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Movie Metropolis (309 KP) rated Halloween (2018) in Movies
Jun 10, 2019
A True successor to the original
Halloween 1978 and little-known director John Carpenter terrifies thousands of impressionable horror fans with the introduction of ‘The Shape’. Jamie Lee Curtis becomes the new ‘scream queen’ and all is well in the world of the slasher genre.
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Amy Christmas (170 KP) rated Half the World in Books
Dec 20, 2017 (Updated Dec 22, 2017)
Amazing character development (2 more)
Fast paced scenes along with slow scenes
Writing style is easy to follow
Starting is slow to get in to (1 more)
Spelling and grammatical mistakes
An unexpectedly good middle book
In the second book following from Half a King we follow two new characters, Thorn and Brand. Thorn is a girl in a man's world fighting in the ring with the desire to become a gettland warrior, while Brand is a man who despite fighting in the ring hesitates and only wants to do 'good'.
In the first few chapters we learn that Thorn is disliked for her desire to fight and Master Hunnan, their trainer, sets 3 men on her at once for her warriors test. Thorn is beaten down by the men until she accidentally kills one of them. Named a murderer and shamed she's taken to the king and sentenced to death.
Meanwhile Brand while disliking Thorn doesn't want her to be punished due to the unfairness of the situation. Then we get our first look at Yarvi as Brand confesses the true situation and asks him to save Thorn.
At first Yarvi comes off as a cold closed and cunning man but we soon learn that he is the same old Yarvi just with a few more tricks.
Following these events Thorn and Brand find themselves on Yarvi's ship as he sails out to find allies against The High King who angers at Gettland not bending their knee to him. Skifr a warrior trains Thorn in battle until Thorn is as deadly as a knives edge.
We meet king Fynn of Throvenland and sail up the divine and denied and carry a ship over the fall hauls to arrive at the first city. Here we meet the new empress of the South and find that they too have political disturbances leading to death and chaos.
Through this journey we find Brand is a good but uncertain man and Thorn is bold, and deadly yet broken and Yarvi doesn't keep to all of his oaths.
This is a fantastic follow on from the first book as the new characters are well developed as well as the world itself. As the stake rise and allies are found I can't wait to read the third book to finish this story off.
In the first few chapters we learn that Thorn is disliked for her desire to fight and Master Hunnan, their trainer, sets 3 men on her at once for her warriors test. Thorn is beaten down by the men until she accidentally kills one of them. Named a murderer and shamed she's taken to the king and sentenced to death.
Meanwhile Brand while disliking Thorn doesn't want her to be punished due to the unfairness of the situation. Then we get our first look at Yarvi as Brand confesses the true situation and asks him to save Thorn.
At first Yarvi comes off as a cold closed and cunning man but we soon learn that he is the same old Yarvi just with a few more tricks.
Following these events Thorn and Brand find themselves on Yarvi's ship as he sails out to find allies against The High King who angers at Gettland not bending their knee to him. Skifr a warrior trains Thorn in battle until Thorn is as deadly as a knives edge.
We meet king Fynn of Throvenland and sail up the divine and denied and carry a ship over the fall hauls to arrive at the first city. Here we meet the new empress of the South and find that they too have political disturbances leading to death and chaos.
Through this journey we find Brand is a good but uncertain man and Thorn is bold, and deadly yet broken and Yarvi doesn't keep to all of his oaths.
This is a fantastic follow on from the first book as the new characters are well developed as well as the world itself. As the stake rise and allies are found I can't wait to read the third book to finish this story off.
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
Whatchareadin (174 KP) rated The Other Side of the Pillow in Books
May 10, 2018
For most of the relationships Jemistry has been in, they have been abusive and she ends up hurt, physically and emotionally. After so many years of this she decides to take the rest of her life into her own hands and builds a wall around herself and stay single only have a few friends with benefits, to fill her needs. That is until she meets Tevin Harris. Will he be able to tear down the wall Jemistry has built around herself or will she repeat her past patterns of bailing on a relationship just when things seem to be going well?
I have read quite a few of Zane's book in the past, but it has been few years since I have read one. This I will say is now one of my favorites. <u>The Other Side of the Pillow</u> was a great love story that most women dream will be a part of their lives. To meet a man who is understanding of your past, butwill love you because of the future you will build together. Jemistry meets Tevin after she finishes reciting a poem called "Bitter". Shortly after they meet, though, she drops the two men she's been having casual sex with for the past couple of years.
The thing I liked best about this book, is that is gives you the hope that there is love out there for everybody sometimes in the place you leastexpect it. Learning to trust is not the easiest thing to do, but when you find someone you can trust completely then it's a magical thing. Tevin helped Jemistry to break down the wall she had built and learn to love again, but will the love and trust last.
Each chapter started with a quote about love, here are a few of my favorites:
"One day you'll meet someone who doesn't care about your past because they want to be with you in your future." --Anonymous
"Love is when you look into someone's eyes and see everything you need." --Unknown
"When I say I love you, please believe it's true. When I say forever, know I'll never leave you. When I say good-bye, promise me you won't cry. Cause the day I'll be saying that would be the day I die." --Unknown
I have read quite a few of Zane's book in the past, but it has been few years since I have read one. This I will say is now one of my favorites. <u>The Other Side of the Pillow</u> was a great love story that most women dream will be a part of their lives. To meet a man who is understanding of your past, butwill love you because of the future you will build together. Jemistry meets Tevin after she finishes reciting a poem called "Bitter". Shortly after they meet, though, she drops the two men she's been having casual sex with for the past couple of years.
The thing I liked best about this book, is that is gives you the hope that there is love out there for everybody sometimes in the place you leastexpect it. Learning to trust is not the easiest thing to do, but when you find someone you can trust completely then it's a magical thing. Tevin helped Jemistry to break down the wall she had built and learn to love again, but will the love and trust last.
Each chapter started with a quote about love, here are a few of my favorites:
"One day you'll meet someone who doesn't care about your past because they want to be with you in your future." --Anonymous
"Love is when you look into someone's eyes and see everything you need." --Unknown
"When I say I love you, please believe it's true. When I say forever, know I'll never leave you. When I say good-bye, promise me you won't cry. Cause the day I'll be saying that would be the day I die." --Unknown
Whatchareadin (174 KP) rated Love in a Nutshell (Culhane Family #1) in Books
May 10, 2018
Kate Appleton is at a point in her life where things couldn't possibly be worse. She is currently living in Keene's Harbor in Michigan in an attempt to fix up her parent's summer home into a Bed and Breakfast before the new mortgage holder takes over.
Matt Culhane is at a point in his life where things couldn't be better. His Depot Brewery and restaurant is doing great and he has plans for more businesses in the very near future. He does have one small problem, though. Someone seems to be after him.
After being fired from her job Kate starts working for Matt as a "floater" and spy. It's her job to find the saboteur in the establishment as well as help out where she is needed. What will happen between them during this time?
I didn't dive into this book the way I thought I would when I got this book from the library. Trying to continue my [a:Janet Evanovich|2384|Janet Evanovich|https://d.gr-assets.com/authors/1385051483p2/2384.jpg] challenge this was the next book I picked up. I started with the Stephanie Plum series, but I am waiting for [b:Three to Get Deadly|6854|Three to Get Deadly (Stephanie Plum, #3)|Janet Evanovich|https://d.gr-assets.com/books/1311727539s/6854.jpg|1341652] to become available.
Mostly this was a cute story that held my interest at certain parts. About half way through, the excitement picked up and helped to carry me to the end. I like Kate's character and she seemed like someone I would be friends with. The same with Matt. He is not your typical guy, he is a true gentleman that genuinely care for those around him. He's the kind of guy every woman wants. This was not one of my favorites, but I am not giving up on my challenge.
The next book I'm going to read for the Challenge is [b:The Husband List|15793075|The Husband List (Culhane Family #2)|Janet Evanovich|https://d.gr-assets.com/books/1345686386s/15793075.jpg|21416771] which is also co-authored by [a:Dorien Kelly|176341|Dorien Kelly|https://d.gr-assets.com/authors/1296407006p2/176341.jpg]. I got this from the library at the same time as this book. I'm going to take a small break from JE for a while though and switch to something different.
Matt Culhane is at a point in his life where things couldn't be better. His Depot Brewery and restaurant is doing great and he has plans for more businesses in the very near future. He does have one small problem, though. Someone seems to be after him.
After being fired from her job Kate starts working for Matt as a "floater" and spy. It's her job to find the saboteur in the establishment as well as help out where she is needed. What will happen between them during this time?
I didn't dive into this book the way I thought I would when I got this book from the library. Trying to continue my [a:Janet Evanovich|2384|Janet Evanovich|https://d.gr-assets.com/authors/1385051483p2/2384.jpg] challenge this was the next book I picked up. I started with the Stephanie Plum series, but I am waiting for [b:Three to Get Deadly|6854|Three to Get Deadly (Stephanie Plum, #3)|Janet Evanovich|https://d.gr-assets.com/books/1311727539s/6854.jpg|1341652] to become available.
Mostly this was a cute story that held my interest at certain parts. About half way through, the excitement picked up and helped to carry me to the end. I like Kate's character and she seemed like someone I would be friends with. The same with Matt. He is not your typical guy, he is a true gentleman that genuinely care for those around him. He's the kind of guy every woman wants. This was not one of my favorites, but I am not giving up on my challenge.
The next book I'm going to read for the Challenge is [b:The Husband List|15793075|The Husband List (Culhane Family #2)|Janet Evanovich|https://d.gr-assets.com/books/1345686386s/15793075.jpg|21416771] which is also co-authored by [a:Dorien Kelly|176341|Dorien Kelly|https://d.gr-assets.com/authors/1296407006p2/176341.jpg]. I got this from the library at the same time as this book. I'm going to take a small break from JE for a while though and switch to something different.
Whatchareadin (174 KP) rated The Book Thief in Books
May 10, 2018
4.5 stars
Liesel Meminger is 9 years old and it is 1939. Her mother is taking her and her brother to live with another family where they will be safe. Unfortunately, the brother doesn't make it. Liesel takes only two things with her to her new home; the memory of her brother and her first stolen book, <u>The Gravediggers Handbook</u>.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank [a:Victoria Dougherty|8054971|Victoria Dougherty|https://d.gr-assets.com/authors/1394817245p2/8054971.jpg]for recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
Liesel Meminger is 9 years old and it is 1939. Her mother is taking her and her brother to live with another family where they will be safe. Unfortunately, the brother doesn't make it. Liesel takes only two things with her to her new home; the memory of her brother and her first stolen book, <u>The Gravediggers Handbook</u>.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank [a:Victoria Dougherty|8054971|Victoria Dougherty|https://d.gr-assets.com/authors/1394817245p2/8054971.jpg]for recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
graveyardgremlin (7194 KP) rated Night Play (Dark-Hunter #5, Were-Hunter #1) in Books
Feb 15, 2019
<i>Night Play</i> is one of my favorites in this series so far - it's right up there with <i>Fantasy Lover</i> and <i>Dance with the Devil</i>, although I think DwtD might come out ahead. I love, love, loved it! It was one of those books that just got better. The plot was slightly different than the previous books in the series and focused more on the love story. Bride was a wonderful, size eighteen human heroine, who knows (or knew anyway) nothing about what goes bump in the night, while Vane is a to-die-for hunky hero. Need I say more? Everyone would love a guy like him - I know I would! This was one of those books that a few times at the end I had that big, goofy, dumb smile on my face, and don't pretend I'm the only one! ;P
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Kristy H (1252 KP) rated Yes Please in Books
Feb 1, 2018
I wasn't sure how to feel about this book. In some ways, I appreciated that it was more serious than some of the other "funny people" memoirs going around. I am not a huge fan of books written by silly people full of silly things that pretend to tell the story of their life. What's the point? At least Amy makes an attempt to write a memoir, chronicling bits and pieces of her life and actually detailing true thoughts and feelings about things, rather than just jokey things that have no meaning. I found myself sort of rushing through some of the silly lists and spending more time on the actual writing, though some of the funny bits were good - fake acceptance speeches and the like.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
Kristy H (1252 KP) rated Live and Love Again in Books
Feb 13, 2018
Three years ago, Sarah lost her partner, Cheryl, in a terrible accident. A former Colonel in the military, Sarah remains shattered by Cheryl's death and closed off to those around her. She focuses on her furniture business and her dog, Benny. But on a flight to Chicago, she meets Jessica Whitney, a beautiful, successful, businesswoman. The two hit it off immediately and feel an instant connection. The sudden sparks force Sarah to re-think everything - is she ready to move one? Can she really imagine herself with a wealthy and strong woman?
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.