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Rachel King (13 KP) rated The Lens and the Looker in Books
Feb 11, 2019
The premise of this book was quite intriguing, so I had high hopes to see how this concept of "History Camps" played out using the city of Verona in the year 1347. What I did not really understand was why Hansum and Lincoln were specifically cast as lens-maker apprentices. Kaufman goes into extreme detail regarding the intricacies of making lenses for eye glasses with rudimentary tools of that time period, and quite a bit of the book is devoted to the education of the process and the modernization of the tools used. Seeing the lens-making business in practice in the "real" Verona showed that the "lenses for the eyes" contributed as more of a novelty for the wealthy and educated than a wide-spread tool used by the masses. In contrast, Shamira's role as kitchen girl made much more sense to me, as that is a generic role that would not necessarily impede the progression of plot.
Backing up, I was very interested in the present-day time period of 2347 and the few details that Kaufman spared regarding this society. Unfortunately, not much is explained about how this society came to be. A brief explanation is given for the planetary population of 300 million, along with other random details interspersed throughout the book, such as every child born is paired with an A.I., people are implanted with a device that keeps disease and infection at bay, and parents are only allowed to have one child with a lottery sometimes allowing for a second child. The purpose of the History Camps are explained through the rebellious attitudes of the three main characters and how they can easily manipulate the system for their own entertainment. As a parent, the word that continually echoed through my head regarding these children in the Hard-Time History Camp is "Spoiled!" Though they are supposed to be learning about how the rebellion of the human populations of the past caused everything from war, to disease, to poverty and famine, the way the children are coddled and protected from any sort of real pain or hardship makes me wonder how these History Camps ever accomplished anything of lasting value in any child.
Once the children are brought to the real Verona and abandoned as orphans, they finally begin to get a taste of real difficulty and hardship, but this is where the believability ends for me. The children had a single day in the History Camp Verona to get acquainted with their roles, and they show up in the real Verona as near-experts, maneuvering the details of their jobs to accommodate for comfort and ease of use that the family they work for is not familiar with, of course all with the help and direction of a very convenient genie. On top of all of this, the three children become agreeable, cooperative, and hard-working practically overnight, with little sign of the rebellious tendencies that put them in a History Camp in the first place. These transitions in character development felt forced to me.
Another aspect that really bugged me from the beginning of the book was the awkwardness of the dialog throughout the book, specifically regarding the children's speech. It felt stilted and over-simplified, and slowed down my reading because I consistently felt that children today did not speak like this. Some of the speech of the people native to the real Verona also seemed strange, but I attributed that to the speech of the time period.
Many of the characters took on unique facets that made them rather memorable to me, such as Ugilino's looks and arrogance, Signora della Cappa's madness, and Shamira's artistic inclinations. The budding romance between Hansum, or "Romero", and Guilietta copies the Shakespearean play, "Romeo and Juliet", in many ways, down to the presence of a Father Lurenzano, and I have to wonder about Kaufman's motivations for working this tale into the plot. And again, their romance also felt forced and over-the-top, missing the reality-warping conviction that is obvious in the original Shakespeare story.
I also have to wonder how these advancements that the three children are introducing to 1347 Verona are actually affecting the progression of time, since this is a much harped-upon concern regarding time travel. The only thing that is apparent to both the children and the reader is the quaint changes made to the appearance of the genie. Something else that is also mentioned early on is that this is also the same time period as the Black Plague, which has yet to make an appearance. Hopefully, the next book in the trilogy will address these things, The Bronze and the Brimstone: The Verona Trilogy, Book 2.
This book seemed geared to appeal to pre-teens and young teens in many ways, but as an adult reader, it left much to be desired for me.
Backing up, I was very interested in the present-day time period of 2347 and the few details that Kaufman spared regarding this society. Unfortunately, not much is explained about how this society came to be. A brief explanation is given for the planetary population of 300 million, along with other random details interspersed throughout the book, such as every child born is paired with an A.I., people are implanted with a device that keeps disease and infection at bay, and parents are only allowed to have one child with a lottery sometimes allowing for a second child. The purpose of the History Camps are explained through the rebellious attitudes of the three main characters and how they can easily manipulate the system for their own entertainment. As a parent, the word that continually echoed through my head regarding these children in the Hard-Time History Camp is "Spoiled!" Though they are supposed to be learning about how the rebellion of the human populations of the past caused everything from war, to disease, to poverty and famine, the way the children are coddled and protected from any sort of real pain or hardship makes me wonder how these History Camps ever accomplished anything of lasting value in any child.
Once the children are brought to the real Verona and abandoned as orphans, they finally begin to get a taste of real difficulty and hardship, but this is where the believability ends for me. The children had a single day in the History Camp Verona to get acquainted with their roles, and they show up in the real Verona as near-experts, maneuvering the details of their jobs to accommodate for comfort and ease of use that the family they work for is not familiar with, of course all with the help and direction of a very convenient genie. On top of all of this, the three children become agreeable, cooperative, and hard-working practically overnight, with little sign of the rebellious tendencies that put them in a History Camp in the first place. These transitions in character development felt forced to me.
Another aspect that really bugged me from the beginning of the book was the awkwardness of the dialog throughout the book, specifically regarding the children's speech. It felt stilted and over-simplified, and slowed down my reading because I consistently felt that children today did not speak like this. Some of the speech of the people native to the real Verona also seemed strange, but I attributed that to the speech of the time period.
Many of the characters took on unique facets that made them rather memorable to me, such as Ugilino's looks and arrogance, Signora della Cappa's madness, and Shamira's artistic inclinations. The budding romance between Hansum, or "Romero", and Guilietta copies the Shakespearean play, "Romeo and Juliet", in many ways, down to the presence of a Father Lurenzano, and I have to wonder about Kaufman's motivations for working this tale into the plot. And again, their romance also felt forced and over-the-top, missing the reality-warping conviction that is obvious in the original Shakespeare story.
I also have to wonder how these advancements that the three children are introducing to 1347 Verona are actually affecting the progression of time, since this is a much harped-upon concern regarding time travel. The only thing that is apparent to both the children and the reader is the quaint changes made to the appearance of the genie. Something else that is also mentioned early on is that this is also the same time period as the Black Plague, which has yet to make an appearance. Hopefully, the next book in the trilogy will address these things, The Bronze and the Brimstone: The Verona Trilogy, Book 2.
This book seemed geared to appeal to pre-teens and young teens in many ways, but as an adult reader, it left much to be desired for me.
Rachel King (13 KP) rated Abandon (Abandon, #1) in Books
Feb 11, 2019
Though I have been familiar with the name of Meg Cabot for awhile, this is the first book by her that I have actually read. I am a sucker for Greek mythology, and a retelling of Hades and Persephone has great potential. With a great cover and an even better premise to the book, I had pretty high hopes for the plot itself.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
ArecRain (8 KP) rated Captive Heart (The Warrior Maids of Rivenloch #2) in Books
Jan 18, 2018
I have been wanting to read this book for awhile novel. I have been putting it off because I already have so many books that still need to be to read that I felt guilty spending money on any more. Finally, I broke down and bought, though, because I have been wanting to read it that badly.
Despite feeling guilty about spending money on a book, I thoroughly enjoyed it. Its been long enough that I dont feel confident in my abilities to compare the first in the series to the second. Its not necessary to read the first one to enjoy the second. Everything you need to know, the author casually reminds you of during the storyline. Despite my poor memory, I can say that both novels left me with warm fuzzy feelings and I was content with the ending.
Helenas story was much more frustrating that her older sisters, however. There were moments I had to walk away because I wanted to scream alongside Helena. I agree that she can be impulsive and stubborn, but I found myself agreeing with her more often than not. I loved her passion and fire, and the chemistry she had with Colin was palpable. Colin was absolutely precious. I loved his playful nature, especially as it broke Helena out of her angry shell. Watching them together was adorable.
I think what I love most about this series is watching the couples grow to love each other. Despite their differences and disagreements, you can actually see and feel the love they develop for each other. The men want what is best for their lovers, but they dont turn alpha male and try to control them. The men took and accepted their women as they were. It was a powerful message, especially in a historical romance novel.
Overall, Captive Heart was worth every penny. Helena never lost her fiery spirit and was well-matched with the playful Colin. However, I am not sure if I will read the third and final book in the trilogy which pertains to Miriel and the Shadow. I understand Miriel didnt have that much to do in the first two novels, but she didnt leave much of an impression on me nor am I particularly interested in her story. I probably will end up reading it for curiositys sake, but I dont feel the urgency to read it as I did Helenas story.
Despite feeling guilty about spending money on a book, I thoroughly enjoyed it. Its been long enough that I dont feel confident in my abilities to compare the first in the series to the second. Its not necessary to read the first one to enjoy the second. Everything you need to know, the author casually reminds you of during the storyline. Despite my poor memory, I can say that both novels left me with warm fuzzy feelings and I was content with the ending.
Helenas story was much more frustrating that her older sisters, however. There were moments I had to walk away because I wanted to scream alongside Helena. I agree that she can be impulsive and stubborn, but I found myself agreeing with her more often than not. I loved her passion and fire, and the chemistry she had with Colin was palpable. Colin was absolutely precious. I loved his playful nature, especially as it broke Helena out of her angry shell. Watching them together was adorable.
I think what I love most about this series is watching the couples grow to love each other. Despite their differences and disagreements, you can actually see and feel the love they develop for each other. The men want what is best for their lovers, but they dont turn alpha male and try to control them. The men took and accepted their women as they were. It was a powerful message, especially in a historical romance novel.
Overall, Captive Heart was worth every penny. Helena never lost her fiery spirit and was well-matched with the playful Colin. However, I am not sure if I will read the third and final book in the trilogy which pertains to Miriel and the Shadow. I understand Miriel didnt have that much to do in the first two novels, but she didnt leave much of an impression on me nor am I particularly interested in her story. I probably will end up reading it for curiositys sake, but I dont feel the urgency to read it as I did Helenas story.
Goddess in the Stacks (553 KP) rated The Girl in The Tower: The Winternight Trilogy in Books
Mar 22, 2018
The Girl in the Tower is the second in the Winternight Trilogy, after the acclaimed debut novel, The Bear and the Nightingale. It's always hard to talk about sequels without giving too much away about the preceding books, so forgive me if I'm vague. One advantage to waiting so long to read The Bear and the Nightingale was that I got to jump straight into the sequel! Now I have to several months for the third.
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Dana (24 KP) rated Six of Crows in Books
Mar 23, 2018
Oh My Gosh!
Can we start out with this cover? It is absolutely gorgeous! And the dyed edges on the paper make me want to weep with joy. I love books that do that, but it isn't done enough in my opinion.
Okay, so on with the review.
I actually really enjoyed this book. It has been a while since I was able to actually read something for fun, so this was awesome to be able to pick up and devour.
I was kind of skeptical about it because there are so many spin-off series that don't work as well as the originals and make me start to dislike the series. This, however, exceeded all expectations. I actually think I enjoyed this book more than the originals!
The characters were well fleshed out and all had interesting quirks about them. I loved being able to delve into each character and their backstories when it was their turn to narrate. I do wish that some things were told a bit earlier, just to clear up any questions I had, but I think it still worked very well when those parts were told to the audience.
One thing that I really appreciate is that there are no love triangles!!! Yay!!! Also, bad ass females who don't need the male characters to validate them! And inclusiveness in sexuality!! Just, so much love for this book.
I enjoyed how I was able to root for the criminals who would, in all honestly, probably be seen as the villains in any other novel. It was refreshing for the characters to know they aren't the heroes, but are still able to be heroic in their own way.
Minor spoilers ahead!!! Turn back if you have not read the whole book!!!!
I loved that there were references to the characters in the Grisha trilogy!! When I recognized their names, I did a little happy dance.
There was a small reference (that may have been just me wanting it to be there) to The Breakfast Club on page 332.
My favorite passage from the novel would have to be from one of Inej's chapters on page 136 where she is thinking about true love. It was so interesting to see those feelings written out in a way that I would have never thought to see it as!
Overall, I absolutely adored this book and I can't wait for the next one to come out. I am mad at myself that I didn't read this sooner!
Can we start out with this cover? It is absolutely gorgeous! And the dyed edges on the paper make me want to weep with joy. I love books that do that, but it isn't done enough in my opinion.
Okay, so on with the review.
I actually really enjoyed this book. It has been a while since I was able to actually read something for fun, so this was awesome to be able to pick up and devour.
I was kind of skeptical about it because there are so many spin-off series that don't work as well as the originals and make me start to dislike the series. This, however, exceeded all expectations. I actually think I enjoyed this book more than the originals!
The characters were well fleshed out and all had interesting quirks about them. I loved being able to delve into each character and their backstories when it was their turn to narrate. I do wish that some things were told a bit earlier, just to clear up any questions I had, but I think it still worked very well when those parts were told to the audience.
One thing that I really appreciate is that there are no love triangles!!! Yay!!! Also, bad ass females who don't need the male characters to validate them! And inclusiveness in sexuality!! Just, so much love for this book.
I enjoyed how I was able to root for the criminals who would, in all honestly, probably be seen as the villains in any other novel. It was refreshing for the characters to know they aren't the heroes, but are still able to be heroic in their own way.
Minor spoilers ahead!!! Turn back if you have not read the whole book!!!!
I loved that there were references to the characters in the Grisha trilogy!! When I recognized their names, I did a little happy dance.
There was a small reference (that may have been just me wanting it to be there) to The Breakfast Club on page 332.
My favorite passage from the novel would have to be from one of Inej's chapters on page 136 where she is thinking about true love. It was so interesting to see those feelings written out in a way that I would have never thought to see it as!
Overall, I absolutely adored this book and I can't wait for the next one to come out. I am mad at myself that I didn't read this sooner!
Dana (24 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Mar 23, 2018
So I am actually giving this book a 3.5 stars instead of just a three. There are going to be slight spoilers throughout the review, so read at your own peril.
This was a typical second book in a trilogy. It is there to get to the last plot point and explain some background stuff that will most likely be needed in the last book, but it was kinda milk-toast to me.
The relationship between Kestrel and Arin didn't really grow too much until the very last second, but even then it wasn't a huge change. They argue way too much in my opinion. Maybe I am just spoiled with other books, but I didn't feel much romantic tension between the two whenever they were together. I feel like the first book did a much better job at building up the romance, and then this one just crushed it completely. They are however, finally seeing each other's side of the story which is nice. I just wished it had happened sooner.
I hate the emperor, he is a major dick. So is Kestrel's father. I want both of them to suffer in the next book.
I understand that introducing the easterners was important for the conflict to come, but I didn't feel any attachment to the new characters. The queen and her brother were kinda boring and didn't leave much of an impression on me after I read their parts. Maybe they will get more interesting in the next book?
I hated what happened with Jess and Ronan. I understand it was significant in showing that Kestrel has to leave her old life behind and that her friends are not as welcome to change as she is, but it was still not cool what happened to them. I actually really liked Ronan in the first book, but he turned into such an ass.
I enjoyed the last twenty pages of the book more than the rest because I feel like it started to pick up more. There was the inklings of what the next book will focus on and I think it will be a really cool concept.
I know I am mostly harping on the book in this review, but I really did enjoy it. I just liked the first one more than I did this one. I think Kestrel getting a backbone and standing up to the emperor was cool. I loved her friendship with Verex, too. Though I don't think they're endgame, I like them as friends.
I need to read the next book to see what happens!!
This was a typical second book in a trilogy. It is there to get to the last plot point and explain some background stuff that will most likely be needed in the last book, but it was kinda milk-toast to me.
The relationship between Kestrel and Arin didn't really grow too much until the very last second, but even then it wasn't a huge change. They argue way too much in my opinion. Maybe I am just spoiled with other books, but I didn't feel much romantic tension between the two whenever they were together. I feel like the first book did a much better job at building up the romance, and then this one just crushed it completely. They are however, finally seeing each other's side of the story which is nice. I just wished it had happened sooner.
I hate the emperor, he is a major dick. So is Kestrel's father. I want both of them to suffer in the next book.
I understand that introducing the easterners was important for the conflict to come, but I didn't feel any attachment to the new characters. The queen and her brother were kinda boring and didn't leave much of an impression on me after I read their parts. Maybe they will get more interesting in the next book?
I hated what happened with Jess and Ronan. I understand it was significant in showing that Kestrel has to leave her old life behind and that her friends are not as welcome to change as she is, but it was still not cool what happened to them. I actually really liked Ronan in the first book, but he turned into such an ass.
I enjoyed the last twenty pages of the book more than the rest because I feel like it started to pick up more. There was the inklings of what the next book will focus on and I think it will be a really cool concept.
I know I am mostly harping on the book in this review, but I really did enjoy it. I just liked the first one more than I did this one. I think Kestrel getting a backbone and standing up to the emperor was cool. I loved her friendship with Verex, too. Though I don't think they're endgame, I like them as friends.
I need to read the next book to see what happens!!
Ross (3284 KP) rated The Liar's Key in Books
Mar 30, 2018
Reading Mark Lawrence books, while seeing the outpouring of adoration for his works on facebook and goodreads, is quite a complicated situation to find yourself in.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
Daniel Boyd (1066 KP) rated Upgrade (2018) in Movies
Oct 2, 2018 (Updated Oct 3, 2018)
World Building (2 more)
VFX
Logan Marshall-Green
A Fresh, Fun Dose of Sci-Fi Fun
For years, I have been wanting to see what Leigh Whannell could do outside of the Horror genre. He wrote the first 3 Saw movies, (AKA the good ones,) and the Insidious trilogy, so he has proved himself as a titan in that genre, but I have been wanting to see him expand to another style, in a similar way that we have seen James Wan do.
Well this is it.
Upgrade is a Sci-Fi movie that doesn't follow the most unique concept in the genre, but does it in such a fresh and fun way that it works incredibly well. Upgrade also does a really good job at making you feel some genuine emotions of sadness and pity, something that I really didn't expect to get from a movie like this. When it comes to the action and violence in the movie, Upgrade embraces it's B-movie inspiration and gives us some awesome grisly practical effects along with some cool action choreography to go with it.
There are some elements to the plot that may seem bizarre to those not familiar with the more campy side of this genre and the movie does slightly feel like a video game at times. However, I don't feel that this is to the movie's detriment and instead, actually adds to the fun ride that the film is taking you on.
I also like the way the movie ended, although I saw the reveal of who the big bad was going to be coming a mile away, what happened afterward was really surprising and pretty bold and risky. I don't want to spoil anything here if I can help it, but let's just say I thought that they were going one way, which would have been a really poor, cliché ending for a movie like this and then they went in totally the opposite direction, subverting expectations and instead, choosing to end the film on a genuinely unexpected note. Whether you like the ending or not, I think that the guts it took to pull it off, deserves some praise.
Overall, Upgrade is a really fun watch. It has it's high octane action sequences as advertised in the trailer and it also has some surprisingly tender, heartfelt moments to go along with all of the stunts and gore. Definitely worth a watch if you are a sci-fi fan looking for a thrilling, bloody good time.
Well this is it.
Upgrade is a Sci-Fi movie that doesn't follow the most unique concept in the genre, but does it in such a fresh and fun way that it works incredibly well. Upgrade also does a really good job at making you feel some genuine emotions of sadness and pity, something that I really didn't expect to get from a movie like this. When it comes to the action and violence in the movie, Upgrade embraces it's B-movie inspiration and gives us some awesome grisly practical effects along with some cool action choreography to go with it.
There are some elements to the plot that may seem bizarre to those not familiar with the more campy side of this genre and the movie does slightly feel like a video game at times. However, I don't feel that this is to the movie's detriment and instead, actually adds to the fun ride that the film is taking you on.
I also like the way the movie ended, although I saw the reveal of who the big bad was going to be coming a mile away, what happened afterward was really surprising and pretty bold and risky. I don't want to spoil anything here if I can help it, but let's just say I thought that they were going one way, which would have been a really poor, cliché ending for a movie like this and then they went in totally the opposite direction, subverting expectations and instead, choosing to end the film on a genuinely unexpected note. Whether you like the ending or not, I think that the guts it took to pull it off, deserves some praise.
Overall, Upgrade is a really fun watch. It has it's high octane action sequences as advertised in the trailer and it also has some surprisingly tender, heartfelt moments to go along with all of the stunts and gore. Definitely worth a watch if you are a sci-fi fan looking for a thrilling, bloody good time.
Debbiereadsbook (1202 KP) rated Dead In The Pond (Grasmere Trilogy #2) in Books
Oct 18, 2018
i love Bishan!
This is book two in the Grasmere Cottage Mystery Trilogy, and you MUST read book one, Dead In The Garden, before you read this one. They are NOT stand alones and they follow on.
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
Hazel (1853 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.