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Debbiereadsbook (1421 KP) rated Waking to Black (Uninhibited #1) in Books
Jun 30, 2018
3 good solid stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
First person, present tense is the reason why I very nearly didn't finish this one. Not my favourite way for a book to be written, and I make no apologies for having dumped books before upon finding out they are written this way.
But I didn't dump this one. I kept at it, and I was pleasantly surprised that I liked this. I did not love it though.
Evelyn has secrets and has been hiding from the world, existing say to day. Getting held up in a bank, and meeting Adam Black made her start living. But those secrets are hard to share, and she doesn't know if Adam will share his secrets too.
Aside from the present tense thing, I wanted Adam to have a voice, I really did and he doesn't. And because he doesn't, Evelyn began to grate on my nerves. I've no particular idea WHY, she just did. That's what I'm left felling and ya'll know I'm all about sharing my feelings!
This is book one in the Uninhibited trilogy. This is, as far as I can see, also book one for this author. Do I want to read more of the trilogy?? I don't know yet. I'm waiting to find out if Adam gets a say. I'm not sure I can face two more long (400 odd pages) full only of Evelyn.
The book comes with a BDSM tag, but I saw no evidence of that. I've tagged it over 18, and darker/grittier, because of what Evelyn went through and is still dealing with. Some readers may find it difficult reading. I'm not saying here, because that is a HUGE spoiler, but feel free to message me if you wish to know.
BUT!!
For a first time author, something must have clicked because I got past the present tense thing and read it all. So well done for that!
3 solid GOOD stars
**same worded review will appear elsewhere**
First person, present tense is the reason why I very nearly didn't finish this one. Not my favourite way for a book to be written, and I make no apologies for having dumped books before upon finding out they are written this way.
But I didn't dump this one. I kept at it, and I was pleasantly surprised that I liked this. I did not love it though.
Evelyn has secrets and has been hiding from the world, existing say to day. Getting held up in a bank, and meeting Adam Black made her start living. But those secrets are hard to share, and she doesn't know if Adam will share his secrets too.
Aside from the present tense thing, I wanted Adam to have a voice, I really did and he doesn't. And because he doesn't, Evelyn began to grate on my nerves. I've no particular idea WHY, she just did. That's what I'm left felling and ya'll know I'm all about sharing my feelings!
This is book one in the Uninhibited trilogy. This is, as far as I can see, also book one for this author. Do I want to read more of the trilogy?? I don't know yet. I'm waiting to find out if Adam gets a say. I'm not sure I can face two more long (400 odd pages) full only of Evelyn.
The book comes with a BDSM tag, but I saw no evidence of that. I've tagged it over 18, and darker/grittier, because of what Evelyn went through and is still dealing with. Some readers may find it difficult reading. I'm not saying here, because that is a HUGE spoiler, but feel free to message me if you wish to know.
BUT!!
For a first time author, something must have clicked because I got past the present tense thing and read it all. So well done for that!
3 solid GOOD stars
**same worded review will appear elsewhere**
Amy Curtis (49 KP) rated Four: A Divergent Collection in Books
Jan 12, 2019
The follow-on we all needed
The novel contains 5 short stories set in Tobias Eaton’s (Four’s) perspective. Some of the stories are events that you have seen from Tris’ point of view during the Divergent series. Throughout the series, he is quite a mysterious character and the only thing you really know is the small bits of information that he decides to reveal to Tris.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
David McK (3557 KP) rated Thrawn (Star Wars: Thrawn #1) in Books
Jan 28, 2019
I think therte may have been other Star Wars books prior to [a:Timothy Zahn|12479|Timothy Zahn|https://images.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, but I believe all those were set during (or prior to) the events of the movies, with Zahn holding the position of being the first author to be licensed to extend the story beyond the end of 'Return of the Jedi', and thus to kickstart the whole Extended Universe (or EU) of the Star Wars stories prior to the abolition of the same when Disnay acquired Luasfilm.
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
LeftSideCut (3776 KP) rated Star Wars: Episode III – Revenge of the Sith (2005) in Movies
Nov 29, 2019 (Updated Dec 20, 2019)
The final chapter of the Star Wars prequel trilogy is definitely the high point (which isn't the highest praise...) throwing a large amount of sci-fi action at the audience, whilst bring the Star Wars narrative full circle and finally tying into the first film.
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
Kristy H (1252 KP) rated The Hand on the Wall (Truly Devious #3) in Books
Mar 19, 2020
The finale to the Truly Devious trilogy does not disappoint. Stevie Bell believes she has solved the famous Truly Devious case. But she hasn't really told anyone yet. After all, yet another person is dead, someone else (whom she has kissed) has disappeared, and then another accident strikes Ellingham Academy. All while a giant snowstorm is about to hit the school. Stevie is sure everything is tied together--the deaths in the past, the deaths in the present. But it's finally too much for Ellingham. The school is being evacuated. Stevie is being sent home. It's over. So she makes the only rational choice. Time to stay at the school in the face of an insane storm--and a potential murderer.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
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Ross (3284 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 25, 2019
Fitting conclusion
The conclusion to the trilogy sees the dragon population under threat from poachers, and their use of a female "light fury" to lure toothless and all the dragons who follow him to their capture.
The plot sees Hiccup struggling to accept his inevitable marriage to Astrid, at the same time as Toothless seems besotted with his new female acquaintance. Toothless's reluctance to leave Hiccup behind is won over by his desire to get to know the female; whereas with Hiccup his head wins out and he doesn't seem ready to focus on anything other than leading the clan.
The visuals are excellent, with some scenes that rival Coco for beautiful other-worldly colours.
The story is enough to keep all entertained, and this might have been my 4 year old son's first real emotional film (at the end he turned to me with wet eyes and said "its ok sometimes to cry when a happy thing happens instead of a sad one").
The plot sees Hiccup struggling to accept his inevitable marriage to Astrid, at the same time as Toothless seems besotted with his new female acquaintance. Toothless's reluctance to leave Hiccup behind is won over by his desire to get to know the female; whereas with Hiccup his head wins out and he doesn't seem ready to focus on anything other than leading the clan.
The visuals are excellent, with some scenes that rival Coco for beautiful other-worldly colours.
The story is enough to keep all entertained, and this might have been my 4 year old son's first real emotional film (at the end he turned to me with wet eyes and said "its ok sometimes to cry when a happy thing happens instead of a sad one").