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BankofMarquis (1832 KP) rated Hamilton (2020) in Movies
Jul 5, 2020
Captures the power of being in "the room where it happens"
I'll just cut to the chase, the filmed version of the mega-hit stage musical HAMILTON (now streaming on Disney+) is terrific. If you are one of the few that have not seen this, check it out - you'll be glad you did.
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
Sarah (7800 KP) rated The True Adventures of Wolfboy (2021) in Movies
Mar 1, 2021
Nice but lacking in magic
The Adventures of Wolfboy, also known as The True Adventures of Wolfboy, is a 2021 coming of age style drama and the feature film debut from Czech director Martin Krejcí. It follows Paul, a teenager with a life changing physical condition called congenital hypertrichosis that causes an abnormal and excessive amount of hair growth across his entire body, as he journeys to meet his estranged mother.
Paul (Jaeden Martell) lives an isolated life with his father in New York, where he hides away from everyone and only ventures out under the cover of a woolly balaclava, despite his father’s (Chris Messina) attempts to coax him into accepting his condition and revealing himself to the world. After a failed trip out to the local carnival for his 13th birthday, Paul returns home to find a mysterious gift from his mother (Chloë Sevigny), who he’s never known as she left when he was a child. Following a confrontation with his father over his proposal to send him to a special school, Paul runs away from home in search of his estranged mother. Along the way, he meets a number of colourful characters including carnival owner Mr. Silk (John Turturro), complicated and friendly Aristiana (Sophie Giannamore) and the daring and roguish Rose (Eve Hewson).
The Adventures of Wolfboy is undoubtedly a film for young adults or teenagers, meant as a coming of age, ‘accepting yourself’ type of road movie and in this it succeeds, although its message is rather more subtle than you’d expect. It expertly deals with the theme of loving yourself and others just as you are in a very low key manner, to the point where you almost miss the subtle hints at a character’s backstory (which is definitely true for Aristiana). For some this might be a problem, but a lot of films go out of their way to be heavy handed, virtually shoving a message down your throat so for me, I enjoyed the subtleties on display here. They’re helped by an unassuming performance from Jaeden Martell and charismatic turns from both Eve Hewson and Sophie Giannamore, who altogether with a story that doesn’t play out quite as predictably as first thought, make this an entertaining and heartwarming watch.
That said, despite the well meaning and heartwarming intentions, this film does falter. The title itself and the fairytale storyboard chapter titles throughout the film give this a magical sense of fantasy that just doesn’t quite materialise. I feel like it’s meant to be whimsical and adventurous, but the actual finished article falls short. It isn’t helped by John Turturro’s Mr Silk, who despite being the villain just comes across as weird rather than sinister, and what becomes of his character is a little lacklustre too. Generally if feels like it’s missing some ‘oomph’, a magical whimsical boost to turn this into something more than an average coming of age movie.
The Adventures of Wolfboy is a nice heartwarming film, and it’s refreshing to see a subtle take on a subject that has been done many times before. I just wished they’d have taken the magical and whimsical angle further, as this would have made it more than just average.
Paul (Jaeden Martell) lives an isolated life with his father in New York, where he hides away from everyone and only ventures out under the cover of a woolly balaclava, despite his father’s (Chris Messina) attempts to coax him into accepting his condition and revealing himself to the world. After a failed trip out to the local carnival for his 13th birthday, Paul returns home to find a mysterious gift from his mother (Chloë Sevigny), who he’s never known as she left when he was a child. Following a confrontation with his father over his proposal to send him to a special school, Paul runs away from home in search of his estranged mother. Along the way, he meets a number of colourful characters including carnival owner Mr. Silk (John Turturro), complicated and friendly Aristiana (Sophie Giannamore) and the daring and roguish Rose (Eve Hewson).
The Adventures of Wolfboy is undoubtedly a film for young adults or teenagers, meant as a coming of age, ‘accepting yourself’ type of road movie and in this it succeeds, although its message is rather more subtle than you’d expect. It expertly deals with the theme of loving yourself and others just as you are in a very low key manner, to the point where you almost miss the subtle hints at a character’s backstory (which is definitely true for Aristiana). For some this might be a problem, but a lot of films go out of their way to be heavy handed, virtually shoving a message down your throat so for me, I enjoyed the subtleties on display here. They’re helped by an unassuming performance from Jaeden Martell and charismatic turns from both Eve Hewson and Sophie Giannamore, who altogether with a story that doesn’t play out quite as predictably as first thought, make this an entertaining and heartwarming watch.
That said, despite the well meaning and heartwarming intentions, this film does falter. The title itself and the fairytale storyboard chapter titles throughout the film give this a magical sense of fantasy that just doesn’t quite materialise. I feel like it’s meant to be whimsical and adventurous, but the actual finished article falls short. It isn’t helped by John Turturro’s Mr Silk, who despite being the villain just comes across as weird rather than sinister, and what becomes of his character is a little lacklustre too. Generally if feels like it’s missing some ‘oomph’, a magical whimsical boost to turn this into something more than an average coming of age movie.
The Adventures of Wolfboy is a nice heartwarming film, and it’s refreshing to see a subtle take on a subject that has been done many times before. I just wished they’d have taken the magical and whimsical angle further, as this would have made it more than just average.
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Kristy H (1252 KP) rated The Charm Offensive in Books
Sep 2, 2021
A delightful reality show romantic comedy
Dev Deshpande works on the set of Ever After, a reality dating show he's loved since he was a kid. He truly believes in the show's premise of happily ever after, even as his own six-year-relationship with Ryan, a co-worker, ends. Then the show casts Charles Winshaw, a handsome millionaire tech genius as their next prince. Charlie has only agreed to come on the show to fix his awkward image, which has made it impossible for him to get another job in tech. He's terrible in front of the cameras and even worse with the women he's supposed to woo. Dev is assigned as his handler, a last ditch attempt to save Ever After. As he works to get Charlie to open up, the two connect, and realize that their chemistry is far better than anything Charlie has with his potential love interests. But Ever After demands a fairy tale ending--what does that mean for Charlie and Dev?
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
Movie Metropolis (309 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jun 10, 2019
Totally Onix-pected
Before we begin, I must apologise for the bad pun, but if any franchise deserves a pun for their first live-action movie adaptation, it’s Pokémon. Growing up in 90s Britain, Pokémon was absolutely everywhere. You couldn’t turn a street corner without seeing Pikachu and his sidekick Ash (or should that be the other way around) emblazoned across every toy shop window or on every bus. It was a true phenomenon that took the world by storm like nothing else.
Fast forward to 2019 and perhaps even more impressively, Pokémon is still very much in people’s consciousness. The adorable Pocket Monsters, if we are referring to them with their full title, are still something of a cultural mainstay across the globe – yet true global box-office success has eluded them.
Enter Pokémon: Detective Pikachu. The first live-action movie from the universally loved series. It’s taken over 20 years to get to this point, but is the resulting film worth the wait? Or are we looking at yet another video game to move adaptation dud?
Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim (Justice Smith), to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu (Ryan Reynolds). Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.
It was a peculiar choice for Warner Bros. and The Pokémon Company to adapt one of the lesser known video games in the franchise in which a talking Pikachu helps a young man solve the mystery of his missing father, but it ended up being a master stroke.
For those not familiar with Pokémon Red, Blue, Yellow etc, the film needs no introduction and no prerequisite of Pokémon knowledge, meaning it’s suitable for Pokémon fans and Pokémon novices.
What the movie does need however, is complete immersion. The central setting of Ryme City is a thriving metropolis in which Pocket Monster and human live alongside each other, free from the battles that brought the franchise universal success. It’s a bold move, putting aside what is essentially the main money-making aspect of the series, but it works well for the most part.
The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury
Director Rob Letterman (Goosebumps) creates a vibrant world that is as immersive as anything we’ve seen on the big screen in years. You feel a part of the adventure and to be frank, it took me back to my first experiences with the trading cards and the Gameboy games.
With charm, wit and heart on its side, Pokemon: Detective Pikachu is by far the best video game movie, although that’s not saying much. Jurassic World: Fallen Kingdom’s Justice Smith plays the lead role of Tim with gusto and true emotion and his character arc throughout the film is pleasingly well-written for a film in the genre. Bill Nighy adds some class to proceedings as wealthy businessman Howard Clifford and Ken Watanabe pops up now and then as a detective inspector.
But the main star is of course, Detective Pikachu himself. Ryan Reynolds takes to the role like a Magikarp to water and brings a little of his Deadpool magnetism to the portrayal. It shouldn’t work, but it really does and the humorous little mouse is a delight to spend the film with.
The cinematography too is lovely. John Mathieson, who worked on Robin Hood with Ridley Scott and X-Men: First Class brings to life stunning locations, filled with mystery and magic – and that’s everything you could ask for in a Pokémon movie. The special effects are on the whole, very good. With a reported budget of $150million, you can see where the money has been spent. The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury. There are a couple of lapses here and there, but nothing to write home about.
It’s not all good news. The plot is both predictable and nonsensical at the same time, especially towards the film’s climax. The thrill here is definitely not in the story but rather in the exceptional world the film-makers have built. Rumour has it that a sequel is already on the cards, and with a confidently filmed, funny and emotive first outing, the Pokémon franchise continues to be in good health.
Your move Sonic.
https://moviemetropolis.net/2019/05/10/pokemon-detective-pikachu-review-totally-onix-pected/
Fast forward to 2019 and perhaps even more impressively, Pokémon is still very much in people’s consciousness. The adorable Pocket Monsters, if we are referring to them with their full title, are still something of a cultural mainstay across the globe – yet true global box-office success has eluded them.
Enter Pokémon: Detective Pikachu. The first live-action movie from the universally loved series. It’s taken over 20 years to get to this point, but is the resulting film worth the wait? Or are we looking at yet another video game to move adaptation dud?
Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim (Justice Smith), to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu (Ryan Reynolds). Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.
It was a peculiar choice for Warner Bros. and The Pokémon Company to adapt one of the lesser known video games in the franchise in which a talking Pikachu helps a young man solve the mystery of his missing father, but it ended up being a master stroke.
For those not familiar with Pokémon Red, Blue, Yellow etc, the film needs no introduction and no prerequisite of Pokémon knowledge, meaning it’s suitable for Pokémon fans and Pokémon novices.
What the movie does need however, is complete immersion. The central setting of Ryme City is a thriving metropolis in which Pocket Monster and human live alongside each other, free from the battles that brought the franchise universal success. It’s a bold move, putting aside what is essentially the main money-making aspect of the series, but it works well for the most part.
The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury
Director Rob Letterman (Goosebumps) creates a vibrant world that is as immersive as anything we’ve seen on the big screen in years. You feel a part of the adventure and to be frank, it took me back to my first experiences with the trading cards and the Gameboy games.
With charm, wit and heart on its side, Pokemon: Detective Pikachu is by far the best video game movie, although that’s not saying much. Jurassic World: Fallen Kingdom’s Justice Smith plays the lead role of Tim with gusto and true emotion and his character arc throughout the film is pleasingly well-written for a film in the genre. Bill Nighy adds some class to proceedings as wealthy businessman Howard Clifford and Ken Watanabe pops up now and then as a detective inspector.
But the main star is of course, Detective Pikachu himself. Ryan Reynolds takes to the role like a Magikarp to water and brings a little of his Deadpool magnetism to the portrayal. It shouldn’t work, but it really does and the humorous little mouse is a delight to spend the film with.
The cinematography too is lovely. John Mathieson, who worked on Robin Hood with Ridley Scott and X-Men: First Class brings to life stunning locations, filled with mystery and magic – and that’s everything you could ask for in a Pokémon movie. The special effects are on the whole, very good. With a reported budget of $150million, you can see where the money has been spent. The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury. There are a couple of lapses here and there, but nothing to write home about.
It’s not all good news. The plot is both predictable and nonsensical at the same time, especially towards the film’s climax. The thrill here is definitely not in the story but rather in the exceptional world the film-makers have built. Rumour has it that a sequel is already on the cards, and with a confidently filmed, funny and emotive first outing, the Pokémon franchise continues to be in good health.
Your move Sonic.
https://moviemetropolis.net/2019/05/10/pokemon-detective-pikachu-review-totally-onix-pected/
Rachel (48 KP) rated Exonerated: A History of the Innocence Movement in Books
May 25, 2017
Such a Disappointment
I had very high hopes for this book, it is a fascinating subject, but sadly it did not live up to expectations at all.
Halfway through the introduction I realised just how dry it was going to be. I recognised the structure of it from my university essays. When an introduction includes a brief synopsis of the chapters to come it is obviously good to be more of an academic study than a book you can sit down and get lost in!
And so it continued. Far too much time is dedicated to very dry details. For example, 10 pages are dedicated to a conference held in 1998 called The National Conference on Wrongful Convictions and the Death Penalty. Obviously this is an extremely important cause but it could either have been explained in 2 - 3 pages maximum or a lot more details about the exoneree's could have been added. This is actually the problem through out the book. Details of the exoneration's are sparse, usually with as little detail as "he was exonerated by DNA".
When the author, rarely, tells the story of someone he really comes to life. He has a voice that can put across the suffering and circustance of a person in a very warm and interesting way. Had there been more of that writing it could have been a spectacular book.
As the book was about the Innocence Movement itself I was not expecting some true crime book but, had the dates and figures been interspersed with case studies it would have been great. It would have been nice to know exactly how someone was wrongfully imprisoned and how they were exonerated. Had this been the case I would have given a much higher rating.
The author himself calls this work a study. Unless this book is to be marketed solely for academic purposes, which I am sure it isn't, then it should not BE a study. It should be an accessible book for all people interested in the subject to enjoy.
The author is obviously very passionate about this subject - hence 2 stars instead of 1 - yet passion alone does not make a book good.
Halfway through the introduction I realised just how dry it was going to be. I recognised the structure of it from my university essays. When an introduction includes a brief synopsis of the chapters to come it is obviously good to be more of an academic study than a book you can sit down and get lost in!
And so it continued. Far too much time is dedicated to very dry details. For example, 10 pages are dedicated to a conference held in 1998 called The National Conference on Wrongful Convictions and the Death Penalty. Obviously this is an extremely important cause but it could either have been explained in 2 - 3 pages maximum or a lot more details about the exoneree's could have been added. This is actually the problem through out the book. Details of the exoneration's are sparse, usually with as little detail as "he was exonerated by DNA".
When the author, rarely, tells the story of someone he really comes to life. He has a voice that can put across the suffering and circustance of a person in a very warm and interesting way. Had there been more of that writing it could have been a spectacular book.
As the book was about the Innocence Movement itself I was not expecting some true crime book but, had the dates and figures been interspersed with case studies it would have been great. It would have been nice to know exactly how someone was wrongfully imprisoned and how they were exonerated. Had this been the case I would have given a much higher rating.
The author himself calls this work a study. Unless this book is to be marketed solely for academic purposes, which I am sure it isn't, then it should not BE a study. It should be an accessible book for all people interested in the subject to enjoy.
The author is obviously very passionate about this subject - hence 2 stars instead of 1 - yet passion alone does not make a book good.
SummerLGrant (185 KP) rated The Handmaid's Tale - Season 1 in TV
Aug 2, 2017
Very true to the book, any expansion feels like a natural evolution (3 more)
An amazing cast bringing the characters to life
So good at tugging at all sorts of emotions
Relevant, now and always
Everyone needs to watch it
It comes from a small but powerful book. So disturbingly close to how reality could be it's not really surprising how relevant it is to what's happening in the world. Although tackling hard topics, often with harsh outcomes, the show treats every dark twist and turn with empathy - the writers don't want to shy away from the important issues but at the same time they don't want us to flinch and stop watching because it's important that we see.
There are some differences to the book, of course. The main one being June, she's stronger in the show, more determined. This isn't necessarily a bad thing because they had to make adaptations in order for it to work on the screen and I think they way they've done it is genius. She doesn't come across as an entirely different character, if you compare her to the June from the book it's more like they mostly travelled the same path but made a few different decision along the way. Along with this stronger June comes a bit more hope, is it possible that she'll be able to escape? Is it possible that she'll meet Moira, Luke and Hannah again? Can there really be an end to the regime in Gilead?
Each of the characters are strong and memorable, brought to life by a brilliant cast of people. One minute you can be sympathising for them and the next absolutely loathing them. Not only is that a sign of how good the acting is but also how amazing the writing on the show was. A tense show that builds up throughout the series, while it never feels over-packed it is full of messages for all of us to take to heart and keep in mind.
With a second season confirmed it's now going beyond the scope of the book and that's exciting, we get to see where June's story goes and with the open-ended way the book finished who knows where it'll go.
There are some differences to the book, of course. The main one being June, she's stronger in the show, more determined. This isn't necessarily a bad thing because they had to make adaptations in order for it to work on the screen and I think they way they've done it is genius. She doesn't come across as an entirely different character, if you compare her to the June from the book it's more like they mostly travelled the same path but made a few different decision along the way. Along with this stronger June comes a bit more hope, is it possible that she'll be able to escape? Is it possible that she'll meet Moira, Luke and Hannah again? Can there really be an end to the regime in Gilead?
Each of the characters are strong and memorable, brought to life by a brilliant cast of people. One minute you can be sympathising for them and the next absolutely loathing them. Not only is that a sign of how good the acting is but also how amazing the writing on the show was. A tense show that builds up throughout the series, while it never feels over-packed it is full of messages for all of us to take to heart and keep in mind.
With a second season confirmed it's now going beyond the scope of the book and that's exciting, we get to see where June's story goes and with the open-ended way the book finished who knows where it'll go.
Whatchareadin (174 KP) rated Now You See Her in Books
May 10, 2018
Nina Bloom is a successful attorney in New York City. She has a beautiful daughter who has just turned 17 and is the most important thing in her life. But Nina has a past that no one knows about. Both of her parents are dead and she was an only child. During her senior year in college, she took a trip to Key West for Spring Break that changed her life forever. Now with a new case being presented to her, she has to face the demons from her past. Will she be able to get through this case and come out on the other end alive? Will she still be able to protect her daughter from the dangers that she has been hiding for so long?
James Patterson has long been one of my favorite authors. I love how quickly I can get through his books and how enthralling the story usually is. I plan on listening to all of JP's standalone books through audio this year. I've gotten caught up with all the Women's Murder Club books and hope to continue to stay on top of those.
What really struck me about this book was Nina's ability to keep the secret for so long. For 17 years no one knew about her past or that she was even hiding in the first place. Her firm decides to take on some pro bono work with other firms in the city in a effort to exonerate people on death row. The first case she is assigned is quite personal as she is quite sure that the person who is in jail for the crime should not be. I wondered the whole time if she would be able to get through the case without having to reveal her true identity or if the past she left behind was going to come back and haunt her and her daughter forever. I great listen for this James Patterson book.
Up next, [bc:Sundays at Tiffany's|2029177|Sundays at Tiffany's|James Patterson|https://images.gr-assets.com/books/1266475617s/2029177.jpg|3307932]
James Patterson has long been one of my favorite authors. I love how quickly I can get through his books and how enthralling the story usually is. I plan on listening to all of JP's standalone books through audio this year. I've gotten caught up with all the Women's Murder Club books and hope to continue to stay on top of those.
What really struck me about this book was Nina's ability to keep the secret for so long. For 17 years no one knew about her past or that she was even hiding in the first place. Her firm decides to take on some pro bono work with other firms in the city in a effort to exonerate people on death row. The first case she is assigned is quite personal as she is quite sure that the person who is in jail for the crime should not be. I wondered the whole time if she would be able to get through the case without having to reveal her true identity or if the past she left behind was going to come back and haunt her and her daughter forever. I great listen for this James Patterson book.
Up next, [bc:Sundays at Tiffany's|2029177|Sundays at Tiffany's|James Patterson|https://images.gr-assets.com/books/1266475617s/2029177.jpg|3307932]
Andrew Leatherbarrow’s Chernobyl 01:23:40: The Incredible True Story of the World’s Worst Nuclear Disaster is an excellent starting point for readers new to the history of nuclear power. When I’m at home, I am just barely outside the fallout range for Arkansas Nuclear One (ANO). While I’m at work, I’m in the reactor’s back yard. As a result, I figured there was no better time to learn a thing or two about nuclear energy. I was not disappointed.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Molly J (Cover To Cover Cafe) (106 KP) rated The Masterpiece in Books
Feb 27, 2019
I've only read Redeeming Love and the Marta's Legacy books by Ms. Rivers. Her work is amazing with those books. They have all the feels within them and just make you want to come back for more. So, when I saw she was releasing The Masterpiece, I didn't pass on it. I was anxious to be taken to a writing style that only Ms. Rivers knows how to do. I was absolutely pleased with all that I felt with this book!
This book has amazing characters. Roman and Grace are created with such depth and complexity. They were true-to-life and really nestled into my soul. The way they interacted, the way their story unfolds on the pages, really shined for me. As someone who was in Honors Art 4 for four years of highschool, I always fall for books that center around the world of art. I could feel Roman's artistic ways flow freely off the pages. And Grace, being a single mom, really nudged at me. I love when I connect with the characters on a deeper level.
This book is beyond 5 stars. I wasn't able to put it down once I picked it up. The pages kept turning, the feelings kept being felt. I smiled, I cried, I smiled again. The inspiration that Ms. Rivers weaves into this romance novel is incredible. It really brings to light the ultimate Masterpiece from above. If you are looking for a book that will be easy reading, this isn't for you. If you are looking for a book that will make you laugh throughout, this isn't for you. If you are looking for a book that will sweep you off your feet, spin you in a million directions, twist your soul, and throw you down with a bam, this is absolutely the book for you. You'll think about this book long after you've closed the cover. Well done, Ms. Rivers! Fantabulous job!
*I received a complimentary copy of this book from Publisher/Tyndale Blog Network and was under no obligation to post a review, positive or negative.*
This book has amazing characters. Roman and Grace are created with such depth and complexity. They were true-to-life and really nestled into my soul. The way they interacted, the way their story unfolds on the pages, really shined for me. As someone who was in Honors Art 4 for four years of highschool, I always fall for books that center around the world of art. I could feel Roman's artistic ways flow freely off the pages. And Grace, being a single mom, really nudged at me. I love when I connect with the characters on a deeper level.
This book is beyond 5 stars. I wasn't able to put it down once I picked it up. The pages kept turning, the feelings kept being felt. I smiled, I cried, I smiled again. The inspiration that Ms. Rivers weaves into this romance novel is incredible. It really brings to light the ultimate Masterpiece from above. If you are looking for a book that will be easy reading, this isn't for you. If you are looking for a book that will make you laugh throughout, this isn't for you. If you are looking for a book that will sweep you off your feet, spin you in a million directions, twist your soul, and throw you down with a bam, this is absolutely the book for you. You'll think about this book long after you've closed the cover. Well done, Ms. Rivers! Fantabulous job!
*I received a complimentary copy of this book from Publisher/Tyndale Blog Network and was under no obligation to post a review, positive or negative.*