have just noped out of that. Also, what I mentioned in the previous paragraph about her not speaking to her ex even though there was something major that happened in their relationship. However, I really did like Nora. I had a love/hate relationship with Nina. Sometimes I liked her but other times she came across as too mean. I know that was just meant to be her personality, but I just had a hard time figuring her out. Flo was definitely a character. It was as if she was in love with Clare! She was obsessed with Clare and very high strung. I felt like Flo had some mental problems going on and needed help with them ASAP. I never knew if I should trust Flo or not. Clare seemed like she had changed from her school days when she was manipulative and selfish. I wish Clare would have been more of a forefront character throughout the book, but she felt like a minor character. Tom was definitely an interesting character to say the least. I did really like him, but I also questioned his motives.
I very much enjoyed the pacing for In a Dark, Dark Wood. The pacing flowed smoothly from the very first page. I never once felt like it slowed down at all. I was left hanging on every word.
Trigger warnings for In a Dark, Dark Wood include drinking, smoking, drug use, profanity, mentions of sex although not graphic, violence, gun violence, and death.
All in all, In a Dark, Dark Wood was a fantastic read! I enjoyed every second of the book, and I felt so empty after it ended because it was over. It had all the makings of a great book such as an interesting plot and fantastic characters. I would definitely recommend In a Dark, Dark Wood by Ruth Ware to those aged 17+ that love psychological thrillers and those who want to be sucked into a book from the very first sentence.
Eilidh G Clark (177 KP) rated Dirt Road in Books
May 13, 2017
Kelman is an expert in understanding people
Kelman’s new novel Dirt Road is story that takes both characters and reader on a journey right from the outset, but the journey is more than it seems. The novel begins in the West coast of Scotland where we learn that Murdo - a sixteen-year-old boy - and his father Tom are mourning the death of their mother/wife and sister/daughter. Searching for solace, they embark on a journey to Alabama, U.S.A to spend time with Uncle John and Aunt Maureen. For Murdo, family is just a happy memory, a moment in time captured in a photograph, ‘The family was four and not just him and Dad’, whilst for Tom, family is the bond that holds them together. Throughout the journey, Tom strives to guide his son and keep him on ‘the right path’, yet Murdo, as we will learn, has a path of his own to find. Stifled by the fathers influence, the boy has a tendency to stray, thus when they reach Allentown Mississippi, Murdo stumbles upon a family of musicians led by Zydeco performer Queen Monzee-ay. Murdo is as drawn to music as his father is to family, the boy himself is an accomplished accordion player, and when he is offered an opportunity to play a set with Queen Monzee-ay in two weeks’ time, we watch as the road between father and son diverges and choice and risk becomes the key plot in the story.
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
Kayleigh (12 KP) rated To Kill a Mockingbird in Books
Jan 2, 2019
Well, February is definitely the month for discovering classics I’ve missed! For some reason, I’d always classed To Kill a Mockingbird in amongst the Agatha Christie genre of murder mysteries – not that I’ve read those either – and didn’t know enough about it for it to have piqued my interest. Now I’ve read it though, I can see what all the fuss is about, and it’s not surprising that, despite being published in 1960, it was still the <a href="http://www.guardian.co.uk/news/datablog/2012/aug/09/best-selling-books-all-time-fifty-shades-grey-compare">65th best-selling book of all time</a> in 2012. Beware of spoilers!
The story is set in Maycomb, Alabama in the 1930s, and is written from the perspective of Jean Louise ‘Scout’ Finch, who is between six and eight years old as the story progresses. The start of the book does an effective job of introducing us to all the characters. Scout lives with her widowed father, Atticus, a lawyer, her brother Jem (who is 4 years older than her) and Calpurnia, a black woman who acts as a type of mother figure. A friend, Dill, also joins them in the summer. The three children are intrigued by Arthur ‘Boo’ Radley, who lives in the house on the corner but is never seen outside. I really enjoyed this part of the story; it set the scene brilliantly, as well as helping me reminisce about my own childhood. Even if there is no ‘haunted’ house, children will always make one – at least, my brother and I did! With the limitless amounts of imagination children have, there will always be adventures to be had and ‘monsters’ to escape from. There was one particular house, when we were around the same age as Jem and Scout, where they had a doorbell you pulled, like a cord. My brother Josh said it was a doorbell that made you scream every time you pulled it, so we obviously had great fun in pulling it, screaming, and running away. If by some fluke the person living there is reading this, I’m really sorry, but it still makes me laugh! There was also every Christmas, when we went carol singing. We had decided that the houses beyond the wood were richer than the others, and every year would link arms, lighting matches to try and find our way in the dark and telling ghost stories the whole time.
Once everything has been established, the book moves on to a case Atticus is defending. A black man, Tom, has been accused of raping Mayella Ewell, part of a trashy white family with very poor education and even less money. This is where the casual prejudice of the time is evident – Jem and Scout have to put up with people calling their family a “nigger-lover” (sorry if that language offends, it is a direct quote and I mean no harm); Atticus faces repercussions for his whole-hearted attempt to save Tom; and many of the Maycomb women look down on the black community. However, there’s still a touch of hope – the way Atticus defends Tom’s case makes everybody think, a great feat in the setting where black and white people are in completely different classes. In this part of the story, I really looked up to Atticus, in his seemingly-infinite wisdom.
In the final part of the story, Jem and Scout finally get to meet Boo Radley, and it is here that the title of the book becomes apparent. In the middle of the book, after Jem and Scout get air-rifles, it is said:
<blockquote>When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shoot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.”
That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”</blockquote>
Obviously, not knowing what was coming, I thought the story must eventually be about the children shooting a mockingbird. The last page of the book, though, I realised that it was a lot more subtle and symbolic than that. The mockingjay is Boo Radley, the man who gives when he can and causes no harm.
I really wish I’d read this story as a child, to see what sort of perspective I’d have had back then. Reading as an adult means that, while Scout was a brilliant perspective, I was almost reading as an outsider. I could see her maturing, slowly fitting the pieces together to start acting like an adult, but at the same time it was an undeniably adult reading. I really really enjoyed the book, but I have a feeling it’s one of those multi-faceted ones where you read something different every time. I can’t help thinking that reading it as a child would have been a lot more powerful.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
The story is set in Maycomb, Alabama in the 1930s, and is written from the perspective of Jean Louise ‘Scout’ Finch, who is between six and eight years old as the story progresses. The start of the book does an effective job of introducing us to all the characters. Scout lives with her widowed father, Atticus, a lawyer, her brother Jem (who is 4 years older than her) and Calpurnia, a black woman who acts as a type of mother figure. A friend, Dill, also joins them in the summer. The three children are intrigued by Arthur ‘Boo’ Radley, who lives in the house on the corner but is never seen outside. I really enjoyed this part of the story; it set the scene brilliantly, as well as helping me reminisce about my own childhood. Even if there is no ‘haunted’ house, children will always make one – at least, my brother and I did! With the limitless amounts of imagination children have, there will always be adventures to be had and ‘monsters’ to escape from. There was one particular house, when we were around the same age as Jem and Scout, where they had a doorbell you pulled, like a cord. My brother Josh said it was a doorbell that made you scream every time you pulled it, so we obviously had great fun in pulling it, screaming, and running away. If by some fluke the person living there is reading this, I’m really sorry, but it still makes me laugh! There was also every Christmas, when we went carol singing. We had decided that the houses beyond the wood were richer than the others, and every year would link arms, lighting matches to try and find our way in the dark and telling ghost stories the whole time.
Once everything has been established, the book moves on to a case Atticus is defending. A black man, Tom, has been accused of raping Mayella Ewell, part of a trashy white family with very poor education and even less money. This is where the casual prejudice of the time is evident – Jem and Scout have to put up with people calling their family a “nigger-lover” (sorry if that language offends, it is a direct quote and I mean no harm); Atticus faces repercussions for his whole-hearted attempt to save Tom; and many of the Maycomb women look down on the black community. However, there’s still a touch of hope – the way Atticus defends Tom’s case makes everybody think, a great feat in the setting where black and white people are in completely different classes. In this part of the story, I really looked up to Atticus, in his seemingly-infinite wisdom.
In the final part of the story, Jem and Scout finally get to meet Boo Radley, and it is here that the title of the book becomes apparent. In the middle of the book, after Jem and Scout get air-rifles, it is said:
<blockquote>When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shoot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.”
That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”</blockquote>
Obviously, not knowing what was coming, I thought the story must eventually be about the children shooting a mockingbird. The last page of the book, though, I realised that it was a lot more subtle and symbolic than that. The mockingjay is Boo Radley, the man who gives when he can and causes no harm.
I really wish I’d read this story as a child, to see what sort of perspective I’d have had back then. Reading as an adult means that, while Scout was a brilliant perspective, I was almost reading as an outsider. I could see her maturing, slowly fitting the pieces together to start acting like an adult, but at the same time it was an undeniably adult reading. I really really enjoyed the book, but I have a feeling it’s one of those multi-faceted ones where you read something different every time. I can’t help thinking that reading it as a child would have been a lot more powerful.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Mothergamer (1511 KP) rated Animal Crossing: Pocket Camp in Apps
Apr 3, 2019
I don't really play a lot of games on my phone. I did play Pokemon Go for a while, but got a little burned out on it. The only other games I really play on my phone are Words With Friends, Crosswords With Friends, and Neko Atsume. That last one is a game with cats so of course it's on my phone since I am a cat lover.
When I heard Nintendo was working on Animal Crossing: Pocket Camp a game for mobile devices and that it would be free to play, I was excited. I love the Animal Crossing games because they are cheerful and fun with activities you could do such as fishing, redecorating your house in various themes, or interacting with the animal villagers in town.
With Pocket Camp there isn't a town. Instead, you have your own RV and your own campsite which you can decorate any way you wish. You can make friends with various animal characters and receive gifts and crafting materials for them when you trade them things they want such as certain types of seashells. They can also visit your campsite as well as your human friends via invitation or at random. There are different recreational areas you can visit on the world map such as a beach where you can fish or a little island where you can collect insects. There's even an area for mining, but you need the help of five people on your friends list or pay a certain amount of microtransaction currency known as leaf tickets. You can also visit a place called OK Motors where you can upgrade your RV, add an upstairs to it, or paint it in interesting patterns and colors.
Getting around on the map is easy. Click on a place and go.
Fishing is one of the recreational activities you can do.
Crafting is another big thing in Pocket Camp. You can gather materials such as cotton and wood for crafting furniture by fulfilling requests for your animal friends like gifting them with types of fruit or seashells they want. This not only levels up your friendship with them, they will gift you with crafting materials and sometimes outfits. They will also hang out at your campsite when you invite them. The maximum amount of animals you can host at your campsite is ten. You can also send animals home via the user menu so that you can invite new animals to your campsite.
Host animals at your campsite, do favors, receive gifts.
If you're in the mood to do a little shopping, there is a marketplace you can travel to on the map. You can buy outfits and accessories from the Able sisters or you can buy furniture from Timmy and Tommy Nook, Tom Nook's twin sons. You can also sell furniture and outfits from your inventory to the Nook twins.
Doing a little shopping at the marketplace.
Personally, I liked decorating my RV and adding a second floor. Crafting the furniture and items for my little traveling home was fun and I enjoyed decorating it the way I wanted. I liked decorating the campsite as well especially after I expanded it so I could add more items for visitors to enjoy.
Decorating your RV is fun!
There are daily goals and stretch goals you can do that offer crafting materials, leaf tickets, or bells (the name of the money used in the game) as rewards. You can also visit your friends campsites to see how they decorate theirs and give them kudos when you visit. I thought it was very cool seeing how much variety there is in each of the campsites I visited and showed the uniqueness and style of each of my friends.
Visit your friends campsites. It's fun!
Animal Crossing: Pocket Camp is relaxing fun. There's no pressure or time limits. You can just enjoy yourself doing what you wish whether it's fishing or hanging out with your animal and human friends at your campsite. It's cute and colorful with a variety of things to craft and outfits to collect. Some may think it's a bit repetitive, but I don't mind that part of it. It's nice to log in and get my daily bonus, do a few things I like, and see what changes my friends have made to their campsites.
With it being the holiday season, Nintendo did a Christmas update for the game. You can now craft Christmas items, a Santa Claus outfit, and Christmas gifts. It has been fun decorating my campsite for Christmas and seeing all the Christmas cheer at my friends' campsites. I'm looking forward to the next seasonal event items they do. In the meantime, I'm going to enjoy the Christmas items and the entire game itself.
When I heard Nintendo was working on Animal Crossing: Pocket Camp a game for mobile devices and that it would be free to play, I was excited. I love the Animal Crossing games because they are cheerful and fun with activities you could do such as fishing, redecorating your house in various themes, or interacting with the animal villagers in town.
With Pocket Camp there isn't a town. Instead, you have your own RV and your own campsite which you can decorate any way you wish. You can make friends with various animal characters and receive gifts and crafting materials for them when you trade them things they want such as certain types of seashells. They can also visit your campsite as well as your human friends via invitation or at random. There are different recreational areas you can visit on the world map such as a beach where you can fish or a little island where you can collect insects. There's even an area for mining, but you need the help of five people on your friends list or pay a certain amount of microtransaction currency known as leaf tickets. You can also visit a place called OK Motors where you can upgrade your RV, add an upstairs to it, or paint it in interesting patterns and colors.
Getting around on the map is easy. Click on a place and go.
Fishing is one of the recreational activities you can do.
Crafting is another big thing in Pocket Camp. You can gather materials such as cotton and wood for crafting furniture by fulfilling requests for your animal friends like gifting them with types of fruit or seashells they want. This not only levels up your friendship with them, they will gift you with crafting materials and sometimes outfits. They will also hang out at your campsite when you invite them. The maximum amount of animals you can host at your campsite is ten. You can also send animals home via the user menu so that you can invite new animals to your campsite.
Host animals at your campsite, do favors, receive gifts.
If you're in the mood to do a little shopping, there is a marketplace you can travel to on the map. You can buy outfits and accessories from the Able sisters or you can buy furniture from Timmy and Tommy Nook, Tom Nook's twin sons. You can also sell furniture and outfits from your inventory to the Nook twins.
Doing a little shopping at the marketplace.
Personally, I liked decorating my RV and adding a second floor. Crafting the furniture and items for my little traveling home was fun and I enjoyed decorating it the way I wanted. I liked decorating the campsite as well especially after I expanded it so I could add more items for visitors to enjoy.
Decorating your RV is fun!
There are daily goals and stretch goals you can do that offer crafting materials, leaf tickets, or bells (the name of the money used in the game) as rewards. You can also visit your friends campsites to see how they decorate theirs and give them kudos when you visit. I thought it was very cool seeing how much variety there is in each of the campsites I visited and showed the uniqueness and style of each of my friends.
Visit your friends campsites. It's fun!
Animal Crossing: Pocket Camp is relaxing fun. There's no pressure or time limits. You can just enjoy yourself doing what you wish whether it's fishing or hanging out with your animal and human friends at your campsite. It's cute and colorful with a variety of things to craft and outfits to collect. Some may think it's a bit repetitive, but I don't mind that part of it. It's nice to log in and get my daily bonus, do a few things I like, and see what changes my friends have made to their campsites.
With it being the holiday season, Nintendo did a Christmas update for the game. You can now craft Christmas items, a Santa Claus outfit, and Christmas gifts. It has been fun decorating my campsite for Christmas and seeing all the Christmas cheer at my friends' campsites. I'm looking forward to the next seasonal event items they do. In the meantime, I'm going to enjoy the Christmas items and the entire game itself.
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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