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Bong Mines Entertainment (15 KP) rated Rather You Than Me by Rick Ross in Music
Jun 7, 2019
Rick Ross is a rapper and CEO of Maybach Music Group. Not too long ago, he released “Rather You Than Me“, a star-studded album filled with expensive thoughts and gun-toting lyrics.
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
Hadley (567 KP) rated The Hollow Ones: the Blackwood Tapes Vol. 1 in Books
Sep 9, 2020
Paranormal and occult (1 more)
Great story
A filler character with potential (1 more)
Overly used details
[This is the ARC version - - - John Silence was renamed Hugo Blackwood in the final version]
I've grown up watching a lot of Guillermo Del Toro's movies. One of my favorites that he was the screenwriter for is Hellboy. Yet, I spent almost four months at the beginning of this year playing the video game Death Stranding, which features Del Toro as a main character. I bring the former and latter up because they rank very high on some of my favorite things list, and I believe that The Hollow Ones is one of the best books I have read in a long time. This is one of those few rare books which I wish I could live in as a lover of the paranormal/occult.
Odessa Hardwicke - - - an FBI greenhorn - - - is ordering dinner with her partner, Walt Leppo, when they get a phone call that someone is on a shooting rampage from an airplane. (Hardwicke looks up to Leppo as a father figure, and he sees her as a daughter) We learn that the two have been on a corruption case involving a politician's former deputy chief of staff- - - they suddenly realize that the airplane may be tied to this man, and he may also be the one going on the killing spree. The pair speed off to the deputy chief's home in fear that he may be going to kill his recently divorced wife, who was waiting to receive not only their huge house, but a nice lump sum of money.
When Hardwicke and Leppo get to the house, after stopping the deputy chief, Hardwicke suddenly finds herself holding a gun on her partner while he tries to murder a little girl. She has only two choices to make: a) kill her partner, and face the backlash of shooting an agent in the line-of-duty or b) let him kill the girl and possibly herself- - - Hardwicke chooses to shoot and kill Leppo. Immediately after this, she sees something like a heatwave leave Leppo's body and disappear. When other agents arrive to the crime scene, Hardwicke keeps this information to herself, wanting to know instead why her partner suddenly turned into a murderer. Pending an investigation, Hardwicke is put on desk duty, including errands that the Bureau doesn't want to deal with. Enter Agent Earl Solomon.
On order by the FBI, Hardwicke is sent to clean out an office used by a retired agent that was hospitalized for a stroke. She takes his things to the hospital (not knowing what to do with them), and while discussing her plight with him and revealing that she had seen a sort of heat vapor leave Leppo's body, Solomon quickly tells her to write a letter to a man named John Silence, and place it in a nearly invisible mailbox in the Wallstreet area of New York.
From this point on, the book really begins to take off, and the fact that the authors brought in the religion of Palo (the Mayombe branch) is fascinating for anyone interested in the occult. The buildup of the story is really enjoyable, too, especially when Hardwicke decides to write and deliver the letter.
Readers also get to see Solomon's story from years before when he was one of the first African Americans to be recruited into the FBI. We see Solomon being sent to Mississippi in 1962, where a number of lynchings of African Americans have occurred, but the FBI hasn't been called in until the last murder: a lynching of a white man. Solomon can't help but question if he was only brought on this case because he is African American. Ignoring the bigotry, Solomon does his job, and comes across a young boy who is possessed by some sort of demon. The boy tells Solomon to bring him Silence, a man who Solomon has never heard of.
John Silence is also an interesting character; a nearly 500-year-old occult detective. We also get to see flashbacks of his life in the 1500's, learning about his occupation as a barrister, and his first encounter with the paranormal- - - something that has plagued him since- - - as well as his teacher in the occult. In the chapters of today, Silence is a mysterious figure, and carries himself much like a modern day Sherlock Holmes. Even by the end of the book, readers are still left with questions over what Silence has been through in the last 500 years. He, having only met Solomon 58 years prior- - - the two have a huge history together. Proven by the fact of how many 'cases' Solomon has hidden in his private records room that the two have embarked on together.
The Hollow Ones is a very enjoyable book, but I could only give it 3 out of 5 stars. The rating is because the authors- - - Del Toro and Hogan- - - used so many details, like the make and model of a passing vehicle, that it would interrupt the flow of the story, being bogged down by it. One other problem that I had was with the character Laurena; she was a 'filler character' (a character that is brought in just to make something happen in the story), but she was written to be Hardwicke's best friend. This was highly unbelievable with the two times she showed up in the story.
I really, really hope that Del Toro and Hogan decide to make this a series, and that the rest of the books show us Solomon's and Silence's journeys together! I highly recommend this book to people who love the paranormal/occult crime books.
I've grown up watching a lot of Guillermo Del Toro's movies. One of my favorites that he was the screenwriter for is Hellboy. Yet, I spent almost four months at the beginning of this year playing the video game Death Stranding, which features Del Toro as a main character. I bring the former and latter up because they rank very high on some of my favorite things list, and I believe that The Hollow Ones is one of the best books I have read in a long time. This is one of those few rare books which I wish I could live in as a lover of the paranormal/occult.
Odessa Hardwicke - - - an FBI greenhorn - - - is ordering dinner with her partner, Walt Leppo, when they get a phone call that someone is on a shooting rampage from an airplane. (Hardwicke looks up to Leppo as a father figure, and he sees her as a daughter) We learn that the two have been on a corruption case involving a politician's former deputy chief of staff- - - they suddenly realize that the airplane may be tied to this man, and he may also be the one going on the killing spree. The pair speed off to the deputy chief's home in fear that he may be going to kill his recently divorced wife, who was waiting to receive not only their huge house, but a nice lump sum of money.
When Hardwicke and Leppo get to the house, after stopping the deputy chief, Hardwicke suddenly finds herself holding a gun on her partner while he tries to murder a little girl. She has only two choices to make: a) kill her partner, and face the backlash of shooting an agent in the line-of-duty or b) let him kill the girl and possibly herself- - - Hardwicke chooses to shoot and kill Leppo. Immediately after this, she sees something like a heatwave leave Leppo's body and disappear. When other agents arrive to the crime scene, Hardwicke keeps this information to herself, wanting to know instead why her partner suddenly turned into a murderer. Pending an investigation, Hardwicke is put on desk duty, including errands that the Bureau doesn't want to deal with. Enter Agent Earl Solomon.
On order by the FBI, Hardwicke is sent to clean out an office used by a retired agent that was hospitalized for a stroke. She takes his things to the hospital (not knowing what to do with them), and while discussing her plight with him and revealing that she had seen a sort of heat vapor leave Leppo's body, Solomon quickly tells her to write a letter to a man named John Silence, and place it in a nearly invisible mailbox in the Wallstreet area of New York.
From this point on, the book really begins to take off, and the fact that the authors brought in the religion of Palo (the Mayombe branch) is fascinating for anyone interested in the occult. The buildup of the story is really enjoyable, too, especially when Hardwicke decides to write and deliver the letter.
Readers also get to see Solomon's story from years before when he was one of the first African Americans to be recruited into the FBI. We see Solomon being sent to Mississippi in 1962, where a number of lynchings of African Americans have occurred, but the FBI hasn't been called in until the last murder: a lynching of a white man. Solomon can't help but question if he was only brought on this case because he is African American. Ignoring the bigotry, Solomon does his job, and comes across a young boy who is possessed by some sort of demon. The boy tells Solomon to bring him Silence, a man who Solomon has never heard of.
John Silence is also an interesting character; a nearly 500-year-old occult detective. We also get to see flashbacks of his life in the 1500's, learning about his occupation as a barrister, and his first encounter with the paranormal- - - something that has plagued him since- - - as well as his teacher in the occult. In the chapters of today, Silence is a mysterious figure, and carries himself much like a modern day Sherlock Holmes. Even by the end of the book, readers are still left with questions over what Silence has been through in the last 500 years. He, having only met Solomon 58 years prior- - - the two have a huge history together. Proven by the fact of how many 'cases' Solomon has hidden in his private records room that the two have embarked on together.
The Hollow Ones is a very enjoyable book, but I could only give it 3 out of 5 stars. The rating is because the authors- - - Del Toro and Hogan- - - used so many details, like the make and model of a passing vehicle, that it would interrupt the flow of the story, being bogged down by it. One other problem that I had was with the character Laurena; she was a 'filler character' (a character that is brought in just to make something happen in the story), but she was written to be Hardwicke's best friend. This was highly unbelievable with the two times she showed up in the story.
I really, really hope that Del Toro and Hogan decide to make this a series, and that the rest of the books show us Solomon's and Silence's journeys together! I highly recommend this book to people who love the paranormal/occult crime books.
Kayleigh (12 KP) rated Newes from the Dead in Books
Jan 2, 2019
I stumbled across the blurb of this book while looking at the Totally Random Books website. It's really intriguing and, as I read around, I could see that the book is based on a true story. That was it, I had to buy it! It didn't disappoint, and I read it in a day.
While this is a YA book, it's worth pointing out that it deals with some really adult themes, which is something to consider if you're thinking of letting a teenager read it. I'll outline the main points in the next paragraph, so if you don't want any spoilers at all, skip this bit. The chapters flick between the events that led up to Anne's hanging, and what happens while she's laid on the dissecting table, apparently dead. Her downfall comes when the master's grandson promises her the world in exchange for him getting his end away, shall we say. As tends to happen, she becomes pregnant, which she manages to keep a secret until she miscarries. She has the 'audacity' to tell people who the father was, so never receives a fair trial, and is sentenced to death by hanging for the murder of her child. Her sentence is carried out, but she regains consciousness while on the dissecting table. However, she's unable to move a muscle, even to scream.
Anne is a nice girl with a promising, if humble, future, and I liked her. Even while I was willing her not to trust the father of her child, I could understand why she did what she did, and I felt really sorry for her as she lost a lot. The events of both storylines were fascinating, and in the dissection chapters I was constantly willing the doctors to notice what was going on. Although I knew they wouldn't cut into her and it was a little drawn out, some parts got quite tense, which I liked.
Being a sucker for history, I really liked the way everything was portrayed. [a:Mary Hooper|139257|Mary Hooper|http://d202m5krfqbpi5.cloudfront.net/authors/1310022486p2/139257.jpg], the author, made me realise how important it was in how you were perceived in those times - if you think gossip can be bad now, it was a million times worse in 1650, when holding someone's hand, even for an innocent reason, can potentially start a deadly rumour. I thought the book brought across everything that would have happened at the time really accurately and realistically. I know the author had true events to go on, but Anne's life before her hanging was all imagined. There's a note from Hooper at the end that specifies what records say about what happened to Anne Green after her hanging, which is also really interesting. I'll definitely be checking out more of Hooper's books!
If you liked this review please check out my <a href="http://www.a-worldofwords.com">blog!</a>;
While this is a YA book, it's worth pointing out that it deals with some really adult themes, which is something to consider if you're thinking of letting a teenager read it. I'll outline the main points in the next paragraph, so if you don't want any spoilers at all, skip this bit. The chapters flick between the events that led up to Anne's hanging, and what happens while she's laid on the dissecting table, apparently dead. Her downfall comes when the master's grandson promises her the world in exchange for him getting his end away, shall we say. As tends to happen, she becomes pregnant, which she manages to keep a secret until she miscarries. She has the 'audacity' to tell people who the father was, so never receives a fair trial, and is sentenced to death by hanging for the murder of her child. Her sentence is carried out, but she regains consciousness while on the dissecting table. However, she's unable to move a muscle, even to scream.
Anne is a nice girl with a promising, if humble, future, and I liked her. Even while I was willing her not to trust the father of her child, I could understand why she did what she did, and I felt really sorry for her as she lost a lot. The events of both storylines were fascinating, and in the dissection chapters I was constantly willing the doctors to notice what was going on. Although I knew they wouldn't cut into her and it was a little drawn out, some parts got quite tense, which I liked.
Being a sucker for history, I really liked the way everything was portrayed. [a:Mary Hooper|139257|Mary Hooper|http://d202m5krfqbpi5.cloudfront.net/authors/1310022486p2/139257.jpg], the author, made me realise how important it was in how you were perceived in those times - if you think gossip can be bad now, it was a million times worse in 1650, when holding someone's hand, even for an innocent reason, can potentially start a deadly rumour. I thought the book brought across everything that would have happened at the time really accurately and realistically. I know the author had true events to go on, but Anne's life before her hanging was all imagined. There's a note from Hooper at the end that specifies what records say about what happened to Anne Green after her hanging, which is also really interesting. I'll definitely be checking out more of Hooper's books!
If you liked this review please check out my <a href="http://www.a-worldofwords.com">blog!</a>;
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
JT (287 KP) rated Extremely Loud & Incredibly Close (2012) in Movies
Mar 10, 2020
Oskar Schell (Horn) and his father Thomas (Hanks) share a special bond, the pair seem inseparable. They spend most nights together reading books and solving puzzles with Thomas regaling stories of a mysterious sixth borough once part of New York.
When the 9/11 attacks tear the city apart it also rips apart the the Schell family as they come to terms with the loss of Thomas. Sandra Bullock supports as a grieving wife and a mother that has seemingly lost all control over her son. Oskar is himself a unique individual blessed with high intelligence he struggles to fill the void left by his father, but when he gains the courage to venture into his parents bedroom and his father’s closet he finds a key which leads him on a journey of self discovery and ultimate closure.
I have a bit of a gripe when it comes to child actors, their talents are almost so good it is beyond their own age and their performances can be over elaborated. Horn delivers a performance with gusto and it’s a credit to him. If occasionally annoying at times. Oskar’s journey takes him all over New York city, through its boroughs and interacting with its inhabitants all of whom have been affected by the terrible tragedy in someway.
Oskar links the key to the name Black, believing this to be a person he creates himself a map and intricate catalogue of every individual in New York by this name.He sets himself the goal of speaking to every last person, no matter how long it is going to take and records everything in a journal with photographs to accompany his experiences with them. Bullock gives an assured performance as a grief stricken and desperate mother
Max von Sydow joins him on his quest as a mysterious old man who doesn’t speak and only communicates through a notepad and pen. He himself has his own set of personal problems and its obvious from the outset just who he is. Von Sydow gives a typically brilliant performance even without the use of dialogue. The film is drawn out, too long for its own good. We’re desperate to understand just where this key fits and when the pieces of the jigsaw are finally complete we feel about the same disappointment as Oskar does.
That’s not to say the film is without its merits, and director Stephen Daldry and writer Eric Roth deal with the implications of Oskar and his problems extremely well, using flashbacks you can really begin to unravel the complexities of the 11-year olds inner psyche. I enjoyed the film but wouldn’t say I was completely comfortable with it for some parts, the ending, while closing the narrative, left me feeling somewhat annoyed and that’s a feeling that sticks with me long after the credits go up.
When the 9/11 attacks tear the city apart it also rips apart the the Schell family as they come to terms with the loss of Thomas. Sandra Bullock supports as a grieving wife and a mother that has seemingly lost all control over her son. Oskar is himself a unique individual blessed with high intelligence he struggles to fill the void left by his father, but when he gains the courage to venture into his parents bedroom and his father’s closet he finds a key which leads him on a journey of self discovery and ultimate closure.
I have a bit of a gripe when it comes to child actors, their talents are almost so good it is beyond their own age and their performances can be over elaborated. Horn delivers a performance with gusto and it’s a credit to him. If occasionally annoying at times. Oskar’s journey takes him all over New York city, through its boroughs and interacting with its inhabitants all of whom have been affected by the terrible tragedy in someway.
Oskar links the key to the name Black, believing this to be a person he creates himself a map and intricate catalogue of every individual in New York by this name.He sets himself the goal of speaking to every last person, no matter how long it is going to take and records everything in a journal with photographs to accompany his experiences with them. Bullock gives an assured performance as a grief stricken and desperate mother
Max von Sydow joins him on his quest as a mysterious old man who doesn’t speak and only communicates through a notepad and pen. He himself has his own set of personal problems and its obvious from the outset just who he is. Von Sydow gives a typically brilliant performance even without the use of dialogue. The film is drawn out, too long for its own good. We’re desperate to understand just where this key fits and when the pieces of the jigsaw are finally complete we feel about the same disappointment as Oskar does.
That’s not to say the film is without its merits, and director Stephen Daldry and writer Eric Roth deal with the implications of Oskar and his problems extremely well, using flashbacks you can really begin to unravel the complexities of the 11-year olds inner psyche. I enjoyed the film but wouldn’t say I was completely comfortable with it for some parts, the ending, while closing the narrative, left me feeling somewhat annoyed and that’s a feeling that sticks with me long after the credits go up.
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Kristy H (1252 KP) rated Hairpin Bridge in Books
Jun 17, 2021
A harrowing, page-turner of a thriller
Lena Nguyen arrives in Montana to figure out what happened to her twin sister, Cambry. Three months ago, Cambry supposedly committed suicide on Hairpin Bridge, but Lena simply cannot believe it's true. Now she's at the bridge, driving her sister's abandoned car, to find out what really happened. She's meeting Corporal Raymond Raycevic, the highway patrolman who found the body, at the scene itself. He seems apologetic and straightforward. Still, Lena remains suspicious. Records show Raycevic pulled Cambry over for speeding just a hour before her death. And what about the sixteen attempted 911 calls she made in the dead zone? Or the fact that Raycevic's name appears in the final text Lena ever received from Cambry? Despite the fact the sisters were basically estranged, Lena needs to know what happened to Cambry. But the more she digs, the more Lena's own survival may be in jeopardy out there on Hairpin Bridge.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.