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S-Town
S-Town
Society & Culture
8
8.5 (21 Ratings)
Podcast Rating
The pacing, the editing, the music, the writing , the story, the "characters", the meesage (0 more)
Prepare to laugh and cry at this real life mystery unveil in real time....
I can't think of any other podcast like S-Town, but after I binged the entire first season on it's release date, I expected to find a plethora of the type in the next few months on account of it's success. But unlike Serial - a true crime podcast that broke the internet and introduced 90% of the world to our amazing little corner - S-Town is hard to even identify it's genre , let alone duplicate something that's good because it is unique , so to my dismay, I still hold S-TOWN up there as my top 5 and am always on the lookout for the next diamond in the rough.


Unfortunately, telling you too much of any of this podcast is not fair because you deserve the chance to listen with unabashed views or predetermined ideas so you too will have no idea of what's coming...that's the best way to go into this one!


Oh, since I didn't tell you ABYTHJNG about it, just know that of all the podcasts I've tried to get my husband to listen all the way thru to - this, S-TOWN, was the only one he's ever listened to from the first to last episode. And he is hard to entertain with podcasts or audiobooks , so if he was asking me to "play the next one" after the first, you're sure to enjoy it just as much as we did. And that's all ya need to know!
  
Microphones and Murder
Microphones and Murder
Erin Huss | 2020 | Mystery
9
9.0 (1 Ratings)
Book Rating
Don’t Miss This Debut
Liv Olsen has spent a few years working on a popular true crime podcast, but now she’s decided to risk everything to start her own, Missing or Murdered. Working with her stepsister, Camry Lewis, she’s identified her first case. Just over ten years ago, Amelia Clark disappeared from Santa Maria, a town on central California’s coast, a week after an embarrassing video of her was posted on YouTube. The trail has long gone cold, but the retired detective who worked the case reached out to Liv, hoping that publicity would bring forward a new clue. As Liv begins to interview people who knew Amelia, she gets more questions than answers. What happen to Amelia all those years ago?

It’s always fun when a mystery opens with something other than a murder, and that’s what we get here. The missing person case was compelling, and it seemed the further I read, the more confusing the case became. However, everything came together for a satisfying solution before it was all over. The characters are charming, and I fell in love with them immediately. I appreciated the character growth we saw here, and I can’t wait to see how these relationships grow in future books. The suspects are just as real and do a great job of confusing us. I did find out character who speaks with a stutter annoying, and there were a couple of scenes I could have done without, but these are both minor issues. On the other hand, I appreciated the book’s humor and found myself laughing several times. This is a delightful debut, and I will definitely be back when the sequel drops.
  
M (Movie) (1931)
M (Movie) (1931)
1931 |
8
8.5 (2 Ratings)
Movie Rating
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.

Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.