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Ivana A. | Diary of Difference (1171 KP) rated The Rumour in Books
Nov 8, 2018
The Rumour by Lesley Kara [BOOK REVIEW]
The Rumour is Lesley Kara’s debut novel, a gripping book about what people are capable of doing when they feel threatened and exposed. A thriller about paranoia, fear and suspense unlike anything you have read before.
When Joanna moved into a small town, all she wants to do is be happy, with her son Alfie and her mother being beside her. Her son Alfie had troubles with bullies in the big city, and all his mum wants for him right now is for him to be happy and fit in the crowd.
And when a rumour starts hovering around that a woman that has killed a child a long time ago is living in the town, under a new identity, Joanna decides to share this rumour around with her friends, in hope that this will hopefully result in Alfie making some friends.
But what happens when a simple comment goes all wrong, and starts spreading like a virus? And what if this rumour happens to be true? What if there is indeed a killer living undercover in this small town, and is very upset and wants to punish those who share this rumour around? Starting with Alfie…
*
The Rumour was a thrilling read for me, as I haven’t read anything similar before. We see the story from Joanne’s point of view, but mostly, we see the story from a perspective of a mother.
We see a woman who is overthinking everything regarding her child, always asking herself twice whether she has made the right choice, and always wondering whether her child is safe.
And I am not a parent, but I can imagine that every parent over-worries about their children. Even at some point all of us would wonder whether this is normal, or we are just being paranoid again? And this initial moment has lead Joanne to become anxious and insecure, and feeling like something is wrong constantly.
I loved the plot around the child-killer, and how it slowly was developing throw a lot of characters.
I certainly did not expect that twist a few chapters before the end, and the final twist in the last chapters. This gave the story a whole new ‘’wow’’ factor, and I was really pleased.
I wouldn’t put it on my shelf of 5-star books, as I couldn’t get the biting nails moment. However, this books keeps you reading through, and I can’t wait to read more from Lesley. She is a great author.
Thank you to NetGalley and Random House UK, Transworld Publishers, for giving me an ARC copy of this book in exchange for an honest review.
When Joanna moved into a small town, all she wants to do is be happy, with her son Alfie and her mother being beside her. Her son Alfie had troubles with bullies in the big city, and all his mum wants for him right now is for him to be happy and fit in the crowd.
And when a rumour starts hovering around that a woman that has killed a child a long time ago is living in the town, under a new identity, Joanna decides to share this rumour around with her friends, in hope that this will hopefully result in Alfie making some friends.
But what happens when a simple comment goes all wrong, and starts spreading like a virus? And what if this rumour happens to be true? What if there is indeed a killer living undercover in this small town, and is very upset and wants to punish those who share this rumour around? Starting with Alfie…
*
The Rumour was a thrilling read for me, as I haven’t read anything similar before. We see the story from Joanne’s point of view, but mostly, we see the story from a perspective of a mother.
We see a woman who is overthinking everything regarding her child, always asking herself twice whether she has made the right choice, and always wondering whether her child is safe.
And I am not a parent, but I can imagine that every parent over-worries about their children. Even at some point all of us would wonder whether this is normal, or we are just being paranoid again? And this initial moment has lead Joanne to become anxious and insecure, and feeling like something is wrong constantly.
I loved the plot around the child-killer, and how it slowly was developing throw a lot of characters.
I certainly did not expect that twist a few chapters before the end, and the final twist in the last chapters. This gave the story a whole new ‘’wow’’ factor, and I was really pleased.
I wouldn’t put it on my shelf of 5-star books, as I couldn’t get the biting nails moment. However, this books keeps you reading through, and I can’t wait to read more from Lesley. She is a great author.
Thank you to NetGalley and Random House UK, Transworld Publishers, for giving me an ARC copy of this book in exchange for an honest review.
Roxanne (13 KP) rated The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1) in Books
Nov 14, 2018
___ <b>3 Star Rating</b> ___
I just had to read this one as I fell in love with the front cover, it looked great so I expected a great story.
I had a love/hate relationship with this book, there were bits that were so good I wanted to shout from the rooftops but there were also parts that were so bad I wanted to run to a dark corner and cry.
<u>The bits I loved</u>
1. The suspense - Oh my life and soul I thought my heart was going to give out! That tension was fantastic! The way the author wrote the action scenes were great, the extra long description filled build ups which make you sweat and then straight into the action. The action was always really good with a nice bit of gore and clever tactics...very well done!
2. The dog - You have to have a dog in there somewhere, I love dogs! If the dog survives then that's extra points from me, I just want the animals to be ok...f*ck anyone else!
3. The Unconsecrated - Very well described, I liked the idea of 'The Fast One' and yeah I know they're Zombies...but I like Zombies.
<u>The bits I hated</u>
1. Mary! Mary! Aaaaand...Mary! - Oh what a pain in the ass! I did not like the MC one little bit. She was incredibly selfish, self centred and just plain rude. She was willing to step on anybody to get her own way. Everything was...love, love, love, OMG Mary I love you!
Mary: *Like I give a shit! I just wanna go to the Beach!*
People whom she supposedly loved were dropping like flies around her but oh well that's one less person in the way of her ocean filled dreams.
I'm sorry but I just hoped for this...
<img src="http://i.imgur.com/TJ9LVsr.jpg"; width="300" height="210"/>
2. Lack of character development - Actually, there was none. I still know nothing about the other characters, it's like they were just there to show how 'amazing' Mary really was. I so wanted at least one of the other characters to take centre stage for a while, just so I could see things from a different perspective...but no.
3. Lack of story building - So...why? When? Who? What? Did they live? Die? How did the dog get across the rope the second time?
Why the gates? The fences? Why are there Unconsecrated? What is the Sisterhood all about? What are they hiding? How did this all happen? WTF is Mary's problem?
Ok...so I know there's a second book and I've heard that it doesn't even carry the story on, if that is true I think I'm gonna scream. So many questions!
I just had to read this one as I fell in love with the front cover, it looked great so I expected a great story.
I had a love/hate relationship with this book, there were bits that were so good I wanted to shout from the rooftops but there were also parts that were so bad I wanted to run to a dark corner and cry.
<u>The bits I loved</u>
1. The suspense - Oh my life and soul I thought my heart was going to give out! That tension was fantastic! The way the author wrote the action scenes were great, the extra long description filled build ups which make you sweat and then straight into the action. The action was always really good with a nice bit of gore and clever tactics...very well done!
2. The dog - You have to have a dog in there somewhere, I love dogs! If the dog survives then that's extra points from me, I just want the animals to be ok...f*ck anyone else!
3. The Unconsecrated - Very well described, I liked the idea of 'The Fast One' and yeah I know they're Zombies...but I like Zombies.
<u>The bits I hated</u>
1. Mary! Mary! Aaaaand...Mary! - Oh what a pain in the ass! I did not like the MC one little bit. She was incredibly selfish, self centred and just plain rude. She was willing to step on anybody to get her own way. Everything was...love, love, love, OMG Mary I love you!
Mary: *Like I give a shit! I just wanna go to the Beach!*
People whom she supposedly loved were dropping like flies around her but oh well that's one less person in the way of her ocean filled dreams.
I'm sorry but I just hoped for this...
<img src="http://i.imgur.com/TJ9LVsr.jpg"; width="300" height="210"/>
2. Lack of character development - Actually, there was none. I still know nothing about the other characters, it's like they were just there to show how 'amazing' Mary really was. I so wanted at least one of the other characters to take centre stage for a while, just so I could see things from a different perspective...but no.
3. Lack of story building - So...why? When? Who? What? Did they live? Die? How did the dog get across the rope the second time?
Why the gates? The fences? Why are there Unconsecrated? What is the Sisterhood all about? What are they hiding? How did this all happen? WTF is Mary's problem?
Ok...so I know there's a second book and I've heard that it doesn't even carry the story on, if that is true I think I'm gonna scream. So many questions!
Darren (1599 KP) rated Abduction (2011) in Movies
Jun 20, 2019
Story: Abduction starts as we meet rebellious high school student Nathan (Lautner) that is under strict training from his parents Kevin (Isaacs) and Mara (Bello) as well as his therapist Dr Bennet (Weaver) helping him control his anger problems. Nathan gets assigned to work with his high school crush Karen (Collins) in the latest project, which involved looking at missing children’s websites only to discover one of the kids looks just like him.
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
James Koppert (2698 KP) rated Thorn in Books
Mar 29, 2020
A Phenomenon
There are some young adults books, Harry Potter, Letter for the King, His Dark Materials that can be translated through the languages of the world and for decades or more, be held up as classics of young literature, deserved to be read and bring joy for all ages. Thorn deserves to be held up in equal company as these. I won't beat about the bush, this is an exceptional, beautiful entertaining tale deserving to be a global best-seller for many many years. If you read my reviews I don't thrust such extreme praise on everything I read, but Thorn is the type of book you end up taking a days holiday off work just to carry on engaging with this wonderful story.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.
The Betrayal: The 1919 World Series and the Birth of Modern Baseball
Book
In the most famous scandal of sports history, eight Chicago White Sox players-including Shoeless Joe...
Darren (1599 KP) rated Our Kind of Traitor (2016) in Movies
Sep 16, 2019
Characters – Perry is a university professor, he is trying to make amends with his wife on a romantic holiday, he reluctantly gets involved in the information trade with his good nature being used by both sides. Gail is the lawyer wife of Perry, she has become distant from him while still loving him and does question his decision to help Dima. Dima is the Russian mafia handling the accounts, but he wants out to help his own children become safe, he uses his connection with Perry to get MI6 involved in the truth. Hector is the MI6 agent that is willing to work with Dima for the information in exchange for the family, he does have his own grudge with the man they are trying to take down too.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Movie Metropolis (309 KP) rated Noah (2014) in Movies
Jun 11, 2019
Biblical epics never seem to translate well from paper to the big screen. Mel Gibson’s 2004 misfire, The Passion of the Christ, showed just how difficult it was to turn promising source material into silver screen gold.
Now, 10 years on from that, Black Swan director Darren Aronofsky breathes new life into the biblical genre with his take on the classic ‘Noah’ tale. But can his sixth attempt behind the camera reverse the ailing genre’s fortunes?
Unfortunately, the answer is no. From lacklustre special effects to dreadful acting, Aronofsky’s biblical epic fails from start to finish, with only a few key scenes lifting it above The Passion of the Christ.
Noah follows the story of the titular hero played by Russell Crowe as he sets out on a mission given to him by the ‘Creator’ to rid the world of its evil and to start afresh. Jennifer Connelly plays Noah’s wife Naameh and Ray Winstone portrays his arch nemesis, Tubal-cain.
The story is like the tale we all know, but on steroids. Gone is the subtlety of the bibleNoah-poster version and in its place is a stark environmental message as Noah tells his family and those around him that humans have destroyed the planet and that we ourselves, must be destroyed. From stone angels sent to watch over the human race, to the addition of numerous characters, Noah rids the story of its depth in favour of poor special effects and anti-climatic battles. It’s a real shame as Aronofsky has proven himself to be utterly talented behind the lens.
The performances are also well-below what we expect from such gifted actors. Emma Watson’s take of Ila, Noah’s daughter-in-law is laughable at best; a world away from the talent we saw towards the end of the Harry Potter series. Jennifer Connelly is outstandingly poor and Russell Crowe seems to be on auto-pilot as he spouts meaningless drivel. Only Anthony Hopkins leaves his fine reputation in tact as Methuselah, though he is in the film for less than 15 minutes.
Moreover, the best and most memorable part from the bible story, the animals, is completely misguided. Not only are they playing second fiddle to the ridiculous rivalry between Noah and Ray Winstone’s idiotic villain, they are rendered in such poor CGI, you never truly believe that they are there. The elephants and snakes in particular are very shoddy.
Thankfully all is not lost. Being a Darren Aronofsky film, Noah is a beautifully shot film. The cinematography is outstanding with stunning vistas of a huge variety of landscapes and the inclusion of an exciting Genesis featurette in the latter half of the picture are real highlights.
At 138 minutes Noah is a true bum-number and there’ll be lots of shuffling about in your seat as you struggle to digest each and every part of information the film shoves down your throat.
Unfortunately, a promising marketing campaign and some good trailers mask a film which never rises above average. The special effects really needed much more work and the acting is very poor. Only a few stand-out scenes stop it from falling below The Passion of the Christ as another biblical turkey.
https://moviemetropolis.net/2014/04/14/noah-review/
Now, 10 years on from that, Black Swan director Darren Aronofsky breathes new life into the biblical genre with his take on the classic ‘Noah’ tale. But can his sixth attempt behind the camera reverse the ailing genre’s fortunes?
Unfortunately, the answer is no. From lacklustre special effects to dreadful acting, Aronofsky’s biblical epic fails from start to finish, with only a few key scenes lifting it above The Passion of the Christ.
Noah follows the story of the titular hero played by Russell Crowe as he sets out on a mission given to him by the ‘Creator’ to rid the world of its evil and to start afresh. Jennifer Connelly plays Noah’s wife Naameh and Ray Winstone portrays his arch nemesis, Tubal-cain.
The story is like the tale we all know, but on steroids. Gone is the subtlety of the bibleNoah-poster version and in its place is a stark environmental message as Noah tells his family and those around him that humans have destroyed the planet and that we ourselves, must be destroyed. From stone angels sent to watch over the human race, to the addition of numerous characters, Noah rids the story of its depth in favour of poor special effects and anti-climatic battles. It’s a real shame as Aronofsky has proven himself to be utterly talented behind the lens.
The performances are also well-below what we expect from such gifted actors. Emma Watson’s take of Ila, Noah’s daughter-in-law is laughable at best; a world away from the talent we saw towards the end of the Harry Potter series. Jennifer Connelly is outstandingly poor and Russell Crowe seems to be on auto-pilot as he spouts meaningless drivel. Only Anthony Hopkins leaves his fine reputation in tact as Methuselah, though he is in the film for less than 15 minutes.
Moreover, the best and most memorable part from the bible story, the animals, is completely misguided. Not only are they playing second fiddle to the ridiculous rivalry between Noah and Ray Winstone’s idiotic villain, they are rendered in such poor CGI, you never truly believe that they are there. The elephants and snakes in particular are very shoddy.
Thankfully all is not lost. Being a Darren Aronofsky film, Noah is a beautifully shot film. The cinematography is outstanding with stunning vistas of a huge variety of landscapes and the inclusion of an exciting Genesis featurette in the latter half of the picture are real highlights.
At 138 minutes Noah is a true bum-number and there’ll be lots of shuffling about in your seat as you struggle to digest each and every part of information the film shoves down your throat.
Unfortunately, a promising marketing campaign and some good trailers mask a film which never rises above average. The special effects really needed much more work and the acting is very poor. Only a few stand-out scenes stop it from falling below The Passion of the Christ as another biblical turkey.
https://moviemetropolis.net/2014/04/14/noah-review/
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
Darren (1599 KP) rated Scream 3 (2000) in Movies
Oct 31, 2019
Characters – Sidney is now living off the map, helping women in need of a helping hand, when the killer tracks her down, she comes to help from her hiding where she will come face to face with the true killer. Dewey is now working on the set of the Stab films, he is helping one of the stars of the film understand her character and gets stuck into the investigation this time. Gale isn’t as cut throat as she once was, her career didn’t go as well as it could have, she must put up with the needy actress who is playing her in the film. Detective Mark Kincaid is the cop assigned to try and track down the killer willing to push boundaries to uncover the truth. We get a string of actors that will be playing to the roles of the characters in the franchise, with Jennifer Jolie preparing to be Gale being the highlight of these and if not the whole movie. Our suspect list is long which only adds to the mystery we might be seeing through the film.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.