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Herland, the Yellow Wall-Paper, and Selected Writings
Herland, the Yellow Wall-Paper, and Selected Writings
Charlotte Perkins Gilman | 2010 | Fiction & Poetry
8
8.0 (3 Ratings)
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Feminist text (0 more)
Clunky (0 more)
This was both fun and grim
This was an interesting book and for all you feminists out there, quite amusing. The author covered a range of issues which are still relevant today such as, the way food is grown, cultivated and harvested, the values of being kind to the earth. It covered the way that children are educated. There is an excellent piece on religion which I personally found amusing, being an atheist. Considering the time period in which the novella was written, this book is like a mirror on society, especially a patriarchal society.
The sentence structure is clunky, annoyingly long but typical of late Victorian work. The ending is frustrating as it is left wide open without answers. Yet putting that aside, I really liked it. It is not my ideal female utopia, but I am sure for Perkins, in an oppressive male dominated society, it was.
  
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    Another high action SF dystopia perfect for fans of Richard Morgan and Alfred Bester alike. The...

Starship Troopers (1997)
Starship Troopers (1997)
1997 | Action, Sci-Fi
Not so much an adaptation of Heinlein's novel as a parody of it, Verhoeven's SF spectacular works equally well as storming action movie and outrageous black satire. Johnny Rico (Van Dien) joins the army for the wrong reasons, finds himself rising through the ranks as Earth provokes a war with the invertebrate Arachnids and finds itself facing a much more dangerous opponent than expected.

Verhoeven displays his usual uncanny ability to turn a movie on a dime - one second this is a deliberately cheesy deadpan comedy about growing up in a fascist utopia, the next it's delivering a genuinely thrilling action sequence that pushes the boundaries of CGI. Much, much smarter than it initially appears - even the decision to cast good-looking but essentially wooden young people (e.g. Denise Richards) in the lead roles seems calculated to make a point. Michael Ironside is genuinely good as the grizzled old soldier; another belting score from Basil Poledouris. Also weirdly prescient of the way the US and its media reacted after 9/11. Thoroughly enjoyable on many levels.