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Rodney Barnes (472 KP) rated The Incredible Hulk (2008) in Movies
Feb 15, 2021
Great Reboot From the First
As a comic book fan the Hulk is my favorite superhero. I never missed an episode of the old television series and had many comic books. So I think this movie did the Hulk justice. I absolutely hated the one with Bana. This one was a great improvement. I must say I do like Norton better in this role than Ruffalo. I am not saying Ruffalo is bad but Norton captured what Bruce Banner is for me. I liked the design of this Hulk and the essence of his rage was captured very well. The supporting cast was great as well. William Hurt and Liv Tyler did a great job as General Ross and Betty Ross. I was so glad they brought one of the Hulk's main enemies into this movie as well...The Abomination. For those that don't know, the Abomination is a gamma monster the same as the Hulk but he is bigger and stronger than the Hulk. The thing about the Hulk is he has this x Factor. The madder he gets, the stronger he gets. So he is more than a match for Abomination. This movie set the standard for how a Hulk movie should be made. There was a part in which there is a set up for another villain of the Hulk's...The Leader. We haven't seen anything about him yet in the MCU but I am hoping this comes to fruition. As a Hulk fan..I recommend this movie
LeftSideCut (3778 KP) rated The Incredible Hulk (2008) in Movies
Feb 11, 2020 (Updated Apr 7, 2020)
The second entry into the ever expanding MCU has it's flaws, but it's still an entertaining enough monster movie featuring one of Marvel Comics most beloved characters.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Gareth von Kallenbach (965 KP) rated The Incredible Hulk (2008) in Movies
Aug 14, 2019
Anyone familiar with the comic book or the TV series that starred the late Bill Bixby will be familiar with the setup of “The Incredible Hulk,” the new film version of the classic tale by director Louis Leterrier of “The Transporter” fame.
For those of you unfamiliar with the tale, after Dr. Banner (Edward Norton), is exposed to an accidental overdose of Gamma radiation his body chemistry is altered in such a way that he transforms into a large, green, and destructive creature when he is angered.
Naturally, this puts him at odds with the authorities and the military; thus, Banner is forced to live a vagabond existence while he searches for a way to contain his inner rage.
As the film opens, Banner has already has his accident, and this is shown via a series of clips during the opening credits. Living a simple life in Brazil, Banner works as a laborer in a bottling plant, and attempts to keep as low a profile as he possible can.
Banner communicates in secret via encrypted IM’s with a person he knows as Mr. Blue, and he hopes to extract the creature from his body by means of a plant. Mr. Blue offers Banner some ways to help his problem, but insists that he needs to seek more drastic treatment steps and needs to open up with him and let him try to help.
Since the military was funding his experiments and has huge interest in the creature Banner becomes, he decides the risk is too great and continues to find a cure in secret while he works on methods to control his anger via meditation.
Despite his best efforts, Banner is discovered by General Ross (William Hurt), who is the person in command of the program that Banner used to lead and dispatches a team led by a special operative named Emil Blonsky (Tim Roth), attempt to capture Banner. Things do not go as planned, and the attempt only succeeds in angering Banner who transforms into the Hulk with devastating results.
Forced to flee once again, Banner travels back to the United States in an effort to find Mr. Blue in order to rid the menace inside him.
Things become even more complicated for Banner when Blonsky and General Ross decide that Blonsky should seek physical enhancements in an effort to combat the Hulk, and begin a series of treatments that increase Brodsky’s strength and abilities.
Banner finds refuge with an old friend, and soon runs into his old flame Betty (Liv Tyler), whom he has avoided since the accident in an effort to protect her for the potential danger within him.
Fate is soon to step in, and Banner will soon find himself on the run with Betty, but facing the General and his troops as well as a threat even more dangerous than The Hulk.
The new version of the film is light years ahead of the disaster that was the Ang Lee directed film. Norton despite being a soft spoken individual has much more charisma for the part than did Eric Bana as he mixed pathos and humor to make Banner a well- rounded and more believable character. Since Norton co-wrote the script with Zack Penn, he clearly has put a lot of preparation in the characters as despite being comic book characters; they have more depth and humanity than most genre film characters do.
This allows the audience to become better immersed with the characters as his Banner is not some egghead whom the audience cannot connect with, but a real flesh and blood being who is dealing with extra ordinary circumstances.
Roth is solid as the greasy and power mad Blonsky and Hurt and Tyler do well with characters that would normally be stock parts in similar films.
What really impressed me besides the story and FX was the solid acting by Norton as well as the abundant respect for the source material. The film has very clever cameos by Stan Lee, Lou Ferrigno, as well as Bill Bixby which fit and does not come across as cheesy.
Without spoiling the surprise, there is a very nice moment at the end of the film that sets up future adventures as with the recent success of “Iron Man”, I for one and looking forward to more quality films about the Marvel Comics characters in the future, and especially more outings for Big Green.
For those of you unfamiliar with the tale, after Dr. Banner (Edward Norton), is exposed to an accidental overdose of Gamma radiation his body chemistry is altered in such a way that he transforms into a large, green, and destructive creature when he is angered.
Naturally, this puts him at odds with the authorities and the military; thus, Banner is forced to live a vagabond existence while he searches for a way to contain his inner rage.
As the film opens, Banner has already has his accident, and this is shown via a series of clips during the opening credits. Living a simple life in Brazil, Banner works as a laborer in a bottling plant, and attempts to keep as low a profile as he possible can.
Banner communicates in secret via encrypted IM’s with a person he knows as Mr. Blue, and he hopes to extract the creature from his body by means of a plant. Mr. Blue offers Banner some ways to help his problem, but insists that he needs to seek more drastic treatment steps and needs to open up with him and let him try to help.
Since the military was funding his experiments and has huge interest in the creature Banner becomes, he decides the risk is too great and continues to find a cure in secret while he works on methods to control his anger via meditation.
Despite his best efforts, Banner is discovered by General Ross (William Hurt), who is the person in command of the program that Banner used to lead and dispatches a team led by a special operative named Emil Blonsky (Tim Roth), attempt to capture Banner. Things do not go as planned, and the attempt only succeeds in angering Banner who transforms into the Hulk with devastating results.
Forced to flee once again, Banner travels back to the United States in an effort to find Mr. Blue in order to rid the menace inside him.
Things become even more complicated for Banner when Blonsky and General Ross decide that Blonsky should seek physical enhancements in an effort to combat the Hulk, and begin a series of treatments that increase Brodsky’s strength and abilities.
Banner finds refuge with an old friend, and soon runs into his old flame Betty (Liv Tyler), whom he has avoided since the accident in an effort to protect her for the potential danger within him.
Fate is soon to step in, and Banner will soon find himself on the run with Betty, but facing the General and his troops as well as a threat even more dangerous than The Hulk.
The new version of the film is light years ahead of the disaster that was the Ang Lee directed film. Norton despite being a soft spoken individual has much more charisma for the part than did Eric Bana as he mixed pathos and humor to make Banner a well- rounded and more believable character. Since Norton co-wrote the script with Zack Penn, he clearly has put a lot of preparation in the characters as despite being comic book characters; they have more depth and humanity than most genre film characters do.
This allows the audience to become better immersed with the characters as his Banner is not some egghead whom the audience cannot connect with, but a real flesh and blood being who is dealing with extra ordinary circumstances.
Roth is solid as the greasy and power mad Blonsky and Hurt and Tyler do well with characters that would normally be stock parts in similar films.
What really impressed me besides the story and FX was the solid acting by Norton as well as the abundant respect for the source material. The film has very clever cameos by Stan Lee, Lou Ferrigno, as well as Bill Bixby which fit and does not come across as cheesy.
Without spoiling the surprise, there is a very nice moment at the end of the film that sets up future adventures as with the recent success of “Iron Man”, I for one and looking forward to more quality films about the Marvel Comics characters in the future, and especially more outings for Big Green.
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.