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The Fool’s Folly
The Fool’s Folly
Keith Moray | 2020 | Crime, Fiction & Poetry, Mystery
8
8.0 (1 Ratings)
Book Rating
The Fool’s Folly is set in 1485 in Yorkshire, England, when King Richard III has been on the throne for two years. It must have been a very unsettling time to live in: not knowing whether your King has murdered his nephews, not knowing how much longer the King will actually keep the throne (Henry Tudor was a very real threat at this time), and not knowing what your fate will be if you chose the wrong side!

This story is set at Sandal Castle, the seat of John de la Pole, King Richard’s heir (and now it becomes clear why Henry VIII wanted to get rid of the de la Pole family!). De la Pole’s jester is murdered, and the newly appointed judge, Sir Giles Beaton, is asked to get to the bottom of the mystery. What starts out as a seemingly open and shut case, ends up being the start of a killing spree. Giles has to wonder if the deaths are connected, and whether this has something to do with a plot against the King and his heir.

It’s a bit gruesome at points - I liked this, I will admit. Medieval postmortems wouldn’t have been for the more sensitive observer (or reader!), I’m sure. I do have a bit of a thing for historical fiction, and a newly developed respect for crime and mysteries. I appreciate the attention to detail, and the research that must have occurred in writing this book, it feels very authentic.

I haven’t read the first book in this series, but it didn’t affect my reading enjoyment at all. In fact it has made me want to read the first in the series as well!

Many thanks to Sapere Books for sending me a copy of this book to read and review!
  
Dark Aemilia (UK Edition)
Dark Aemilia (UK Edition)
8
8.0 (1 Ratings)
Book Rating
So I received Dark Aemilia from a Goodreads give away. All I can say is how lucky I was to receive such a good book, that otherwise I likely would not have taken a second glance at. This is a beautifully written piece of historical fiction. Which at its core, is a love story, between Aemilia Bassano and William Shakespeare. How their love blossomed and through many external factors was pulled apart. The book is laid out in acts and scenes like a play and tells the story from Aemilia point of view. I enjoyed being submerged in the Tudor London at the end of Elizabeth I reign. This book completely grabbed me from the start and had I had more free time I am sure I would have read this book in a day or two.

Unfortunately as I haven’t ever read historical fiction before I don’t really have any point of reference for comparison. But what I will say is that I thoroughly enjoyed how realistic this book felt, but still was able to bring in completely fictitious elements of magic and witchcraft. Sam O’Reilly has managed to bring in these elements, which appealed to my love of fantasy, without being over the top. I particularly enjoyed the time when London was under the grips of the plague and thought it was just so well written and explained. At no point did I feel lost in descriptions, I was there, with Aemilia and that poor woman just couldn’t catch a break.

There is ‘mature content’ it is an adult story of love, so yes there is sex. I personally have no issue with this and believe it to be an integral addition to this story. It is done well and doesn’t feel forced or overdone. I am struggling to put into words how much I enjoyed this book, I will read it again and I would recommend it. I will now even consider reading other historical fiction that I had not thought I would enjoy.
  
TQ
The Queen's Confidante
4
4.0 (1 Ratings)
Book Rating
The book has three mysteries at the heart - was Arthur Tudor really murdered (I confess this is a new theory to me and not sure how credible this is), what happened to the so-called Princes in the Tower and what became of Lord Lovell after the Battle of Stoke. Personally, I think the latter is done a great disservice here, based on the historical knowns of his character. Even so, what happens and with the hero and heroine's consent is pretty horrific - yes, I know the historical basis for this, but it doesn't do much good for liking the supposed protagonists! Also the rather melodramatic language as the book nears it's conclusion - monster, beast, devil - it just goes a bit over the top.

I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.

There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!

Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
  
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Deborah (162 KP) rated Queen's Gambit in Books

Dec 21, 2018  
QG
Queen's Gambit
4
4.0 (1 Ratings)
Book Rating
This wasn't a bad début novel by any means and it seems that lots of people really enjoyed it. I didn't dislike it, I actually found it a pleasant read, but it was also fairly undemanding. You might want that from a book sometimes or you may want something a bit more challenging. It may be that there are so many historical novels out there and of these ones about the Tudors top the leaderboard by a mile, so for me, a Tudor historical novel needs to really outstandingly good to make it stand out from the crowd. I also read a fair bit of 'proper' history (i.e. non-fiction books), so perhaps I know too much for there to be any surprises awaiting me? I do tend to get riled by bizarre deviations from historical fact.

Anyway, the novel deals with part of the life of Katherine Parr, last wife of Henry VIII, starting with the death of her second husband and continuing just past her own demise. I suppose an historical novel will give the author more leeway to explain real events and there is a sort of expectation that a book should be a nice tidy package, explaining everything within its covers. I don't really feel that Fremantle does this with the Parr/Seymour relationship. It's not easy to see why an intelligent woman could be taken in by a man like this anyway, but in the book it was as if Katherine actually was attracted to him against her will, so the relationship never sat quite happily for me. The other main protagonist is a woman called Dorothy (Dot) Fownten, who acts very much as a maidservant to Katherine, and her stepdaughter, Meg Neville. I was interested to learn that Dot was a real historical character, but so little is known of her that Fremantle has had the liberty of embroidering her story.

As I said, not a bad book. Good if you want something fairly undemanding, such as a beach read. I suspect it will appeal to fans of Philippa Gregory and Alison Weir, but those who prefer Penman may find it a little lacking.
  
A Column of Fire
A Column of Fire
Ken Follett | 2017 | Fiction & Poetry
9
9.0 (1 Ratings)
Book Rating
127 of 200
Book
A column of fire ( Kingsbridge 3)
By Ken Follet

Christmas 1558, and young Ned Willard returns home to Kingsbridge to find his world has changed.

The ancient stones of Kingsbridge Cathedral look down on a city torn by religious hatred. Europe is in turmoil as high principles clash bloodily with friendship, loyalty and love, and Ned soon finds himself on the opposite side from the girl he longs to marry, Margery Fitzgerald.

Then Elizabeth Tudor becomes queen and all of Europe turns against England. The shrewd, determined young monarch sets up the country's first secret service to give her early warning of assassination plots, rebellions and invasion plans.

Elizabeth knows that alluring, headstrong Mary Queen of Scots lies in wait in Paris. Part of a brutally ambitious French family, Mary has been proclaimed the rightful ruler of England, with her own supporters scheming to get rid of the new queen.

Over a turbulent half-century, the love between Ned and Margery seems doomed, as extremism sparks violence from Edinburgh to Geneva. With Elizabeth clinging precariously to her throne and her principles, protected by a small, dedicated group of resourceful spies and courageous secret agents, it becomes clear that the real enemies - then as now - are not the rival religions.

The true battle pitches those who believe in tolerance and compromise against the tyrants who would impose their ideas on everyone else - no matter the cost.



Ken Follet and this series has completely stolen my heart I love these books! I’m a huge fan of historical based fiction and I think he just does it so well!! I did find some parts were a little rushed but it was still an amazing book. The characters were as usual full of life, I have loved and hated them he has a way of hooking you into these peoples lives. If I had one issue it was this one spent a lot of time away from kingsbridge I think the characters weren’t as linked to the city as they were in other books! I’m looking forward to to the new kingsbridge book!
  
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LucyB (47 KP) rated Wolf Hall in Books

Jul 23, 2017  
Wolf Hall
Wolf Hall
Hilary Mantel | 2010 | Fiction & Poetry
8
6.0 (8 Ratings)
Book Rating
So unbelievably well researched, fascinating perspective (0 more)
Weird, jarring use of third-person at times (0 more)
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.

Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!

The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.

One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.

Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.

However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
  
Green Darkness
Green Darkness
Anya Seton | 2013 | History & Politics, Romance
8
8.0 (2 Ratings)
Book Rating
Having picked <i>Green Darkness</i> up from the local library bookstore sale for only a quarter, I truly had no idea what I was getting myself into. Historical fiction, in any form, is not a genre that I've spent much time with, and coupling that with paranormal romance? Well, we can safely say that I was in for a ride.

<i>Green Darkness</i> shares the harrowing tale of forbidden love in mid-1500s England between an unfortunate peasant girl and a Benedictine monk, betwixt the reigns of King Edward VI, Queen Mary I, and Queen Elizabeth - a time when Catholicism and Protestantism (depending on the ruler) were met with persecution. It doesn't begin in that era, however; rather, the story starts in the 1960s, when Celia and her newly wedded husband, Richard Marsdon, arrive at his family's ancestral estate in Sussex. A baffling illness befalls the Marsdons, leaving the unorthodox physician, Doctor Akananda, to unravel the mysterious past that haunts the pair from hundreds of years before.

The twisting tale that unravels of that love affair is only a small part of what I enjoyed about this book, as romance is not typically my cup of tea. What truly enticed me was [a:Anya Seton|18930|Anya Seton|https://d.gr-assets.com/authors/1224813438p2/18930.jpg]'s faithfulness not only to history, but to location, legend, and use of historical figures. Cowdray House and Ightham Mote are real places, and an unfounded rumor regarding the Mote suggests that a female skeleton was found within its walls - which Seton used as a basis for her story. Through Seton, I discovered an unknown love for Tudor England, and undoubtedly I will read more books set in that time period.

Despite my praise for the book, I was unable to give it a five star rating because of its conclusion: it was as if Seton ran out of fuel. The idea of reincarnation takes a more ridiculous turn when Doctor Akananda hints at more pasts that conveniently interlock the same people. As if that were not enough of an affront, the resolution itself fell flat. With the Marsdon family tragedy conveniently wrapped up, Celia and Stephen seem aloof and their interaction felt a bit too forced. It is for this reason that I gave the book four stars.
  
THE OTHER COUNTESS is a sweet and harmless love story set in Tudor England during the reign of Queen Elizabeth I, in the year of 1582 to be exact. Lady Eleanor Rodriguez, Countess of San Jaime, is our penniless heroine who is saddled with her absent-minded alchemist father; the roles of child and parent have been long since been reversed. The preface, which takes place in 1578, gives us our first glimpse of William Lacey, the new Earl of Dorset at age fourteen, as he throws a twelve-year-old Ellie and her father off his land.

The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
  
TM
The Mythology of Richard III
10
10.0 (1 Ratings)
Book Rating
As usual, Ashdown-Hill has given us a well-written and accessible book with an extensive index and bibliography and reasoning well backed up with factual evidence; I find his books are always worth reading an a refreshing change from a lot of the nonsense there is out there. In this particular book he looks at myths and legends, both old and rather worryingly modern, that surround one or our best known monarchs.

Early chapters deal with the mythology perpetuated by Tudor propagandists and blinkered 'traditionalists' despite lack of evidence in many cases and even explicit evidence to the contrary in others! He looks at how some stories, such as the 'body in the river' became perpetuated over time so that they eventually become accepted as 'truth' by the uninformed. Even I had taken rather at face value the story of the White/Blue Boar Inn, but as Ashdown-Hill points out, it would be much more logical for Richard III to have stayed at Leicester Castle, as he had on a previous occasion, and also there is no evidence that an inn with a boar in its name existed at all in Leicester at this time!

The latter part of the book deals with more modern myths and I was really rather saddened and disappointed that it was necessary to have to set the record straight on many aspect of the rediscovery of the king's grave. I completely understand Ashdown-Hill's need to do so. After reading his earlier book 'The Last Days of Richard III' I was thoroughly convinced by his well reasoned arguments and never for a moment did I seriously doubt that that is where Richard III's resting place was. I was almost ready to go and dig the car park up myself! Whatever the rights and wrongs of it, I did find all the arguments over a final resting place to be somewhat distasteful, with some people sinking very low in voicing their opinions. It is disheartening that a British University PR department is less interested in truth than in trying to keep all the kudos for itself and I hope that people will read this and know the truth. With all its apparent misinformation I doubt I will be bothering with the visitor centre in Leicester any more than I have bothered to visit the putative site of Bosworth.
  
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Kristy H (1252 KP) rated Eligible in Books

Feb 13, 2018  
Eligible
Eligible
Curtis Sittenfeld | 2016 | Fiction & Poetry
8
7.5 (4 Ratings)
Book Rating
If you thought a modern retelling of [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926]--set mainly in present day Cincinnati--didn't exactly sound like a page-turner, no one could exactly blame you. But, nonetheless, you'd be quite wrong. Sittenfeld's novel imagines the Bennet family in our modern times; Mr. and Mrs. Bennet live in a rambling Tudor home in Cincinnati: broke and somewhat clueless as their house crumbles around them. Mrs. Bennet spends her time clucking around her five unmarried daughters: Jane, Liz, Mary, Kitty, and Lydia. The book revolves mainly around the perspective of Liz, a magazine writer in her upper thirties living in New York City. She and Jane, also in NYC, return home to their parents and younger sisters after Mr. Bennet has a heart attack, only to find the house and the family in a bit of a shambles.

The book is amazing. It's been a while since I read [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926], but even I can tell you that the novel does an excellent job of following the original plot without being annoying or cloying. It's [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926] with lesbians and hate sex! The book comes across as familiar yet new, allowing you to ache, laugh, and rage at what feels like a group of old friends.

Mr. Bennet is a trip, even while having a heartbreaking sadness and sweetness at his core (though some of his zingers are priceless). The younger sisters are as (nearly) vapid as to be expected--truly awful at times--for much of the book. But seriously, Lydia and Kitty loving CrossFit? It's awesome. And Liz is wonderful; you will adore this surprisingly realistic and modern Liz, with all of her foibles and issues: a truly modern Liz struggling mightily to keep her family together and afloat.

As for Darcy, well he's as Darcy as ever. Somehow Sittenfeld has managed to truly capture the essence of Austen's Darcy and Elizabeth in her new characters. I don't know how, but it's funny and lovely all at the same time. (Side note: As a woman in her early thirties, will I ever be able to read about Darcy without picturing Colin Firth? I now have a desperate need to watch the BBC/A&E mini-series again.)

Overall, I found this book funny, touching, and compulsively readable. The characters are truly characters: they are fully formed within moments of picking up the book. The city of Cincinnati makes a great guest appearance, with the city playing a prominent role in many scenes (hi Skyline Chili!). If you loved the original, you'll find this updated version enjoyable and imaginative, with a surprising depth behind it. If you've never read Austen's work (and you should), you will still discover a funny, sweet yet weighty story of a family trying to make it in this day and age. Highly recommended (4.5 stars).

I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 4/19/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.