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Nicole Hadley (380 KP) rated Fish-Boy in Books
Jun 18, 2018
Fish-Boy: An Inuit Folk Tale by Vanita Oelschlager is very cute story with colorful and delightful illustrations. In this story, an old Inuit man tells the story of Fish Boy. The Arctic region of North America is a land of long days, icy cold, hardy people and peculiar creatures. The Inuit people there have made traditional use of remarkable folk tales to find truth and explain the mysteries of an astonishing world.
In Fish-Boy, An Inuit Folk Tale, Vanita Oelschlager retells a tale passed down by a wise old Inuit. It's an origin story involving a little magic and a very odd boy with a large heart for friendship. On a journey with his new father, he must confront misfortune and the malice of cold hearted villagers. But he has a way and a lesson for all in the virtues of kindness and hospitality.
This book as it teaches kindness and a folk tale about a region that covers most of Canada. It can be used as a tool to teach children about folk tells and about different cultures and acceptance.
I received this ARC from Vanita Books via NetGalley in exchange for an honest review.
I give this book 4/5 stars.
In Fish-Boy, An Inuit Folk Tale, Vanita Oelschlager retells a tale passed down by a wise old Inuit. It's an origin story involving a little magic and a very odd boy with a large heart for friendship. On a journey with his new father, he must confront misfortune and the malice of cold hearted villagers. But he has a way and a lesson for all in the virtues of kindness and hospitality.
This book as it teaches kindness and a folk tale about a region that covers most of Canada. It can be used as a tool to teach children about folk tells and about different cultures and acceptance.
I received this ARC from Vanita Books via NetGalley in exchange for an honest review.
I give this book 4/5 stars.
Mark @ Carstairs Considers (2352 KP) rated The Death of an Ambitious Woman in Books
Jul 17, 2018
It Definitely Wasn’t an Accident
The car crash that killed Tracey Kendall was looking suspicious from the start. She was driving way too fast and didn’t break at all for example. Then the mechanic who serviced her car vanishes, which definitely makes acting police chief Ruth Murphy suspect there is more going on than a simple accident. Unfortunately, this comes at the worst possible time with her permanent promotion to police chief about to go through. Can she navigate internal politics and still uncover the truth?
I was thrilled to finally make it back to Barbara Ross’s debut mystery. The mystery is strong, and the internal politics adds a nice layer to an already complex mystery. Ruth and her fellow police officers are strong characters, and I also felt the main suspects were well developed. Some of the supporting players got a little lost, but that is my only complaint about the book. This is a step away from the author’s normal cozy mysteries, with a few four letter words and a touch more description of the aftermath of violence. Still, most of her readers will do just fine with this soft-boiled or traditional tale. Anyone who enjoys a good mystery should pick up this book.
I was thrilled to finally make it back to Barbara Ross’s debut mystery. The mystery is strong, and the internal politics adds a nice layer to an already complex mystery. Ruth and her fellow police officers are strong characters, and I also felt the main suspects were well developed. Some of the supporting players got a little lost, but that is my only complaint about the book. This is a step away from the author’s normal cozy mysteries, with a few four letter words and a touch more description of the aftermath of violence. Still, most of her readers will do just fine with this soft-boiled or traditional tale. Anyone who enjoys a good mystery should pick up this book.
ClareR (5884 KP) rated Now We Shall Be Entirely Free in Books
Oct 18, 2018
A beautiful yet brutal story.
A man is brought home to a house in Somerset, unconscious, from the ongoing war in Spain against the French. He is very ill, and consequently nursed back to health by his maid. Once he is feeling better, he decides to travel to the Scottish Islands to collect traditional songs. As the story progresses, you can see that there is a sense of urgency involved with this trip: he isn't properly better, but he has to get moving. John Lacroix' story is told alongside that of two other men: a British Infantryman and a Spanish cavalryman, who have been sent to find an officer who is supposedly responsible for the sacking of a aSpanish village. They are to kill him. The Englishman is brutal in both word and deed.
John Lacroix (who changes his name to Lovell) meets a family (two sisters and their brother) who are free thinkers who want to live a free life. Just what Lacroix needs, I think.
I liked this. The writing style had a peaceful, reigned air to it, even in the more unpleasant parts. It's a brutal story, gently told, in fact.
Many thanks to NetGalley and the publisher for my copy of this book.
John Lacroix (who changes his name to Lovell) meets a family (two sisters and their brother) who are free thinkers who want to live a free life. Just what Lacroix needs, I think.
I liked this. The writing style had a peaceful, reigned air to it, even in the more unpleasant parts. It's a brutal story, gently told, in fact.
Many thanks to NetGalley and the publisher for my copy of this book.
Awix (3310 KP) rated Freaks (1932) in Movies
Feb 29, 2020 (Updated Feb 29, 2020)
Tod Browning's notorious horror movie remains problematic and uncomfortable to watch nearly a century on from its release. The plot is much more the stuff of a melodrama than a traditional horror movie: a vain and greedy trapeze artist and her lover plot to murder a gullible man enamoured of her for his fortune. What makes the film so queasily memorable is the fact that many of the characters are sideshow 'freaks' of different kinds.
Severely hampered by the fact that many of the cast aren't professional actors, and it shows; also by the fact that several of them don't have English as a first language (some of the dialogue is so heavily accented to be unintelligible). The existing version of the film is fairly thin on plot, too. There is strange tension between the script, which takes pains to make clear that the deformed characters are people, not monsters, and the way that the camera voyeuristically dwells on their physical abnormalities - it's there again in the climax, where the trapeze artist clearly deserves some kind of retribution, but the sequence of the 'freaks' closing in on her is deeply disturbing. A uniquely unsettling movie, and perhaps that's for the best.
Severely hampered by the fact that many of the cast aren't professional actors, and it shows; also by the fact that several of them don't have English as a first language (some of the dialogue is so heavily accented to be unintelligible). The existing version of the film is fairly thin on plot, too. There is strange tension between the script, which takes pains to make clear that the deformed characters are people, not monsters, and the way that the camera voyeuristically dwells on their physical abnormalities - it's there again in the climax, where the trapeze artist clearly deserves some kind of retribution, but the sequence of the 'freaks' closing in on her is deeply disturbing. A uniquely unsettling movie, and perhaps that's for the best.
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