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Four Lions (2010)
Four Lions (2010)
2010 | Comedy, Drama
The fine between comedy and tragedy...
Contains spoilers, click to show
I can remember first hearing about this early in 2010, and was unsure as what to expect. On one hand this could have been a nasty hate film, mocking the wave of Muslim extremism which is taking a firm hold in this country, merely for the entertainment value, or this could be one of the important satires on the subject to date.

It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.

Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.

Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.

The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.

But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.

The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.

Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.

Not just highly recommended, but a MUST SEE!
  
The Furnace (2019)
The Furnace (2019)
2019 |
8
8.0 (1 Ratings)
Movie Rating
Characters – Mary starts this film married and about to go on a honeymoon the pair had been dreaming off, this goes in an instant, leaving her needing an oxygen tank to get through the day, with any hopes of running dashed. Angry at the world, she starts to close off, finding any attempts at returning to her passion ending in hospital trips, until she meets Coffin, here she learns about faith and new technology to overcome her odds to compete in the race that was her honeymoon plan, one that is a test for even the toughest runners in the world. Coffin is a gravedigger in America, even though he is trained as a doctor back in Africa, he offers to help Mary get back to her former self, teaching her to pace herself, preparing her for the impossible sounding race. He must watch from the side lines, with hope that she will make it through each stage of the race. Raphaella is a fellow runner that Mary meets along the way, one to help support her over the course of the journey.

Performances – Jamie Bernadette steps away from the action horror roles we have seen her in recently for a much more serious role, one that does play into her strengths, she deals with the athletic demand of the performance with ease, while bringing the emotional impact of her character’s journey through the film. Luthuli Dlamini does a wonderful job in his role too bringing the calmness to help make Mary strong through the film.

Story – The story here follows one woman that loses everything she had a dreamt off until she finds her faith and pushes herself to get back on the track and complete the race she was meant to do with her husband. This is a story that shows the inspiration of wanting to overcome tragedy and finding a way to achieve this in a world you wouldn’t normal consider. We do get a normal montage of training, while a large part of the story follows the race being competed in. we do get to see just how much needed to be overcome, though it could have given us more of a time frame and just what the injury Mary had, like how likely it is to overcome, or would it be something she was meant to be living with for the rest of her life.

Settings – The film uses the settings to show us just how her life changes in America, while it does get the beauty shots of the African wild reserve seeing the different animals around area.


Scene of the Movie – The race final leg.

That Moment That Annoyed Me – Not getting a full look at the time frame.

Final Thoughts – This is an inspiring story of overcoming tragedy to get back to the former strength, with powerful performances throughout.

Overall: Inspiring Throughout.
  
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Suswatibasu (1703 KP) rated The God of Small Things in Books

Oct 10, 2017 (Updated Oct 11, 2017)  
The God of Small Things
The God of Small Things
Arundhati Roy | 1998 | Essays
8
8.3 (7 Ratings)
Book Rating
Brilliant way with words
This beautifully-written book tells the story of Estha and Rahel, a twin brother and sister who have been long separated due to a family tragedy about which we only learn the full truth near the end of the book, and who come back together at the age of 31 at the family home.

The book moves seamlessly between the summer that the twins were seven, when their lives changed for ever, and their present, as they strive to come to terms with the guilt of their past. Along with exploring the children's lives, Roy also develops in detail those family members and friends who have been most important to them - their frail violinist grandmother Mamachi (a battered wife turned domestic tyrant after her husband's death), their beautiful, frustrated mother Ammu, their overweight depressive uncle Chacko, and his English ex-wife Margaret and extrovert little daughter Sophie, the mysterious gardener Velutha, the local communist Mr Pillai and the twins' great aunt, 'Baby' (Navomi) Kochamma, the only one of the family to still be around when the twins reach the age of 31, and the most bitter and destructive in the entire doomed clan.

There is a great deal to admire in the book. Roy tells a lot about Indian customs without ever giving way to dry lectures, but there are a lot of unanswered questions left in the book. Nevertheless, this is a wonderful read by a superb author.