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Rev Run recommended The Talented Mr. Ripley (1999) in Movies (curated)

 
The Talented Mr. Ripley (1999)
The Talented Mr. Ripley (1999)
1999 | Drama, Mystery
7.4 (8 Ratings)
Movie Favorite Watch

"My favorite movie is The Talented Mr. Ripley. “Tommy, Tommy, Tommy, Tommy — Tommy.” Philip Seymour Hoffman was crazy. Jude Law was just great. I don’t like what he did, but it was just the whole running-around-Europe-loving-jazz [thing]. That was very interesting to me. He didn’t want to do his father’s business. He just wanted to love jazz. He was free enough to do it and be content. I think Matt Damon was very interesting. Just to be so conniving and to steal identities and money. Jude Law was so naive for a while and then he realized Damon was a moocher. It was kind of weird how quickly someone could be deceived when they’re caught up in their own world."

Source
  
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David McK (3425 KP) rated Men in Black International (2019) in Movies

May 9, 2021  
Men in Black International (2019)
Men in Black International (2019)
2019 | Action, Sci-Fi
5
5.7 (58 Ratings)
Movie Rating Watch
Fourth entry in the Men in Black series, reuniting Thor: Ragnoraknstars Tessa Thompson and Chris Hemsworth as agents of the MiB organisation.

And, unfortunately - and despite their best efforts - neither actors are able to bring the same sense of fun and camaraderie as in that earlier Thor film, or even as Will Smith and Tommy Lee Jones did in the original Men in Black films.

Mainly set in Europe instead of in the United States (hence the 'International' in the title), the plot of this is straightforward enough, with Tess's character of Agent M mostly performing the same role as Will Smiths Agent J did originally.
  
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Rat Scabies recommended Live at Leeds by The Who in Music (curated)

 
Live at Leeds by The Who
Live at Leeds by The Who
1970 | Rock
7.5 (2 Ratings)
Album Favorite

"Like with the Slade live album, I'd been to see The Who and it was quite an experience, again at the Orchid Ballroom in Purley. It's one of the most unknown venues in the country, I think, but it was the biggest ballroom in Europe and it used to hold about 5000 people. It was huge, and you wouldn't even know it was there when you drove past; it was just a doorway, in Purley. And I think The Who had just come back from America where they'd been doing Tommy. So it was Townshend in his white boiler suit and nailing Keith Moon's drums down before the set, and The James Gang opening. I'm not sure when Live At Leeds came out, whether it was before or after that, but I just remember how amazing the album was because it had all of those pull-outs and receipts and photographs and things. I was sitting on the train and looking at the record and really hoping that people would think I was in the record business and that I'd received this white label with a load of bills. But again I'd seen them play that sort of show, and I think Live At Leeds really was them at the top of their game. As a live band they'd really pulled together and they'd done their homework. They'd done enough and they'd really nailed how to put it together on stage. For me they didn't do a better live thing. Tommy I liked, but I thought a lot of it was unnecessary and went on a bit, and it was a bit more Who than I wanted, in some cases. The real thing that always stuck with me with this record is where they do the jamming stuff and Townshend takes off on that discordant thing, and the dynamics and atmosphere are liable to go up and down, taking it from this raging onslaught of rock down to this level of almost subtlety, and then to build it up again from that. They're good dynamics, and those are often hard to find. There's something about that sound they got as well: not so much as a band but just the guitar sound. It was very clean and there was a lot of clarity. And the drums: the sound never changes, but the dynamics of what he does have peaks and troughs."

Source