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Battle of the Sexes (2016)
Battle of the Sexes (2016)
2016 | Biography, Comedy, Sport
In 1973, gender inequity was a major issue. The patriachy did not see women as equals and refuse to compensate them at the same rate. Billie Jean King had just won the US Open Championship and had registered the same share as the men's champion. The USLTA however wanted her to appear in a tournament at 12.5 cents on the dollar. She rebeled and along with several other popular female players started a rival tennis organization which eventually found a sponsor in Virginia Slims. At the same time, inveterate gambler and Senior Circuit player Bobby Riggs was facing his own crisis. Watching Billie Jean King on TV one night, Bobby gets an idea to stage a battle of male chauvinist pig versus feminist. Billie Jean does not want to take part in the sideshow. When Margaret Court becomes the #1-ranked woman on the Women's Tour, she takes the challenge. However, she does not have the game to match wits with Bobby and is defeated badly. Billie Jean torn between getting the tour solvent and her love life agrees to a rematch. The final event would be seen by 90 million people with a huge spectacle. Billie Jean used her more cerebral-based game to defeat the piggish Riggs and show the world that women could compete with men.
  
The Good, The Bad and The Queen by The Good, The Bad and The Queen
The Good, The Bad and The Queen by The Good, The Bad and The Queen
2007 | Alternative, Pop, Rock
(0 Ratings)
Album Favorite

"I never really listened to Blur much or many of the other Damon Albarn projects, but I was on tour and kept running into Dangermouse. He was on tour and we were playing a lot of the same festivals. He may even have given me a copy of this record. I remember being in Adelaide in this lonely hotel, drinking a bottle of red wine alone at sunset and listening to this record and being completely mesmerised by it. I love the whole thing. I love Dangermouse’s glitchy, hip-hop Beatles production ideas. It’s just a really great recipe: the whole thing. I spoke to him about making that record but I almost don’t want to know what it involved because it’s so magical to me. I’m totally into Paul Simonon’s bass playing. Even though it’s not a reggae record, courtesy of him it has some of that kind of soul. And Tony Allen’s drumming is wonderful. It almost sounds like military drums. It’s very angular. It doesn’t swing. It sounds like ‘Let’s attack, let’s attack.' At the heart of this record, you have really simple rock & roll performances, but the production brings a lot more detail to it. I’ve worked pretty briefly with Dangermouse on something in the past. I enjoy his personality a lot and I’d sure as hell like to work on a record with him one day."

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