Search
Search results
Awix (3310 KP) rated Official Secrets (2019) in Movies
Oct 18, 2019
Superior based-on-fact thriller with Keira Knightley leading a strong cast. Huge demonstrations fill the streets of London but are totally ignored by the government, the British Prime Minister is a smirking liar, and the US administration is hugely embarrassed by a whistleblower. How very different things were 15 years ago. Said whistleblower (Knightley) reveals an attempt by the US and UK to blackmail members of the UN security council into authorising an otherwise-illegal invasion of Iraq, bringing the whole power of the establishment down on her head.
There's a lot going on here, plotwise, with various strands following Knightley's personal situation, the attempts of journalists to verify and publish her story, and the court case that ensued, but the story is always engrossing and never difficult to follow. Knightley's performance is possibly a little overcooked, but she is extremely well supported by a cast including Matt Smith, Ralph Fiennes, and Rhys Ifans. Raises some serious issues about the rights of a government to keep secrets from its secrets; stirs up some recent history, too, for what it's worth. An excellent piece of intelligent entertainment.
There's a lot going on here, plotwise, with various strands following Knightley's personal situation, the attempts of journalists to verify and publish her story, and the court case that ensued, but the story is always engrossing and never difficult to follow. Knightley's performance is possibly a little overcooked, but she is extremely well supported by a cast including Matt Smith, Ralph Fiennes, and Rhys Ifans. Raises some serious issues about the rights of a government to keep secrets from its secrets; stirs up some recent history, too, for what it's worth. An excellent piece of intelligent entertainment.
Awix (3310 KP) rated Agent of Chaos in Books
Apr 1, 2019 (Updated Apr 2, 2019)
Weirdly prescient pulp sci-fi novel. 'The great tyrant ruled with solar system with absolute terror. Only one man dared to fight back!' The man in question being one Boris Johnson, who (laser gun in hand) heroically sets out to bring down the government and plunge the world into complete anarchy (this really is the plot, and yes, the book was written in 1967).
Obviously the book is unintended comedy gold for UK readers nowadays, but as something you might actually want to read for pleasure, or for any other reason, it is quite hard work: the plot is hackneyed, the characterisation thin, and much of the book is taken up with lengthy discussions of chaos and order and anarchy and so on. This has given the book a cult following, although I think it depends on how old you are when you first read it. If you're not into radical philosophy and not amused by the doings of Boris Johnson, there's not much else here to enjoy.
Obviously the book is unintended comedy gold for UK readers nowadays, but as something you might actually want to read for pleasure, or for any other reason, it is quite hard work: the plot is hackneyed, the characterisation thin, and much of the book is taken up with lengthy discussions of chaos and order and anarchy and so on. This has given the book a cult following, although I think it depends on how old you are when you first read it. If you're not into radical philosophy and not amused by the doings of Boris Johnson, there's not much else here to enjoy.
Awix (3310 KP) rated Ultraviolet in TV
Jan 3, 2021
British horror-thriller resists the temptation of going camp and is all the better for it. London cop Mike Colefield discovers the existence of a secretive government agency hunting blood-drinking, mirror-averse immortals and is eventually recruited by them. But can they uncover the enemy's plans before internal tensions tear the team apart?
One of the many post-X Files genre shows to appear in the UK in the late 90s, but much better than most of them, largely because it resists the temptation to go overboard with the flashy fantasy elements: vampires rarely appear in the early episodes and this more closely resembles a police procedural show. But definitely a horror series, and an effective one for the most part, written and played with great skill. Starts off as an episodic show before the serial elements gradually take over - the standalone episodes are best - and comes up with some clever new spins on vampire lore. One wishes they could have made more than just the six episodes (plus a US pilot with a mostly different cast and rather different approach), but as it this this definitely counts as small but perfectly formed.
One of the many post-X Files genre shows to appear in the UK in the late 90s, but much better than most of them, largely because it resists the temptation to go overboard with the flashy fantasy elements: vampires rarely appear in the early episodes and this more closely resembles a police procedural show. But definitely a horror series, and an effective one for the most part, written and played with great skill. Starts off as an episodic show before the serial elements gradually take over - the standalone episodes are best - and comes up with some clever new spins on vampire lore. One wishes they could have made more than just the six episodes (plus a US pilot with a mostly different cast and rather different approach), but as it this this definitely counts as small but perfectly formed.
Ross (3282 KP) rated The Constant Rabbit in Books
Aug 20, 2020
Great absurd book
Fforde's kay strength as an author is coming up with a premise and turning a surface-level idea into a wonderfully worked piece of fiction. My past reading of his have been more absurd crime-style investigatory books, where a character in an unusual world investigate a crime in that world. The world can unfold itself gradually over time and the story is fairly well structured.
In The Constant Rabbit, Fforde has taken the topic of racism and put it in a different setting. Due to an unexplained event, a number of animals were anthropomorphised, including a few rabbits, foxes, bears and elephants. True to their nature, that small population of rabbits has exploded and they now represent a large proportion of the population. Britain being what it is, there is a lot of ill-feeling toward these rabbits and this has made it's way into politics and societal changes. The government themselves are the UK Anti Rabbit Party, and there are a great number of restrictions on the rabbits' freedom of movement.
The book serves as a great analogy for historic racism and xenophobia that still remains in the UK and the western world as a whole.
The story itself only reveals itself gradually, it takes a long time to be set up and generally just unfolds. There is no real underlying plot from the off, it is the unfolding of a scenario.
To that end, I felt this book was a little more about the idea, and the effort put in to fleshing that out, and the story itself has suffered slightly. There are long sections of exposition throughout the book, and at times it does get a little boring.
Far from Fforde at his best, it is still a great funny book and a wonderful thought experiment and demonstration of the ludicrousness of xenophobia.
In The Constant Rabbit, Fforde has taken the topic of racism and put it in a different setting. Due to an unexplained event, a number of animals were anthropomorphised, including a few rabbits, foxes, bears and elephants. True to their nature, that small population of rabbits has exploded and they now represent a large proportion of the population. Britain being what it is, there is a lot of ill-feeling toward these rabbits and this has made it's way into politics and societal changes. The government themselves are the UK Anti Rabbit Party, and there are a great number of restrictions on the rabbits' freedom of movement.
The book serves as a great analogy for historic racism and xenophobia that still remains in the UK and the western world as a whole.
The story itself only reveals itself gradually, it takes a long time to be set up and generally just unfolds. There is no real underlying plot from the off, it is the unfolding of a scenario.
To that end, I felt this book was a little more about the idea, and the effort put in to fleshing that out, and the story itself has suffered slightly. There are long sections of exposition throughout the book, and at times it does get a little boring.
Far from Fforde at his best, it is still a great funny book and a wonderful thought experiment and demonstration of the ludicrousness of xenophobia.
Hazel (2934 KP) rated The Mother Fault in Books
Dec 19, 2021
A book that wasn't for me I'm sorry to say.
Set in a future where climate change is not just something that is likely to happen but is all too real and where everyone is micro-chipped and controlled by the Government, this is the story about Mim trying to find out about her missing husband but feeling she has no other option than to go on the run with her children.
Sounds good doesn't it, well for me it just fell short on excitement. There was a lot of description, too much waffle and whilst the characters were well developed, I couldn't seem to get on with them. The ending was also a disappointment; it seemed to take a while to get there and then it was over with many questions still to be answered - maybe I missed something somewhere?
So whilst this wasn't for me, there are plenty of positive reviews out there so don't take my word for it as I always say, if we all liked the same things, the world would be a very boring place indeed.
My thanks go to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
Set in a future where climate change is not just something that is likely to happen but is all too real and where everyone is micro-chipped and controlled by the Government, this is the story about Mim trying to find out about her missing husband but feeling she has no other option than to go on the run with her children.
Sounds good doesn't it, well for me it just fell short on excitement. There was a lot of description, too much waffle and whilst the characters were well developed, I couldn't seem to get on with them. The ending was also a disappointment; it seemed to take a while to get there and then it was over with many questions still to be answered - maybe I missed something somewhere?
So whilst this wasn't for me, there are plenty of positive reviews out there so don't take my word for it as I always say, if we all liked the same things, the world would be a very boring place indeed.
My thanks go to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
I have read one of Mr Mayo's previous outings, Knife Edge, before and although I thought the middle was a bit of a miss for me, the start and end were great so it didn't put me off reading more of his work and I'm pleased it didn't, as I enjoyed this one.
Having survived the Covid pandemic and things are returning to 'normal', another illness strikes that could prove just as deadly. Kit, his daughter Rose and partner Lilly find themselves right in the centre as the new pandemic emerges and starts to spread.
There is a very strong sense of tension from the start which grows as Kit and Rose try to evade what you feel is inevitable infection whilst Lilly uncovers a possible family connection and secret Government research and dubious testing practices.
The characters are strong and are believable, the plot is current (maybe a little too current!) and the pacing is good. There is quite a bit of scientific speak which I felt was a bit too much and, I think, wasn't particularly necessary or added to the story that much.
Overall, a decent thriller which kept me engaged and my thanks to Random House UK, Transworld Publishers and NetGalley for enabling me to read Tick Tock and share my views.
Having survived the Covid pandemic and things are returning to 'normal', another illness strikes that could prove just as deadly. Kit, his daughter Rose and partner Lilly find themselves right in the centre as the new pandemic emerges and starts to spread.
There is a very strong sense of tension from the start which grows as Kit and Rose try to evade what you feel is inevitable infection whilst Lilly uncovers a possible family connection and secret Government research and dubious testing practices.
The characters are strong and are believable, the plot is current (maybe a little too current!) and the pacing is good. There is quite a bit of scientific speak which I felt was a bit too much and, I think, wasn't particularly necessary or added to the story that much.
Overall, a decent thriller which kept me engaged and my thanks to Random House UK, Transworld Publishers and NetGalley for enabling me to read Tick Tock and share my views.
Ross (3282 KP) rated Tell Me Lies in Books
Jan 28, 2020
A change in style for James
I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review.
Ed James' new series takes place in Seattle rather than the UK-based series he has penned to date. There is also a change in subject, focusing on child abductions rather than the standard "murrdurr" fayre.
Special Agent Max Carter is tasked with tracking down a senator's abducted children. With the clock ticking, we see the action from the abductor's PoV as well as Carter's and the father's. The senator finds himself trying to help the abductor of his children to uncover a government conspiracy in which he may have been involved. The mix of different perspectives allows the story to flow with a good pace, with different angles of the emerging story adding up for the reader in way they wouldn't yet do for the characters. In the middle of the book the investigation did start to feel a little samey (both the FBI agents and the abductor/senator teams going through the same leads one after the other), but this didn't last long.
The change in location sadly comes with a change in writing style and this was a downside for me. I like James' flowing narrative and the American tone and style were quite jarring. I would say more American than genuine American authors. However once I accepted this it did not spoil my enjoyment of the book as a whole.
The ending of the story was mostly satisfying but with some loose ends that I hope to see addressed in subsequent books.
A departure for James' readers but worth the trip, and a good book for fans of Harlan Coben and David Baldacci.
Ed James' new series takes place in Seattle rather than the UK-based series he has penned to date. There is also a change in subject, focusing on child abductions rather than the standard "murrdurr" fayre.
Special Agent Max Carter is tasked with tracking down a senator's abducted children. With the clock ticking, we see the action from the abductor's PoV as well as Carter's and the father's. The senator finds himself trying to help the abductor of his children to uncover a government conspiracy in which he may have been involved. The mix of different perspectives allows the story to flow with a good pace, with different angles of the emerging story adding up for the reader in way they wouldn't yet do for the characters. In the middle of the book the investigation did start to feel a little samey (both the FBI agents and the abductor/senator teams going through the same leads one after the other), but this didn't last long.
The change in location sadly comes with a change in writing style and this was a downside for me. I like James' flowing narrative and the American tone and style were quite jarring. I would say more American than genuine American authors. However once I accepted this it did not spoil my enjoyment of the book as a whole.
The ending of the story was mostly satisfying but with some loose ends that I hope to see addressed in subsequent books.
A departure for James' readers but worth the trip, and a good book for fans of Harlan Coben and David Baldacci.
Lenard (726 KP) rated Blinded by the Light (2019) in Movies
Sep 2, 2019
It's a Sin
1987 Luton, UK: New wave rules the radio, Margaret Thatcher controls the country which is leading to closed factories and people losing their jobs, and Pakistanis are moving into neighbors which the "white" majority resents (when people are losing their jobs, it is easier to blame the "others" moving in instead of the government whose policies have led to these losses). But I digress. Ravi is trapped between two cultures, his Pakistani family and the culture he grows up in in Luton. One day at his school, he meets a Sikh student who gives him two cassettes by Bruce Springsteen and he meets a writing teacher who encourages him to write what he knows. Like the culture clash in his soul, his heart is consumed by these Springsteen songs and expressing his feelings through writing. As is wont in these films, his parents and town learn to accept him and his obvious talent.
Two things struck me about the film. The first is the costume for the father. With the exception of the wedding party which I will discuss in my second, the father is dressed in a dress shirt, tie, and slacks, sometimes a sportcoat. This is the traditional outfit of a 1st generation immigrant. Even though he works in a factory manufacturing cars, he still goes to work or out in public dressed like a successful businessman/financial advisor. There is a belief that in order to achieve success, you must dress as though you have already attained that success. The second is the connection to Bend It Like Beckham, Chadha's previous film, which had a lot more success in the US. There is the best friend's parent who accepts the protagonist quicker than their own. But I am talking about the wedding party scene. In both films, the family is having a wedding party and the protagonist has to leave because there is something urgent that they need to do (play in a soccer game, buy tickets to a Springsteen concert). Family members assist the protagonist to get away without the parents noticing and in each case conflict ensues that brings a feeling of abandonment from the immediate family.
Two things struck me about the film. The first is the costume for the father. With the exception of the wedding party which I will discuss in my second, the father is dressed in a dress shirt, tie, and slacks, sometimes a sportcoat. This is the traditional outfit of a 1st generation immigrant. Even though he works in a factory manufacturing cars, he still goes to work or out in public dressed like a successful businessman/financial advisor. There is a belief that in order to achieve success, you must dress as though you have already attained that success. The second is the connection to Bend It Like Beckham, Chadha's previous film, which had a lot more success in the US. There is the best friend's parent who accepts the protagonist quicker than their own. But I am talking about the wedding party scene. In both films, the family is having a wedding party and the protagonist has to leave because there is something urgent that they need to do (play in a soccer game, buy tickets to a Springsteen concert). Family members assist the protagonist to get away without the parents noticing and in each case conflict ensues that brings a feeling of abandonment from the immediate family.
Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Gareth von Kallenbach (965 KP) rated Paul (2011) in Movies
Aug 7, 2019
Can you think of a better vacation than going to the San Diego Comic-Con, then hopping into an RV with your best friend to travel around America checking out various UFO hot spots? If you answered “Heck No!” then you would get along just fine with Klingon-speaking best friends from the UK, Graeme Willy (Simon Pegg) and Clive Gollings (Nick Frost).
That’s how the movie Paul begins, at one of the greatest conventions, San Diego Comic Con. Then Graeme and Clive are off on their cross country adventure during which they meet all sorts of interesting people including Paul (voiced by Seth Rogen), an alien whose ship crash landed on Earth 60 years ago and, until his recent escape, had been a “guest” at a secret military base. After some fainting, wetting pants and fears about probing have been addressed, Graeme and Clive agree to help Paul get to where he can meet his mothership and go home.
At this point the movie goes from funny to really funny and as the three of them get to know each other better, Graeme and Clive soon realize that Paul is just a everyday guy like them (well except for the whole alien thing). They also meet Bible-thumper Ruth (Kristen Wiig) whom they accidentally kidnap, causing her shotgun-toting father to chase after them. Of course there are government agents also looking for them and the movie even throws in a few high speed chases. To round out the road trip there’s even a fight at a biker bar (Star Wars fans will love the band playing inside). Will they achieve their goal and send Paul home? Will there be probing? Klaatu barada nikto?
The special effects that went into creating Paul and his realistic interactions with the human cast were amazing, however the humorous soul that Seth Rogen breathed into Paul made the character truly out of this world. Not since Mork and Gordon Shumway (ALF) has an alien made me laugh so hard. Simon Pegg and Nick Frost were their usual extremely funny dynamic-duo selves. The movie is loaded with well-placed humorous references to sci-fi movies and shows, a well-balanced amount of action and great character interactions with an unbelievable supporting cast that includes Jason Bateman, Jane Lynch and Bill Hader just to name a few. This movie is not only one that I want to see again in the theatre but one that I also want to own.
That’s how the movie Paul begins, at one of the greatest conventions, San Diego Comic Con. Then Graeme and Clive are off on their cross country adventure during which they meet all sorts of interesting people including Paul (voiced by Seth Rogen), an alien whose ship crash landed on Earth 60 years ago and, until his recent escape, had been a “guest” at a secret military base. After some fainting, wetting pants and fears about probing have been addressed, Graeme and Clive agree to help Paul get to where he can meet his mothership and go home.
At this point the movie goes from funny to really funny and as the three of them get to know each other better, Graeme and Clive soon realize that Paul is just a everyday guy like them (well except for the whole alien thing). They also meet Bible-thumper Ruth (Kristen Wiig) whom they accidentally kidnap, causing her shotgun-toting father to chase after them. Of course there are government agents also looking for them and the movie even throws in a few high speed chases. To round out the road trip there’s even a fight at a biker bar (Star Wars fans will love the band playing inside). Will they achieve their goal and send Paul home? Will there be probing? Klaatu barada nikto?
The special effects that went into creating Paul and his realistic interactions with the human cast were amazing, however the humorous soul that Seth Rogen breathed into Paul made the character truly out of this world. Not since Mork and Gordon Shumway (ALF) has an alien made me laugh so hard. Simon Pegg and Nick Frost were their usual extremely funny dynamic-duo selves. The movie is loaded with well-placed humorous references to sci-fi movies and shows, a well-balanced amount of action and great character interactions with an unbelievable supporting cast that includes Jason Bateman, Jane Lynch and Bill Hader just to name a few. This movie is not only one that I want to see again in the theatre but one that I also want to own.