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The Post (2017)
7.1
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In the early 1970s, the journalists of the Washington Post attempt to publish the Pentagon Papers,...
Kay Graham Ben Bradlee Political thriller
BankofMarquis (1832 KP) rated Finch (2021) in Movies
Nov 18, 2021
Very Effective
There are times when there is a “Perfect Storm” of film material, performance, mood, style and execution of said material and the headspace that I am in when I sit down to view the movie that elevates a film viewing experience above the norm.
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
David McK (3425 KP) rated Angels & Demons (2009) in Movies
Mar 20, 2019
Ron Howard's take on the Dan Brown book of the same name, with that book actually being the first (albeit less famous) of his Harvard symbologist Robert Langdon mystery novels (The Da Vinci code being the more famous).
Like the book, this takes place almost entirely in Rome, with Langdon (Tom Hanks) in a race against time and through the city to unravel the mysteries of the Illumunati during the period immediately after the death of the Pope but before the choosing/ordination of the next.
Also starring Ewan McGregor playing an Irish priest, I have to say that this - unfortunately - didn't really had my attention all that much (although I did have fun playing 'been there! seen that!)
Like the book, this takes place almost entirely in Rome, with Langdon (Tom Hanks) in a race against time and through the city to unravel the mysteries of the Illumunati during the period immediately after the death of the Pope but before the choosing/ordination of the next.
Also starring Ewan McGregor playing an Irish priest, I have to say that this - unfortunately - didn't really had my attention all that much (although I did have fun playing 'been there! seen that!)
Mark Halpern (153 KP) rated Forrest Gump (1994) in Movies
Feb 3, 2018
EPIC
Tom Hanks plays Forrest Gump plays a young man who is very slow but, smart growing up in the south during the 60's with his mom (Field). His life through school, the Vietnam war where he befriends his LT (Sinise), his lust for the love of his life Jenny (wright), to coming home and becoming the shrimp king of the world and just on more historical adventures.
The movie is kind of set to Billy Joel's "We didn't start the fire" as a ton of these historical events take place during this movie in which forrest has some connection with. The movie aslo has one of the best 60's soundtracks set to it of all time.
The movie is kind of set to Billy Joel's "We didn't start the fire" as a ton of these historical events take place during this movie in which forrest has some connection with. The movie aslo has one of the best 60's soundtracks set to it of all time.
Jason and the Argonauts (1963)
7.7
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British-American fantasy film based on Greek mythology. Jason, rightful heir to the kingdom of...
Toy Story 2 (1999)
8.5
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Woody (Tom Hanks) is stolen from his home by toy dealer Al McWhiggin (Wayne Knight), leaving Buzz...
BankofMarquis (1832 KP) rated News of the World (2020) in Movies
Jan 17, 2021
Strongly Acted and Directed
Pound for pound, Tom Hanks is the best actor of this generation. From his big screen debut in SPLASH to his Oscar Nominated turn in BIG to his back-to-back Oscar wins for PHILADELPHIA and FORREST GUMP to more recent works like SULLY and THE POST, Hanks’ “everyman goodness” quality shines through the screen and makes him a screen presence that cannot be ignored.
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
Awix (3310 KP) rated The Post (2017) in Movies
Feb 12, 2018
First class post
Solid historical drama finds Steven Spielberg in serious, awards-trawling mode. Tale of noble, principled people working in the media who find themselves under scurrilous attack from hostile and mendacious president makes you glad you're not living in the 70s; good job this sort of thing couldn't happen nowadays.
Script does a good job of turning a potentially wordy story - various journalists, lawyers, and executives stand around discussing the ethics of publishing news - into a genuinely gripping drama, well performed by Tom Hanks and Meryl Streep. Perhaps just a bit simplistic in its presentation of politicians = bad, journalists = good, but that's essentially the message of the film (did I mention what good reviews it's had in all the papers?).
Script does a good job of turning a potentially wordy story - various journalists, lawyers, and executives stand around discussing the ethics of publishing news - into a genuinely gripping drama, well performed by Tom Hanks and Meryl Streep. Perhaps just a bit simplistic in its presentation of politicians = bad, journalists = good, but that's essentially the message of the film (did I mention what good reviews it's had in all the papers?).
Michael Packner (32 KP) rated The 'Burbs (1989) in Movies
Jun 19, 2019
Rather tense at times for a horror comedy. (4 more)
The three main characters.
Corey Feldman gives one of his better performances.
The villains are surprisingly creepy.
The ending.
Pretty crazy 80s comedy/horror about neighbor paranoia with a young Tom Hanks, Carrie Fisher, and Corey Feldman. That sounds like a recipe for success to me. This typical film usually involves kids or teens investigating due to paranoia, but here we have adults which adds a level of comedy to it in itself. Love how the ending pulls a twist and then twists back. As a first time viewer you have no fucking clue until the credits roll. And all he wanted to do was enjoy his vacation by relaxing at home. I can relate.
Kirk Bage (1775 KP) rated Big (1988) in Movies
Mar 3, 2020
The film that made us realise Tom Hanks wasn’t just a goon, but had some really big acting chops! Personally, I think this should have been his first Oscar; so perfect is his body / age swap interpretation (that was in vogue but never matched at the time) that you can see the younger Josh at all times during this wonderful performance. So much fun, but always grounded in the idea that being a grown up is horrible, and we shouldn’t do it! There is the iconic giant piano playing; the shimy, shimy, cocopop song, the trampoline sleepover and the white tux caviar scenes, amongst so many good moments. In the end it is his mother’s joy to have him back that breaks the heart!