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BookInspector (124 KP) rated My Sister's Bones in Books
Sep 24, 2020
This novel started creating tension from the first pages, and it kept the intrigue going all the way till the very last page. This book contains tree parts. The first one is the story from Kate’s point of view. She is a successful Journalist, who came to her birth place after her mother’s death. The second part is the story told from Sally’s point of view. Sally is Kate’s younger sister, who is chronic alcoholic. She feels like a black sheep of the family, the “never good enough” daughter. The third part will remain a secret; I don’t like to spoil the pleasure. I love when Author gives voices to more than one character, I really enjoyed reading the story from different point of view and it made the book and the characters way more interesting and indulging. The characters which author chose are really intriguing and interesting. All of them suffering from some mental problems and are disturbed. Kate disturbed by her childhood and constant trips to war zones, and Sally by her inner demons. I think the characters were well rounded and exciting to read about.
The plot was amazingly thought through and overflowing with suspense. I couldn’t put it down, it captivated me and I needed to know more. I loved that the chapters were not long; it made it quick and pleasurable for me to read it. The writing style used in this novel was not difficult and very easy to read. I really loved how every part of the book was concluded with a sentence, which actually used to take my breath away with disbelief and wish to know more. This book has everything, it is fast paced, it has lots of twists and turns and it thickens with every chapter. This book covers so many great universal themes: how alcoholism destroys families and life of children in such families, what does journalist feels during and after trips to war torn countries, how it affects their personal life seeing so many ruined lives and death of innocent people, how people react while suffering domestic violence. There are so many great and very important themes in this book. I am amazed how author rounded all them up and fitted so many of them in this beautiful creation. The ending of the book was really unexpected and I was so confused after reading it. To be honest, all I have for this book is praise, it is an amazing book and it is a Must Read. Can’t wait for the movie because there definitely will be one.
The plot was amazingly thought through and overflowing with suspense. I couldn’t put it down, it captivated me and I needed to know more. I loved that the chapters were not long; it made it quick and pleasurable for me to read it. The writing style used in this novel was not difficult and very easy to read. I really loved how every part of the book was concluded with a sentence, which actually used to take my breath away with disbelief and wish to know more. This book has everything, it is fast paced, it has lots of twists and turns and it thickens with every chapter. This book covers so many great universal themes: how alcoholism destroys families and life of children in such families, what does journalist feels during and after trips to war torn countries, how it affects their personal life seeing so many ruined lives and death of innocent people, how people react while suffering domestic violence. There are so many great and very important themes in this book. I am amazed how author rounded all them up and fitted so many of them in this beautiful creation. The ending of the book was really unexpected and I was so confused after reading it. To be honest, all I have for this book is praise, it is an amazing book and it is a Must Read. Can’t wait for the movie because there definitely will be one.
Gareth von Kallenbach (971 KP) rated Miss Sloane (2016) in Movies
Jul 12, 2019
Elizabeth Sloane (Jessica Chastain) is one of the most sought-after lobbyists in Washington, D.C. In Miss Sloane, she represents clients on both domestic and international issues ranging from environment and ecological concerns like palm oil to more volatile topics as 2nd Amendment issues.
At a point, Elizabeth sees a crossroads on the horizon and leaves her prestigious firm to take up the fight for gun control with a much smaller firm with less resources, money, and personnel. She is not necessarily “fighting the good fight,” rather, she wants to prove that she can win.
Winning, to her, is all that matters. It matters more than the issues and clients she represents. It matters more than any relationships that she could foster throughout her career. Winning, and her legacy as a winner, is what matters.
The film is a simple approach to something that is sorely needed in the film world outside of the realm of sci-fi: a strong female lead character. Elizabeth is a cut throat lobbyist who is focused on her end goal. In pursuing her outcomes, she sees people as obstacles that she must either maneuver around or go through.
She presents an image that she is a cold, calculating megalomaniacal individual. When behind closed doors, the audience is able to see who she really is: human. Elizabeth finds herself stuck in a world of deception, power, and money. She doesn’t know how to escape in one piece. In fact, she doesn’t know how to escape. Her identity is wrapped up into her profession.
Her reputation is what draws people in and keeps others at bay. When she undergoes a congressional hearing about regulations violations, she finds out how easily this empire that she built could crumble down, or, at least, that is what she lets others think.
The film is strong in its approach to a world that much of the audience is only familiar with during election years as candidates rail against lobbying or are exposed for their close connections to these organizations.
It is not overly ambitious nor does it dumb down the material and dialogue to offer a sense of “universal appeal.” The intrigue will keep audiences fully focused on speculating as to what her next move will be in trying to outmaneuver everyone who seems to be opposed to her.
Her rivals, as well as the audience, will be captivated to the end. Miss Sloane is a political thriller that rivals films like All the President’s Men and The Candidate. It doesn’t disappoint.
At a point, Elizabeth sees a crossroads on the horizon and leaves her prestigious firm to take up the fight for gun control with a much smaller firm with less resources, money, and personnel. She is not necessarily “fighting the good fight,” rather, she wants to prove that she can win.
Winning, to her, is all that matters. It matters more than the issues and clients she represents. It matters more than any relationships that she could foster throughout her career. Winning, and her legacy as a winner, is what matters.
The film is a simple approach to something that is sorely needed in the film world outside of the realm of sci-fi: a strong female lead character. Elizabeth is a cut throat lobbyist who is focused on her end goal. In pursuing her outcomes, she sees people as obstacles that she must either maneuver around or go through.
She presents an image that she is a cold, calculating megalomaniacal individual. When behind closed doors, the audience is able to see who she really is: human. Elizabeth finds herself stuck in a world of deception, power, and money. She doesn’t know how to escape in one piece. In fact, she doesn’t know how to escape. Her identity is wrapped up into her profession.
Her reputation is what draws people in and keeps others at bay. When she undergoes a congressional hearing about regulations violations, she finds out how easily this empire that she built could crumble down, or, at least, that is what she lets others think.
The film is strong in its approach to a world that much of the audience is only familiar with during election years as candidates rail against lobbying or are exposed for their close connections to these organizations.
It is not overly ambitious nor does it dumb down the material and dialogue to offer a sense of “universal appeal.” The intrigue will keep audiences fully focused on speculating as to what her next move will be in trying to outmaneuver everyone who seems to be opposed to her.
Her rivals, as well as the audience, will be captivated to the end. Miss Sloane is a political thriller that rivals films like All the President’s Men and The Candidate. It doesn’t disappoint.
Gareth von Kallenbach (971 KP) rated Fast X (2023) in Movies
May 17, 2023
Dominic Toretto (Vin Diesel) is enjoying the good life as a husband and a
father and has found himself happy with his life but admits that he
worries about losing the ones he loves. In “FastX” which is the latest
film in the long-running series; the sins of the past are about to return
to wreak revenge upon Dominic and his crew.
Linking the events of the sixth film in the series, the crew find
themselves setup and framed after an extended and intense action sequence
in Rome and are on the run from the very agency they have been working
for.
The enigmatic and flamboyant Dante (Jason Mom); always seems to be
one step ahead of the team which finds themselves scattered at various
locations around the world which gives them plenty of time to fight,
drive, tech, and plan their next step in what is increasingly becoming a
deadly game from which there seems to be no way to survive.
The film has a very large cast and it is great to see the faces old and new
pop in and out of the film while they focus on the core characters. The
film does have some slow segments between the action but this is done to
establish new characters and develop the family relationships between
others as a family is a large theme of the series.
This is both a good and bad thing as it is nice to see so many characters
but some have little more than a brief cameo and others get more time than
is necessary. With so many moving parts and locations; the film does
deliver what fans will expect as the creators know the formula that has
made the series such a success and make sure that the over-the-top,
absurd, bombastic, adrenaline ride of the series remains even though it
requires the audience to throw logic and reason out the window and just go
along with the intense stunts and action sequences.
The film sets up the planned next film well and there are some interesting
side stories that I am curious to see how they will be developed in the
next film which had been reported to be the finale of the series before
spin-offs would carry the franchise forward.
It has been reported that Universal has asked for a twelfth film to make
the finale a trilogy and based on the latest outing, there is still enough
gas in the tank to give fans a flawed yet enjoyable summer Popcorn movie.
3.5 stars out of 5
father and has found himself happy with his life but admits that he
worries about losing the ones he loves. In “FastX” which is the latest
film in the long-running series; the sins of the past are about to return
to wreak revenge upon Dominic and his crew.
Linking the events of the sixth film in the series, the crew find
themselves setup and framed after an extended and intense action sequence
in Rome and are on the run from the very agency they have been working
for.
The enigmatic and flamboyant Dante (Jason Mom); always seems to be
one step ahead of the team which finds themselves scattered at various
locations around the world which gives them plenty of time to fight,
drive, tech, and plan their next step in what is increasingly becoming a
deadly game from which there seems to be no way to survive.
The film has a very large cast and it is great to see the faces old and new
pop in and out of the film while they focus on the core characters. The
film does have some slow segments between the action but this is done to
establish new characters and develop the family relationships between
others as a family is a large theme of the series.
This is both a good and bad thing as it is nice to see so many characters
but some have little more than a brief cameo and others get more time than
is necessary. With so many moving parts and locations; the film does
deliver what fans will expect as the creators know the formula that has
made the series such a success and make sure that the over-the-top,
absurd, bombastic, adrenaline ride of the series remains even though it
requires the audience to throw logic and reason out the window and just go
along with the intense stunts and action sequences.
The film sets up the planned next film well and there are some interesting
side stories that I am curious to see how they will be developed in the
next film which had been reported to be the finale of the series before
spin-offs would carry the franchise forward.
It has been reported that Universal has asked for a twelfth film to make
the finale a trilogy and based on the latest outing, there is still enough
gas in the tank to give fans a flawed yet enjoyable summer Popcorn movie.
3.5 stars out of 5
Gareth von Kallenbach (971 KP) rated The Thing (2011) in Movies
Aug 7, 2019
After the success of a videogame based on the original film, rumors of a sequel arose many times but never came to fruition, with creative differences between Universal and John Carpenter cited as the main reason. It was oft-speculated that Carpenter made a deal to write and produce a sequel provided he got to name has director. But when he opted to name himself director the studio balked and the project fell apart. In the aftermath, rumors of a miniseries on the SyfY channel arose along with the possibility of retelling the story with 20-somethings on a tropical island but (thankfully) they never saw the light of day.
Rather than do a sequel or remake, Universal opted to jump start the franchise with a prequel that covers the events leading up to the John Carpenter film. It is set in 1982 at a Norwegian research station in Antarctica shortly before the scientists make an amazing discovery. When they uncover an alien craft that had been buried in the ice for over 100,000 years, as well as a frozen crewmember from the craft, they quickly celebrate the scientific discovery of a lifetime.
Kate Lloyd (Mary Elizabeth Winstead), is recruited by a famed scientist to travel to the desolate continent to research the find. Told only that they are about to research an amazing discovery, Kate and a team of specialists arrive and are absolutely stunned by the magnitude of their discovery. Kate urges caution but is overridden by the expedition leader Dr. Halvorsan (Ulrich Thomsen), who insists on taking a tissue sample of the frozen creature encassed in a block of ice.
Later that evening while celebrating, the very much alive creature escapes from its icy prison and begins to systematically hunt the members of the research team. The creature is eventually trapped and burned which causes some consternation over the loss of the creature for further scientific study, but many in the camp applaud its loss after seeing firsthand the destruction it is capable of.
After a bizarre series of events, Kate makes the startling discovery that the cells of the creature are able to imitate and perfectly replicate any thing that it comes in contact with. As a result, not only is the creature very much alive, but the individuals in the camp may no longer be human. Trapped in a remote location with an advancing winter storm, suspicions and paranoia go through the roof as the survivors are pitted against one another, unsure of who is still human. What follows is a high-octane adventure awash in action and grisly special-effects as the two species are locked in the ultimate battle for survival.
The film has a good supporting cast and Joel Edgerton does solid supporting work as an American helicopter pilot assigned to the camp. Eric Christian Olsen provides a steadying presence as a research assistant but his character is not as developed as it could be. It is known that he and Kate know each other but their past history is undefined which makes their relationship a bit puzzling in the film especially when the survivors begin to pick sides.
While the movie is not going to make fans forget the original, it is a very worthy companion piece. As the film was winding down I found myself checking off a couple of inconsistencies with the original film, but was very pleasantly surprised when this was all explained during the end credits which perfectly synced the end of this film with the opening of John Carpenter’s classic.
In many ways the weakness of film is due to the success of John Carpenter’s previous film, in that the creature is not that much of a mystery this time around. Part of the suspense of the previous film was not knowing how the creature operated nor how it was capable of infecting and replicating numerous individuals.
This time around the suspense is lost due to the familiarity with the creature. As a result, director Matthijs van Heijningen focused his efforts on a more action adventure oriented film that gave very little time for character development. We are not told very much about many of the characters in the film as they simply exist to serve as potential victims for the creature. All one really needs to know is they are scientists or support staff as aside from a handful of characters we’re not really given much reason to care whether they survive.
Visually the film is sharp and it is clear that a lot of attention was paid to replicate the look of the previous film. The shots of vast fields of ice and snow emphasized the remote and isolated setting that the characters find themselves in and served as a reminder that danger lurks all around. The special-effects have obviously been upgraded since 1982 and it was nice to see that the creative elements did not go overboard on CGI effects, and actually used puppetry and animatronics to provide updated creature effects that were still in keeping with the look and tone from the previous film.
While the film is not likely to reach the iconic status of the previous film, it is still a worthy companion piece that has enough action and effects to keep it interesting to fans of the series – just so long as they keep their expectations reasonable and do not expect a film on par with the previous one.
Rather than do a sequel or remake, Universal opted to jump start the franchise with a prequel that covers the events leading up to the John Carpenter film. It is set in 1982 at a Norwegian research station in Antarctica shortly before the scientists make an amazing discovery. When they uncover an alien craft that had been buried in the ice for over 100,000 years, as well as a frozen crewmember from the craft, they quickly celebrate the scientific discovery of a lifetime.
Kate Lloyd (Mary Elizabeth Winstead), is recruited by a famed scientist to travel to the desolate continent to research the find. Told only that they are about to research an amazing discovery, Kate and a team of specialists arrive and are absolutely stunned by the magnitude of their discovery. Kate urges caution but is overridden by the expedition leader Dr. Halvorsan (Ulrich Thomsen), who insists on taking a tissue sample of the frozen creature encassed in a block of ice.
Later that evening while celebrating, the very much alive creature escapes from its icy prison and begins to systematically hunt the members of the research team. The creature is eventually trapped and burned which causes some consternation over the loss of the creature for further scientific study, but many in the camp applaud its loss after seeing firsthand the destruction it is capable of.
After a bizarre series of events, Kate makes the startling discovery that the cells of the creature are able to imitate and perfectly replicate any thing that it comes in contact with. As a result, not only is the creature very much alive, but the individuals in the camp may no longer be human. Trapped in a remote location with an advancing winter storm, suspicions and paranoia go through the roof as the survivors are pitted against one another, unsure of who is still human. What follows is a high-octane adventure awash in action and grisly special-effects as the two species are locked in the ultimate battle for survival.
The film has a good supporting cast and Joel Edgerton does solid supporting work as an American helicopter pilot assigned to the camp. Eric Christian Olsen provides a steadying presence as a research assistant but his character is not as developed as it could be. It is known that he and Kate know each other but their past history is undefined which makes their relationship a bit puzzling in the film especially when the survivors begin to pick sides.
While the movie is not going to make fans forget the original, it is a very worthy companion piece. As the film was winding down I found myself checking off a couple of inconsistencies with the original film, but was very pleasantly surprised when this was all explained during the end credits which perfectly synced the end of this film with the opening of John Carpenter’s classic.
In many ways the weakness of film is due to the success of John Carpenter’s previous film, in that the creature is not that much of a mystery this time around. Part of the suspense of the previous film was not knowing how the creature operated nor how it was capable of infecting and replicating numerous individuals.
This time around the suspense is lost due to the familiarity with the creature. As a result, director Matthijs van Heijningen focused his efforts on a more action adventure oriented film that gave very little time for character development. We are not told very much about many of the characters in the film as they simply exist to serve as potential victims for the creature. All one really needs to know is they are scientists or support staff as aside from a handful of characters we’re not really given much reason to care whether they survive.
Visually the film is sharp and it is clear that a lot of attention was paid to replicate the look of the previous film. The shots of vast fields of ice and snow emphasized the remote and isolated setting that the characters find themselves in and served as a reminder that danger lurks all around. The special-effects have obviously been upgraded since 1982 and it was nice to see that the creative elements did not go overboard on CGI effects, and actually used puppetry and animatronics to provide updated creature effects that were still in keeping with the look and tone from the previous film.
While the film is not likely to reach the iconic status of the previous film, it is still a worthy companion piece that has enough action and effects to keep it interesting to fans of the series – just so long as they keep their expectations reasonable and do not expect a film on par with the previous one.
Bob Mann (459 KP) rated Mortal Engines (2018) in Movies
Sep 28, 2021
At last, the hilarious Brexit comedy we’ve all been waiting for.
As comedy goes it’s classic gold! London has been transferred, presumably via a futuristic big-arsed forklift truck of some kind, onto a huge chassis and is now chugging its way across mainland Europe. Needing fuel, it has the capability to gobble-up other roving towns and cities (take that Barnier!) which London ‘digests’ (smoke that Tusk!). Curiously, the captured cities’ inhabitants are not exterminated but integrated into the City’s population: so much for any anti-immigration policy! (LOL).
But all doesn’t go entirely smoothly for the UK capital. The Lord Mayor of London (Patrick Malahide) declares “We should never have gone into Europe. It’s the biggest mistake we ever made”. (Classic: how we SNORTED with laughter!)
Cities on wheels. London in hot pursuit of a Bavarian mining town. (Some things you just write, and then have to do a double take!). (Source: Universal Pictures International).
Stuffing it squarely to the ‘remainers’, London makes its own future. “It’s time to show the world how strong London can be”. Having conquered most of Europe, it’s time to set its sights on new markets to conquer: so London takes the Chinese on! (Now the tears of laughter are flowing freely!) Trade deals have never been more entertaining since “Star Wars: The Phantom Menace”!
Well, perhaps not
OK, so in the interests of ‘advertising standards’, I’d better make clear before you rush out to the cinema expecting a comedy feature that my tongue is firmly in my cheek here. For “Mortal Engines” is the latest sci-fi feature from Peter Jackson. But when viewed from a Brexit perspective, it’s friggin’ hilarious!
In terms of plot, this (like “Waterworld”) makes clever use of the Universal logo to set the agenda. The world has been decimated with a worldwide war – though clearly one that selectively destroyed bits of London and not others! – and the survivors must try to survive in any way they can. Settlements are divided between those that are ‘static’ and those (like London) that are mobile and constantly evolving: “Municipal Darwinism” as it is hysterically described. But London, or rather the power-crazed Londoner Thaddeus Valentine (Hugo Weaving), wants revolution rather than evolution and he is working on development of one of the super-weapons that started the world’s demise in the first place.
But Hester Shaw (Hera Hilmar), separated when young from her mother Pandora (yes, she has a box and we’ve seen it: wink, wink) is intent on stopping him, since she is on a personal path of vengence. Teaming up with Londoner Tom (Robert Sheehan) and activist Anna Fang (Jihae) they must face both Thaddeus and the ever-relentless Shrike (Stephen Lang) to try to derail the destructive plan.
“I’m not subtle”
So says Anna Fang, but then neither is this movie. The film is loud and action-filled and (as a significant plus) visually extremely impressive with it. I’m not a great fan of excessive CGI but here it is essential, and the special-effects team do a great job. The production design is tremendous – a lot of money has been thrown at this – and the costume design inventive, a high-spot (again snortworthy) being the Beefeater guards costumes!
Where the film really crashes, like a post-Brexit stock market, is with the dialogue. The screenplay by Jackson himself, with his regular writers Fran Walsh and Phillipa Boyens contains some absolute clunkers, notwithstanding the unintended LOL-worthy Brexit irony. It’s jaw-droppingly bad, believe me.
The turns
The only real “name” in the whole film is Jackson-favourite Hugo Weaving. Just about everyone else in the cast is pretty well unknown, and in many cases it shows. Standing head and shoulders though for me over the rest of the cast was Icelandic actress Hera Hilmar, who strikes a splendidly feisty pose as the mentally and physically scarred Hester. I look forward to seeing what she does next.
Plagerism: the movie
Story-wise, there’s not a sci-fi film that’s not been looted, and a number of other films seem to be plundered too. (I can’t comment on how much of this comes from the source book by Philip Reeve). The Londonmobile looks for all the world like Monty Python’s “Crimson Permanent Assurance Company”; the teenage female lead is Sarah Connors, relentlessly pursued by The Terminator; the male lead is archaologist cum hot-shot pilot Indiana Solo, leather jacket and all; there is a Blade Runner moment; a battle that is a meld of “The Great Wall” and Morannon from “The Lord of the Rings: The Two Towers”; a less sophisticated aerial location from “The Empire Strikes Back”; and another classic Star Wars moment (without the words being actually said!).
A case of the Jackson Pollocks
Now I’m loathe to say anything bad about director Peter Jackson, after his breathtakingly memorable “They Shall Not Grown Old“. And the film has its moments of flair, most memorably a “life flashing before your eyes scene” that I found genuinely moving. But overall, as an actioner, it’s a bit of a mess.
It’s a long way from being the worse film I’ve seen this year by a long stroke – it kept me interested and amused in equal measure for the running time. But I think given it’s initially bombed at the Box Office, any plans Jackson had to deliver a series of these movies might need to be self-funded.
But all doesn’t go entirely smoothly for the UK capital. The Lord Mayor of London (Patrick Malahide) declares “We should never have gone into Europe. It’s the biggest mistake we ever made”. (Classic: how we SNORTED with laughter!)
Cities on wheels. London in hot pursuit of a Bavarian mining town. (Some things you just write, and then have to do a double take!). (Source: Universal Pictures International).
Stuffing it squarely to the ‘remainers’, London makes its own future. “It’s time to show the world how strong London can be”. Having conquered most of Europe, it’s time to set its sights on new markets to conquer: so London takes the Chinese on! (Now the tears of laughter are flowing freely!) Trade deals have never been more entertaining since “Star Wars: The Phantom Menace”!
Well, perhaps not
OK, so in the interests of ‘advertising standards’, I’d better make clear before you rush out to the cinema expecting a comedy feature that my tongue is firmly in my cheek here. For “Mortal Engines” is the latest sci-fi feature from Peter Jackson. But when viewed from a Brexit perspective, it’s friggin’ hilarious!
In terms of plot, this (like “Waterworld”) makes clever use of the Universal logo to set the agenda. The world has been decimated with a worldwide war – though clearly one that selectively destroyed bits of London and not others! – and the survivors must try to survive in any way they can. Settlements are divided between those that are ‘static’ and those (like London) that are mobile and constantly evolving: “Municipal Darwinism” as it is hysterically described. But London, or rather the power-crazed Londoner Thaddeus Valentine (Hugo Weaving), wants revolution rather than evolution and he is working on development of one of the super-weapons that started the world’s demise in the first place.
But Hester Shaw (Hera Hilmar), separated when young from her mother Pandora (yes, she has a box and we’ve seen it: wink, wink) is intent on stopping him, since she is on a personal path of vengence. Teaming up with Londoner Tom (Robert Sheehan) and activist Anna Fang (Jihae) they must face both Thaddeus and the ever-relentless Shrike (Stephen Lang) to try to derail the destructive plan.
“I’m not subtle”
So says Anna Fang, but then neither is this movie. The film is loud and action-filled and (as a significant plus) visually extremely impressive with it. I’m not a great fan of excessive CGI but here it is essential, and the special-effects team do a great job. The production design is tremendous – a lot of money has been thrown at this – and the costume design inventive, a high-spot (again snortworthy) being the Beefeater guards costumes!
Where the film really crashes, like a post-Brexit stock market, is with the dialogue. The screenplay by Jackson himself, with his regular writers Fran Walsh and Phillipa Boyens contains some absolute clunkers, notwithstanding the unintended LOL-worthy Brexit irony. It’s jaw-droppingly bad, believe me.
The turns
The only real “name” in the whole film is Jackson-favourite Hugo Weaving. Just about everyone else in the cast is pretty well unknown, and in many cases it shows. Standing head and shoulders though for me over the rest of the cast was Icelandic actress Hera Hilmar, who strikes a splendidly feisty pose as the mentally and physically scarred Hester. I look forward to seeing what she does next.
Plagerism: the movie
Story-wise, there’s not a sci-fi film that’s not been looted, and a number of other films seem to be plundered too. (I can’t comment on how much of this comes from the source book by Philip Reeve). The Londonmobile looks for all the world like Monty Python’s “Crimson Permanent Assurance Company”; the teenage female lead is Sarah Connors, relentlessly pursued by The Terminator; the male lead is archaologist cum hot-shot pilot Indiana Solo, leather jacket and all; there is a Blade Runner moment; a battle that is a meld of “The Great Wall” and Morannon from “The Lord of the Rings: The Two Towers”; a less sophisticated aerial location from “The Empire Strikes Back”; and another classic Star Wars moment (without the words being actually said!).
A case of the Jackson Pollocks
Now I’m loathe to say anything bad about director Peter Jackson, after his breathtakingly memorable “They Shall Not Grown Old“. And the film has its moments of flair, most memorably a “life flashing before your eyes scene” that I found genuinely moving. But overall, as an actioner, it’s a bit of a mess.
It’s a long way from being the worse film I’ve seen this year by a long stroke – it kept me interested and amused in equal measure for the running time. But I think given it’s initially bombed at the Box Office, any plans Jackson had to deliver a series of these movies might need to be self-funded.
Kristy H (1252 KP) rated Mother Knows Best in Books
Oct 31, 2019
Claire Abrams' world crashed when her mitochondrial DNA passed along a mutation that eventually killed her son, Colton, when he was eight. It devastated Claire and her husband, Ethan. But then Claire discovers Dr. Robert Nash, a fertility doctor who is working with his young research scientist, Jillian Nash, to create the first baby with three genetic parents. This allows Claire to have a healthy baby. The fact that it's currently illegal doesn't stop the trio, but eventually news of their feat leaks, and Claire goes into hiding, joined by Robert. Years later, young Abby lives a sheltered life with her parents, including a mom who barely wants to leave the house. And then there's Jillian, who served a prison sentence for her work on the experiment. She's determined to get credit for her science, and nothing will stop her.
"It is impossible to tell that my beautiful girl is the first of her kind. Even she doesn't know."
I found this book totally addictive. Yes, it's a little crazy at times, but it was a real page-turner, and it had me glued to the pages. I loved Abby, who gets her own turn at telling her story, and I even liked Claire, even if I questioned some of her decisions at times. As someone who has been through IVF, a lot of this story hit close to home, and I could understand and empathize with what was going on, even if the plotline was far more far-fetched than anything that has occurred in my own life. But the ultimate themes of family, searching for a place to belong, and the desire to have safe and healthy children--those are universal.
The book certainly raises some interesting ethical questions. It keeps the science fairly simple, so it's easy to follow along and understand. It makes you think, and with Ethan and Claire on two starkly opposing sides, it lets you put yourself in their shoes and wonder what you would do in a similar situation. The multiple narrators--including Abby, Claire, and Jillian--work well, too.
At the same time, much of the book is an adrenaline filled thriller, with crazy characters and wild situations. I figured out some of the pieces, but it always kept me guessing and interested. I was definitely fascinated and mesmerized, wondering what on earth was going to happen next.
"But someone out there will never give up searching. Someone who's long out of prison, whose name I can't bear to utter or think."
There were a few slightly crazy moments, and I think the ending wrapped up a little too easily, but I liked it, so all is well. This book was exactly what I needed--an addictive read with an interesting story that kept me interested. 4 stars.
"It is impossible to tell that my beautiful girl is the first of her kind. Even she doesn't know."
I found this book totally addictive. Yes, it's a little crazy at times, but it was a real page-turner, and it had me glued to the pages. I loved Abby, who gets her own turn at telling her story, and I even liked Claire, even if I questioned some of her decisions at times. As someone who has been through IVF, a lot of this story hit close to home, and I could understand and empathize with what was going on, even if the plotline was far more far-fetched than anything that has occurred in my own life. But the ultimate themes of family, searching for a place to belong, and the desire to have safe and healthy children--those are universal.
The book certainly raises some interesting ethical questions. It keeps the science fairly simple, so it's easy to follow along and understand. It makes you think, and with Ethan and Claire on two starkly opposing sides, it lets you put yourself in their shoes and wonder what you would do in a similar situation. The multiple narrators--including Abby, Claire, and Jillian--work well, too.
At the same time, much of the book is an adrenaline filled thriller, with crazy characters and wild situations. I figured out some of the pieces, but it always kept me guessing and interested. I was definitely fascinated and mesmerized, wondering what on earth was going to happen next.
"But someone out there will never give up searching. Someone who's long out of prison, whose name I can't bear to utter or think."
There were a few slightly crazy moments, and I think the ending wrapped up a little too easily, but I liked it, so all is well. This book was exactly what I needed--an addictive read with an interesting story that kept me interested. 4 stars.
Gareth von Kallenbach (971 KP) rated Furious 7 (2015) in Movies
Aug 6, 2019
As most would expect from the Fast & Furious franchise, the 7th installment was full of the absurd, ridiculous and spectacular. How a former FBI agent and reticent street racer came to be the leaders of a highly sought after band of not-so-merry brothers (and sisters), hired to accomplish what special ops couldn’t is just part of the absurd. The ridiculous can be found in the escapades they find themselves mired in as well as the stunts they have to pull off to get out of said predicaments. But tied into the absurd and ridiculous are the spectacular adrenaline rushes charged with a lot of shiny metal and ferocious revs and rumbles of finely tuned engines.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
Charlie Cobra Reviews (1840 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jul 7, 2020
Fast and Furious Johnson/Statham Style
Fast And Furious Presents Hobbs & Shaw is a 2019 action movie directed by David Leitch and written by Chris Morgan and Drew Pearce from a story by Morgan. It was produced by Seven Bucks Productions and Chris Morgan Productions and distributed by Universal Pictures. The film also had Jason Statham, Dwayne Johnson, Chris Morgan and Hiram Garcia as producers. The movie stars Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby and Ryan Reynolds.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
Gareth von Kallenbach (971 KP) rated Fast & Furious 9 (2021) in Movies
Jun 23, 2021
F9 The Fast Saga Does Not Offer Anything New But Serves Up An Abundance Of High-Octane; Over The Top Action
After being delayed from a summer 2020 release by the Pandemic; Universal has released the latest film in the Fast and The Furious franchise to fans eager for some adrenaline-fueled summer action.
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5