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Gareth von Kallenbach (977 KP) rated The Good Dinosaur (2015) in Movies
Jun 19, 2019
Over the years dinosaurs have often been portrayed as lumbering oafs, vicious killers, or cuddly playthings. With the reinvigorated “Jurassic” franchise interest in the creatures is at an all-time high. Disney/PIXAR are hoping this interest translates into box office gold with the release of their new film “The Good Dinosaur” which looks to continue the successful and award winning streak of their earlier efforts.
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
Kayleigh (12 KP) rated Newes from the Dead in Books
Jan 2, 2019
I stumbled across the blurb of this book while looking at the Totally Random Books website. It's really intriguing and, as I read around, I could see that the book is based on a true story. That was it, I had to buy it! It didn't disappoint, and I read it in a day.
While this is a YA book, it's worth pointing out that it deals with some really adult themes, which is something to consider if you're thinking of letting a teenager read it. I'll outline the main points in the next paragraph, so if you don't want any spoilers at all, skip this bit. The chapters flick between the events that led up to Anne's hanging, and what happens while she's laid on the dissecting table, apparently dead. Her downfall comes when the master's grandson promises her the world in exchange for him getting his end away, shall we say. As tends to happen, she becomes pregnant, which she manages to keep a secret until she miscarries. She has the 'audacity' to tell people who the father was, so never receives a fair trial, and is sentenced to death by hanging for the murder of her child. Her sentence is carried out, but she regains consciousness while on the dissecting table. However, she's unable to move a muscle, even to scream.
Anne is a nice girl with a promising, if humble, future, and I liked her. Even while I was willing her not to trust the father of her child, I could understand why she did what she did, and I felt really sorry for her as she lost a lot. The events of both storylines were fascinating, and in the dissection chapters I was constantly willing the doctors to notice what was going on. Although I knew they wouldn't cut into her and it was a little drawn out, some parts got quite tense, which I liked.
Being a sucker for history, I really liked the way everything was portrayed. [a:Mary Hooper|139257|Mary Hooper|http://d202m5krfqbpi5.cloudfront.net/authors/1310022486p2/139257.jpg], the author, made me realise how important it was in how you were perceived in those times - if you think gossip can be bad now, it was a million times worse in 1650, when holding someone's hand, even for an innocent reason, can potentially start a deadly rumour. I thought the book brought across everything that would have happened at the time really accurately and realistically. I know the author had true events to go on, but Anne's life before her hanging was all imagined. There's a note from Hooper at the end that specifies what records say about what happened to Anne Green after her hanging, which is also really interesting. I'll definitely be checking out more of Hooper's books!
If you liked this review please check out my <a href="http://www.a-worldofwords.com">blog!</a>;
While this is a YA book, it's worth pointing out that it deals with some really adult themes, which is something to consider if you're thinking of letting a teenager read it. I'll outline the main points in the next paragraph, so if you don't want any spoilers at all, skip this bit. The chapters flick between the events that led up to Anne's hanging, and what happens while she's laid on the dissecting table, apparently dead. Her downfall comes when the master's grandson promises her the world in exchange for him getting his end away, shall we say. As tends to happen, she becomes pregnant, which she manages to keep a secret until she miscarries. She has the 'audacity' to tell people who the father was, so never receives a fair trial, and is sentenced to death by hanging for the murder of her child. Her sentence is carried out, but she regains consciousness while on the dissecting table. However, she's unable to move a muscle, even to scream.
Anne is a nice girl with a promising, if humble, future, and I liked her. Even while I was willing her not to trust the father of her child, I could understand why she did what she did, and I felt really sorry for her as she lost a lot. The events of both storylines were fascinating, and in the dissection chapters I was constantly willing the doctors to notice what was going on. Although I knew they wouldn't cut into her and it was a little drawn out, some parts got quite tense, which I liked.
Being a sucker for history, I really liked the way everything was portrayed. [a:Mary Hooper|139257|Mary Hooper|http://d202m5krfqbpi5.cloudfront.net/authors/1310022486p2/139257.jpg], the author, made me realise how important it was in how you were perceived in those times - if you think gossip can be bad now, it was a million times worse in 1650, when holding someone's hand, even for an innocent reason, can potentially start a deadly rumour. I thought the book brought across everything that would have happened at the time really accurately and realistically. I know the author had true events to go on, but Anne's life before her hanging was all imagined. There's a note from Hooper at the end that specifies what records say about what happened to Anne Green after her hanging, which is also really interesting. I'll definitely be checking out more of Hooper's books!
If you liked this review please check out my <a href="http://www.a-worldofwords.com">blog!</a>;
Darren (1599 KP) rated The Possession of Hannah Grace (2018) in Movies
Oct 24, 2019
Characters – Megan Reed is a former cop that has been through rehab after struggling after her own experience in the field, cleaned up, she looks to get back into work on a graveyard shift at the morgue. Megan does start to have strange visits while on duty and becomes convinced strange things are going on, she is left to wonder whether she is having a bad experience from her drugs or is something supernatural going on. Andrew is the ex-boyfriend and fellow cop of Megan, he was left no choice, but to leave her, but will support her through her struggles. Hannah Grace is the young woman that went through the exorcism, she hasn’t remained dead though, searching for more victims in her afterlife. Randy is the friendly paramedic that offers support for Megan because of his own past.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
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Emma @ The Movies (1786 KP) rated Herself (2020) in Movies
Oct 6, 2020
I was keen to see this from recommendations I'd spotted online, but I wasn't overly enthused by the description... boy am I glad that the internet has great taste in movies.
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Kristy H (1252 KP) rated Dark Roads in Books
Aug 12, 2021
A dark and unsettling mystery
For years, the nearly five hundred mile stretch of Cold Creek Highway has been infamous as a place where young women go missing. Drivers, hitch hikers, and more. But their abductor has never been found. Hailey McBride lives in Cold Creek. Her father recently died in a car accident, leaving her to live with her aunt and her controlling police officer husband, Vaughn. Vaughn watches Hailey's every move, bullying and terrorizing her, keeping her from seeing her best friend, Jonny and her new love interest, Amber. Using what her dad taught her about the local land, Hailey plans her escape to the mountains. With Jonny's help, the idea is that everyone will think she was another victim of the highway killer. A year after Hailey disappears, Beth Chevalier arrives in town, desperate for closure after her sister Amber's murder. Beth's life is in shambles after Amber's death, and she starts to look into what happened. But Beth's search puts her in danger--and starts to reveal the truth about what happened to Hailey.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
5 Minute Movie Guy (379 KP) rated The Big Sick (2017) in Movies
Jul 4, 2019
Propelled by its near perfect score on Rotten Tomatoes, I went cold turkey into The Big Sick, without so much as seeing a trailer. Although it took a worrisome amount of time, I did eventually warm up to the film and ultimately I ended up enjoying it quite a bit. The Big Sick is a movie that’s unflatteringly honest at times, and it’s a bit light in both of the romance and comedy departments, but it’s a well-rounded true story that makes up for its any of its shortcomings with a big heart.
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)
Movie Metropolis (309 KP) rated Doctor Strange (2016) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel Meets Inception
Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultron was an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Josh Napper (40 KP) rated Spare Parts (2015) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
Plot
With the help of their high school's newest teacher (George Lopez), four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, and community. It's not about where you are that truly matters; it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
To summarize it, I liked the whole thing. The fact that the students and even the teacher faced those odds and still went after what they wanted and felt they could do it.
What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
I would gladly recommend it to anyone. However, to break it down into smaller groups, I would recommend it to three groups. 1st of all, I would recommend it to students who are told they can’t do something they really wanna do due to one thing or another because the real-life characters of the movie had to go thru the same exact thing. 2nd of all, I would recommend it to teachers and other staff at school, mainly the high school level, so they could take a lesson from this inspiring movie and turn it into their own way of inspiring their students and to get their classmates to work together to turn their little old ideas and dreams into not just reality but also successes. 3rd of all, I would recommend it to people in general who are down on their knees wanting to watch something that would motivate them to not ever give up on their dreams.
What is your final word on the film: Is it good or bad?
The movie Spare Parts is a fantastic film that deals with real-life events. It is kinda incredible that it is simply another movie that was inspired by a true story. Once you look into what the real-life characters had to go thru– their struggle and their success– I was shocked simply due to the unbelievable amount of pain and struggle leading all up to an ending that saw them not only surprise everyone but also themselves. The actors and the actresses completely make it believable that they are not there themselves because it makes you believe they are really going through the events of the movie.
RATING SYSTEM:
1- crap
2- poor
3- decent
4- even
5- Good
6- Great
7- perfect
I give the movie spare parts a movie rating of 6
With the help of their high school's newest teacher (George Lopez), four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, and community. It's not about where you are that truly matters; it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
To summarize it, I liked the whole thing. The fact that the students and even the teacher faced those odds and still went after what they wanted and felt they could do it.
What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
I would gladly recommend it to anyone. However, to break it down into smaller groups, I would recommend it to three groups. 1st of all, I would recommend it to students who are told they can’t do something they really wanna do due to one thing or another because the real-life characters of the movie had to go thru the same exact thing. 2nd of all, I would recommend it to teachers and other staff at school, mainly the high school level, so they could take a lesson from this inspiring movie and turn it into their own way of inspiring their students and to get their classmates to work together to turn their little old ideas and dreams into not just reality but also successes. 3rd of all, I would recommend it to people in general who are down on their knees wanting to watch something that would motivate them to not ever give up on their dreams.
What is your final word on the film: Is it good or bad?
The movie Spare Parts is a fantastic film that deals with real-life events. It is kinda incredible that it is simply another movie that was inspired by a true story. Once you look into what the real-life characters had to go thru– their struggle and their success– I was shocked simply due to the unbelievable amount of pain and struggle leading all up to an ending that saw them not only surprise everyone but also themselves. The actors and the actresses completely make it believable that they are not there themselves because it makes you believe they are really going through the events of the movie.
RATING SYSTEM:
1- crap
2- poor
3- decent
4- even
5- Good
6- Great
7- perfect
I give the movie spare parts a movie rating of 6