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Lee (2222 KP) rated Spies in Disguise (2019) in Movies
Jan 1, 2020
I’m not exactly complaining, but Tom Holland does seem to literally be in everything right now. As I sat ready to watch Spies in Disguise, which features the voice of Tom Holland, there was a trailer for upcoming Pixar movie Onward, featuring the voice of Tom Holland. Then a trailer for Dolittle, starring Robert Downey Jr and featuring the voice of Tom Holland as loyal dog Jip. On top of starring in 2019s highest grossing movie, as everyone’s favourite neighbourhood webslinger, he’s certainly having quite the year right now. And well deserved it is too.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
Darren (1599 KP) rated Thunderball (1965) in Movies
Nov 7, 2019
Characters – James Bond is back once again, forcing himself on women while trying to recover missing warheads. He gets to do the sneaking around, while alluding capture from the people who know he is after them. We don’t learn much that we haven’t already seen from James in this movie. Domino is the woman on the side of Largo, one that James is trying to seduce to help uncover the location of the missiles and one that won’t give into his charm. Largo is number two in SPECTRE who is the mastermind behind this latest plan is he can pull of the plan he will help fund the criminal group. Fiona is another one of the women that Bond tries his best to get his hands on, another one of the women working for Largo.
Performances – Sean Connery continues to be strong in the leading role of the film, he is starting to have more fun with his performance too. When it comes to the Bond girls, they each have their own beauty while just being written as traditional, will sleep with Bond and more often than not, just pawns in the bigger game. Adolfo Celi is solid in the villainous role, even though it is his look that makes him more memorable than any of his actions.
Story – The story here follows James Bond on his latest mission to stop SPECTRE and their criminal actions against the world, now this is good to see the big villain return and yes, once again we don’t take on the head of SPECTRE as we continue to see plans for the organisation to bring terror on the world. the only negative is that we just glossed over them not being around in the last film and now suddenly they are back. As for the actual mission, we get the normal idea of Bond versus villain that will use weapons of mass destruction against the world with a limited time frame to stop them. This barely bring anything new to the world we are seeing Bond operate in and only continues the long running story against SPECTRE.
Action/Adventure – The action here is very unique and ambitious, we get most of the fight sequences happening underwater, something we rarely see even in this day of cinema, making the action the highlight of the film. the adventure gets to see James in another exotic location to save the day once again.
Settings – The film is set in the Bahamas for the most part, this gives us the beauty shots and as all Bond movies need, the women in bikinis. It shows how the remote islands can easily be used to harbour fugitives too.
Scene of the Movie – Mass underwater fight.
That Moment That Annoyed Me – It is more of the same.
Final Thoughts – This is another Bond movie that brings him against the criminal organisation known as SPECTRE once again as we continue to world build, it is easy to watch even if it isn’t going to be the most memorable in the series.
Overall: Simple Bond Film
Performances – Sean Connery continues to be strong in the leading role of the film, he is starting to have more fun with his performance too. When it comes to the Bond girls, they each have their own beauty while just being written as traditional, will sleep with Bond and more often than not, just pawns in the bigger game. Adolfo Celi is solid in the villainous role, even though it is his look that makes him more memorable than any of his actions.
Story – The story here follows James Bond on his latest mission to stop SPECTRE and their criminal actions against the world, now this is good to see the big villain return and yes, once again we don’t take on the head of SPECTRE as we continue to see plans for the organisation to bring terror on the world. the only negative is that we just glossed over them not being around in the last film and now suddenly they are back. As for the actual mission, we get the normal idea of Bond versus villain that will use weapons of mass destruction against the world with a limited time frame to stop them. This barely bring anything new to the world we are seeing Bond operate in and only continues the long running story against SPECTRE.
Action/Adventure – The action here is very unique and ambitious, we get most of the fight sequences happening underwater, something we rarely see even in this day of cinema, making the action the highlight of the film. the adventure gets to see James in another exotic location to save the day once again.
Settings – The film is set in the Bahamas for the most part, this gives us the beauty shots and as all Bond movies need, the women in bikinis. It shows how the remote islands can easily be used to harbour fugitives too.
Scene of the Movie – Mass underwater fight.
That Moment That Annoyed Me – It is more of the same.
Final Thoughts – This is another Bond movie that brings him against the criminal organisation known as SPECTRE once again as we continue to world build, it is easy to watch even if it isn’t going to be the most memorable in the series.
Overall: Simple Bond Film
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
Bob Mann (459 KP) rated Dream Horse (2021) in Movies
Jun 12, 2021
Ensemble cast (1 more)
Cinematography of racing scenes
My lovely lovely horse fails to fully engage
An extraordinary story of ambition against all the odds - based on a true story - will Dream Alliance fulfil the town's dreams, or will it all end in tears?
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Ross (3284 KP) rated Domino Strays in Books
Sep 3, 2020 (Updated Sep 3, 2020)
Great comic novel
I received an advance copy of this book from the publishers in exchange for an honest review.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
Lottie disney bookworm (1056 KP) rated Stepsister in Books
Aug 16, 2019
Review by Disney Bookworm
I took a break from the Disney Twisted Tales collection to check out a new novel by the New York Times best-selling author Jennifer Donnelly and wow am I glad I did!
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Movie Metropolis (309 KP) rated Doctor Strange (2016) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel Meets Inception
Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultron was an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Alice (12 KP) rated Ocean Light in Books
Jul 4, 2018 (Updated Jul 7, 2018)
A fantastic installment to a great series
This review was originally posted on my blog raptureinbooks.com
It feels like I’ve been waiting for Ocean Light for 20 years, when in reality it’s probably only 5 or 6 but Ocean Light not only marks the second installment to the Psy-Changeling Trinity it marks a pretty huge milestone in the fantabulous world of the Psy-Changeling. I have one word: BlackSea.
The BlackSea Changelings have been that mystery group for a great many and finally, Ocean Light opens the doors to the black and Nalini Singh drops us in the deep end – figuratively speaking.
This book has my favourite human in it – Bowen Knight. He’s rough, he’s ready, he’s an alpha and he’s dying. Ocean Light is the story of Bowen’s recovery and his ultimate kick-assery of the things that go bump in the night.
After the previous shit-storm where Bowen is gravely injured, we see his rise through the blackness of despair and see him take on the chip that is currently destroying his brain like a boss.
Nothing will take him down. Especially not his own choices.
Our lovely lady of the book is Kaia Luna, a shy, mysterious cook with a scientific background and a really smart pet mouse.
Their growing relationship is beautiful from the outset and Bo brings the shyness out of Kaia really well. She becomes a woman to reckon with under the sweet ministrations of Bowen Knight and I implore you to fuck with her.
Nalini’s writing style is, as always, pretty perfect with nothing bad that I can say about it. She has a way with words and characters that are to die for, plots that I’ve never seen before her and probably never will again.
Ocean Light brings us – as readers – into the deepness that is the black and into the darkness that is The Vanishings. We’re introduced to characters we’ve seen before and to new characters and species that are quite frankly sometimes not what you expect – Bebe I’m looking at you.
Ocean Light has the traditional Psy-Changeling-Human interaction that signature with Nalini’s books and that is threaded throughout each book. We’re 17 books in to the story and I just know Nalini has more to give and there is more for us to learn.
The unique plot base of the Psy-Changeling universe is something that is ever growing and ever evolving with each book. If you’ve never read one of these books I suggest you do. Although you can start with Silver Silence the first in the Psy-Changeling Trinity series – as Nalini Singh gives you plenty of background into the previous history- I highly recommend that you start from the beginning with Slave to Sensation as you will get the full force and magnitude of what is happening in the series and you’ll get the full experience of Nalini Singh’s work.
One of my favourite characters from the preceding books – Kaleb Krychek reappears as the badass that he is in Ocean Light and what I love is that He still retains the badass around everyone but his Sahara. It’s beautiful.
I always give Nalini’s books 5 stars purely because they deserve it. There’s never anything I genuinely say I didn’t like and for a series with this many books that is saying something. Other long running series I’ve read I can lose interest in. Nalini Singh’s books I await with bated breath for the next release.
It feels like I’ve been waiting for Ocean Light for 20 years, when in reality it’s probably only 5 or 6 but Ocean Light not only marks the second installment to the Psy-Changeling Trinity it marks a pretty huge milestone in the fantabulous world of the Psy-Changeling. I have one word: BlackSea.
The BlackSea Changelings have been that mystery group for a great many and finally, Ocean Light opens the doors to the black and Nalini Singh drops us in the deep end – figuratively speaking.
This book has my favourite human in it – Bowen Knight. He’s rough, he’s ready, he’s an alpha and he’s dying. Ocean Light is the story of Bowen’s recovery and his ultimate kick-assery of the things that go bump in the night.
After the previous shit-storm where Bowen is gravely injured, we see his rise through the blackness of despair and see him take on the chip that is currently destroying his brain like a boss.
Nothing will take him down. Especially not his own choices.
Our lovely lady of the book is Kaia Luna, a shy, mysterious cook with a scientific background and a really smart pet mouse.
Their growing relationship is beautiful from the outset and Bo brings the shyness out of Kaia really well. She becomes a woman to reckon with under the sweet ministrations of Bowen Knight and I implore you to fuck with her.
Nalini’s writing style is, as always, pretty perfect with nothing bad that I can say about it. She has a way with words and characters that are to die for, plots that I’ve never seen before her and probably never will again.
Ocean Light brings us – as readers – into the deepness that is the black and into the darkness that is The Vanishings. We’re introduced to characters we’ve seen before and to new characters and species that are quite frankly sometimes not what you expect – Bebe I’m looking at you.
Ocean Light has the traditional Psy-Changeling-Human interaction that signature with Nalini’s books and that is threaded throughout each book. We’re 17 books in to the story and I just know Nalini has more to give and there is more for us to learn.
The unique plot base of the Psy-Changeling universe is something that is ever growing and ever evolving with each book. If you’ve never read one of these books I suggest you do. Although you can start with Silver Silence the first in the Psy-Changeling Trinity series – as Nalini Singh gives you plenty of background into the previous history- I highly recommend that you start from the beginning with Slave to Sensation as you will get the full force and magnitude of what is happening in the series and you’ll get the full experience of Nalini Singh’s work.
One of my favourite characters from the preceding books – Kaleb Krychek reappears as the badass that he is in Ocean Light and what I love is that He still retains the badass around everyone but his Sahara. It’s beautiful.
I always give Nalini’s books 5 stars purely because they deserve it. There’s never anything I genuinely say I didn’t like and for a series with this many books that is saying something. Other long running series I’ve read I can lose interest in. Nalini Singh’s books I await with bated breath for the next release.
Gareth von Kallenbach (980 KP) rated Dead Rising 3: Apocalypse Edition in Video Games
Jun 19, 2019
When I first learned that Dead Rising 3 would be coming to PC in an
Apocalypse edition, I was thrilled. I have not been one eager to jump on
the Xbox One bandwagon and prefer to play my games on PC.
Having enjoyed the first two games in the series, I eagerly loaded up the
game and jumped into a casual co-op game where a fellow gamer and I worked
our way through levels teaming with hordes of the undead.
Like the other games in the series, I was able to use various vehicles to
run down and force my way through the hordes and of course, anything on
the very big and detailed maps can become a weapon, while there are guns,
grenades, swords, and traditional weapons, players will also find teddy
bears, hubcaps, laptops, bricks, and countless other goodies to ward off
being the main course at a Zombie Buffet.
Players will also be able to gather items and plans so they can easily
craft weapons such as a combination power saw and sledgehammer which makes
short work of all those in your path.
Like the previous games, missions are assigned and cut scenes are used to
move the story along as players often have to locate and return various
items for characters so they will do something for you in return that
allows you to advance.
Having played both in solo mode and with a flesh and blood player, I can
tell you that I greatly prefer having another player on hand as they can
help you fight, navigate, and survive, which is key as there is not always
a helpful amount of food or drink around to help you replenish lost
health.
Since players can only manage a few weapons at a time in their inventory
and Items do destruct after a certain amount of use, being on the lookout
for the next weapon is key as I have been in extended fights when my
options ran dry and I was forced to run.
Graphically the game is solid but not what I would call cutting edge. My
biggest issue with the game was that due to the huge and frequent hordes,
there were times when I lagged almost to a standstill which was not
something that helped enhance my enjoyment of the game.
That being said, the variety of gameplay and the story of the game that
clearly let you know the clock was ticking on your window for survival
really added a sense of urgency to the game.
I enjoyed the free form variety of the game such as taking a muscle car
and executing a flip off of a ramp into a wall of fire to take down a
Zombie that was clinging to the car. Some would call this overkill, but
that is simply how I roll.
From multiple game modes to plenty of in game options, Dead Rising 3 is
tons of fun, now if only they could do something about the in game lag, we
would really have a winner, as it is now, it is a good game that could
have been great on PC.
http://sknr.net/2014/09/15/dead-rising-3-apocalypse-edition/
Apocalypse edition, I was thrilled. I have not been one eager to jump on
the Xbox One bandwagon and prefer to play my games on PC.
Having enjoyed the first two games in the series, I eagerly loaded up the
game and jumped into a casual co-op game where a fellow gamer and I worked
our way through levels teaming with hordes of the undead.
Like the other games in the series, I was able to use various vehicles to
run down and force my way through the hordes and of course, anything on
the very big and detailed maps can become a weapon, while there are guns,
grenades, swords, and traditional weapons, players will also find teddy
bears, hubcaps, laptops, bricks, and countless other goodies to ward off
being the main course at a Zombie Buffet.
Players will also be able to gather items and plans so they can easily
craft weapons such as a combination power saw and sledgehammer which makes
short work of all those in your path.
Like the previous games, missions are assigned and cut scenes are used to
move the story along as players often have to locate and return various
items for characters so they will do something for you in return that
allows you to advance.
Having played both in solo mode and with a flesh and blood player, I can
tell you that I greatly prefer having another player on hand as they can
help you fight, navigate, and survive, which is key as there is not always
a helpful amount of food or drink around to help you replenish lost
health.
Since players can only manage a few weapons at a time in their inventory
and Items do destruct after a certain amount of use, being on the lookout
for the next weapon is key as I have been in extended fights when my
options ran dry and I was forced to run.
Graphically the game is solid but not what I would call cutting edge. My
biggest issue with the game was that due to the huge and frequent hordes,
there were times when I lagged almost to a standstill which was not
something that helped enhance my enjoyment of the game.
That being said, the variety of gameplay and the story of the game that
clearly let you know the clock was ticking on your window for survival
really added a sense of urgency to the game.
I enjoyed the free form variety of the game such as taking a muscle car
and executing a flip off of a ramp into a wall of fire to take down a
Zombie that was clinging to the car. Some would call this overkill, but
that is simply how I roll.
From multiple game modes to plenty of in game options, Dead Rising 3 is
tons of fun, now if only they could do something about the in game lag, we
would really have a winner, as it is now, it is a good game that could
have been great on PC.
http://sknr.net/2014/09/15/dead-rising-3-apocalypse-edition/
Gareth von Kallenbach (980 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/