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Gareth von Kallenbach (980 KP) rated Electric Slide (2015) in Movies
Aug 6, 2019
Today’s choice for your consideration is the 2014 film ‘Electric Slide’. A biographical crime film based on the life of antique/furniture salesman turned bank robber Eddie Dodson.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
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Ivana A. | Diary of Difference (1171 KP) rated Nevermoor: The Trials of Morrigan Crow in Books
Oct 5, 2020
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After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
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After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
Gareth von Kallenbach (980 KP) rated Power Rangers (2017) in Movies
Jul 12, 2019
When I first heard that The Mighty Morphin Power Rangers would be getting a film adaptation, I was a bit apprehensive. Hollywood has had a bit of trouble converting many of the themes and issues brought up in a variety of shows into films that stay loyal to their respective franchises.
Fans on social media have often expressed their dissatisfaction with films not staying true to the origin stories or their inabil;ity to retain much of the character and charm that endeared them to their fans. Power Rangers does not suffer from this dilemma. As someone who watched the series as it first hit American markets in the 1990s, I was unsure of how this story would transfer onto the big screen.
It wasn’t something that I was too personally invested in. It was a series in which I considered myself to be a casual fan understanding the background, characters, and general direction of the show. I wasn’t prepared for what the film version offered.
This adaptation is near perfect in the way that it is able to create a modern, mature version that incorporates many aspects into weaving their story.
The basics of the film are roughly the same as the show: it is based in Angel Grove, there are five teenagers serving the role of rangers whose goal is to save the world, and all the complexities that come with being a superhero who has a “real life.”
One of the more remarkable issues related to the film is how the writers and director are able to be inclusive with their characters without being condescending to their audiences old and new. We get a glimpse of a team that is more colorful and diverse. Where the original crew showed a group of youths of different races, the film version does not stop with race as demonstrating the variety that exists within our world. The film allows for the inclusion of people on the autism spectrum, as well as, allowing for the inclusion of the LGBT community. The film shows audiences that there are people just like them or people that they know in the superhero realm. It is not limited by race, gender, sexual orientation, or cognitive development.
Power Rangers itself is a fun movie with depth. As the film continued, I tried to look for areas to pick it apart and find those pieces that really detracted from the story. The film has its faults in a simply developing storyline, but that goes with the franchise. It isn’t supposed to be complex or overbearing. The humor ranges from sophomoric to sophisticated. The film is accessible to those who are new to the franchise and those who have been watching since its inception. Additionally, it is a superhero movie it is not insulting to its audience. It demonstrates the difficulties that exist with teen life, presents real problems that they have to deal with in contrast to the fantasy that they are living out as part of this team.
The film is beautifully shot and the CGI is nearly seamless (the film is not overly reliant on it, either). The fighting and action sequences are as much a part of the story as the characters themselves. Power Rangers allows for audiences to be entertained visually and comedically. Additionally, it allows for those of us who have not watched or followed the Power Rangers in a while to be a bit nostalgic and look back to when we ourselves could not get home quickly enough for “Morphin’ Time.” The film is updated, mature, and will have fans young and old beaming with delight.
Fans on social media have often expressed their dissatisfaction with films not staying true to the origin stories or their inabil;ity to retain much of the character and charm that endeared them to their fans. Power Rangers does not suffer from this dilemma. As someone who watched the series as it first hit American markets in the 1990s, I was unsure of how this story would transfer onto the big screen.
It wasn’t something that I was too personally invested in. It was a series in which I considered myself to be a casual fan understanding the background, characters, and general direction of the show. I wasn’t prepared for what the film version offered.
This adaptation is near perfect in the way that it is able to create a modern, mature version that incorporates many aspects into weaving their story.
The basics of the film are roughly the same as the show: it is based in Angel Grove, there are five teenagers serving the role of rangers whose goal is to save the world, and all the complexities that come with being a superhero who has a “real life.”
One of the more remarkable issues related to the film is how the writers and director are able to be inclusive with their characters without being condescending to their audiences old and new. We get a glimpse of a team that is more colorful and diverse. Where the original crew showed a group of youths of different races, the film version does not stop with race as demonstrating the variety that exists within our world. The film allows for the inclusion of people on the autism spectrum, as well as, allowing for the inclusion of the LGBT community. The film shows audiences that there are people just like them or people that they know in the superhero realm. It is not limited by race, gender, sexual orientation, or cognitive development.
Power Rangers itself is a fun movie with depth. As the film continued, I tried to look for areas to pick it apart and find those pieces that really detracted from the story. The film has its faults in a simply developing storyline, but that goes with the franchise. It isn’t supposed to be complex or overbearing. The humor ranges from sophomoric to sophisticated. The film is accessible to those who are new to the franchise and those who have been watching since its inception. Additionally, it is a superhero movie it is not insulting to its audience. It demonstrates the difficulties that exist with teen life, presents real problems that they have to deal with in contrast to the fantasy that they are living out as part of this team.
The film is beautifully shot and the CGI is nearly seamless (the film is not overly reliant on it, either). The fighting and action sequences are as much a part of the story as the characters themselves. Power Rangers allows for audiences to be entertained visually and comedically. Additionally, it allows for those of us who have not watched or followed the Power Rangers in a while to be a bit nostalgic and look back to when we ourselves could not get home quickly enough for “Morphin’ Time.” The film is updated, mature, and will have fans young and old beaming with delight.
Kara Skinner (332 KP) rated By Magic Beguiled in Books
Sep 10, 2019
Many a man has died of longing for one such as her. For her skin has the flavor of honey which contains a magic all its own. Once a man’s lips taste her nectar, he is bound to her for all his days. Be forewarned, then, for her spell cannot be broken. Look for the sign of the cradle moon above the mound of Venus. Be it pale, you might yet escape with our heart and mind intact. But be it crimson, she is of royal blood, and too strong for a mortal man’s resistance.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
Bob Mann (459 KP) rated Molly's Game (2017) in Movies
Sep 29, 2021
Wordy but entertaining.
You can never accuse Aaron Sorkin of skimping on his words. Sorkin is of course the award-winning writer of “The West Wing” but on the big screen he has also written many classics: “A Few Good Men”; “The Social Network” and “Steve Jobs” for example. Here he also makes his directorial debut in a movie about the true-life turbulent career of Olympic wannabe skier Molly Bloom.
Bloom is played by Jessica Chastain, from films such as “Zero Dark Thirty” and “Miss Sloane” (one of my films of the year last year). Chastain’s roles as an actress are often quite cold and calculating, as suits her demeanour. As such her characters are not often easy to warm to in movies (and as such, my wife is not a fan).
Taking the piste. Molly in her younger ski-centric role.
Here as Molly Bloom she is as equally driven as in “Miss Sloane“, but the drive is learned from her father (Kevin Costner), bullying her to be the best she can be at skiing in a highly competitive family. Forced out of the skiing business (for reasons I won’t spoil), she takes a “gap year” from law school that turns into a “gap life” after she falls into the slightly shady business of running poker nights for LA’s rich elite. It’s here that Chastain’s Bloom is able to show a gentler and more compassionate side, trying to talk some of her clients (who invariably fall in love with her) off the ledge of their gambling addiction.
Chris O’Dowd as one of the punter’s in deep.
Sorkin’s script (based on Molly’s own autobiography, I should add) does a really nice job of cutting backwards and forwards through Molly’s timeline to drill into motivations and her mental state, and in doing so he pulls out an award-winning (or at least Golden-Globe award-nominating) performance from Chastain in the process. Also very effective though is Kevin Costner (“Hidden Figures“, “Man of Steel“), who is quietly building an impressive portfolio of supporting actor roles. Here he rather dials in his “tough and aloof guy” performance until the park bench scene (below) where he surprises in a good way.
Benches with wolves. Kevin Costner impressive as Molly’s hard-line father.
It’s also a blessed relief to find a decent vehicle to showcase the undoubted talents of Britain’s Idris Elba – an actor who has been woefully served by rubbish such as “Bastille Day“, rather lame sequels like “Star Trek: Beyond” or minor roles such as in “Thor: Ragnarok“. Here he can really get his teeth into the role of Molly’s lawyer, with a multi-layered character that reveals a little – but not too much of – his back-story to leave you with intriguing questions.
An indecisive Charlie Jaffey (Idris Elba) can make his mind up about Molly (Jessica Chastain).
So it’s a good film, but an intelligent watch that mandates your attention. The script is sufficiently dense and wordy that it requires significant concentration: this is not a “park your brain at the door” type of ‘Michael Bay film’. (As such, while it remains a recommended watch, I’m not sure it would be one that would necessarily make my DVD list for repeat watchings).
Michael Cera (centre) as the mysterious but powerful “Player X”; a Hollywood actor, but who is he supposed to be? (Answers on a postcard!).
But again, I must comment on what an amazing year this is turning out to be for women in film. Less #Me-too and more #She-do! Once again, here is a movie where a confident woman is firmly in the driving seat, and while powerful men try to bring her down, it is not them that succeeds. (The studio bill for talent in the past year must be a LOT less than it was the year before! #don’tshootme #topicalhumour #CarrieGracey). #TimesUp.
Bloom is played by Jessica Chastain, from films such as “Zero Dark Thirty” and “Miss Sloane” (one of my films of the year last year). Chastain’s roles as an actress are often quite cold and calculating, as suits her demeanour. As such her characters are not often easy to warm to in movies (and as such, my wife is not a fan).
Taking the piste. Molly in her younger ski-centric role.
Here as Molly Bloom she is as equally driven as in “Miss Sloane“, but the drive is learned from her father (Kevin Costner), bullying her to be the best she can be at skiing in a highly competitive family. Forced out of the skiing business (for reasons I won’t spoil), she takes a “gap year” from law school that turns into a “gap life” after she falls into the slightly shady business of running poker nights for LA’s rich elite. It’s here that Chastain’s Bloom is able to show a gentler and more compassionate side, trying to talk some of her clients (who invariably fall in love with her) off the ledge of their gambling addiction.
Chris O’Dowd as one of the punter’s in deep.
Sorkin’s script (based on Molly’s own autobiography, I should add) does a really nice job of cutting backwards and forwards through Molly’s timeline to drill into motivations and her mental state, and in doing so he pulls out an award-winning (or at least Golden-Globe award-nominating) performance from Chastain in the process. Also very effective though is Kevin Costner (“Hidden Figures“, “Man of Steel“), who is quietly building an impressive portfolio of supporting actor roles. Here he rather dials in his “tough and aloof guy” performance until the park bench scene (below) where he surprises in a good way.
Benches with wolves. Kevin Costner impressive as Molly’s hard-line father.
It’s also a blessed relief to find a decent vehicle to showcase the undoubted talents of Britain’s Idris Elba – an actor who has been woefully served by rubbish such as “Bastille Day“, rather lame sequels like “Star Trek: Beyond” or minor roles such as in “Thor: Ragnarok“. Here he can really get his teeth into the role of Molly’s lawyer, with a multi-layered character that reveals a little – but not too much of – his back-story to leave you with intriguing questions.
An indecisive Charlie Jaffey (Idris Elba) can make his mind up about Molly (Jessica Chastain).
So it’s a good film, but an intelligent watch that mandates your attention. The script is sufficiently dense and wordy that it requires significant concentration: this is not a “park your brain at the door” type of ‘Michael Bay film’. (As such, while it remains a recommended watch, I’m not sure it would be one that would necessarily make my DVD list for repeat watchings).
Michael Cera (centre) as the mysterious but powerful “Player X”; a Hollywood actor, but who is he supposed to be? (Answers on a postcard!).
But again, I must comment on what an amazing year this is turning out to be for women in film. Less #Me-too and more #She-do! Once again, here is a movie where a confident woman is firmly in the driving seat, and while powerful men try to bring her down, it is not them that succeeds. (The studio bill for talent in the past year must be a LOT less than it was the year before! #don’tshootme #topicalhumour #CarrieGracey). #TimesUp.
Kaysee Hood (83 KP) rated Eleanor & Park in Books
Oct 3, 2017
A love story that is not a love story, but is a love story with lessons sometimes everything falls into place as you want it and yet can somehow.
The most confusing sentence I will ever form about book. I loved Fangirl, so it was no trouble picking this up the next time I went to Barnes & Noble. Everyone told me how much they loved this book while I was reading Fangirl and though it has sat in the stack of books for months waiting for me to pick it up yesterday felt like the day to start.
I could not put it down.
Eleanor is not perfect. She is not skinny as a twig, instead the beautiful thickness of the oak itself. She has hair the brightest red you could ever think of that curls at every chance on top of each other and freckles to match on the pale skin. If that was not enough she dresses in such a manner that demands to make her be noticed if you somehow looked over her curly mop. In short, Eleanor is not your typical girl in books. I've realized I've said this before. I really truly mean it as I do each time. Eleanor is not the heroine who discovers powers. Eleanor does not magically win anyone over because she suddenly alters changeable things about herself. No, she remains true to herself through the story. She is hardly ever able to accept the good since she has only known awful.
Awful tends to weed back into her life, no matter how much Park could pluck it away for a short time.
Park is one of those people who is there, yet is not there. He is not popular, but he is not unpopular. He skims by with little to no effort. If it was not for his father being a Vet, if it was not for his family always living in town since before it was a town, then Park may not have had it so easy. He would have gotten more crap about being 5'4" and slender. He would have gotten beat up for being half Korean. Not a lot happened to Park. Girls were few. Millstones were slim. Everything was this nice norm where he had little worries. His biggest worry was learning stick. Until he sees Eleanor because then it becomes an uphill battle worrying if he will keep is so-so status or not all with Eleanor suddenly being dropped his lap. He’s never felt much of anything. Never felt good enough. Never felt bliss. Never felt it all made sense. She changed that, even if she frustrated him to no end with how she talked and acted. It all changed. Though even he remained the same.
The most confusing sentence I will ever form about book. I loved Fangirl, so it was no trouble picking this up the next time I went to Barnes & Noble. Everyone told me how much they loved this book while I was reading Fangirl and though it has sat in the stack of books for months waiting for me to pick it up yesterday felt like the day to start.
I could not put it down.
Eleanor is not perfect. She is not skinny as a twig, instead the beautiful thickness of the oak itself. She has hair the brightest red you could ever think of that curls at every chance on top of each other and freckles to match on the pale skin. If that was not enough she dresses in such a manner that demands to make her be noticed if you somehow looked over her curly mop. In short, Eleanor is not your typical girl in books. I've realized I've said this before. I really truly mean it as I do each time. Eleanor is not the heroine who discovers powers. Eleanor does not magically win anyone over because she suddenly alters changeable things about herself. No, she remains true to herself through the story. She is hardly ever able to accept the good since she has only known awful.
Awful tends to weed back into her life, no matter how much Park could pluck it away for a short time.
Park is one of those people who is there, yet is not there. He is not popular, but he is not unpopular. He skims by with little to no effort. If it was not for his father being a Vet, if it was not for his family always living in town since before it was a town, then Park may not have had it so easy. He would have gotten more crap about being 5'4" and slender. He would have gotten beat up for being half Korean. Not a lot happened to Park. Girls were few. Millstones were slim. Everything was this nice norm where he had little worries. His biggest worry was learning stick. Until he sees Eleanor because then it becomes an uphill battle worrying if he will keep is so-so status or not all with Eleanor suddenly being dropped his lap. He’s never felt much of anything. Never felt good enough. Never felt bliss. Never felt it all made sense. She changed that, even if she frustrated him to no end with how she talked and acted. It all changed. Though even he remained the same.
Hazel (1853 KP) rated The Secret Diary of Hendrik Groen, 83 Years Old in Books
May 25, 2017
Hilariously Honest
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Think Adrian Plass but with octogenarians and this is the result. The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Think Adrian Plass but with octogenarians and this is the result. The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Connor Sheffield (293 KP) rated Treasure Planet (2002) in Movies
Jun 6, 2017
A fun take on the classic Treasure Island tale (1 more)
A very gripping story with a lot of heart
(Personal opinion) I'm not a huge fan of 'space' pirates (1 more)
Predictable even without knowing the story
A fun film for the family
This is probably only the 3rd time I've seen this film in my life. I'm currently reading the classic novel 'Treasure Island' written by Robert Louis Stevenson, and I wanted to watch something similar to it, without watching the actual adaptations of the same name as I do not wish to spoil the events of the few chapters I have not yet read. I knew that Treasure Planet was different in many ways and so I knew it wouldn't be completely true to the story.
So, I would describe Treasure Planet to someone by saying "Think of space pirates, all of whom are different weird looking species of aliens, and a cyborg with one young human looking character who's a stereotypical rebellious teen, even including a history of trespassing with his hover board (referencing a skateboarding rebellious teen).
The film has a lot of connections to the source material with it's story, such as names, and roles within the story, but it has a lot of it's own to offer. As a Disney film you expect certain aspects with the story, and you know what's going to happen moments before it happens, which might take away some of the entertainment factor for some, but if you don't mind it, then it's a decent film. Adapting the classic tale and setting it in space, gives the writers a lot of freedom to make the characters look and act how they want. There's a spider like character, a cat humanoid, a dog humanoid, frog humanoids, a character who appears to be made of stone, and John Silver himself, known in the story for having one leg, actually has robotic replacements for his left side. He has a robotic leg, arm and eye, which add to his somewhat villainous appearance and attitude.
The voice cast for the film is good and each character certainly seems to sound how they look, and when there are the heart filled moments as there are in every Disney film, it really hits you and makes you sympathize with the characters.
Overall this would be a fun film to watch with the kids, and if you grew up with Disney, as I'm sure most people have, but you haven't seen this, I recommend at least giving it a chance. If you don't like it, it's understandable, but it is a fun take on Treasure Island, and the pirate theme as a whole.
So, I would describe Treasure Planet to someone by saying "Think of space pirates, all of whom are different weird looking species of aliens, and a cyborg with one young human looking character who's a stereotypical rebellious teen, even including a history of trespassing with his hover board (referencing a skateboarding rebellious teen).
The film has a lot of connections to the source material with it's story, such as names, and roles within the story, but it has a lot of it's own to offer. As a Disney film you expect certain aspects with the story, and you know what's going to happen moments before it happens, which might take away some of the entertainment factor for some, but if you don't mind it, then it's a decent film. Adapting the classic tale and setting it in space, gives the writers a lot of freedom to make the characters look and act how they want. There's a spider like character, a cat humanoid, a dog humanoid, frog humanoids, a character who appears to be made of stone, and John Silver himself, known in the story for having one leg, actually has robotic replacements for his left side. He has a robotic leg, arm and eye, which add to his somewhat villainous appearance and attitude.
The voice cast for the film is good and each character certainly seems to sound how they look, and when there are the heart filled moments as there are in every Disney film, it really hits you and makes you sympathize with the characters.
Overall this would be a fun film to watch with the kids, and if you grew up with Disney, as I'm sure most people have, but you haven't seen this, I recommend at least giving it a chance. If you don't like it, it's understandable, but it is a fun take on Treasure Island, and the pirate theme as a whole.
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.