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Lyndsey Gollogly (2893 KP) rated Open Your Eyes ( Chosen Fate book 1) in Books
May 31, 2022
94 of 230
Kindle
Open your eyes ( Chosen by Fate book 1)
By Aspen Winters
⭐️⭐️
Gods are vanishing; their only salvation is bonding to a human soul.
My name is Clara Daniels. I was your average New Yorker with a degree in business and a need for a job. Everything in my life was normal; well, as normal as it could be with an overbearing mother obsessed with the Lord and trying to find me a man. Not to mention, dealing with the many chauvanistic men that dominate the business world of New York.
Then one day, I ran into Fate - literally - and my entire world was changed. Now, my normal is being the human soul for four, overpowering, disturbingly hot gods. Think Zeus, Aries, Hades - see where I'm going with this. Turns out all that mythology was true. Now, I'm the only chance these four gods have to continue to live and soon they'll become my only chance.
Unfortunately, there's a group of people that don't agree with this and I just became their next target.
Can I trust them to protect me? Or will they let me down like so many others before them? Only Fate knows...and she's not telling.
I almost DNFd this a few times but something in me wanted to see how it played out. Now I’m not into author bashing and I’m not about to start now. This had some major plot holes and a few cringy parts. The mother is just instantly dis likeable I mean she is absolutely vile. There are bits that make you think why?. There are some ok bits and towards the end it came together. The story had good foundation so I think it why I stuck it out.
Kindle
Open your eyes ( Chosen by Fate book 1)
By Aspen Winters
⭐️⭐️
Gods are vanishing; their only salvation is bonding to a human soul.
My name is Clara Daniels. I was your average New Yorker with a degree in business and a need for a job. Everything in my life was normal; well, as normal as it could be with an overbearing mother obsessed with the Lord and trying to find me a man. Not to mention, dealing with the many chauvanistic men that dominate the business world of New York.
Then one day, I ran into Fate - literally - and my entire world was changed. Now, my normal is being the human soul for four, overpowering, disturbingly hot gods. Think Zeus, Aries, Hades - see where I'm going with this. Turns out all that mythology was true. Now, I'm the only chance these four gods have to continue to live and soon they'll become my only chance.
Unfortunately, there's a group of people that don't agree with this and I just became their next target.
Can I trust them to protect me? Or will they let me down like so many others before them? Only Fate knows...and she's not telling.
I almost DNFd this a few times but something in me wanted to see how it played out. Now I’m not into author bashing and I’m not about to start now. This had some major plot holes and a few cringy parts. The mother is just instantly dis likeable I mean she is absolutely vile. There are bits that make you think why?. There are some ok bits and towards the end it came together. The story had good foundation so I think it why I stuck it out.
Outlaw Witch (Enchanted Bargains #1)
8.0
Rate It
Book
In a city of magic users, I’m a freak—a sponge with the ability to absorb the powers of others....
Reverse Harem Why Choose? Cliffhanger Ending Paranormal Romance Forced Proximit
His Rockstar Dom
10.0
Rate It
Book
A singing sensation who steals hearts. The wannabe guitarist who worships him. Can true love survive...
Contemporary MM Rockstar Romance BDSM
ClareR (5885 KP) rated The Secret Diaries of Charles Ignatius Sancho in Books
May 7, 2024
The Secret Diaries of Charles Ignatius Sancho was a real eye opener of a novel. I listened to the audiobook, read so well by the author, Paterson Joseph.
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
Lyndsey Gollogly (2893 KP) rated The Wife List in Books
Jun 3, 2024
109 of 220
Book sirens Arc
The Wife List
By J.A. Schneider
⭐️⭐️⭐️
Has a group of men conspired to murder each other's wives - figuring their perfect alibis will save them? That is what Beth Kemp starts to suspect, but is she losing her mind? Her husband says he fears so...
I'll give this marriage one more try, Beth Kemp thinks. She is a successful crime writer in New York City, who regrets that tension has crept into her relationship with her husband, Brad. He too is a writer who, after early success, finds his career fading.
Brad urges that a move to the country would make them happy again - and safe, especially Beth, to avoid the city's stress that triggers her severe asthma attacks. Beth wavers, until her close friend is murdered and the friend's husband has a perfect alibi. She finally accepts that the city with its surging crime has become too hard for her.
The Kemps move to beautiful Sheffield, Connecticut, so perfect it seems too good to be true. It is. When one new friend cries in fear about her husband, and another has a bruise under her eye, Brad tells Beth that she's overimagining. But when she hears of another wife's unsolved murder and yet another friend dies mysteriously, Beth suspects the husbands of covering for each other. Brad tells her she's getting crazy, paranoid.
Then Beth stumbles onto the most devastating shock of all, one she never imagined...
This was a decent read of not a little to predictable. Well written and a good story.
I do like this writers style but like I said it was very predictable.
I received an advance review copy for free, and I am leaving this review voluntarily.
Book sirens Arc
The Wife List
By J.A. Schneider
⭐️⭐️⭐️
Has a group of men conspired to murder each other's wives - figuring their perfect alibis will save them? That is what Beth Kemp starts to suspect, but is she losing her mind? Her husband says he fears so...
I'll give this marriage one more try, Beth Kemp thinks. She is a successful crime writer in New York City, who regrets that tension has crept into her relationship with her husband, Brad. He too is a writer who, after early success, finds his career fading.
Brad urges that a move to the country would make them happy again - and safe, especially Beth, to avoid the city's stress that triggers her severe asthma attacks. Beth wavers, until her close friend is murdered and the friend's husband has a perfect alibi. She finally accepts that the city with its surging crime has become too hard for her.
The Kemps move to beautiful Sheffield, Connecticut, so perfect it seems too good to be true. It is. When one new friend cries in fear about her husband, and another has a bruise under her eye, Brad tells Beth that she's overimagining. But when she hears of another wife's unsolved murder and yet another friend dies mysteriously, Beth suspects the husbands of covering for each other. Brad tells her she's getting crazy, paranoid.
Then Beth stumbles onto the most devastating shock of all, one she never imagined...
This was a decent read of not a little to predictable. Well written and a good story.
I do like this writers style but like I said it was very predictable.
I received an advance review copy for free, and I am leaving this review voluntarily.
The Way Alex Sees Me (Aphrodite in Disguise #2)
Book
High school senior Rusty Finch is in a pickle. His grades are plummeting even though everyone...
Dark MM Contemporary Historical Paranormal Romance
Lyndsey Gollogly (2893 KP) rated Malice ( Book 1) in Books
Mar 23, 2024
56 of 220
Book
Malice ( Book 1)
By Heather Walter
⭐️⭐️⭐️
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily ever after.
Utter nonsense.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world.
Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
I am the villain.
This was a lot better than I expected. For a different spin on Maleficent this was pretty decent and different to what I thought it would be. You certainly fall in love with Alyce.
Book
Malice ( Book 1)
By Heather Walter
⭐️⭐️⭐️
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily ever after.
Utter nonsense.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world.
Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
I am the villain.
This was a lot better than I expected. For a different spin on Maleficent this was pretty decent and different to what I thought it would be. You certainly fall in love with Alyce.
Gareth von Kallenbach (980 KP) rated Pan (2015) in Movies
Aug 6, 2019
I had mixed emotions when I first saw the trailer for Pan. The story of Peter Pan was one of my all time favorites growing up. Then Steven Spielberg had to go and get Robin Williams and Dustin Hoffman together to bring us Hook, and it solidified the stories of Pan as the best thing since sliced bread for me. So here we have Joe Wright bringing the word put on paper by Jason Fuchs to real life. The story of how Peter came to Neverland; and just how did Captain James T. Hook become so fearful of crocodiles. I was worried, and so I shut it all out. I did not watch any more trailers, clips, or synopsis on the film. But, my curiosity got the best of me, and when we offered the press screening, I jumped at the opportunity to see it. And boy, I am glad I did.
Pan, in case you haven’t figured it out, tells the story of 12-year old orphan Peter (Levi Miller), who is abducted from his orphanage, along with many other little boy orphans, by pirates from Neverland. When they bring Peter to Neverland, he is forced to work in the mines, serving the evil pirate overlord, Black Beard (Hugh Jackman, no seriously. It totally doesn’t even look like him.). It’s not long before some very unusual things start happening to him, and he, along with James T. Hook (Garrett Hedlund), escape the mines to find the natives and Princess Tiger Lily (Rooney Mara), who helps Peter discover his destiny.
Loaded with stunning visuals and a great soundtrack (including some very recognizable songs in the form of pirate chants), Pan nails it in all the right ways. The visionaries who brought this world to life are amazing, and the creativity in every scene is astounding. It was especially charming that the people behind the film kept in mind that it is a family film. While there is some violence, it is an action movie after all, they applied some very interesting effects and theories to use in place of the gore and blood. I also enjoyed, as weird as this sounds, the brightness of the whole movie. They didn’t try to make the film a dark tale of gritty origins. The feel of the story has the same notes of brightness that I remember from the Disney film as a kid, to even Hook in my later years.
And the likenesses do not stop there. It was very fun, and a bit nostalgic, to catch the references and clues of what’s to come. You see things that influence the characters to become who we know and love. And true to the rumors/stories I heard of the background of the beloved Peter Pan tale, Captain Hook and Peter began their time together as friends. The film sets out to do what it was meant to do… tell the story of how Peter and Captain Hook became who they were. But, not all is revealed in this film. When the film is over, and you’ll wish it weren’t, our beloved hero and villain have a long way to go still. So look forward to more films to come.
The only gripe I had with this movie was the acting. And just one part in general. I felt most of the cast was excellent. Jackman portrayed a great, and zany by the standards of the Paniverse (hoping to coin a new term here people, #paniverse), pirate… czar?! I know I used overlord, but it’s hard to say what he is other than he is the captain of captains. Mara played Tiger Lily oh so very well, and Miller held his own right up there with the bigger names. But it was Hedlund I had issue with. His portrayal of James Hook was more reminiscent of Jack Nicholson with elongated words, and an almost creepy like vibe. It’s just not how I imagined him to act, and maybe that is just throwing my perception off. Though, my feeling and view of the portrayal was echoed by my guest at the screening, so there may be something to it. Luckily, my negative view of the acting was not enough to pull me out of the experience, and I was still able to enjoy the movie.
Bottom line. Go see this movie. Take your kids, your partners, your parents, your grandparents, your cousin’s, aunt’s son/daughter… oh wait. That’s you. The point is. It’s definitely worth seeing. The 3D effects were nothing ground breaking, but it would still be worth it to see it in 3D. And this will definitely be in my collection on day 1 of home release.
Pan, in case you haven’t figured it out, tells the story of 12-year old orphan Peter (Levi Miller), who is abducted from his orphanage, along with many other little boy orphans, by pirates from Neverland. When they bring Peter to Neverland, he is forced to work in the mines, serving the evil pirate overlord, Black Beard (Hugh Jackman, no seriously. It totally doesn’t even look like him.). It’s not long before some very unusual things start happening to him, and he, along with James T. Hook (Garrett Hedlund), escape the mines to find the natives and Princess Tiger Lily (Rooney Mara), who helps Peter discover his destiny.
Loaded with stunning visuals and a great soundtrack (including some very recognizable songs in the form of pirate chants), Pan nails it in all the right ways. The visionaries who brought this world to life are amazing, and the creativity in every scene is astounding. It was especially charming that the people behind the film kept in mind that it is a family film. While there is some violence, it is an action movie after all, they applied some very interesting effects and theories to use in place of the gore and blood. I also enjoyed, as weird as this sounds, the brightness of the whole movie. They didn’t try to make the film a dark tale of gritty origins. The feel of the story has the same notes of brightness that I remember from the Disney film as a kid, to even Hook in my later years.
And the likenesses do not stop there. It was very fun, and a bit nostalgic, to catch the references and clues of what’s to come. You see things that influence the characters to become who we know and love. And true to the rumors/stories I heard of the background of the beloved Peter Pan tale, Captain Hook and Peter began their time together as friends. The film sets out to do what it was meant to do… tell the story of how Peter and Captain Hook became who they were. But, not all is revealed in this film. When the film is over, and you’ll wish it weren’t, our beloved hero and villain have a long way to go still. So look forward to more films to come.
The only gripe I had with this movie was the acting. And just one part in general. I felt most of the cast was excellent. Jackman portrayed a great, and zany by the standards of the Paniverse (hoping to coin a new term here people, #paniverse), pirate… czar?! I know I used overlord, but it’s hard to say what he is other than he is the captain of captains. Mara played Tiger Lily oh so very well, and Miller held his own right up there with the bigger names. But it was Hedlund I had issue with. His portrayal of James Hook was more reminiscent of Jack Nicholson with elongated words, and an almost creepy like vibe. It’s just not how I imagined him to act, and maybe that is just throwing my perception off. Though, my feeling and view of the portrayal was echoed by my guest at the screening, so there may be something to it. Luckily, my negative view of the acting was not enough to pull me out of the experience, and I was still able to enjoy the movie.
Bottom line. Go see this movie. Take your kids, your partners, your parents, your grandparents, your cousin’s, aunt’s son/daughter… oh wait. That’s you. The point is. It’s definitely worth seeing. The 3D effects were nothing ground breaking, but it would still be worth it to see it in 3D. And this will definitely be in my collection on day 1 of home release.
Monacello: The Little Monk: Book 1
Geraldine McCaughrean and Jana Diemberger
Book
A haunting legend from the Undercity of Naples "Goblin" "Gremlin!" "Demon!" Strange little creature....
Bob Mann (459 KP) rated Alone in Berlin (2017) in Movies
Sep 29, 2021
Small Rebellions.
Once again, World War II turns up another true story of quiet valour to turn into a motion picture. At a time when Trump is pontificating about so called “fake news”, here is a timely tale from history which centres on the battle against genuinely fake news: the Nazi propaganda machine.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.