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Kaysee Hood (83 KP) rated Eleanor & Park in Books
Oct 3, 2017
A love story that is not a love story, but is a love story with lessons sometimes everything falls into place as you want it and yet can somehow.
The most confusing sentence I will ever form about book. I loved Fangirl, so it was no trouble picking this up the next time I went to Barnes & Noble. Everyone told me how much they loved this book while I was reading Fangirl and though it has sat in the stack of books for months waiting for me to pick it up yesterday felt like the day to start.
I could not put it down.
Eleanor is not perfect. She is not skinny as a twig, instead the beautiful thickness of the oak itself. She has hair the brightest red you could ever think of that curls at every chance on top of each other and freckles to match on the pale skin. If that was not enough she dresses in such a manner that demands to make her be noticed if you somehow looked over her curly mop. In short, Eleanor is not your typical girl in books. I've realized I've said this before. I really truly mean it as I do each time. Eleanor is not the heroine who discovers powers. Eleanor does not magically win anyone over because she suddenly alters changeable things about herself. No, she remains true to herself through the story. She is hardly ever able to accept the good since she has only known awful.
Awful tends to weed back into her life, no matter how much Park could pluck it away for a short time.
Park is one of those people who is there, yet is not there. He is not popular, but he is not unpopular. He skims by with little to no effort. If it was not for his father being a Vet, if it was not for his family always living in town since before it was a town, then Park may not have had it so easy. He would have gotten more crap about being 5'4" and slender. He would have gotten beat up for being half Korean. Not a lot happened to Park. Girls were few. Millstones were slim. Everything was this nice norm where he had little worries. His biggest worry was learning stick. Until he sees Eleanor because then it becomes an uphill battle worrying if he will keep is so-so status or not all with Eleanor suddenly being dropped his lap. He’s never felt much of anything. Never felt good enough. Never felt bliss. Never felt it all made sense. She changed that, even if she frustrated him to no end with how she talked and acted. It all changed. Though even he remained the same.
The most confusing sentence I will ever form about book. I loved Fangirl, so it was no trouble picking this up the next time I went to Barnes & Noble. Everyone told me how much they loved this book while I was reading Fangirl and though it has sat in the stack of books for months waiting for me to pick it up yesterday felt like the day to start.
I could not put it down.
Eleanor is not perfect. She is not skinny as a twig, instead the beautiful thickness of the oak itself. She has hair the brightest red you could ever think of that curls at every chance on top of each other and freckles to match on the pale skin. If that was not enough she dresses in such a manner that demands to make her be noticed if you somehow looked over her curly mop. In short, Eleanor is not your typical girl in books. I've realized I've said this before. I really truly mean it as I do each time. Eleanor is not the heroine who discovers powers. Eleanor does not magically win anyone over because she suddenly alters changeable things about herself. No, she remains true to herself through the story. She is hardly ever able to accept the good since she has only known awful.
Awful tends to weed back into her life, no matter how much Park could pluck it away for a short time.
Park is one of those people who is there, yet is not there. He is not popular, but he is not unpopular. He skims by with little to no effort. If it was not for his father being a Vet, if it was not for his family always living in town since before it was a town, then Park may not have had it so easy. He would have gotten more crap about being 5'4" and slender. He would have gotten beat up for being half Korean. Not a lot happened to Park. Girls were few. Millstones were slim. Everything was this nice norm where he had little worries. His biggest worry was learning stick. Until he sees Eleanor because then it becomes an uphill battle worrying if he will keep is so-so status or not all with Eleanor suddenly being dropped his lap. He’s never felt much of anything. Never felt good enough. Never felt bliss. Never felt it all made sense. She changed that, even if she frustrated him to no end with how she talked and acted. It all changed. Though even he remained the same.
Hazel (1853 KP) rated The Secret Diary of Hendrik Groen, 83 Years Old in Books
May 25, 2017
Hilariously Honest
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Think Adrian Plass but with octogenarians and this is the result. The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Think Adrian Plass but with octogenarians and this is the result. The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
The Secret Diary of Hendrik Groen, 83 ¼ Years Old is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Connor Sheffield (293 KP) rated Treasure Planet (2002) in Movies
Jun 6, 2017
A fun take on the classic Treasure Island tale (1 more)
A very gripping story with a lot of heart
(Personal opinion) I'm not a huge fan of 'space' pirates (1 more)
Predictable even without knowing the story
A fun film for the family
This is probably only the 3rd time I've seen this film in my life. I'm currently reading the classic novel 'Treasure Island' written by Robert Louis Stevenson, and I wanted to watch something similar to it, without watching the actual adaptations of the same name as I do not wish to spoil the events of the few chapters I have not yet read. I knew that Treasure Planet was different in many ways and so I knew it wouldn't be completely true to the story.
So, I would describe Treasure Planet to someone by saying "Think of space pirates, all of whom are different weird looking species of aliens, and a cyborg with one young human looking character who's a stereotypical rebellious teen, even including a history of trespassing with his hover board (referencing a skateboarding rebellious teen).
The film has a lot of connections to the source material with it's story, such as names, and roles within the story, but it has a lot of it's own to offer. As a Disney film you expect certain aspects with the story, and you know what's going to happen moments before it happens, which might take away some of the entertainment factor for some, but if you don't mind it, then it's a decent film. Adapting the classic tale and setting it in space, gives the writers a lot of freedom to make the characters look and act how they want. There's a spider like character, a cat humanoid, a dog humanoid, frog humanoids, a character who appears to be made of stone, and John Silver himself, known in the story for having one leg, actually has robotic replacements for his left side. He has a robotic leg, arm and eye, which add to his somewhat villainous appearance and attitude.
The voice cast for the film is good and each character certainly seems to sound how they look, and when there are the heart filled moments as there are in every Disney film, it really hits you and makes you sympathize with the characters.
Overall this would be a fun film to watch with the kids, and if you grew up with Disney, as I'm sure most people have, but you haven't seen this, I recommend at least giving it a chance. If you don't like it, it's understandable, but it is a fun take on Treasure Island, and the pirate theme as a whole.
So, I would describe Treasure Planet to someone by saying "Think of space pirates, all of whom are different weird looking species of aliens, and a cyborg with one young human looking character who's a stereotypical rebellious teen, even including a history of trespassing with his hover board (referencing a skateboarding rebellious teen).
The film has a lot of connections to the source material with it's story, such as names, and roles within the story, but it has a lot of it's own to offer. As a Disney film you expect certain aspects with the story, and you know what's going to happen moments before it happens, which might take away some of the entertainment factor for some, but if you don't mind it, then it's a decent film. Adapting the classic tale and setting it in space, gives the writers a lot of freedom to make the characters look and act how they want. There's a spider like character, a cat humanoid, a dog humanoid, frog humanoids, a character who appears to be made of stone, and John Silver himself, known in the story for having one leg, actually has robotic replacements for his left side. He has a robotic leg, arm and eye, which add to his somewhat villainous appearance and attitude.
The voice cast for the film is good and each character certainly seems to sound how they look, and when there are the heart filled moments as there are in every Disney film, it really hits you and makes you sympathize with the characters.
Overall this would be a fun film to watch with the kids, and if you grew up with Disney, as I'm sure most people have, but you haven't seen this, I recommend at least giving it a chance. If you don't like it, it's understandable, but it is a fun take on Treasure Island, and the pirate theme as a whole.
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Sassy Brit (97 KP) rated The Other Woman in Books
Jun 5, 2019
When Sophie discovers her husband is having an affair, she sets out to tackle the problem head on and confront his mistress face-to-face, in her own home, so his mistress can see her happy idyllic home life with their teenage children for herself, and perhaps back off. But they get into a tussle and the mistress accidentally gets killed, from then on one disaster after another happens to poor Sophie who is just trying to get rid of the body, but with such a busy household she ends up hiding the dead mistress in the freezer until she has more time to dispose of it. This idea had me thinking of that Fawlty Towers episode where a man dies in his hotel room and Basil ends up hiding him in the laundry basket, instead of doing the sensible, normal thing and owning up.
Although I did read this very fast and strangely have to admit I also thoroughly enjoyed this story, I did have a chuckle at quite a few of the things that happened. The nosy neighbour seemed to be constantly following Sophie around as if she had nothing better to do. The housekeeper who spotted everything going on! The twist at the end (featuring the truth about the mistress and what was really going on with the husband), was totally unexpected, and possibly pulled out of a hat to surprise us. Then the final wrap up session kind of happened far too easily for my liking. It was also a tad unbelievable, too. But hey, the way I looked at it was the husband needed to repent and unleash some of this guilt, and maybe even needed to prove his love for Sophie. Whilst Sophie (it turns out) was most certainly not a woman to be messed with, even though I doubted she realised it at the time until these disasters kept happening to her.
Overall, I did enjoy how fast I read this book, and how it kept me on tenterhooks whipping through the pages eager to get to the end to find out how they were going to round this off without getting caught. Seriously, Sophie was just trying to dispose of a body, and yet everything that could go wrong for her, did go wrong and I was constantly wondering just how was she going to get out of this mess! I also loved the ‘mysterious’ ending, which kind of made everything Sophie tried to avoid, come true and all her past efforts just a waste of time… comeuppance? Karma can be a bitch, even if the whole thing was just one big mistake. Worth a read if you don’t take it too seriously.
Although I did read this very fast and strangely have to admit I also thoroughly enjoyed this story, I did have a chuckle at quite a few of the things that happened. The nosy neighbour seemed to be constantly following Sophie around as if she had nothing better to do. The housekeeper who spotted everything going on! The twist at the end (featuring the truth about the mistress and what was really going on with the husband), was totally unexpected, and possibly pulled out of a hat to surprise us. Then the final wrap up session kind of happened far too easily for my liking. It was also a tad unbelievable, too. But hey, the way I looked at it was the husband needed to repent and unleash some of this guilt, and maybe even needed to prove his love for Sophie. Whilst Sophie (it turns out) was most certainly not a woman to be messed with, even though I doubted she realised it at the time until these disasters kept happening to her.
Overall, I did enjoy how fast I read this book, and how it kept me on tenterhooks whipping through the pages eager to get to the end to find out how they were going to round this off without getting caught. Seriously, Sophie was just trying to dispose of a body, and yet everything that could go wrong for her, did go wrong and I was constantly wondering just how was she going to get out of this mess! I also loved the ‘mysterious’ ending, which kind of made everything Sophie tried to avoid, come true and all her past efforts just a waste of time… comeuppance? Karma can be a bitch, even if the whole thing was just one big mistake. Worth a read if you don’t take it too seriously.
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
Kyera (8 KP) rated They Both Die At The End in Books
Jan 31, 2018
They Both Die at the End. That tells you exactly what is going to happen in the book, yet you hope the entire time that it won't be true. This book made me so happy and sad. The journey was hopeful despite the dark theme and you really connect with the characters. This was my first Adam Silvera novel and I am definitely interested in reading more of his books now.
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
Kristy H (1252 KP) rated This Is Where It Ends in Books
Feb 13, 2018
On a chilly day, the principal of Opportunity High School is giving a speech to her students, kicking off the new semester. The majority of the school is gathered in the auditorium, listening to her speak. As she finishes, they prepare to head to their next class, but the doors are stuck. Then, suddenly, someone begins to shoot.
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
Kristy H (1252 KP) rated The Late Show (Renée Ballard, #1) in Books
Feb 13, 2018
THE LATE SHOW introduces us to a new character in the Connelly canon: Renee Ballard, a young female detective in the LAPD striving to prove herself. Ballard works the night shift, where she picks up evening cases. But Ballard hates that she never gets to see an investigation to fruition--always turning her cases over to the daytime detectives. So when she is assigned two late shift cases, the shooting of a young female in a nightclub and the horrible beating of a transsexual prostitute, she finagles a way to stay involved with both. This means still working the night shift while--mostly secretly--tracking down leads on her cases during the day. In doing so, Ballard gets caught up in department politics and a case that could lead her to immense danger.
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
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Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
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Mike Wilder (20 KP) rated The Expendables (2010) in Movies
May 30, 2018
Action movies really don't get any better than this.
Contains spoilers, click to show
When I first heard about this film I had really high expectations. Sylvester Stallone writing, directing and starring in an action film. He was trying to bring together some of the greatest stars of action films past and present, it sounded too good to be true. As the months went by I kept hearing rumours as to who was in it. Pretty much every name from action films was mentioned. Then the biggest rumour of them all, it was going to star Sylvester Stallone, Bruce Willis and Arnold Schwarzenegger! Never gonna happen I thought. I was never so glad to be wrong. The scene they appeared in may only be a few minutes long but it was perfect.
I went to see this film the week it came out. The cinema was fairly full, and as the film started I noticed something about the audience, they were loving the movie. As the film continued it started to feel like I was seeing this in my living room with a large group of friends. Everyone was laughing, gasping and really getting into the spirit of the film. This really added something special to the film. I have not experienced this during a normal screening of a film.
The film itself follows a very basic formula, big characters, big explosions, big guns and lots of bad guys dying. But what makes this one stand out from modern action films is it doesn't try to be anything more. It is a throw back to the great action films from the 80's and 90's like Commando, Predator, Die Hard and Rambo: First Blood Part II. Films that are so over the top but so very entertaining.
The cast is an action movie fans wet dream. Action movie legends Sylvester Stallone, Bruce Willis, Arnold Schwarzenegger, Dolph Lundgren Gary Daniels and Mickey Rourke star alongside modern day action stars Jason Statham, Jet Li, Steve Austin, Randy Couture and Terry Crews. Add to the cast Eric Roberts, David Zayas and Charisma Carpenter and you have probably the greatest cast assembled since Ocean's Eleven was remade in 2001. The cast works well. I always believe that if the cast had a good time making a movie then it will show in their performance. They must have had the time of their lives filming this.
A film like this will never get any major awards (it did win awards for the stunt work), but then again you don't go to see this looking for award winning performances. You go to see this to escape from the reality of life and to just be entertained. I am a major action movie fan and it really doesn't get any better than this.
I went to see this film the week it came out. The cinema was fairly full, and as the film started I noticed something about the audience, they were loving the movie. As the film continued it started to feel like I was seeing this in my living room with a large group of friends. Everyone was laughing, gasping and really getting into the spirit of the film. This really added something special to the film. I have not experienced this during a normal screening of a film.
The film itself follows a very basic formula, big characters, big explosions, big guns and lots of bad guys dying. But what makes this one stand out from modern action films is it doesn't try to be anything more. It is a throw back to the great action films from the 80's and 90's like Commando, Predator, Die Hard and Rambo: First Blood Part II. Films that are so over the top but so very entertaining.
The cast is an action movie fans wet dream. Action movie legends Sylvester Stallone, Bruce Willis, Arnold Schwarzenegger, Dolph Lundgren Gary Daniels and Mickey Rourke star alongside modern day action stars Jason Statham, Jet Li, Steve Austin, Randy Couture and Terry Crews. Add to the cast Eric Roberts, David Zayas and Charisma Carpenter and you have probably the greatest cast assembled since Ocean's Eleven was remade in 2001. The cast works well. I always believe that if the cast had a good time making a movie then it will show in their performance. They must have had the time of their lives filming this.
A film like this will never get any major awards (it did win awards for the stunt work), but then again you don't go to see this looking for award winning performances. You go to see this to escape from the reality of life and to just be entertained. I am a major action movie fan and it really doesn't get any better than this.